The Project Gutenberg eBook of The Bay and Padie book

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: The Bay and Padie book

Kiddie songs

Author: Furnley Maurice

Illustrator: Cyril Dobbs

Vera Hamilton

Release date: June 20, 2007 [eBook #21874]

Most recently updated: January 2, 2021

Language: English

Other information and formats: www.gutenberg.org/ebooks/21874

Credits: Produced by Jason Isbell, Irma Spehar, Christine D. and

the Online Distributed Proofreading Team at

https://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK THE BAY AND PADIE BOOK ***

"Do you like ours 'n' father's new book, Bay?"

"Aw, there's not any picture of the Santa-cart written in it!"

Oh!

What a lot of lots of things

For little boys to like!

So Bay doesn't stay in the stars any more

THE BAY AND PADIE BOOK

WHISPER!

When you're coming in the door

Please come gently, very gently!

Micky might be on the floor!

Fact, he might be anywhere!

Near the hallstand, by the stair!

Hush! Step gently, very gently!

When you're coming in the door.

The Writer wishes to thank the Editor of "The Bulletin," Sydney, for permission to reprint "Nonsense Immortal," and the Editor of "The Triad," Sydney, for a similar courtesy regarding "Kitchen Lullaby" and "Little Boys."

The

BAY AND PADIE

BOOK

KIDDIE SONGS

By

FURNLEY MAURICE

Illustrations by

VERA HAMILTON

and

CYRIL DOBBS

Commonwealth of Australia

Sydney J. Endacott

Melbourne

1917

First Edition November 1917

Second Edition February 1918

Wholly set up and printed in Australia at the Galleon Press, Norris-street, Surrey Hills, Vic., for Sydney J. Endacott, 14 Cumming-street, Moonee Vale, Vic.

THE SHADOW SHOW

Trains with wheels and clouds of smoke,

Funny crowds of dodging folk,

Trams that run along with sparks,

Sofa games and pillow larks,

Grubs and ponies, worms and tigers,

Sparrows on the tree,

Oh!

What a lot of lots of things

For little boys to see!

Aeroplanes and paper darts,

Woodmen driving broken carts,

Minahs on the chimney tops,

Swallows dodging near the shops,

Barking pups that make the postman

Fall down off his bike;

Oh!

What a lot of lots of things

For little boys to like!

Great big pictures in big books,

Pastry from the pastrycook's,

Circuses and Mentone sand,

Musics of the soldier band,

Chocolates wrapped in silver paper

So they won't get wet;

Oh!

What a lot of lots of things

For little boys to get!

WHISPER!

Tip-toe, Tip-toe, hush the noise,

There's a wide-eye-whisper tune;

Micky's making songs for boys;

Sleepy after the afternoon.

THE SOLDIER BAND

My mother and my father are both having tea to drink;

Inside the pastry shop they saw me last.

They don't know where I've got to, for I've runned from where they think;

I heard the soldier band go marching past.

Oh, tiddley—om—ti—pomp they go! Stamp soldier, stamp!

A cab-horse jumped into the air and bumped against a lamp.

Ta—rah—ra—rah, the trumpets go telling the boys to come,

And always and all the time, bang goes the drum.

Look at their lovely leather legs! The big brass things they blow!

I don't care where I walk or who I meet,

I'm following the band away to where the musics grow,

I'm hitting my boots heavy on the street.

For I must find the music man that lets them play so loud,

And find the funny place where soldiers go

To fill their trumpets with the noise they blow among the crowd—

It's not a tea and pastry shop I know.

WHISPER!

Anyone seen Micky here?

Him that lives above the ceiling.

Sometimes far and sometimes near,

Boys have heard his little squealing.

Oh, I must find the music place, and stamp along the track,

And try to let no trams run over me;

If I'm a long, long way from home, the band will play me back,

That's if I'm good and never spill my tea.

When I grow up a soldier man, I'll buy a pole to wag,

With silver top and tassels red and blue;

I'll tell my little brother to be carrying the flag,

While I call out and tell him how to do.

I don't know where my father is, I've left him in a shop,

And if I'm lost there's bound to be a noise;

If fathers want their children, they should make the policeman stop

The music of the bands that steal the boys.

Oh, tiddley—om—ti—pomp they go! Stamp, soldier, stamp!

