Library of the World's Best Literature, Ancient and Modern — Volume 07
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Date: 2009-05-04T00:00:00+00:00
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Title: Library of the World's Best Literature, Ancient and Modern — Volume 07

Editor: Charles Dudley Warner

Hamilton Wright Mabie

Lucia Gilbert Runkle

George H. Warner

Release date: May 4, 2009 [eBook #28684]

Language: English

Other information and formats: www.gutenberg.org/ebooks/28684

Credits: Produced by Juliet Sutherland, Katherine Ward and the
Online Distributed Proofreading Team at http://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK LIBRARY OF THE WORLD'S BEST LITERATURE, ANCIENT AND MODERN — VOLUME 07 ***

LIBRARY OF THE
WORLD'S BEST LITERATURE
ANCIENT AND MODERN

CHARLES DUDLEY WARNER
EDITOR

HAMILTON WRIGHT MABIE
LUCIA GILBERT RUNKLE
GEORGE HENRY WARNER
ASSOCIATE EDITORS

Connoisseur Edition

Vol. VII.

NEW YORK
THE INTERNATIONAL SOCIETY

Connoisseur Edition

LIMITED TO FIVE HUNDRED COPIES IN HALF RUSSIA
No. 299

Copyright, 1896, by
R. S. Peale and J. A. Hill
All rights reserved

THE ADVISORY COUNCIL

CRAWFORD H. TOY, A.M., LL.D.,
Professor of Hebrew,

Harvard University, Cambridge, Mass.

THOMAS R. LOUNSBURY, LL.D., L.H.D.,
Professor of English in the Sheffield Scientific School of

Yale University, New Haven, Conn.

WILLIAM M. SLOANE, Ph.D., L.H.D.,
Professor of History and Political Science,

Princeton University, Princeton, N.J.

BRANDER MATTHEWS, A.M., LL.B.,
Professor of Literature,

Columbia University, New York City.

JAMES B. ANGELL, LL.D.,
President of the

University of Michigan, Ann Arbor, Mich.

WILLARD FISKE, A.M., Ph.D.,
Late Professor of the Germanic and Scandinavian Languages and Literatures,

Cornell University, Ithaca, N.Y.

EDWARD S. HOLDEN, A.M., LL.D.,
Director of the Lick Observatory, and Astronomer,

University of California, Berkeley, Cal.

ALCÉE FORTIER, Lit.D.,
Professor of the Romance Languages,

Tulane University, New Orleans, La.

WILLIAM P. TRENT, M.A.,
Dean of the Department of Arts and Sciences, and Professor of English and History,

University of the South, Sewanee, Tenn.

PAUL SHOREY, Ph.D.,
Professor of Greek and Latin Literature,

University of Chicago, Chicago, Ill.

WILLIAM T. HARRIS, LL.D.,
United States Commissioner of Education,

Bureau of Education, Washington, D.C.

MAURICE FRANCIS EGAN, A.M., LL.D.,
Professor of Literature in the

Catholic University of America, Washington, D.C.

TABLE OF CONTENTS

VOL. VII

| | LIVED | PAGE
Henry Cuyler Bunner | 1855-1896 | 2731
| Triolet
| The Love-Letters of Smith ('Short Sixes')
| The Way to Arcady
| Chant-Royal
| Envoy
John Bunyan | 1628-1688 | 2747
BY EDWIN P. PARKER
| The Fight with Apollyon ('Pilgrim's Progress')
| The Delectable Mountains (same)
| Christiana and Her Companions Enter the Celestial City (same)
Gottfried August Bürger | 1747-1794 | 2767
| William and Helen
| The Wives of Weinsberg
Edmund Burke | 1729-1797 | 2779
| BY E. L. GODKIN
| From Speech on 'Conciliation with America'
| From Speech on 'The Nabob of Arcot's Debts'
| From Speech on 'The French Revolution'
Frances Hodgson Burnett | 1849- | 2809
| At the Pit ('That Lass o' Lowrie's')
Frances Burney (Madame D'Arblay) | 1752-1840 | 2817
| Evelina's Letter to the Rev. Mr. Villars ('Evelina')
| A Man of the Ton ('Cecilia')
| Miss Burney's Friends ('Letters')
Robert Burns | 1759-1796 | 2833
BY RICHARD HENRY STODDARD
| The Cotter's Saturday Night
| John Anderson, My Jo
| Man Was Made to Mourn
| Green Grow the Rashes
| Is There for Honest Poverty
| To a Mouse
| To a Mountain Daisy
| Tam o' Shanter
| Bruce to His Men at Bannockburn
| Highland Mary
| My Heart's in the Highlands
| The Banks o' Doon
John Burroughs | 1837- | 2867
| Sharp Eyes ('Locusts and Wild Honey')
| Waiting
Sir Richard F. Burton | 1821-1890 | 2883
| The Preternatural in Fiction ('The Book of a Thousand Nights and a Night')
| A Journey in Disguise ('The Personal Narrative of a Pilgrimage to El Medinah and Meccah')
| En Route (same)
Robert Burton | 1577-1640 | 2904
| Conclusions as to Melancholy ('The Anatomy of Melancholy')
Horace Bushnell | 1802-1876 | 2909
BY THEODORE T. MUNGER
| Work and Play
| From 'The Age of Homespun'
| The Founders ('Work and Play')
| Religious Music (same)
Samuel Butler | 1612-1680 | 2927
| Hudibras Described
Lord Byron | 1788-1824 | 2935
BY CHARLES DUDLEY WARNER
| Maid of Athens
| Translation of a Romaic Song
| Greece ('The Giaour')
| The Hellespont and Troy ('The Bride of Abydos')
| Greece and her Heroes ('The Siege of Corinth')
| The Isles of Greece ('Don Juan')
| Greece and the Greeks before the Revolution ('Childe Harold's Pilgrimage')
| To Rome (same)
| The Coliseum (same)
| Chorus of Spirits ('The Deformed Transformed')
| Venice ('Childe Harold's Pilgrimage')
| Ode to Venice
| The East ('The Bride of Abydos')
| Oriental Royalty ('Don Juan')
| A Grecian Sunset ('The Curse of Minerva')
| An Italian Sunset ('Childe Harold's Pilgrimage')
| Twilight ('Don Juan')
| An Alpine Storm ('Childe Harold's Pilgrimage')
| The Ocean (same)
| The Shipwreck ('Don Juan')
| Love on the Island ('Don Juan')
| The Two Butterflies ('The Giaour')
| To His Sister ('Childe Harold's Pilgrimage')
| Ode to Napoleon
| The Battle of Waterloo ('Childe Harold's Pilgrimage')
| Mazeppa's Ride ('Mazeppa')
| The Irish Avatàr
| The Dream
| She Walks in Beauty ('Hebrew Melodies')
| Destruction of Sennacherib ('Hebrew Melodies')
| From 'The Prisoner of Chillon'
| Prometheus
| A Summing-Up ('Childe Harold's Pilgrimage')
| On This Day I Complete my Thirty-sixth Year
Fernan Caballero (Cecilia Böhl de Faber) | 1796-1877 | 3001
| The Bull-Fight ('La Gaviota')
| In the Home Circle (same)
George W. Cable | 1844- | 3017
| "Posson Jone'" ('Old Creole Days')
Caius Julius Cæsar | 100-44 b.c. | 3037
BY J. H. WESTCOTT
| Defeat of Ariovistus and the Germans ('The Gallic Wars')
| On the Manners and Customs of Ancient Gauls and Germans (same)
| The Two Lieutenants (same)
| Epigram on Terentius
Thomas Henry Hall Caine | 1853- | 3067
| Pete Quilliam's First-Born ('The Manxman')
Pedro Calderon | 1600-1681 | 3071
BY MAURICE FRANCIS EGAN
| The Lovers ('The Secret in Words')
| Cyprian's Bargain ('The Wonderful Magician')
| Dreams and Realities ('Such Stuff as Dreams are Made Of')
| The Dream Called Life (same)
John Caldwell Calhoun | 1782-1850 | 3087
BY W. P. TRENT
| Remarks on the Right of Petition (Speech in the Senate, 1840)
| State Rights (Speech on the Admission of Michigan, 1837)
| On the Government of Poland ('A Disquisition on Government')
| Urging Repeal of the Missouri Compromise (Speech in the Senate, 1850)
Callimachus | Third Century b.c. | 3101
| Hymn to Jupiter
| Epitaph
| Epigram
| Epitaph on Heracleitus
| Epitaph
| The Misanthrope
| Epitaph upon Himself
| Epitaph upon Cleombrotus
Charles Stuart Calverley | 1831-1884 | 3107
| From 'An Examination Paper,' 'The Posthumous Papers of the Pickwick Club'
| Ballad (Imitation of Jean Ingelow)
| Lovers, and a Reflection (Imitation of Jean Ingelow)
| Visions
| Changed
| Thoughts at a Railway Station
| "Forever"

FULL-PAGE ILLUSTRATIONS

VOLUME VII

| PAGE
Persian Manuscript (Colored Plate) | Frontispiece
John Bunyan (Portrait) | 2748
Edmund Burke (Portrait) | 2780
Robert Burns (Portrait) | 2834
Burns Manuscript (Facsimile) | 2844
"Banks and Braes o' Bonnie Doon" (Etching) | 2866
Lord Byron (Portrait) | 2936
"Newstead Abbey" (Etching) | 2942
"The Bull-Fight" (Photogravure) | 3004
Julius Cæsar (Portrait) | 3038
Calderon (Portrait) | 3072
John Caldwell Calhoun (Portrait) | 3088

VIGNETTE PORTRAITS

Henry Cuyler Bunner
Gottfried August Bürger
Frances Burney
Sir Richard F. Burton
Robert Burton
John Burroughs
Horace Bushnell
Samuel Butler
George W. Cable
Thomas Henry Hall Caine

HENRY CUYLER BUNNER

(1855-1896)

The position which Henry Cuyler Bunner has come to occupy in the literary annals of our time strengthens as the days pass. If the stream of his genius flowed in gentle rivulets, it traveled as far and spread its fruitful influence as wide as many a statelier river. He was above all things a poet. In his prose as in his verse he has revealed the essential qualities of a poet's nature: he dealt with the life which he saw about him in a spirit of broad humanity and with genial sympathy. When he fashioned the tender triolet on the pitcher of mignonette, or sang of the little red box at Vesey Street, he wrote of what he knew; and his stories, even when embroidered with quaint fancies, tread firmly the American soil of the nineteenth century. But Bunner's realism never concerned itself with the record of trivialities for their own sake. When he portrayed the lower phases of city life, it was the humor of that life he caught, and not its sordidness; its kindliness, and not its brutality. His mind was healthy, and since it was a poet's mind, the point upon which it was so nicely balanced was love: love of the trees and flowers, love of his little brothers in wood and field, love of his country home, love of the vast city in its innumerable aspects; above all, love of his wife, his family, and his friends; and all these outgoings of his heart have found touching expression in his verse. Indeed, this attitude of affectionate kinship with the world has colored all his work; it has made his satire sweet-tempered, given his tales their winning grace, and lent to his poetry its abiding power.

