## The Project Gutenberg eBook of The Bojabi Tree

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The Bojabi Tree

Author: Edith Rickert

Illustrator: Gleb Botkin

Release date: July 27, 2019 [eBook #59994]

Language: English

Other information and formats: www.gutenberg.org/ebooks/59994

Credits: Produced by Tim Lindell, David E. Brown, and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/American Libraries.)

*** START OF THE PROJECT GUTENBERG EBOOK THE BOJABI TREE ***

# THE BOJABI TREE

ALL THE BEASTS WERE HUNGRY

THE BOJABI TREE

BY
EDITH RICKERT

PICTURES BY
GLEB BOTKIN

GARDEN CITY NEW YORK
DOUBLEDAY, PAGE & COMPANY
1923

COPYRIGHT, 1923, BY
DOUBLEDAY, PAGE & COMPANY
ALL RIGHTS RESERVED, INCLUDING THAT OF TRANSLATION
INTO FOREIGN LANGUAGES, INCLUDING THE SCANDINAVIAN
COPYRIGHT, 1922, BY D. C. HEATH & COMPANY
PRINTED IN THE UNITED STATES
AT
THE COUNTRY LIFE PRESS, GARDEN CITY, N. Y.
First Edition

[5]

THE BOJABI TREE

## CHAPTER ONE
ROBIN RAT

In the land of All-the-Beasts there was a GREAT HUNGER. Some of the animals who were so HUNGRY were

Tabby Tiger
Bruno Bear
Katy Crocodile
Robin Rat
Pinky Pig
Giddy Goat
Tommy Tortoise

and many more—more than you could ever count in a year.

[6]

THEY COULD NOT EAT IT

They ran around the wood, here and there and everywhere, eating roots and twigs and any old scraps they could find. But still they were HUNGRY.

One day they came to a Big Tree full of fruit. But they could not eat it, for they did not know what it was.

[7]

“LET US SEND ROBIN RAT”

They sat down in a circle round the tree, and said, “What can we do?”

When they had thought a while, they said,[8] “Let us send Robin Rat up the river to Leo, our King, and ask him what the fruit is and whether we may eat it.”

ROBIN RAT PICKS THE FRUIT

Robin Rat was young and spry. He scuttled up the tree and brought down one of its fruits to show King Leo.

It was a DELICIOUS looking fruit!

It looked like an

APPLEORANGEPLUMPEARBANANA

but it smelled like a

BANANAPEARPLUMORANGEAPPLE.

[9]

SUNSET ON THE RIVER

Then Robin Rat scuttled down to the river bank and climbed into his little canoe.

All the day and all the day he paddled

and paddled
and PADDLED

up the river.

And the Great Red Sun dropped behind the trees.

[10]Then he found King Leo on the bank, all ready to receive visitors. He was wearing his crown tipped on the back of his head because he felt happy. He smiled at Robin Rat as pleasant as you please, and asked him to stay to supper.

[11]

ALL READY TO RECEIVE VISITORS

[12]

NIGHT IN THE GREAT WOOD

After supper they curled up and went to sleep. There was nothing else to do, you see. For this is the way it looked in the

GREAT WOOD.

[13]

IN THE MORNING

In the morning King Leo said politely, “What can I do for you, my small friend?”

Then Robin Rat answered, “Please tell us, King Leo, what is the name of this tree and whether we may eat the fruit of it. We are all SO HUNGRY!”

[14]

KING LEO SNIFFS AT THE FRUIT

King Leo looked at the fruit that was like an

APPLEORANGEPEARPLUMBANANA

and he sniffed at the fruit that was like a

BANANAPLUMPEARORANGEAPPLE.

Then he said, “It is a good fruit. You may eat it. The name of the tree is

BOJABI.”

[15]

ALL THE DAY HE PADDLED

Then Robin Rat hung his cap over his right ear and climbed into his little canoe.

All the day and all the day he paddled down the great river.

And all the way he was thinking how much he could eat of that

DELICIOUS fruit.

And at night he came home.

[16]

WAITING FOR ROBIN RAT

All the Beasts were waiting for him on the shore. He came up, whisking his paddle this way and that way through the water, just to show how well he could do it.