A captain with a silver sword is marching them to camp.

Ta—rah—ra—rah, the trumpets go, telling the boys to come,

And always and all the time, bang goes the drum.

WHISPER!

Hush, you, hush! I heard a patter

On the 'randah, in the wet!

Now 'n again, we've heard him chatter,

But we've never seen him yet.

INVALID

Raid, raid, go away,

Dote cub back udtil I say,

That wote be for beddy a day.

Ad wot's the good of sudlight, dow?

When I ab kept id bed,

Ad rubbed ad poultised for to cure

The cold that's id be head?

I've beed out od the kitched lawd,

With dothig od be feet,

Ad subthig's coffig id be deck

Ad all be head's a heat.

Tell Bay to dot bake such a doise;

Dote rud the cart so hard!

For tissudt fair, just wud of us

To rud arowd the yard.

Ad wed I try to say a tale,

Or sig a little sog,

The coffig cubs idtoo be deck

Ad tickles dredful strog.

Ad wed is father cubbig obe?

He'd dot be log he said—

If this is jist a cold it bust

Be awful to be dead!

Oh what a log, log day it is!

Ibe tired of blocks ad books;

I've cowted all the ceilig lides,

I've thought of sheep ad chooks.

I've drawd a bad's face with a bo,

I've drawed a pipe to sboke;

Just wed I thought I was asleep

I wedt ad thought I woke!

WHISPER!

Tip-toe, tip-toe, through the house,

'Round the pantry, down the hall.

P'raps he's only just a mouse;

P'raps he's nuffing real at all.

Wot's the good of sudlight dow,

Ad wot's the good of raid?

Ad wot's the good of eddythig

Wed all your head's a paid?

Raid, raid go away,

Ad dote cub back udtil I say,

Ad that wote be for beddy a day.

WHOM THE GODS LOVE

He's so chubby and happy and wonderful,

Dainty and perfectly made,

That when he kicks at the sunbeams there,

Out on the grass in his cradle chair,

Somehow I feel afraid.

We ought to hide him away, I think,

Real beauty was always a bane,

If the gods get to know of his baby wiles,

Of his firm round limbs, or his magic smiles,

They'll want him back again.

WHISPER!

Hush, you! Hush! I think I hear

Just a little noise of humming!

If you see him waiting near

Please don't whisper him we're coming!

LITTLE BOYS

The roads go out to Macedon, the roads go out to Rome,

Some die in snowy Buffaloes and some turn home;

I've done the Alps and Apennines, and Naples to the moon,

For fancies cover splendid ground in a Summer afternoon.

And then I come to gloryland, and whom do I see there

But little Boyo Browneyes and Billy Wirehair?

Little Imps of Gloryland with great big eyes

Follow me with questionings and laughter and surprise;

Little cheeky pixie boys whom nothing can suppress,

Whose pandects, codes and institutes are bound in mother's "Yes."

When Uncle comes in Sunday clothes they clamour to be kissed,

Black-currants sticking to each face and pancakes in each fist.

Four fists that is, all over jam, and four black sticky lips

Just come from playing motor-chairs and sailing sofa-ships.

And if you wander on the lawn untended in the dark

With tricycles and wheelbarrows your shins will lose some bark!

WHISPER!

Someone smashed the photo-lady;

Who upset the pot of musk?

Was it Micky? Was it Padie

Hunting Micky in the dusk?

For what's your talk of tidiness and putting things "right there"

To little Boyo Browneyes and Billy Wirehair?

I'm picking up the channel or I'm trucking up the slope,

I'm hauling on the shear-head with a length of yellow rope;

No matter where I'm wandering, in dreaming or in fact,

Wool-loaded down the blacksoil plains or past the desert tract,

About the city clamorous with many brakes and bells,

It takes no sweep of wizard wand nor moonlit fairy spells

To bring me back to kitchen land, and whom do I see there

But little Boyo Browneyes and Billy Wirehair!

PEEP SONG

Oh, Friday night's the laundry night,

Down the street in the dark—

And Saturday night's the picture night,

When bands play in the park.

But Sunday morning is the time

We do the pillow-peep,

To see what things the fairies brought

While two boys were asleep.

WHISPER!

In the after afternoons

When there comes big starey moons,

Often we've heard Micky playing

By the window, fairy tunes.