Henry C. Bunner

The work upon which Bunner's fame must rest was all produced within a period of less than fifteen years. He was born in 1855 at Oswego, New York. He came to the city of New York when very young, and received his education there. A brief experience of business life sufficed to make his true vocation clear, and at the age of eighteen he began his literary apprenticeship on the Arcadian. When that periodical passed away, Puck was just struggling into existence, and for the English edition, which was started in 1877, Bunner's services were secured. Half of his short life was spent in editorial connection with that paper. To his wisdom and literary abilities is due in large measure the success which has always attended the enterprise. Bunner had an intimate knowledge of American character and understood the foibles of his countrymen; but he was never cynical, and his satire was without hostility. He despised opportune journalism. His editorials were clear and vigorous; free not from partisanship, but from partisan rancor, and they made for honesty and independence. His firm stand against political corruption, socialistic vagaries, the misguided and often criminal efforts of labor agitators, and all the visionary schemes of diseased minds, has contributed to the stability of sound and self-respecting American citizenship.

Bunner's first decided success in story-telling was 'The Midge,' which appeared in 1886. It is a tale of New York life in the interesting old French quarter of South Fifth Avenue. Again, in 'The Story of a New York House,' he displayed the same quick feeling for the spirit of the place, as it was and is. This tale first appeared in the newly founded Scribner's Magazine, to which he has since been a constant contributor. Here some of his best short stories have been published, including the excellent 'Zadoc Pine,' with its healthy presentation of independent manhood in contest with the oppressive exactions of labor organizations. But Bunner was no believer in stories with a tendency; the conditions which lie at the root of great sociological questions he used as artistic material, never as texts. His stories are distinguished by simplicity of motive; each is related with fine unobtrusive humor and with an underlying pathos, never unduly emphasized. The most popular of his collections of tales is that entitled 'Short Sixes,' which, having first appeared in Puck, were published in book form in 1891. A second volume came out three years later. When the shadow of death had already fallen upon Bunner, a new collection of his sketches was in process of publication: 'Jersey Street and Jersey Lane.' In these, as in the still more recent 'Suburban Sage,' is revealed the same fineness of sympathetic observation in town and country that we have come to associate with Bunner's name. Among his prose writings there remains to be mentioned the series from Puck entitled 'Made in France.' These are an application of the methods of Maupassant to American subjects; they display that wonderful facility in reproducing the flavor of another's style which is exhibited in Bunner's verse in a still more eminent degree. His prose style never attained the perfection of literary finish, but it is easy and direct, free from sentimentality and rhetoric; in the simplicity of his conceptions and the delicacy of his treatment lies its chief charm.

Bunner's verse, on the other hand, shows a complete mastery of form. He was a close student of Horace; he tried successfully the most exacting of exotic verse-forms, and enjoyed the distinction of having written the only English example of the difficult Chant-Royal. Graceful vers de société and bits of witty epigram flowed from him without effort. But it was not to this often dangerous facility that Bunner owed his poetic fame. His tenderness, his quick sympathy with nature, his insight into the human heart, above all, the love and longing that filled his soul, have infused into his perfected rhythms the spirit of universal brotherhood that underlies all genuine poetry. His 'Airs from Arcady' (1884) achieved a success unusual for a volume of poems; and the love lyrics and patriotic songs of his later volume, 'Rowen,' maintain the high level of the earlier book. The great mass of his poems is still buried in the back numbers of the magazines, from which the best are to be rescued in a new volume. If his place is not among the greatest of our time, he has produced a sufficient body of fine verse to rescue his name from oblivion and render his memory dear to all who value the legacy of a sincere and genuine poet. He died on May 11th, 1896, at the age of forty-one.

TRIOLET

A pitcher of mignonette,
In a tenement's highest casement:
Queer sort of flower-pot—yet
That pitcher of mignonette
Is a garden in heaven set,
To the little sick child in the basement—
The pitcher of mignonette,
In the tenement's highest casement.

Copyrighted by Charles Scribner's Sons.

THE LOVE-LETTERS OF SMITH

From 'Short Sixes'

When the little seamstress had climbed to her room in the story over the top story of the great brick tenement house in which she lived, she was quite tired out. If you do not understand what a story over a top story is, you must remember that there are no limits to human greed, and hardly any to the height of tenement houses. When the man who owned that seven-story tenement found that he could rent another floor, he found no difficulty in persuading the guardians of our building laws to let him clap another story on the roof, like a cabin on the deck of a ship; and in the southeasterly of the four apartments on this floor the little seamstress lived. You could just see the top of her window from the street—the huge cornice that had capped the original front, and that served as her window-sill now, quite hid all the lower part of the story on top of the top story.

The little seamstress was scarcely thirty years old, but she was such an old-fashioned little body in so many of her looks and ways that I had almost spelled her "sempstress," after the fashion of our grandmothers. She had been a comely body, too; and would have been still, if she had not been thin and pale and anxious-eyed.

She was tired out to-night, because she had been working hard all day for a lady who lived far up in the "New Wards" beyond Harlem River, and after the long journey home she had to climb seven flights of tenement-house stairs. She was too tired, both in body and in mind, to cook the two little chops she had brought home. She would save them for breakfast, she thought. So she made herself a cup of tea on the miniature stove, and ate a slice of dry bread with it. It was too much trouble to make toast.

But after dinner she watered her flowers. She was never too tired for that, and the six pots of geraniums that caught the south sun on the top of the cornice did their best to repay her. Then she sat down in her rocking-chair by the window and looked out. Her eyry was high above all the other buildings, and she could look across some low roofs opposite and see the further end of Tompkins Square, with its sparse spring green showing faintly through the dusk. The eternal roar of the city floated up to her and vaguely troubled her. She was a country girl; and although she had lived for ten years in New York, she had never grown used to that ceaseless murmur. To-night she felt the languor of the new season, as well as the heaviness of physical exhaustion. She was almost too tired to go to bed.

She thought of the hard day done and the hard day to be begun after the night spent on the hard little bed. She thought of the peaceful days in the country, when she taught school in the Massachusetts village where she was born. She thought of a hundred small slights that she had to bear from people better fed than bred. She thought of the sweet green fields that she rarely saw nowadays. She thought of the long journey forth and back that must begin and end her morrow's work, and she wondered if her employer would think to offer to pay her fare. Then she pulled herself together. She must think of more agreeable things or she could not sleep. And as the only agreeable things she had to think about were her flowers, she looked at the garden on top of the cornice.

A peculiar gritting noise made her look down, and she saw a cylindrical object that glittered in the twilight, advancing in an irregular and uncertain manner toward her flower-pots. Looking closer, she saw that it was a pewter beer-mug, which somebody in the next apartment was pushing with a two-foot rule. On top of the beer-mug was a piece of paper, and on this paper was written, in a sprawling, half-formed hand:—

porter
pleas excuse the libberty And
drink it

The seamstress started up in terror and shut the window. She remembered that there was a man in the next apartment. She had seen him on the stairs on Sundays. He seemed a grave, decent person; but—he must be drunk. She sat down on her bed all a tremble. Then she reasoned with herself. The man was drunk, that was all. He probably would not annoy her further. And if he did, she had only to retreat to Mrs. Mulvaney's apartment in the rear, and Mr. Mulvaney, who was a highly respectable man and worked in a boiler-shop, would protect her. So, being a poor woman who had already had occasion to excuse—and refuse—two or three "libberties" of like sort, she made up her mind to go to bed like a reasonable seamstress, and she did. She was rewarded, for when her light was out, she could see in the moonlight that the two-foot rule appeared again with one joint bent back, hitched itself into the mug-handle, and withdrew the mug.

The next day was a hard one for the little seamstress, and she hardly thought of the affair of the night before until the same hour had come around again, and she sat once more by her window. Then she smiled at the remembrance. "Poor fellow," she said in her charitable heart, "I've no doubt he's awfully ashamed of it now. Perhaps he was never tipsy before. Perhaps he didn't know there was a lone woman in here to be frightened."

Just then she heard a gritting sound. She looked down. The pewter pot was in front of her, and the two-foot rule was slowly retiring. On the pot was a piece of paper, and on the paper was—

porter
good for the helth
it makes meet

This time the little seamstress shut her window with a bang of indignation. The color rose to her pale cheeks. She thought that she would go down to see the janitor at once. Then she remembered the seven flights of stairs; and she resolved to see the janitor in the morning. Then she went to bed, and saw the mug drawn back just as it had been drawn back the night before.