“What is it, Robin Rat?” said All the Beasts. “Tell us the name!” they roared and howled and grunted and whined and shrieked and squealed, each in his own PARTICULAR voice.

“Oh!” said Robin Rat. “I knew it a while ago, but now I have clean forgotten.”

[17]

WHAT HAPPENED TO ROBIN RAT

Then All the Beasts stepped into the water and upset Robin Rat’s little canoe.

They SPLASHED and they
SPLUTTERED and they
SP-L-ANKED

Robin Rat.

Squeaksqueaksqueaksqueaksqueak!

Nobody heard a word more from him that day.

[18]

## CHAPTER TWO
PINKY PIG

But now All the Beasts were HUNGRIER STILL.

They sat in a circle round the tree and thought a while.

Then they said, “Let us send Pinky Pig to King Leo to ask the name of the tree. But Pinky Pig,

DO NOT FORGET IT!”

[19]

“LET US SEND PINKY PIG”

[20]

ROWING UP THE RIVER

Pinky Pig trotted away home—

trip trap, trip trap, trip trap.

He put on his best blue coat and buttoned it up, though it squeezed him a little.

Then he trotted—trip trap, trip trap, trip trap—down to his little rowboat and took his oars to row up the big river.

All the day and all the day he rowed

and he rowed
and he ROWED

up the big river.

[21]

KING LEO ON THE BANK

And the Great Red Sun dropped behind the trees.

Then he found King Leo on the bank, all ready to receive visitors. His crown was a little crooked because he had put it on in a hurry when he saw Pinky Pig coming.

He smiled politely but he did not invite Pinky Pig to stay to supper.

[22]“What can I do for you, my plump friend?” he asked.

Pinky Pig showed him the fruit that looked like an

APPLEORANGEPEARPLUMBANANA

and smelled like a

BANANAPLUMPEARORANGEAPPLE,

and said, “Please, King Leo, we must know the name of this tree or we cannot eat the fruit. Please be so kind as to tell us.”

Then King Leo said,

> “I have told Robin Rat.
> I will tell you.
> The name of the tree is
> BOJABI!
> Do not forget it.”

[23]

“WHAT CAN I DO FOR YOU?”

[24]

H-R-R-R-UMPH!

Pinky Pig trotted back to his rowboat—trip trap, trip trap, trip trap.

All the night and all the night he rowed—he rowed—and he ro-o-owed until the oars—dropped—from—his—hands—and the big river took the boat down itself.

Pinky Pig curled up under the seat. And this is the sound that came from the boat:

H-r-r-r-umph
h-h-r-r-r-umph
h-h-h-r-r-r-r-UM-MPH!

[25]

THE ARRIVAL OF PINKY PIG

In the morning Pinky Pig sat up and rubbed his eyes. He was at home. All the Beasts stood on the river bank looking at him. “What is it, Pinky Pig? Tell us the name!” they whistled and snarled and squealed and shrieked and whined and grunted and howled and roared, each in his own PARTICULAR voice.

“I know it,” said Pinky Pig. Then he yawned.

“I knew it last night,” he said, “but—ah—ah—I—must—have—been—asleep, and—ah—for—got—ten it.”

That is the way he talked when he was yawning.

[26]Then All the Beasts jumped into the water and smashed Pinky Pig’s boat and his oars.

They PLUNGED about and
PUNCHED poor Pinky Pig and
POUNDED him until he went
plop—plop—into the water.

SQue-e-e-e-e-e-E-E-E-E-E-E-E-E-AL!

He ran home with the water running off him and making little puddles here and there.

Nobody heard a word more from him that day.

[27]

## CHAPTER THREE
GIDDY GOAT

But now All the Beasts were HUNGRIER and HUNGRIER. They could have eaten nails if there had been any nails in the Great Wood.

They sat in a circle round the tree and thought a while.

Then they said, “Giddy Goat is older than Pinky Pig, and wiser than Robin Rat. Let us send him to King Leo to ask the name of the tree, so that we may eat the fruit of it before we starve.

But Giddy Goat,
DO NOT FORGET IT!”