But I don't know what he's saying

In the after afternoons.

NATURE STUDY

A mouse jumped into the watering-can

And peeped out of the spout,

And said: "If it wasn't for that young man

I'm sure I could get out!"

But Sufi sprang from an unknown spot,

And the two boys wondered, afraid,

When he carried the mouse to a garden plot

And played, and played, and played.

THE SKY IN THE POOL

Down by the glassy pool

Sand and water meet,

There's a little wooden stool,

Marks of little feet.

When the broth was in the bowl,

Mother called to-day;

Mother called and no one came,

Someone was away.

Then there came a little boy,

Whose broth was very cool,

Stuttering in wonderment,

"The sky is in the pool!"

And mother wept, because the clear

Depths of all pool-skies,

The soul's wonder, the heart's fear,

Were gathered in his eyes.

WHISPER!

Anyone seen Micky, say,

On the Coota-wattle perching?

He might know and run away

If he knows we're searching, searching.

NEELY LORST

There's women and there's men as well and little baby things,

And some haves only dresses on and some of 'em haves wings,

They nibble dandelions for meat, they drink the bubble frorf,

They never spill their cocoa-milk all down the table-clorf,

They never cry because it hurts, they always eat their brorf.

Last night we heard a trumpet in the tea-tree down the street,

And Padie left the table that was full of things to eat,

He galloped for the music that seemed not so far away,

And neely found the fairies where the trumpet used to play!

Our mother went and catched him and he neely wasn't found,

He neely fell into the creek through looking round and round.

A naughty sea-shell cutted him, he had a bleedy toe,

He lorst one Sunday sandal and he didn't seem to know;

He only stood and wondered why all fairies live in moons,

And go home in the twilight with their trumpets blowing tunes.

WHISPER!

When he talks to Bay and me,

Micky doesn't seem to know

It's too far for boys to see,

If he's in the trellis tree;

It's too damp for boys to go

Hunting in the grass below.

A WHISPER SONG

When you're coming in the door,

Please come gently, very gently!

Micky might be on the floor!

Fact, he might be anywhere!

Near the hallstand, by the stair!

Hush! step gently, very gently!

When you're coming in the door.

Tip-toe, tip-toe, hush the noise,

There's a wide-eye-whisper tune!

Micky's making songs for boys

Sleepy after the afternoon.

Anyone seen Micky here?

Him that lives above the ceiling?

Sometimes far and sometimes near

Boys have heard his little squealing.

Hush you! Hush! I heard a patter

On the 'randah in the wet!

Now'n again we've heard him chatter,

But we've never seen him yet.

Tip-toe, tip-toe, through the house,

'Round the pantry, down the hall!

P'raps he's only just a mouse,

P'raps he's nuffing real at all.

Hush you! Hush! I think I hear

Just a little noise of humming!

If you see him waiting near,

Please don't whisper him we're coming.

Someone smashed the photo-lady;

Who upset the pot of musk?

Was it Micky? Was it Padie

Hunting Micky in the dusk?

WHISPER!

On the rafters in the night,

I've heard little footmarks trot;

And I watch the candle light,

Wondering if it's him or not.

In the after afternoons

When there comes big, starey moons,

Often we've heard Micky playing

By the window, fairy tunes;

But I don't know what he's saying

In the after afternoons.

Anyone seen Micky, say,

On the Coota-wattle perching?

He might know and run away

If he knows we're searching, searching.

When he talks to Bay and me,

Micky doesn't seem to know

It's too far for boys to see

If he's in the trellis tree;

It's too damp for boys to go

Hunting in the grass below.

On the rafters in the night

I've heard little footmarks trot;

And I watch the candle light,

Wondering if it's him or not.

Micky's always everywhere;

Watches children while they sleeping;

'Round about the attic stair

Sometimes mother saw him peeping.

Micky doesn't like much noise,

He's a wide-eye whisper fairy;

Very kind to girls and boys,

Very shy and most contrary.

Tip-toe, tip-toe! Hush the noise!

There's a wide-eye whisper tune!

Micky's telling songs to boys

Sleepy after the afternoon.

WHISPER!

Micky's always everywhere;

Watches children while they sleeping.

Round about the attic stair

Sometimes mother saw him peeping.