The morning came, but somehow the seamstress did not care to complain to the janitor. She hated to make trouble—and the janitor might think—and—and—well, if the wretch did it again she would speak to him herself, and that would settle it. And so on the next night, which was a Thursday, the little seamstress sat down by her window, resolved to settle the matter. And she had not sat there long, rocking in the creaking little rocking-chair which she had brought with her from her old home, when the pewter pot hove in sight, with a piece of paper on the top. This time the legend read:—

Perhaps you are afrade i will
adress you
i am not that kind

The seamstress did not quite know whether to laugh or to cry. But she felt that the time had come for speech. She leaned out of her window and addressed the twilight heaven.

"Mr.—Mr.—sir—I—will you please put your head out of the window so that I can speak to you?"

The silence of the other room was undisturbed. The seamstress drew back, blushing. But before she could nerve herself for another attack, a piece of paper appeared on the end of the two-foot rule.

when i Say a thing i
mene it
i have Sed i would not
Adress you and i
Will not

What was the little seamstress to do? She stood by the window and thought hard about it. Should she complain to the janitor? But the creature was perfectly respectful. No doubt he meant to be kind. He certainly was kind, to waste these pots of porter on her. She remembered the last time—and the first—that she had drunk porter. It was at home, when she was a young girl, after she had the diphtheria. She remembered how good it was, and how it had given her back her strength. And without one thought of what she was doing, she lifted the pot of porter and took one little reminiscent sip—two little reminiscent sips—and became aware of her utter fall and defeat. She blushed now as she had never blushed before, put the pot down, closed the window, and fled to her bed like a deer to the woods.

And when the porter arrived the next night, bearing the simple appeal—

Dont be afrade of it
drink it all

the little seamstress arose and grasped the pot firmly by the handle, and poured its contents over the earth around her largest geranium. She poured the contents out to the last drop, and then she dropped the pot, and ran back and sat on her bed and cried, with her face hid in her hands.

"Now," she said to herself, "you've done it! And you're just as nasty and hard-hearted and suspicious and mean as—as pusley!" And she wept to think of her hardness of heart. "He will never give me a chance to say 'I am sorry,'" she thought. And really, she might have spoken kindly to the poor man, and told him that she was much obliged to him, but that he really must not ask her to drink porter with him.

"But it's all over and done now," she said to herself as she sat at her window on Saturday night. And then she looked at the cornice, and saw the faithful little pewter pot traveling slowly toward her.

She was conquered. This act of Christian forbearance was too much for her kindly spirit. She read the inscription on the paper,

porter is good for Flours
but better for Fokes

and she lifted the pot to her lips, which were not half so red as her cheeks, and took a good, hearty, grateful draught.

She sipped in thoughtful silence after this first plunge, and presently she was surprised to find the bottom of the pot in full view. On the table at her side a few pearl buttons were screwed up in a bit of white paper. She untwisted the paper and smoothed it out, and wrote in a tremulous hand—she could write a very neat hand—

Thanks.

This she laid on the top of the pot, and in a moment the bent two-foot rule appeared and drew the mail-carriage home. Then she sat still, enjoying the warm glow of the porter, which seemed to have permeated her entire being with a heat that was not at all like the unpleasant and oppressive heat of the atmosphere, an atmosphere heavy with the spring damp. A gritting on the tin aroused her. A piece of paper lay under her eyes.

fine groing weather
Smith

Now it is unlikely that in the whole round and range of conversational commonplaces there was one other greeting that could have induced the seamstress to continue the exchange of communications. But this simple and homely phrase touched her country heart. What did "groing weather" matter to the toilers in this waste of brick and mortar? This stranger must be, like herself, a country-bred soul, longing for the new green and the upturned brown mold of the country fields. She took up the paper, and wrote under the first message:—

Fine

But that seemed curt: "for—" she added; "for" what? She did not know. At last in desperation she put down "potatoes." The piece of paper was withdrawn, and came back with an addition:—

Too mist for potatos

And when the little seamstress had read this, and grasped the fact that "m-i-s-t" represented the writer's pronunciation of "moist," she laughed softly to herself. A man whose mind at such a time was seriously bent upon potatoes was not a man to be feared. She found a half-sheet of note-paper, and wrote:—

I lived in a small village before I came to New York, but I am afraid I do not know much about farming. Are you a farmer?

The answer came:—

have ben most Every thing
farmed a Spel in Maine
Smith

As she read this, the seamstress heard the church clock strike nine.

"Bless me, is it so late?" she cried, and she hurriedly penciled Good Night, thrust the paper out, and closed the window. But a few minutes later, passing by, she saw yet another bit of paper on the cornice, fluttering in the evening breeze. It said only good nite, and after a moment's hesitation, the little seamstress took it in and gave it shelter.

After this they were the best of friends. Every evening the pot appeared, and while the seamstress drank from it at her window, Mr. Smith drank from its twin at his; and notes were exchanged as rapidly as Mr. Smith's early education permitted. They told each other their histories, and Mr. Smith's was one of travel and variety, which he seemed to consider quite a matter of course. He had followed the sea, he had farmed, he had been a logger and a hunter in the Maine woods. Now he was foreman of an East River lumber-yard, and he was prospering. In a year or two he would have enough laid by to go home to Bucksport and buy a share in a ship-building business. All this dribbled out in the course of a jerky but variegated correspondence, in which autobiographic details were mixed with reflections moral and philosophical.

A few samples will give an idea of Mr. Smith's style:—

i was one trip to van demens
land

To which the seamstress replied:—

It must have been very interesting.

But Mr. Smith disposed of this subject very briefly:—

it wornt

Further he vouchsafed:—

i seen a Chinese cook in
hong kong could cook flapjacks
like your mother

a mishnery that sells Rum
is the menest of Gods crechers

a bulfite is not what it is
cract up to Be

the dagos are wussen the
brutes

i am 6 1-3/4
but my Father was 6 foot 4

The seamstress had taught school one winter, and she could not refrain from making an attempt to reform Mr. Smith's orthography. One evening, in answer to this communication,—

i killd a Bare in Maine 600
lbs waight

she wrote:—

Isn't it generally spelled Bear?

but she gave up the attempt when he responded:—

a bare is a mene animle any
way you spel him

The spring wore on, and the summer came, and still the evening drink and the evening correspondence brightened the close of each day for the little seamstress. And the draught of porter put her to sleep each night, giving her a calmer rest than she had ever known during her stay in the noisy city; and it began, moreover, to make a little "meet" for her. And then the thought that she was going to have an hour of pleasant companionship somehow gave her courage to cook and eat her little dinner, however tired she was. The seamstress's cheeks began to blossom with the June roses.

And all this time Mr. Smith kept his vow of silence unbroken, though the seamstress sometimes tempted him with little ejaculations and exclamations to which he might have responded. He was silent and invisible. Only the smoke of his pipe, and the clink of his mug as he set it down on the cornice, told her that a living, material Smith was her correspondent. They never met on the stairs, for their hours of coming and going did not coincide. Once or twice they passed each other in the street—but Mr. Smith looked straight ahead of him about a foot over her head. The little seamstress thought he was a very fine-looking man, with his six feet one and three-quarters and his thick brown beard. Most people would have called him plain.

Once she spoke to him. She was coming home one summer evening, and a gang of corner-loafers stopped her and demanded money to buy beer, as is their custom. Before she had time to be frightened, Mr. Smith appeared,—whence, she knew not,—scattered the gang like chaff, and collaring two of the human hyenas, kicked them, with deliberate, ponderous, alternate kicks, until they writhed in ineffable agony. When he let them crawl away, she turned to him and thanked him warmly, looking very pretty now, with the color in her cheeks. But Mr. Smith answered no word. He stared over her head, grew red in the face, fidgeted nervously, but held his peace until his eyes fell on a rotund Teuton passing by.

"Say, Dutchy!" he roared. The German stood aghast. "I ain't got nothing to write with!" thundered Mr. Smith, looking him in the eye. And then the man of his word passed on his way.

And so the summer went on, and the two correspondents chatted silently from window to window, hid from sight of all the world below by the friendly cornice. And they looked out over the roof and saw the green of Tompkins Square grow darker and dustier as the months went on.

Mr. Smith was given to Sunday trips into the suburbs, and he never came back without a bunch of daisies or black-eyed Susans or, later, asters or golden-rod for the little seamstress. Sometimes, with a sagacity rare in his sex, he brought her a whole plant, with fresh loam for potting.

He gave her also a reel in a bottle, which, he wrote, he had "maid" himself, and some coral, and a dried flying-fish that was something fearful to look upon, with its sword-like fins and its hollow eyes. At first she could not go to sleep with that flying-fish hanging on the wall.

But he surprised the little seamstress very much one cool September evening, when he shoved this letter along the cornice:—

Letter Contents

The little seamstress gazed at this letter a long time. Perhaps she was wondering in what Ready Letter-Writer of the last century Mr. Smith had found his form. Perhaps she was amused at the results of his first attempt at punctuation. Perhaps she was thinking of something else, for there were tears in her eyes and a smile on her small mouth.

But it must have been a long time, and Mr. Smith must have grown nervous, for presently another communication came along the line where the top of the cornice was worn smooth. It read:

If not understood will you
mary me

The little seamstress seized a piece of paper and wrote:—

If I say Yes, will you speak to me?

Then she rose and passed it out to him, leaning out of the window, and their faces met.

Copyright of Keppler and Schwarzmann.

THE WAY TO ARCADY

Oh, what's the way to Arcady,
To Arcady, to Arcady;
Oh, what's the way to Arcady,
Where all the leaves are merry?

Oh, what's the way to Arcady?
The spring is rustling in the tree—
The tree the wind is blowing through—
It sets the blossoms flickering white.
I knew not skies could burn so blue
Nor any breezes blow so light.
They blow an old-time way for me,
Across the world to Arcady.