[28]

“A-rashum!” said Giddy Goat. He was afraid of catching cold. Away he ran—ker-lipp, ker-lipp—to his house to get a big woolly muffler to wear on the river. He wrapped it three times round his neck and tucked it neatly under his beard.

Then he ran—ker-lipp, ker-lipp—down to his little sailboat on the river.

All the day and all the day he sailed

and he sailed
and he SAILED

up the big river.

And the Great Red Sun dropped behind the trees.

[29]

SAILING TO KING LEO

Then he found King Leo on the bank, not ready to receive visitors. His crown was on straight and he looked very CROSS.

[30]“Whatdoyouwant?” he snapped—just like that.

“A-rashum!” said Giddy Goat. “I beg your Majesty’s pardon. I have a cold coming on.”

He showed King Leo the fruit that looked like an

APPLEORANGEPEARPLUMBANANA

and smelled like a

BANANAPLUMPEARORANGEAPPLE,

and said, “If you would be so very kind, King Leo, to tell us the name of this tree, so that we may know whether we may eat the fruit of it.”

Then King Leo said,

> “I have told Robin Rat.
> I have told Pinky Pig.
> I will tell you.
> But I will not tell ANYBODY ELSE.
> The name is BOJABI.
> DO NOT FORGET IT!”

[31]

“I BEG YOUR MAJESTY’S PARDON”

[32]

“A-rash-oo!” said Giddy Goat and he skipped away—ker-lipp, ker-lipp—to his sailboat.

All the night and all the night he sailed
and he sailed
and he SAILED.

All the way he was remembering the name, and he remembered it very well.

He sailed so fast that he got home in the early, early morning.

And all the way when he wasn’t remembering the name, he was sneezing:

“A-tchoo! A-rashum! A-tchoo!”

[33]

A-TCHOO!

All the Beasts were waiting for him—rows and rows of them. Those in the back rows looked over the shoulders of those in the front rows, or climbed on their backs.

They pushed and jostled one another until they had upset Giddy Goat’s sailboat. Ker-splash!—he went into the river.

Such a sight as he was when they pulled him out. His long hair was full of water. His beard was full of water. His eyes were full of water. His beautiful new muffler was full of water.

When the animals crowded round him to ask the name of the tree, he shook himself so that the water flew in their faces, and ran away home—ker-lipp, ker-lipp—with a most dreadful

[34]

SUCH A SIGHT!

[35]

His wife made him go to bed. And not one word could anyone get from him all that day but A-tchoo! A-rashum! A-TCHOO!

[36]

## CHAPTER FOUR
TOMMY TORTOISE

By this time All the Beasts were so HUNGRY that they sat round the tree and cried.

You see there was no one else who had a boat.

“What shall we do?” they wailed and howled and buzzed and grunted and groaned and sobbed and lamented, each in his own most PARTICULAR voice.

Then Tommy Tortoise, who had been lying asleep in the sun, opened one eye, and said, “What is all this fuss about? Haven’t you found out the name of this tree YET?”

They said they had not and cried harder than ever.

[37]“Oh, well,” said he, “if that’s all, I’ll go and get it for you.”

“YOU!” snarled Tabby Tiger.

“You! You!” grunted Bruno Bear.

“You!” snapped Katy Crocodile, biting her word off short.

“You-u-u-u!” trumpeted Elizabeth Elephant.

“You! You! You!” chattered Mimi Monkey.

You never heard such a noise—not even at the circus—as there was when they all said this, each in his own PARTICULAR voice.

“Yes, me—I mean I,” said Tommy Tortoise in his little, thin voice.

Then he crawled slowly home, trailing one foot after the other, as some boys do on their way to school.

He found his mother knitting stockings and rocking the baby.

“Hssh!” said Mrs. Tortoise. “He’s just dropping off.”

[38]“Mother,” said Tommy Tortoise. “How can I remember the name of that tree if I go up the river to get it?”

“Tommy,” said Mrs. Tortoise, “do you remember how you used to go to school with all the other little tortoises and learn things?”

“Yes,” said Tommy.