THE LADY NANCY

What's the gooder being good?

Always every day

Somefing comes and compradicks

Everyfing I play.

I was digging in the garden

And I digged me toe,

Why do I do that for?

I don't know!

Then I goes and chases Sufi,

Sufi won't be chased:

I falled over the wheelbarrow

And hurted all me waist.

I tooks me little pictures out

And laid them in a row,

I told the wind to stop away

And not come round and blow.

Up there comes a norful wind

And brushed the lot away:

Daddie, Gord's been 'noying me

All this day.

THE HANGING SWORD

I used to stride like a warrior

All hot for alarms, and game—

But I'm not the fellow I was before

The little babies came.

Now, furtive 'mid the city's noise,

I pause, I start, I flee!

For what would happen to my little boys

If a tram ran over me?

WHISPER!

Micky doesn't like much noise,

He's a wide-eye-whisper fairy,

Very kind to girls and boys,

Very shy and most contrary.

NONSENSE IMMORTAL

From France or Spain or the Himalayas,

Out of the hearts of unknown loons,

In toothless mouths of old soothsayers,

On hairy lips of wandering players

Come the lullabies, come the croons.

Lords have lashed and poets have pondered,

Blood has flowed in the runnels deep,

Beacons have broken and faiths been squandered;

Through dank forests these songs have wandered

Quietly crooning our babes to sleep.

Grandmother melodies, grandmother fancies,

Crooned by the Oxus ever endure!

Epics of valour and throne romances

Have much honour and take big chances,

But the clowns who sang for the babes are sure.

The goblin speaks while in old caves moulder

Priest-made destinies and lord-made law,

The goblin leered from the monarch's shoulder

And, his sight being true and his young heart bolder,

'Twas only the goblin the baby saw!

So the god's death agonies are baby chatter!

A ball on the floor of the nursery room

The red earth rolls, for what can matter

If old John Spratt licks clean his platter

And the brown cows go to the broom?

WHISPER!

Tip-toe, tip-toe! Hush the noise!

There's a wide-eye-whisper tune!

Micky's telling songs to boys,

Sleepy after the afternoon.

THE ROAD OF NOW AND THEN

Tinkle, tinkle go the bells,

King and prince and silver knight

March through stories grandma tells

When the winter fire's alight.

Down the Road of Stories ride

People who have never died;

Fairies float and trumpets blow,

Pretty soldiers fence and bow,

On the Road from Long Ago,

Long Ago till Now.

Johnnie Fawkner sailed a boat,

There's its picture in the book;

Roses, wreaths and banners float

'Round the head of Captain Cook.

In the time when knights were bold

Ladies rode with bells and chains,

Horses rugged in white and gold,

Feather-legged with plaited manes.

Singing, Watch Europa go,

Wearing thinner clothes than silk.

Riding from the cattle show

On her bull as white as milk.

Sturt he led a caravan,

Kelly made the bankers jump;

Leichardt was a camel-man

Riding on a camel-hump.

Down the Road of Stories march

Gentle-folk and bullock-men,

Cracking whips and wearing starch

On the Road of Now and Then

WHISPER!

When you're coming in the door

Please come gently, very gently!

Micky might be on the floor!

Fact, he might be anywhere!

Near the hallstand, by the stair!

Hush! step gently, very gently!

When you're coming in the door.

Down the Road of Stories go

All the people that we know.

Oh! what wonders grandmas show,

Spectacles on brow,

'Bout the Road from Long Ago,

Long Ago, Long Ago,

'Bout the Road from Long Ago,

Long Ago till Now.

SLEEP SONG

Half-past bunny-time,

'Possums by the moon;

Tea and bread-and-honey time,

Sleep-time soon.

Things that poets pant to see,

The beautiful, the true,

Are nothing to the phantasy

The closed eyes view.

WHISPER!

Tip-toe, Tip-toe, hush the noise,

There's a wide-eye-whisper tune;

Micky's making songs for boys;

Sleepy after the afternoon.

KITCHEN LULLABY

Steady in the kitchen, steady in the hall,

Don't let the dipper or the gruel pot fall!

The ole blind's flapping

And the little dog's snapping

At the butcher and the baker and the woodman when they call.

Ssh! ssh! ssh! for the little boy peeping,

Ssh! ssh! ssh! did the milky make him start?