Oh, what's the way to Arcady?
Sir Poet, with the rusty coat,
Quit mocking of the song-bird's note.
How have you heart for any tune,
You with the wayworn russet shoon?
Your scrip, a-swinging by your side,
Gapes with a gaunt mouth hungry-wide.
I'll brim it well with pieces red,
If you will tell the way to tread.

Oh, I am bound for Arcady,
And if you but keep pace with me
You tread the way to Arcady.

And where away lies Arcady,
And how long yet may the journey be?

Ah, that (quoth he) I do not know:
Across the clover and the snow—
Across the forest, across the flowers—
Through summer seconds and winter hours.
I've trod the way my whole life long,
And know not now where it may be;
My guide is but the stir to song,
That tells me I cannot go wrong,
Or clear or dark the pathway be
Upon the road to Arcady.

But how shall I do who cannot sing?
I was wont to sing, once on a time—
There is never an echo now to ring
Remembrance back to the trick of rhyme.

'Tis strange you cannot sing (quoth he),
The folk all sing in Arcady.

But how may he find Arcady
Who hath nor youth nor melody?

What, know you not, old man (quoth he)—
Your hair is white, your face is wise—
That Love must kiss that Mortal's eyes
Who hopes to see fair Arcady?
No gold can buy you entrance, there,
But beggared Love may go all bare;
No wisdom won with weariness,
But Love goes in with Folly's dress;
No fame that wit could ever win,
But only Love, may lead Love in
To Arcady, to Arcady.

Ah, woe is me, through all my days
Wisdom and wealth I both have got,
And fame and name, and great men's praise;
But Love, ah Love! I have it not.
There was a time, when life was new—
But far away, and half forgot—
I only know her eyes were blue;
But Love—I fear I knew it not.
We did not wed, for lack of gold,
And she is dead, and I am old.
All things have come since then to me,
Save Love, ah Love! and Arcady.

Ah, then I fear we part (quoth he),
My way's for Love and Arcady.

But you, you fare alone like me;
The gray is likewise in your hair.
What love have you to lead you there.
To Arcady, to Arcady?

Ah, no, not lonely do I fare:
My true companion's Memory.
With Love he fills the Spring-time air;
With Love he clothes the Winter tree.
Oh, past this poor horizon's bound
My song goes straight to one who stands—
Her face all gladdening at the sound—
To lead me to the Spring-green lands,
To wander with enlacing hands.
The songs within my breast that stir
Are all of her, are all of her.
My maid is dead long years (quoth he),
She waits for me in Arcady.

Oh, yon's the way to Arcady,
To Arcady, to Arcady;
Oh, yon's the way to Arcady,
Where all the leaves are merry.

Copyrighted by Charles Scribner's Sons.

CHANT-ROYAL

I would that all men my hard case might know;
How grievously I suffer for no sin:
I, Adolphe Culpepper Ferguson, for lo!
I of my landlady am lockèd in,
For being short on this sad Saturday,
Nor having shekels of silver wherewith to pay:
She has turned and is departed with my key;
Wherefore, not even as other boarders free,
I sing (as prisoners to their dungeon stones
When for ten days they expiate a spree):
Behold the deeds that are done of Mrs. Jones!

One night and one day have I wept my woe;
Nor wot I, when the morrow doth begin,
If I shall have to write to Briggs & Co.,
To pray them to advance the requisite tin
For ransom of their salesman, that he may
Go forth as other boarders go alway—
As those I hear now flocking from their tea,
Led by the daughter of my landlady
Piano-ward. This day, for all my moans,
Dry bread and water have been servèd me.
Behold the deeds that are done of Mrs. Jones!

Miss Amabel Jones is musical, and so
The heart of the young he-boardér doth win,
Playing 'The Maiden's Prayer' adagio—
That fetcheth him, as fetcheth the banco skin
The innocent rustic. For my part, I pray
That Badarjewska maid may wait for aye
Ere sits she with a lover, as did we
Once sit together, Amabel! Can it be
That all that arduous wooing not atones
For Saturday shortness of trade dollars three?
Behold the deeds that are done of Mrs. Jones!

Yea! she forgets the arm was wont to go
Around her waist. She wears a buckle, whose pin
Galleth the crook of the young man's elbów.
I forget not, for I that youth have been.
Smith was aforetime the Lothario gay.
Yet once, I mind me, Smith was forced to stay
Close in his room. Not calm, as I, was he;
But his noise brought no pleasaunce, verily.
Small ease he got of playing on the bones
Or hammering on his stove-pipe, that I see.
Behold the deeds that are done of Mrs. Jones!

Thou, for whose fear the figurative crow
I eat, accursed be thou and all thy kin!
Thee will I show up—yea, up will I show
Thy too thick buckwheats, and thy tea too thin.
Ay! here I dare thee, ready for the fray:
Thou dost not "keep a first-class house," I say!
It does not with the advertisements agree.
Thou lodgest a Briton with a puggaree,
And thou hast harbored Jacobses and Cohns,
Also a Mulligan. Thus denounce I thee!
Behold the deeds that are done of Mrs. Jones!

ENVOY

Boarders! the worst I have not told to ye:
She hath stolen my trousers, that I may not flee
Privily by the window. Hence these groans.
There is no fleeing in a robe de nuit.
Behold the deeds that are done of Mrs. Jones!

Copyrighted by Charles Scribner's Sons.

JOHN BUNYAN

(1628-1688)

BY REV. EDWIN P. PARKER

John Bunyan, son of Thomas Bunnionn Junr and Margaret Bentley, was born 1628, in the quaint old village of Elstow, one mile southwest of Bedford, near the spot where, three hundred years before, his ancestor William Boynon resided. His father was a poor tinker or "braseyer," and his mother's lineage is unknown. He says,—"I never went to school to Aristotle or Plato, but was brought up at my father's house in a very mean condition, among a company of poor countrymen."

He learned to read and write "according to the rate of other poor men's children"; but soon lost "almost utterly" the little he had learned. Shortly after his mother's death, when he was about seventeen years of age, he served as a soldier for several months, probably in the Parliamentary army. Not long afterward he married a woman as poor as himself, by whose gentle influence he was gradually led into the way of those severe spiritual conflicts and "painful exercises of mind" from which he finally came forth, at great cost, victorious. These religious experiences, vividly described in his 'Grace Abounding,' traceable in the course of his chief Pilgrim, and frequently referred to in his discourses, have been too literally interpreted by some, and too much explained away as unreal by others; but present no special difficulty to those who will but consider Bunyan's own explanations.

From boyhood he had lived a roving and non-religious life, although possessing no little tenderness of conscience. He was neither intemperate nor dishonest; he was not a law-breaker; he explicitly and indignantly declares:—"If all the fornicators and adulterers in England were hanged by the neck till they be dead, John Bunyan would still be alive and well!" The particular sins of which he was guilty, so far as he specifies them, were profane swearing, from which he suddenly ceased at a woman's reproof, and certain sports, innocent enough in themselves, which the prevailing Puritan rigor severely condemned. What, then, of that vague and exceeding sinfulness of which he so bitterly accuses and repents himself? It was that vision of sin, however disproportionate, which a deeply wounded and graciously healed spirit often has, in looking back upon the past from that theological standpoint whence all want of conformity to the perfect law of God seems heinous and dreadful.

"A sinner may be comparatively a little sinner, and sensibly a great one. There are two sorts of greatness in sin: greatness by reason of number; greatness by reason of the horrible nature of sin. In the last sense, he that has but one sin, if such an one could be found, may in his own eyes find himself the biggest sinner in the world."

"Visions of God break the heart, because, by the sight the soul then has of His perfections, it sees its own infinite and unspeakable disproportion."

"The best saints are most sensible of their sins, and most apt to make mountains of their molehills."

Such sentences from Bunyan's own writings—and many like them might be quoted—shed more light upon the much-debated question of his "wickedness" than all that his biographers have written.

In John Gifford, pastor of a little Free Church in Bedford, Bunyan found a wise friend, and in 1653 he joined that church. He soon discovered his gifts among the brethren, and in due time was appointed to the office of a gospel minister, in which he labored with indefatigable industry and zeal, and with ever-increasing fame and success, until his death. His hard personal fortunes between the Restoration of 1660 and the Declaration of Indulgence of 1672, including his imprisonment for twelve years in Bedford Gaol; his subsequent imprisonment in 1675-6, when the first part of the 'Pilgrim's Progress' was probably written; and the arduous engagements of his later and comparatively peaceful years,—must be sought in biographies, the latest and perhaps the best of which is that by Rev. John Brown, minister of the Bunyan Church at Bedford. The statute under which Bunyan suffered is the 35th Eliz., Cap. 1, re-enacted with rigor in the 16th Charles II., Cap. 4, 1662; and the spirit of it appears in the indictment preferred against him:—"that he hath devilishly and perniciously abstained from coming to Church to hear Divine service, and is a common upholder of several unlawful meetings and conventicles, to the great disturbance and distraction of the good subjects of this Kingdom," etc., etc.

The story of Bunyan's life up to the time of his imprisonment, and particularly that of his arrests and examinations before the justices, and also the account of his experiences in prison, should be read in his own most graphic narrative, in the 'Grace Abounding,' which is one of the most precious portions of all autobiographic literature. Bunyan was born and bred, he lived and labored, among the common people, with whom his sympathies were strong and tender, and by whom he was regarded with the utmost veneration and affection. He understood them, and they him. For nearly a century they were almost the only readers of his published writings. They came to call him Bishop Bunyan. His native genius, his great human-heartedness and loving-kindness, his burning zeal and indomitable courage, his racy humor and kindling imagination, all vitalized by the spiritual force which came upon him through the encompassing atmosphere of devout Puritanism, were consecrated to the welfare of his fellow-men. His personal friend, Mr. Doe, describes him as "tall in stature, strong-boned, of a ruddy face, with sparkling eyes, nose well set, mouth moderately large, forehead something high, and his habit always plain and modest." His portrait, painted in 1685, shows a vigorous, kindly face, with mustachios and imperial, and abundance of hair falling in long wavy masses about the neck and shoulders,—more Cavalier-like than Roundhead.