> “Nine times one makes nine,
> Nine times two makes eighteen,
> Nine times three makes twenty-seven—”

He said the Nines table because anybody can say the Tens, and he wasn’t sure about the Elevens.

“Hsh!” said Mrs. Tortoise. “That will do. You will wake the Baby.”

“But I will tell you how to remember.” She whispered in his ear.

Then she said, “Now, Tommy, whatever happens to you, mind your manners. Remember to bow to King Leo and to speak to him so politely that he will know you have been well brought up.”

“Yes, Mother,” said Tommy Tortoise.

[39]

MRS. TORTOISE GIVES ADVICE

Then he put on his cap with the red tassel, and he went down to the river. He had no boat; so he had to swim.

All the day and all the day he swam
and he swam
and he SWAM.

When he was tired swimming, he would turn over on his shell and float with all his legs kicking in the water, just as the Baby kicks in his bath.

[40]And the Great Red Sun dropped behind the trees.

When Tommy Tortoise reached King Leo’s home, King Leo was NOT curled up comfortably wearing his crown and ready to receive visitors. He was standing on the river bank waving his tail. His big head was waggling this way and that way, and he was not smiling AT ALL.

Before Tommy could speak a word, or even make his best bow, King Leo said:

“R-R-R-R-R-R-R-R-R-R-R-R-R-R-R-R! S-s-cat! S-scamper! S-scat! S-skedaddle!

> I told Robin Rat.
> I told Pinky Pig.
> I told Giddy Goat.
> I WILL NOT TELL YOU

that the name of the tree is bojabi.

R-R-R-R-R-R-R-R-R-R-R-R-R-R-R-R-R!”

“Bojabi,” whispers Tommy Tortoise to himself, and jumps—ker-lump—into the river again.

[41]

“I WILL NOT TELL YOU”

[42]

SINGING ON THE RIVER

All the night and all the night he swam
and he swam
and he SWAM.

But it was easy work to let the big river carry him on its back.

All the night and all the night he made up a little song and sang it, like this:

[43]

“O Robin Rat, what shall we eat?
Bojabi—bojabi—bojabi.
O Pinky Pig, so fat and neat,
Bojabi—bojabi—bojabi.
O Giddy Goat, so fast and fleet,
Bojabi—bojabi—bojabi.
O Humpy Hippo, hard to beat,
Bojabi—bojabi—bojabi.
O Bruno Bear, with clumsy feet,
Bojabi—bojabi—bojabi.
O Katy Crocodile, here’s a treat,
Bojabi—bojabi—bojabi.
O Tommy Tortoise, of Puddle Street,
Bojabi—bojabi—bojabi.
O All-the-Beasts, come quick and eat
Bojabi—bojabi—bojabi.”

And THAT was what his mother had told him to do.

[44]

All the Beasts were lying on the bank of the river. Far away they heard the little, thin voice of Tommy Tortoise singing his song. They pricked up their ears, looking this way and that way as they listened.

And presently Tommy Tortoise came crawling up through the mud.

“What is it?” they cried, each in his own PARTICULAR voice. You would have thought that all the circuses in the world were there.

“Bojabi,” said Tommy Tortoise, and crawled away home without another word.

[45]

SUPPER!

That night All the Beasts had bojabi for their supper.

But Tommy Tortoise had cream with his.

[46]

THE KING OF ALL THE BEASTS

[47]After that All the Beasts in that wood were never hungry. They could always eat bojabi.

They made Tommy Tortoise their king. “For,” they said, “if he could remember the name of the bojabi tree, he can do anything.”

As far as I know he is king of All the Beasts in the Great Wood to-day.

—Adapted from an African Folk Tale.

THE End

TRANSCRIBER’S NOTE:

Obvious typographical errors have been corrected.

*** END OF THE PROJECT GUTENBERG EBOOK THE BOJABI TREE ***
Updated editions will replace the previous one—the old editions will be renamed.
Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.
START: FULL LICENSE

## THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.
Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works
1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

> This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.
1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.
1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg
Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.
The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact
Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.
Section 5. General Information About Project Gutenberg electronic works
Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.
Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Most people start at our website which has the main PG search facility: www.gutenberg.org.
This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.