Little boy sleeping, sleeping, sleeping,

Little boy sleeping at his mother's heart.

What a lot of noises, carts and buzzing flies!

Keep his little hands down, shut his little eyes;

For the boys are larking

And the dogs are barking

And he can't go to bye-low though he tries and tries.

Ssh! ssh! ssh! for the little boy blinking,

Blinking at the fairies who are wanting him to go;

Little boy thinking, thinking, thinking,

Little boy thinking if he will or no.

Rubs his little eye for to push the sleep away;

Better on the lawn is it? Watching spriggies play?

Minahs and starlings,

But no such darlings

As the little boy that's never been to sleep this day.

Ssh! ssh! ssh! for the big eyes gleaming,

Dee, dee, softly his mother sings;

Little boy dreaming, dreaming, dreaming,

Fluttering to bye-low on bull-fly wings.

WHISPER!

Anyone seen Micky here?

Him that lives above the ceiling.

Sometimes far and sometimes near,

Boys have heard his little squealing.

BARTER

Kiddies must have little shoes

Softly buckled round their toes,

Rompers wrought in butcher blues,

That's the way the money goes.

In the Summer silky cool

Fabrics foaming in the breeze;

In the Winter muffling wool—

We must buy our kiddies these.

Woolly gaiters, tasselled hoods,

Mantles soft that flow and fall,

All the very best of foods,

All the very best of all.

Babies must have songs for sleep,

Anxious watchings night and day,

Kisses if they laugh or weep,

So the ripe hours rush away.

And for this we pay (it seems

We may not serve visions, too)

With our high neglected dreams,

With great things we meant to do.

FATHER SONG

They mean such a wonderful lot to me,

It's quite absurd how my soul is smitten

With Padie, who's four, and Bay, who's three,

And Sufi, a Persian kitten!

So mother must worry, and father must fuss,

But I'll fake these songs to a sadder version

When manhood steals the boys from us,

And the Bottle-o pinches the Persian!

WHISPER!

Hush, you, hush! I heard a patter

On the 'randah, in the wet!

Now 'n again, we've heard him chatter,

But we've never seen him yet.

SUNDAY DINNER

The butcher comed and he bringed no meat,

But he crawled in the poultry pen,

And he putted his hand among they feet,

And catched the father hen.

He catched it as hard as anything,

But it didn't once crowed at all,

And he tied its feet with a bundle of string

And hanged it up on the wall.

And now and again its wings went flap,

But that didn't frighten me!

I runned for my little brother chap

To come outside and see.

The father hen's not crowing now,

The ittooest ittoo bit;

We're going to tell our father how

The butcher's hurted it!

Our father has mended the bathroom door

And the leg of the rocking chair:

He mended the fence long time before,

And he bought my horse some hair.

He made the bikes so they wouldn't squeal,

And he made the bunny to talk;

He hammered some tacks in the engine wheel

When the engine couldn't walk.

And he cured the teddy when it was dead,

And he mended the barrow for me—

So father will mend the rooster's head

Before he haves his tea.

WHISPER!

Tip-toe, tip-toe, through the house,

'Round the pantry, down the hall.

P'raps he's only just a mouse;

P'raps he's nuffing real at all.

THE CONCERT IN THE GARDEN

The wheelbarrow wept to the willows

And Padie called out for a hymn:

He dabbled his boots on the pillows

And the minister looked quite grim.

While the Emu turned the pages

The Wallaby sang with zest,

Of the error in uncle's wages

While the chairs all turned to the West.

The Baker paused with a frigid stare

And his heels apart, of course;

And the shell-back sprang from his sunny lair

With his hand upon his horse.

The rooster's grandma nursed the cat,

Which uttered nor purr nor sound,

While the Platypus followed the Minister's hat

Around and round and round.

WHISPER!!!

Sit up in your beds and hark!

Something said "meow" in the dark!

Was it a gentleman saying some prayers?

Was it a mousie trapped under the stairs?

Was it a manager stealing some shares

Or a newspaper having a lark?

Sit up in your beds and hark!

Something said "meow" in the dark!

Would you your treasures securely keep,

Never turn lamps out and never go sleep.

WHISPER!

Hush, you! Hush! I think I hear

Just a little noise of humming!