JOHN BUNYAN.

Bunyan was a voluminous writer, and his works, many of them posthumous, are said to equal in number the sixty years of his life. But even the devout and sympathetic critic is compelled to acknowledge the justice of that verdict of time which has consigned most of them to a virtual oblivion. The controversial tracts possess no elements of enduring interest. The doctrinal and spiritual discourses are elaborations of a system of religious thought which long ago "had its day and ceased to be." Yet they contain pithy sentences, homely and pat illustrations, and many a paragraph, rugged or tender, in which one recognizes the stamp of his genius, and an intimation of his remarkable power as a preacher. The best of these discourses, 'The Jerusalem Sinner Saved,' 'Come and Welcome to Jesus Christ,' and 'Light for Them that Sit in Darkness,' while they sparkle here and there with things unique and precious to the Bunyan-curious student, would seem dull and tedious to the general though devout reader. In many a passage we feel, to use his phrase, his "heart-pulling power," no less than the force and felicity of his most original images and analogies; but these passages are little oases in a dry and thirsty land. The 'Life and Death of Mr. Badman' vividly presents certain aspects of English provincial life in that day; but they are repulsive, and the entire work is marred by flat moralizings and coarse, often incredible stories.

The 'Holy War,' which Macaulay said would have been our greatest religious allegory if the 'Pilgrim's Progress' had not been written, has ceased to be much read. The conception of the conquest of the human soul by the irresistible operation of divine force is so foreign to modern thought and faith that Bunyan's similitude no longer seems a verisimilitude. The pages abound with quaint, humorous, and lifelike touches;—as where Diabolus stations at Ear-Gate a guard of deaf men under old Mr. Prejudice, and Unbelief is described as "a nimble jack whom they could never lay hold of";—but as compared with the 'Pilgrim's Progress' the allegory is artificial, its elaboration of analogies is ponderous and tedious, and its characters lack solidity and reality.

All these works, however, exhibit a remarkable command of the mother tongue, a shrewd common-sense and mother wit, a fervid spiritual life, and a wonderful knowledge of the English Bible. They may be likened to more or less submerged wrecks kept from sinking into utter neglect by the bond of authorship which connects them with the one incomparable work which floats, unimpaired by time, on the sea of universal appreciation and favor. Bunyan's unique and secure position in English literature was gained by the 'Pilgrim's Progress,' the first part of which was published in 1678, and the second in 1685.

The broader, freer conception of the pilgrimage—as old in literature as the ninetieth Psalm, apt and fond, as innumerable books show, from De Guileville's 'Le Pelerinage de l'Homme' in the fourteenth century to Patrick's 'Parable' three hundred years later—took sudden possession of Bunyan's imagination while he was in prison, and kindled all his finest powers. Then he undertook, poet-wise, to work out this conception, capable of such diversity of illustration, in a form of literature that has ever been especially congenial to the human mind. Unguided save by his own consecrated genius, unaided by other books than his English Bible and Fox's 'Book of Martyrs,' he proceeded with a simplicity of purpose and felicity of expression, and with a fidelity to nature and life, which gave to his unconsciously artistic story the charm of perfect artlessness as well as the semblance of reality. When Bunyan's lack of learning and culture are considered, and also the comparative dryness of his controversial and didactic writings, this efflorescence of a vital spirit of beauty and of an essentially poetic genius in him seems quite inexplicable. The author's rhymed 'Apology for His Book,' which usually prefaces the 'Pilgrim's Progress,' contains many significant hints as to the way in which he was led to

"Make truth spangle, and its rays to shine."

He had no thought of producing a work of literary excellence; but on the other hand he had not, in writing this book, his customary purpose of spiritual edification. Indeed, he put his multiplying thoughts and fancies aside, lest they should interfere with a more serious and important book which he had in hand!

"I only thought to make
I knew not what: nor did I undertake
Thereby to please my neighbor; no, not I:
I did it mine own self to gratify.

. . . . . . . . . . . . . . . . .

Thus I set pen to paper with delight,
And quickly had my thoughts in black and white."

The words are exceedingly suggestive. In writing so aimlessly—"I knew not what"—to gratify himself by permitting the allegory into which he had suddenly fallen to take possession of him and carry him whithersoever it would, while he wrote out with delight his teeming fancies, was not Bunyan for the first time exercising his genius in a freedom from all theological and other restraint, and so in a surpassing range and power? The dreamer and poet supplanted the preacher and teacher. He yielded to the simple impulse of his genius, gave his imagination full sweep, and so, as never before or elsewhere, soared and sang in what seemed to many of his Puritan friends a questionable freedom and profane inspiration. And yet his song, or story, was not a creation of mere fancy,—

"It came from my own heart, so to my head,
And thence into my fingers tricklèd;"—

and therefore, we add, it finds its way to the heart of mankind.

Hence the spontaneity of the allegory, its ease and freedom of movement, its unlabored development, its natural and vital enfolding of that old pilgrim idea of human life which had so often bloomed in the literature of all climes and ages, but whose consummate flower appeared in the book of this inspired Puritan tinker-preacher. Hence also the dramatic unity and methodic perfectness of the story. Its byways all lead to its highway; its episodes are as vitally related to the main theme as are the ramifications of a tree to its central stem. The great diversities of experience in the true pilgrims are dominated by one supreme motive. As for the others, they appear incidentally to complete the scenes, and make the world and its life manifold and real. The Pilgrim is a most substantial person, and once well on the way, the characters he meets, the difficulties he encounters, the succor he receives, the scenes in which he mingles, are all, however surprising, most natural. The names, and one might almost say the forms and faces, of Pliable, Obstinate, Faithful, Hopeful, Talkative, Mercy, Great-heart, old Honest, Valiant-for-truth, Feeble-mind, Ready-to-halt, Miss Much-afraid, and many another, are familiar to us all. Indeed, the pilgrimage is our own—in many of its phases at least,—and we have met the people whom Bunyan saw in his dream, and are ourselves they whom he describes. When Dean Stanley began his course of lectures on Ecclesiastical History at Oxford, his opening words were those of the passage where the Pilgrim is taken to the House Beautiful to see "the rarities and histories of that place, both ancient and modern"; and at the end of the same course, wishing to sketch the prospects of Christendom, he quoted the words in which, on leaving the House Beautiful, Christian was shown the distant view of the Delectable Mountains.

But for one glance at Pope and Pagan, there is almost nothing to indicate the writer's ecclesiastical standing. But for here and there a marking of time in prosaic passages which have nothing to do with the story, there is nothing to mar the catholicity of its spirit. Romanists and Protestants, Anglicans and Puritans, Calvinists and Arminians,—all communions and sects have edited and circulated it. It is the completest triumph of truth by fiction in all literature. More than any other human book, it is "a religious bond to the whole of English Christendom." The second part is perhaps inferior to the first, but is richer in incident, and some of its characters—Mercy, old Honest, Valiant-for-truth, and Great-heart, for instance—are exquisitely conceived and presented. Here again the reader will do well to carefully peruse the author's rhymed introduction:—

"What Christian left locked up, and went his way,
Sweet Christiana opens with her key."

"Go then, my little Book," he says, "and tell young damsels of Mercy, and old men of plain-hearted old Honest. Tell people of Master Fearing, who was a good man, though much down in spirit. Tell them of Feeble-mind, and Ready-to-halt, and Master Despondency and his daughter, who 'softly went but sure.'

"When thou hast told the world of all these things,
Then turn about, my Book, and touch these strings,
Which, if but touched, will such a music make,
They'll make a cripple dance, a giant quake."

This second part introduces some new scenes, as well as characters and experiences, but with the same broad sympathy and humor; and there are closing descriptions not excelled in power and pathos by anything in the earlier pilgrimage.

In his 'Apology' Bunyan says:—

"This book is writ in such a dialect
As may the minds of listless men affect."

The idiom of the book is purely English, acquired by a diligent study of the English Bible. It is the simplest, raciest, and most sinewy English to be found in any writer of our language; and Bunyan's amazing use of this Saxon idiom for all the purposes of his story, and the range and freedom of his imaginative genius therein, like certain of Tennyson's 'Idylls,' show it to be an instrument of symphonic capacity and variety. Bunyan's own maxim is a good one:—"Words easy to be understood do often hit the mark, when high and learned ones do only pierce the air."

Of the 'Pilgrim's Progress,' in both its parts, we may say in the words of Milton:—

"These are works that could not be composed by the invocation of Dame Memory and her siren daughters, but by devout prayer to that eternal Spirit who can enrich with all utterance and knowledge, and send out his Seraphim, with the hallowed fire of his altar, to touch and purify the lips of whom he pleases, without reference to station, birth, or education."

Let Bunyan speak for his own book:—

"Wouldst thou be in a dream, and yet not sleep?
Or wouldst thou in a moment laugh and weep?
Wouldst thou lose thyself and catch no harm,
And find thyself again, without a charm?
Wouldst read thyself, and read, thou knowst not what,
And yet know whether thou art blest or not
By reading the same lines? O then come hither!
And lay my book, thy head, and heart together."

Bunyan died of fever, in the house of a friend, at London, August 12th, 1688, in the sixty-first year of his age. Three of his four children survived him; the blind daughter, for whom he expressed such affectionate solicitude during his imprisonment, died before him. His second wife, Elisabeth, who pleaded for him with so much dignity and feeling before Judge Hale and other justices, died in 1692. In 1661 a recumbent statue was placed on his tomb in Bunhill Fields, and thirteen years later a noble statue was erected in his honor at Bedford. The church at Elstow is enriched with memorial windows presenting scenes from the 'Holy War' and the 'Pilgrim's Progress,' and the Bunyan Meeting-House in Bedford has bronze doors presenting similar scenes.