If you see him waiting near

Please don't whisper him we're coming!

THE COMING OF BAY

Bay doesn't stay in the stars any more;

He didn't much cry nor care

When God pushed him out of a big star door

Into the everywhere.

I ringed him up on the telephome

And down he flied to me!

Didn't you know how Bay came home?

I got the push-cart, see?

And wheeled him in the front-yard door

Just one way and another,

I didn't make mud-marks on the floor,

Or scratch the paint on the front-way door,

'Cos I am a careful brother;

I putted him into the new white cot,

I covered him up till he grew quite hot,

And then called mother to see;

So Bay doesn't stay in the stars any more

But only with mother and me.

BABY SONG

The grandmas talked with worried eyes

And said it was a shame—

Nobody wanted Littley then

Before our Littley came.

Boyo's nose will be out of joint,

He's a toddling baby yet,

And now there's another one coming along,

Poor little pet!

But Littley rode through the storm of doubt

And the cloud of the troubled brow;

Nobody wanted Littley then—

But you should hear them now!

WHISPER!

Someone smashed the photo-lady;

Who upset the pot of musk?

Was it Micky? Was it Padie

Hunting Micky in the dusk?

SOUL DISCIPLINE

They say I'm a bad-tempered man,

And yet I never swear

When flop into my porridge

Comes a woolly Teddy Bear!

They say I'm an impatient man,

And yet I never shoot

When, after breakfasting, I find

Damp toffy in my boot!

And when my wife and my two sons

Are dutifully kissed,

I don't go crook if I'm called back

When Sufi has been missed!

I'm always on the scowl and quick

To censure or condemn;

But, somehow things seem different

With little boys like them.

WEEP SONG

Strike, strike, strike again,

Bump them on the head;

Every minute somebody,

Falls down dead.

Algernons and Berts

Washing out their shirts,

Babies in the bed

Crying for some bread.

Gentlemen with brains,

Looking for their trains.

Strike, strike, strike again,

Always on the head;

Every minute somebody

Drops down dead.

WHISPER!

In the after afternoons

When there comes big starey moons,

Often we've heard Micky playing

By the window, fairy tunes.

But I don't know what he's saying

In the after afternoons.

MASTER IN EQUITY

Did I hear the two boys say,

"Two boys have been good to-day?"

Santa's schooner's lost a sail,

Someone tored it with a nail,

What's that mark on Sufi's tail?

I dunno, da you?

Did boys eat they trifle slow

When they mother told them to?

I dunno, I dunno,

I dunno, da you?

Who's been cutting Sufi's hair?

There's a broken dish I see;

Padie, don't be hiding there,

Bring my slippers out to me.

Both boys have been good they say,

Only cried an ittoo bit;

Anyone been fighting Bay,

Two new scars since yesterday?

That was just a weeny hit,

'Cos he'd always want to sit

On the picture of the train

Just when I was reading it.

Two boys have been good again.

Two boys didn't do some more

What they were said not to do,

Two boys have been good it's true!

On the lawn's a splendid show,

Twenteen firewoods in a row!

Where does this hand-mirror go?

I dunno, I dunno!

Wheelmarks on the front-room floor,

Sunday cake forks spread out too!

Mudprints on the kitchen door—

WHISPER!

Anyone seen Micky, say,

On the Coota-wattle perching?

He might know and run away

If he knows we're searching, searching.

Wonder how they got there for?

I dunno, I dunno,

I dunno, da you?

Did I hear the two boys say,

"Two boys have been good to-day?"

Why is mother worried so?

All these good things can't be true.

Have the boys been good who show

Scratches red and bruises blue?

I dunno, I dunno,

I dunno, da you?

EVENTIDE

Come and have your bath, boys,

Two boys together,

Rolling on the lawn all day

In the dusty weather.

Padie, jump into the water,

Soak the brown legs white;

Come and have your bath, boys,

No heads to-night!

Boats to sail and feets to scrub

Feets and faces too;

Sliding 'round the 'namel tub

Frowing soap at you;

Drop your scooter quick, Bay,

Everything's all right,

Didn't you hear mother say

No heads to-night?

WHISPER!

When he talks to Bay and me,

Micky doesn't seem to know

It's too far for boys to see.

If he's in the trellis tree;

It's too damp for boys to go

Hunting in the grass below.