The great allegory has been translated into almost every language and dialect under the sun. The successive editions of it are almost innumerable; and no other book save the Bible has had an equally large circulation. The verdict of approval stamped upon it at first by the common people, has been fully recognized and accepted by the learned and cultivated.

THE FIGHT WITH APOLLYON

From the 'Pilgrim's Progress'

But now, in this Valley of Humiliation, poor Christian was hard put to it; for he had gone but a little way before he espied a foul fiend coming over the field to meet him; his name is Apollyon. Then did Christian begin to be afraid, and to cast in his mind whether to go back or to stand his ground: But he considered again that he had no armor for his back, and therefore thought that to turn the back to him might give him the greater advantage with ease to pierce him with his darts. Therefore he resolved to venture and stand his ground; for, thought he, had I no more in mine eye than the saving of my life, 'twould be the best way to stand.

So he went on, and Apollyon met him. Now the monster was hideous to behold: he was clothed with scales like a fish (and they are his pride); he had wings like a dragon, feet like a bear, and out of his belly came fire and smoke; and his mouth was as the mouth of a lion. When he was come up to Christian, he beheld him with a disdainful countenance, and thus began to question with him.

Apollyon—Whence come you? and whither are you bound?

Christian—I am come from the City of Destruction, which is the place of all evil, and am going to the City of Zion.

Apollyon—By this I perceive thou art one of my subjects, for all that country is mine, and I am the prince and god of it. How is it then that thou hast run away from thy King? Were it not that I hope thou mayest do me more service, I would strike thee now at one blow to the ground.

Christian—I was born indeed in your dominions, but your service was hard, and your wages such as a man could not live on, "for the wages of sin is death;" therefore when I was come to years, I did as other considerate persons do—look out, if perhaps I might mend myself.

Apollyon—There is no prince that will thus lightly lose his subjects, neither will I as yet lose thee; but since thou complainest of thy service and wages, be content to go back; what our country will afford, I do here promise to give thee.

Christian—But I have let myself to another, even to the King of Princes, and how can I with fairness go back with thee?

Apollyon—Thou hast done in this according to the proverb, changed a bad for a worse; but it is ordinary for those that have professed themselves his servants, after a while to give him the slip and return again to me: Do thou so too, and all shall be well.

Christian—I have given him my faith, and sworn my allegiance to him: how then can I go back from this, and not be hanged as a traitor?

Apollyon—Thou didst the same to me, and yet I am willing to pass by all, if now thou wilt yet turn again and go back.

Christian—What I promised thee was in my nonage; and besides, I count that the Prince under whose banner now I stand is able to absolve me; yea, and to pardon also what I did as to my compliance with thee: and besides, O thou destroying Apollyon, to speak truth, I like his service, his wages, his servants, his government, his company and country, better than thine; and therefore leave off to persuade me further; I am his servant, and I will follow him.

Apollyon—Consider again when thou art in cool blood, what thou art like to meet with in the way that thou goest. Thou knowest that for the most part his servants come to an ill end, because they are transgressors against me and my ways: How many of them have been put to shameful deaths; and besides, thou countest his service better than mine, whereas he never came yet from the place where he is to deliver any that served him out of our hands; but as for me, how many times, as all the world very well knows, have I delivered, either by power or fraud, those that have faithfully served me, from him and his, though taken by them; and so I will deliver thee.

Christian—His forbearing at present to deliver them is on purpose to try their love, whether they will cleave to him to the end: and as for the ill end thou sayest they come to, that is most glorious in their account; for, for present deliverance, they do not much expect it, for they stay for their glory, and then they shall have it, when their Prince comes in his, and the glory of the angels.

Apollyon—Thou hast already been unfaithful in thy service to him, and how dost thou think to receive wages of him?

Christian—Wherein, O Apollyon, have I been unfaithful to him?

Apollyon—Thou didst faint at first setting out, when thou wast almost choked in the Gulf of Despond; thou didst attempt wrong ways to be rid of thy burden, whereas thou shouldst have stayed till thy Prince had taken it off; thou didst sinfully sleep and lose thy choice thing; thou wast also almost persuaded to go back at the sight of the lions; and when thou talkest of thy journey, and of what thou hast heard and seen, thou art inwardly desirous of vainglory in all that thou sayest or doest.

Christian—All this is true, and much more which thou hast left out; but the Prince whom I serve and honor is merciful, and ready to forgive; but besides, these infirmities possessed me in thy country, for there I sucked them in, and I have groaned under them, been sorry for them, and have obtained pardon of my Prince.

Apollyon—Then Apollyon broke out into grievous rage, saying, I am an enemy to this Prince; I hate his person, his laws and people: I am come out on purpose to withstand thee.

Christian—Apollyon, beware what you do, for I am in the King's highway, the way of holiness, therefore take heed to yourself.

Apollyon—Then Apollyon straddled quite over the whole breadth of the way, and said, I am void of fear in this matter; prepare thyself to die; for I swear by my infernal den, that thou shalt go no further; here will I spill thy soul.

And with that he threw a flaming dart at his breast, but Christian had a shield in his hand, with which he caught it, and so prevented the danger of that.

Then did Christian draw, for he saw 'twas time to bestir him: and Apollyon as fast made at him, throwing darts as thick as hail; by the which, notwithstanding all that Christian could do to avoid it, Apollyon wounded him in his head, his hand, and foot. This made Christian give a little back; Apollyon therefore followed his work amain, and Christian again took courage, and resisted as manfully as he could. This sore combat lasted for above half a day, even till Christian was almost quite spent; for you must know that Christian, by reason of his wounds, must needs grow weaker and weaker.

Then Apollyon, espying his opportunity, began to gather up close to Christian, and wrestling with him, gave him a dreadful fall; and with that Christian's sword flew out of his hand. Then said Apollyon, I am sure of thee now; and with that he had almost pressed him to death, so that Christian began to despair of life: but as God would have it, while Apollyon was fetching of his last blow, thereby to make a full end of this good man, Christian nimbly stretched out his hand for his sword, and caught it, saying, "Rejoice not against me, O mine enemy! when I fall I shall arise;" and with that gave him a deadly thrust, which made him give back, as one that had received his mortal wound; Christian, perceiving that, made at him again, saying, "Nay, in all these things we are more than conquerors through him that loved us." And with that Apollyon spread forth his dragon's wings, and sped him away, that Christian for a season saw him no more.

In this combat no man can imagine, unless he had seen and heard as I did, what yelling and hideous roaring Apollyon made all the time of the fight; he spake like a dragon; and on the other side, what sighs and groans burst from Christian's heart. I never saw him all the while give so much as one pleasant look, till he perceived he had wounded Apollyon with his two-edged sword; then indeed he did smile, and look upward; but 'twas the dreadfulest sight that ever I saw.

So when the battle was over, Christian said, I will here give thanks to him that hath delivered me out of the mouth of the lion, to him that did help me against Apollyon. And so he did, saying:—

Great Beelzebub, the captain of this fiend,
Designed my ruin; therefore to this end
He sent him harnessed out: and he with rage
That hellish was, did fiercely me engage:
But blessed Michael helpèd me, and I
By dint of sword did quickly make him fly.
Therefore to him let me give lasting praise,
And thank and bless his holy name always.

Then there came to him a hand, with some of the leaves of the tree of life, the which Christian took, and applied to the wounds that he had received in the battle, and was healed immediately. He also sat down in that place to eat bread, and to drink of the bottle that was given him a little before; so being refreshed, he addressed himself to his journey, with his sword drawn in his hand; for he said, I know not but some other enemy may be at hand. But he met with no other affront from Apollyon quite through this valley.

THE DELECTABLE MOUNTAINS

From the 'Pilgrim's Progress'

They went then till they came to the Delectable Mountains, which mountains belong to the Lord of that Hill of which we have spoken before; so they went up to the mountains, to behold the gardens and orchards, the vineyards and fountains of water; where also they drank, and washed themselves, and did freely eat of the vineyards. Now there were on the tops of these mountains shepherds feeding their flocks, and they stood by the highway side. The pilgrims therefore went to them, and leaning upon their staves (as is common with weary pilgrims, when they stand to talk with any by the way) they asked, Whose delectable mountains are these? And whose be the sheep that feed upon them?

Shepherds—These mountains are "Immanuel's Land," and they are within sight of his city; and the sheep also are his, and he laid down his life for them.

Christian—Is this the way to the Celestial City?

Shepherds—You are just in your way.

Christian—How far is it thither?

Shepherds—Too far for any but those that shall get thither indeed.

Christian—Is the way safe or dangerous?

Shepherds—Safe for those for whom it is to be safe, "but transgressors shall fall therein."

Christian—Is there in this place any relief for pilgrims that are weary and faint in the way?

Shepherds—The lord of these mountains hath given us a charge "not to be forgetful to entertain strangers"; therefore the good of the place is before you.

I saw also in my dream, that when the shepherds perceived that they were wayfaring men, they also put questions to them (to which they made answer as in other places), as, Whence came you? and, How got you into the way? and, By what means have you so persevered therein? For but few of them that begin to come hither do show their face on these mountains. But when the shepherds heard their answers, being pleased therewith, they looked very lovingly upon them, and said, Welcome to the Delectable Mountains.

The shepherds, I say, whose names were Knowledge, Experience, Watchful, and Sincere, took them by the hand, and had them to their tents, and made them partake of that which was ready at present. They said moreover, We would that ye should stay here a while, to be acquainted with us; and yet more to solace yourselves with the good of these delectable mountains. They then told them that they were content to stay; and so they went to their rest that night, because it was very late.