THE ORDER OF THE BED

Say about the Three Pigs,

And what the soldier said,

Wynken song and Tom, Tom,

And piggy-back to bed.

Little boys are sleepy, sleepy,

Never mind they prayers,

Let them wait for mother here,

Father's knees for chairs.

Sufi, singing like a kettle,

Or a nightingale,

Puts his nose against our toes

And smoothes them with his tail.

Here comes mother with the blankets

Bundled on her chest,

Holding them and folding them

For two boys' nest.

Boys washed and pillows patted,

Everything's all right,

Picture books to cuddoo up,

And please leave the light.

Hey Dee and Hey Ho!

And little Bo-Peep,

One story, two songs,

To make the boys asleep.

Say about Red Riding Hood

And what the Bunyip said,

Wynken song and Tom, Tom,

And piggy-back to bed.

WHISPER!

On the rafters in the night,

I've heard little footmarks trot;

And I watch the candle light,

Wondering if it's him or not.

"IDEAS"

Please can I have a light, mother?

I never know what to do

When the Three Bears ride on the White Bell-horse,

And the Mermaid gallops to Banbury Cross,

And the Cheshire Cat says "Moo!"

Gnomes come round with prickly wings

And squeeze in under the clo's,

The dark gets full of story things,

The window-moon says "Fee, fo, fum!"

And the Pigs that went to market come

And nibble at my toes!

Two big eyes walk round the room,

Fierce Pirate Ships go by;

And Sleeping Beauty straddles a broom

And falls all down the sky;

The Man in the Moon waits underneath

And gobbles her up with great big teeth,

And that's what makes me cry!

The things you tell in the afternoon

Get mixed and won't come right;

"Fee-fo-fum!" says the Window-Moon—

It's the little candle they fear, mother,

Will you leave the candle here, mother?

Please can I have a light?

MOTHERHOOD

It would appear that no great pleasures can be

Without their merit of trial and urgency:

For I do know a lady whose rare joys

Wake when she has tucked in two little boys.

WHISPER!

Micky's always everywhere;

Watches children while they sleeping,

Round about the attic stair

Sometimes mother saw him peeping.

GOOD-NIGHT

Two brown heads on the pillows white....

Bye ... good-bye ... that's all to-night.

Two bikes 'round in the picnic place ...

Old horse tied to the apple-case.

Gentle Jesus ... send the boys,

Bats and balls for they winter toys.

Sufi's naughty ... not 'lowed out....

Pigeon feathers blowing about.

Two bikes 'round in the ... two bikes 'round....

Feathers blowing ... the scooter's found.

God bless Jesus ... Bay's asleep ...

Where's my pillow-book?... Soul to keep.

Two bikes ... two ... are the stars alight?

Bye ... good-bye ... that's all ... t'night.

Two brown heads on the pillows deep,

Two boys mumble theyselfs to sleep.

WHISPER!

Micky doesn't like much noise,

He's a wide-eye-whisper fairy,

Very kind to girls and boys,

Very shy and most contrary.

WHISPER!

Tip-toe, tip-toe! Hush the noise!

There's a wide-eye-whisper tune!

Micky's telling songs to boys,

Sleepy after the afternoon.

*** END OF THE PROJECT GUTENBERG EBOOK THE BAY AND PADIE BOOK ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

THE BAY AND PADIE BOOK

The BAY AND PADIE BOOK

THE SHADOW SHOW

THE SOLDIER BAND

INVALID

WHOM THE GODS LOVE

LITTLE BOYS

PEEP SONG

NATURE STUDY

THE SKY IN THE POOL

NEELY LORST

A WHISPER SONG

THE LADY NANCY

THE HANGING SWORD

NONSENSE IMMORTAL

THE ROAD OF NOW AND THEN

SLEEP SONG

KITCHEN LULLABY

BARTER

FATHER SONG

SUNDAY DINNER

THE CONCERT IN THE GARDEN

WHISPER!!!

THE COMING OF BAY

BABY SONG

SOUL DISCIPLINE

WEEP SONG

MASTER IN EQUITY

EVENTIDE

THE ORDER OF THE BED

"IDEAS"

MOTHERHOOD

GOOD-NIGHT

THE FULL PROJECT GUTENBERG™ LICENSE