Then I saw in my dream, that in the morning the shepherds called up Christian and Hopeful to walk with them upon the mountains; so they went forth with them, and walked a while, having a pleasant prospect on every side. Then said the shepherds one to another, Shall we show these pilgrims some wonders? So when they had concluded to do it, they had them first to the top of a hill called Error, which was very steep on the furthest side, and bid them look down to the bottom. So Christian and Hopeful looked down, and saw at the bottom several men dashed all to pieces by a fall that they had from the top. Then said Christian, What meaneth this? The shepherds answered, Have you not heard of them that were made to err, by hearkening to Hymeneus and Philetus, as concerning the faith of the resurrection of the body? They answered, Yes. Then said the shepherds, Those that you see lie dashed in pieces at the bottom of this mountain are they; and they have continued to this day unburied (as you see) for an example to others to take heed how they clamber too high, or how they come too near the brink of this mountain.

Then I saw that they had them to the top of another mountain, and the name of that is Caution, and bid them look afar off; which when they did, they perceived, as they thought, several men walking up and down among the tombs that were there; and they perceived that the men were blind, because they stumbled sometimes upon the tombs, and because they could not get out from among them. Then said Christian, What means this?

The shepherds then answered, Did you not see a little below these mountains a stile, that led into a meadow, on the left hand of this way? They answered, Yes. Then said the shepherds, From that stile there goes a path that leads directly to Doubting Castle, which is kept by Giant Despair; and these men (pointing to them among the tombs) came once on pilgrimages as you do now, even till they came to that same stile; and because the right way was rough in that place, and they chose to go out of it into that meadow, and there were taken by Giant Despair and cast into Doubting Castle; where, after they had been awhile kept in the dungeon, he at last did put out their eyes, and led them among those tombs, where he has left them to wander to this very day, that the saying of the wise man might be fulfilled, "He that wandereth out of the way of understanding shall remain in the congregation of the dead." Then Christian and Hopeful looked upon one another, with tears gushing out, but yet said nothing to the shepherds.

Then I saw in my dream that the shepherds had them to another place, in a bottom, where was a door in the side of a hill, and they opened the door, and bid them look in. They looked in therefore, and saw that within it was very dark and smoky; they also thought that they heard there a rumbling noise as of fire, and a cry as of some tormented, and that they smelt the scent of brimstone. Then said Christian, What means this?

The shepherds told them, This is a by-way to hell, a way that hypocrites go in at; namely, such as sell their birthright, with Esau; such as sell their Master, as Judas; such as blaspheme the Gospel, with Alexander; and that lie and dissemble, with Ananias and Sapphira his wife. Then said Hopeful to the shepherds, I perceive that these had on them, even every one, a show of pilgrimage, as we have now: had they not?

Shepherds—Yes, and held it a long time too.

Hopeful—How far might they go on in pilgrimage in their day, since they notwithstanding were thus miserably cast away?

Shepherds—Some further, and some not so far as these mountains.

Then said the pilgrims one to another, We had need to cry to the Strong for strength.

Shepherds—Ay, and you will have need to use it when you have it too.

By this time the pilgrims had a desire to go forwards, and the shepherds a desire they should; so they walked together towards the end of the mountains. Then said the shepherds one to another, Let us here show to the pilgrims the gates of the Celestial City, if they have skill to look through our perspective-glass. The pilgrims then lovingly accepted the motion; so they had them to the top of a high hill, called Clear, and gave them their glass to look.

Then they essayed to look, but the remembrance of that last thing that the shepherds had showed them made their hands shake, by means of which impediment they could not look steadily through the glass; yet they thought they saw something like the gate, and also some of the glory of the place.

CHRISTIANA AND HER COMPANIONS ENTER THE CELESTIAL CITY

From the 'Pilgrim's Progress'

Now while they lay here and waited for the good hour, there was a noise in the town that there was a post come from the Celestial City, with matter of great importance to one Christiana, the wife of Christian the pilgrim. So inquiry was made for her, and the house was found out where she was. So the post presented her with a letter, the contents whereof was, Hail, good woman, I bring thee tidings that the Master calleth for thee, and expecteth that thou shouldest stand in his presence in clothes of immortality, within this ten days.

When he had read this letter to her, he gave her therewith a sure token that he was a true messenger, and was come to bid her make haste to be gone. The token was an arrow with a point sharpened with love, let easily into her heart, which by degrees wrought so effectually with her, that at the time appointed she must be gone.

When Christiana saw that her time was come, and that she was the first of this company that was to go over, she called for Mr. Great-heart her guide, and told him how matters were. So he told her he was heartily glad of the news, and could have been glad had the post come for him. Then she bid that he should give advice how all things should be prepared for her journey. So he told her, saying, Thus and thus it must be, and we that survive will accompany you to the river-side.

Then she called for her children and gave them her blessing, and told them that she yet read with comfort the mark that was set in their foreheads, and was glad to see them with her there, and that they had kept their garments so white. Lastly, she bequeathed to the poor that little she had, and commanded her sons and daughters to be ready against the messenger should come for them.

When she had spoken these words to her guide and to her children, she called for Mr. Valiant-for-truth, and said unto him, Sir, you have in all places showed yourself true-hearted; be faithful unto death, and my King will give you a crown of life. I would also entreat you to have an eye to my children, and if at any time you see them faint, speak comfortably to them. For my daughters, my sons' wives, they have been faithful, and a fulfilling of the promise upon them will be their end. But she gave Mr. Stand-fast a ring.

Then she called for old Mr. Honest and said of him, Behold an Israelite indeed, in whom is no guile. Then said he, I wish you a fair day when you set out for Mount Sion, and shall be glad to see that you go over the river dry-shod. But she answered, Come wet, come dry, I long to be gone, for however the weather is in my journey, I shall have time enough when I come there to sit down and rest me and dry me.

Then came in that good man Mr. Ready-to-halt, to see her. So she said to him, Thy travel hither has been with difficulty, but that will make thy rest the sweeter. But watch and be ready, for at an hour when you think not, the messenger may come.

After him came in Mr. Despondency and his daughter Much-afraid, to whom she said, You ought with thankfulness forever to remember your deliverance from the hands of Giant Despair and out of Doubting Castle. The effect of that mercy is, that you are brought with safety hither. Be ye watchful and cast away fear, be sober and hope to the end.

Then she said to Mr. Feeble-mind, Thou wast delivered from the mouth of Giant Slay-good, that thou mightest live in the light of the living for ever, and see thy King with comfort. Only I advise thee to repent thee of thine aptness to fear and doubt of his goodness before he sends for thee, lest thou shouldest, when he comes, be forced to stand before him for that fault with blushing.

Now the day drew on that Christiana must be gone. So the road was full of people to see her take her journey. But behold, all the banks beyond the river were full of horses and chariots, which were come down from above to accompany her to the city gate. So she came forth and entered the river with a beckon of farewell to those who followed her to the river-side. The last words she was heard to say here was, I come, Lord, to be with thee and bless thee.

So her children and friends returned to their place, for that those that waited for Christiana had carried her out of their sight. So she went and called and entered in at the gate with all the ceremonies of joy that her husband Christian had done before her. At her departure her children wept, but Mr. Great-heart and Mr. Valiant played upon the well-tuned cymbal and harp for joy. So all departed to their respective places.

In process of time there came a post to the town again, and his business was with Mr. Ready-to-halt. So he inquired him out, and said to him, I am come to thee in the name of Him whom thou hast loved and followed, though upon crutches; and my message is to tell thee that he expects thee at his table to sup with him in his kingdom the next day after Easter, wherefore prepare thyself for this journey.

Then he also gave him a token that he was a true messenger, saying, "I have broken thy golden bowl, and loosed thy silver cord."

After this Mr. Ready-to-halt called for his fellow pilgrims, and told them saying, I am sent for, and God shall surely visit you also. So he desired Mr. Valiant to make his will. And because he had nothing to bequeath to them that should survive him but his crutches and his good wishes, therefore thus he said, These crutches I bequeath to my son that shall tread in my steps, with a hundred warm wishes that he may prove better than I have done.

Then he thanked Mr. Great-heart for his conduct and kindness, and so addressed himself to his journey. When he came at the brink of the river he said, Now I shall have no more need of these crutches, since yonder are chariots and horses for me to ride on. The last words he was heard to say were, Welcome, life. So he went his way.

After this Mr. Feeble-mind had tidings brought him that the post sounded his horn at his chamber door. Then he came in and told him, saying, I am come to tell thee that thy Master has need of thee, and that in very little time thou must behold his face in brightness. And take this as a token of the truth of my message, "Those that look out at the windows shall be darkened."

Then Mr. Feeble-mind called for his friends, and told them what errand had been brought unto him, and what token he had received of the truth of the message. Then he said, Since I have nothing to bequeath to any, to what purpose should I make a will? As for my feeble mind, that I will leave behind me, for that I have no need of that in the place whither I go. Nor is it worth bestowing upon the poorest pilgrim; wherefore when I am gone, I desire that you, Mr. Valiant, would bury it in a dung-hill. This done, and the day being come in which he was to depart, he entered the river as the rest. His last words were, Hold out faith and patience. So he went over to the other side.

When days had many of them passed away, Mr. Despondency was sent for. For a post was come, and brought this message to him, Trembling man, these are to summon thee to be ready with thy King by the next Lord's day, to shout for joy for thy deliverance from all thy doubtings.

And said the messenger, That my message is true, take this for a proof; so he gave him "The grasshopper to be a burden unto him." Now Mr. Despondency's daughter, whose name was Much-afraid, said when she heard what was done, that she would go with her father. Then Mr. Despondency said to his friends, Myself and my daughter, you know what we have been, and how troublesomely we have behaved ourselves in every company. My will and my daughter's is, that our desponds and slavish fears be by no man ever received from the day of our departure for ever, for I know that after my death they will offer themselves to others. For to be plain with you, they are ghosts, the which we entertained when we first began to be pilgrims, and could never shake them off after; and they will walk about and seek entertainment of the pilgrims, but for our sakes shut ye the doors upon them.

When the time was come for them to depart, they went to the brink of the river. The last words of Mr. Despondency were, Farewell, night; welcome, day. His daughter went through the river singing, but none could understand what she said.

Then it came to pass a while after, that there was a post in the town that inquired for Mr. Honest.... When the day that he was to be gone was come, he addressed himself to go over the river. Now the river at that time overflowed the banks in some places, but Mr. Honest in his lifetime had spoken to one Good-conscience to meet him there, the which he also did, and lent him his hand, and so helped him over. The last words of Mr. Honest were, Grace reigns. So he left the world.

After this it was noised abroad that Mr. Valiant-for-truth was taken with a summons by the same post as the other, and had this for a token that the summons was true, "That his pitcher was broken at the fountain." When he understood it, he called for his friends, and told them of it. Then said he, I am going to my fathers, and though with great difficulty I am got hither, yet now I do not repent me of all the trouble I have been at to arrive where I am. My sword I give to him that shall succeed me in my pilgrimage, and my courage and skill to him that can get it. My marks and scars I carry with me, to be a witness for me that I have fought his battles who now will be my rewarder. When the day that he must go hence was come, many accompanied him to the river-side, into which as he went he said, Death, where is thy sting? And as he went down deeper he said, Grave, where is thy victory? So he passed over, and all the trumpets sounded for him on the other side.

Then there came forth a summons for Mr. Stand-fast (this Mr. Stand-fast was he that the rest of the pilgrims found upon his knees in the enchanted ground), for the post brought it him open in his hands. The contents whereof were, that he must prepare for a change of life, for his Master was not willing that he should be so far from him any longer. At this Mr. Stand-fast was put into a muse. Nay, said the messenger, you need not doubt of the truth of my message, for here is a token of the truth thereof, "Thy wheel is broken at the cistern." Then he called to him Mr. Great-heart, who was their guide, and said unto him, Sir, although it was not my hap to be much in your good company in the days of my pilgrimage, yet since the time I knew you, you have been profitable to me. When I came from home, I left behind me a wife and five small children: let me entreat you at your return (for I know that you will go and return to your Master's house, in hopes that you may yet be a conductor to more of the holy pilgrims) that you send to my family, and let them be acquainted with all that hath and shall happen unto me. Tell them moreover of my happy arrival to this place, and of the present late blessed condition that I am in. Tell them also of Christian and Christiana his wife, and how she and her children came after her husband. Tell them also of what a happy end she made, and whither she is gone. I have little or nothing to send to my family, except it be prayers and tears for them; of which it will suffice if thou acquaint them, if peradventure they may prevail.

When Mr. Stand-fast had thus set things in order, and the time being come for him to haste him away, he also went down to the river. Now there was a great calm at that time in the river; wherefore Mr. Stand-fast, when he was about half-way in, he stood awhile, and talked to his companions that had waited upon him thither. And he said:—

This river has been a terror to many; yea, the thoughts of it also have often frighted me. But now methinks I stand easy; my foot is fixed upon that upon which the feet of the priests that bare the ark of the covenant stood, while Israel went over this Jordan. The waters indeed are to the palate bitter and to the stomach cold, yet the thought of what I am going to and of the conduct that waits for me on the other side, doth lie as a glowing coal at my heart.

I see myself now at the end of my journey; my toilsome days are ended. I am going now to see that Head that was crowned with thorns, and that Face that was spit upon for me.

I have formerly lived by hearsay and faith, but now I go where I shall live by sight, and shall be with him in whose company I delight myself.

I have loved to hear my Lord spoken of, and wherever I have seen the print of his shoe in the earth, there I have coveted to set my foot too.

His name has been to me as a civet-box, yea, sweeter than all perfumes. His voice to me has been most sweet, and his countenance I have more desired than they that have most desired the light of the sun. His Word I did use to gather for my food, and for antidotes against my faintings. He has held me, and I have kept me from mine iniquities; yea, my steps hath he strengthened in his way.

Now while he was thus in discourse, his countenance changed, his strong man bowed under him, and after he had said, Take me, for I come unto thee, he ceased to be seen of them.

But glorious it was to see how the open region was filled with horses and chariots, with trumpeters and pipers, with singers and players on stringed instruments, to welcome the pilgrims as they went up, and followed one another in at the beautiful gate of the city.

GOTTFRIED AUGUST BÜRGER

(1747-1794)

The ballad of 'Lenore,' upon which Bürger's fame chiefly rests, was published in 1773. It constituted one of the articles in that declaration of independence which the young poets of the time were formulating, and it was more than a mere coincidence that in the same year Herder wrote his essay on 'Ossian' and the 'Songs of Ancient Peoples,' and Goethe unfurled the banner of a new time in 'Götz von Berlichingen.' The artificial and sentimental trivialities of the pigtail age were superseded almost at a stroke, and the petty formalism under which the literature of Germany was languishing fell about the powdered wigs of its professional representatives. The new impulse came from England. As in France, Rousseau, preaching the gospel of a return to nature, found his texts in English writers, so in Germany the poets who inaugurated the classic age derived their chief inspiration from the wholesome heart of England. It was Shakespeare that inspired Goethe's 'Götz'; Ossian and the old English and Scotch folk-songs were Herder's theme; and Percy's 'Reliques' stimulated and saved the genius of Bürger. This was the movement which, for lack of a better term, has been called the naturalistic. Literature once more took possession of the whole range of human life and experience, descending from her artificial throne to live with peasant and people. These ardent innovators spurned all ancient rules and conventions, and in the first ecstasy of their new-found freedom and unchastened strength it is no wonder that they went too far. Goethe and Schiller learned betimes the salutary lesson of artistic restraint. Bürger never learned it.

Gottfried A. Bürger

Bürger was wholly a child of his time. At the age of twenty-six he wrote 'Lenore,' and his genius never again attained that height. Much may be accomplished in the first outburst of youthful energy; but without the self-control which experience should teach, and without the moral character which is the condition of great achievement, genius rots ere it is ripe; and this was the case with Bürger. We are reminded of Burns. Goethe in his seventy-eighth year said to Eckermann:—"What songs Bürger and Voss have written! Who would say that they are less valuable or less redolent of their native soil than the exquisite songs of Burns?" Like Burns, Bürger was of humble origin; like Burns, he gave passion and impulse the reins and drove to his own destruction; like Burns, he left behind him a body of truly national and popular poetry which is still alive in the mouths of the people.

Bürger was born in the last hour of the year 1747 at Molmerswende. His father was a country clergyman, and he himself was sent to Halle at the age of seventeen to study theology. His wild life there led to his removal to Göttingen, where he took up the study of law. He became a member and afterwards the leader of the famous "Göttinger Dichterbund," and was carried away and for a time rescued from his evil courses by his enthusiasm for Shakespeare and Percy's 'Reliques.' He contributed to the newly established Musenalmanach, and from 1779 until his death in 1794 he was its editor. In 1787 the university conferred an honorary degree upon him, and he was soon afterward made a professor without salary, lecturing on Kantian philosophy and æsthetics. Three times he was married; his days were full of financial struggles and self-wrought misery; there is little in his private life that is creditable to record: a dissolute youth was followed by a misguided manhood, and he died in his forty-seventh year.

It fell to the lot of the young Goethe, then an unknown reviewer, to write for the Frankfurter Gelehrte Anzeigen in November, 1772, a notice of some of Bürger's early poems. "The 'Minnelied' of Mr. Bürger," he says, "is worthy of a better age; and if he has more such happy moments, these efforts of his will be among the most potent influences to render our sentimental poetasters, with their gold-paper Amors and Graces and their elysium of benevolence and philanthropy, utterly forgotten." With such clear vision could Goethe see at the age of twenty-three. But he soon saw also the danger that lay in unbridled freedom. For the best that was in Bürger Goethe retained his admiration to the last, but before he was thirty he felt that their ways had parted. Among the 'Maxims and Reflections' we find this note:—"It is sad to see how an extraordinary man may struggle with his time, with his circumstances, often even with himself, and never prosper. Sad example, Bürger!"

Doubtless German literature owes less to Bürger than English owes to Burns, but it owes much. Bürger revived the ballad form in which so much of the finest German poetry has since been cast. With his lyric gifts and his dramatic power, he infused a life into these splendid poems that has made them a part of the folk-lore of his native land. 'Lenardo und Blandine,' his own favorite, 'Des Pfarrers Tochter von Taubenhain' (The Pastor's Daughter of Taubenhain), 'Das Lied vom braven Mann' (The Song of the Brave Man), 'Die Weiber von Weinsberg' (The Women of Weinsberg), 'Der Kaiser und der Abt' (The Emperor and the Abbot), 'Der Wilde Jäger' (The Wild Huntsman), all belong, like 'Lenore,' to the literary inheritance of the German people. Bürger attempted a translation of the Iliad in iambic blank verse, and a prose translation of 'Macbeth.' To him belongs also the credit of having restored to German literature the long-disused sonnet. His sonnets are among the best in the language, and elicited warm praise from Schiller as "models of their kind." Schiller had written a severe criticism of Bürger's poems, which had inflamed party strife and embittered the last years of Bürger himself; but even Schiller admits that Bürger is as much superior to all his rivals as he is inferior to the ideal he should have striven to attain.

The debt which Bürger owed to English letters was amply repaid. In 'Lenore' he showed Percy's 'Reliques' the compliment of quoting from the ballad of 'Sweet William,' which had supplied him with his theme, the lines:—"Is there any room at your head, Willie, or any room at your feet?" The first literary work of Walter Scott was the translation which he made in 1775 of 'Lenore,' under the title of 'William and Helen'; this was quickly followed by a translation of 'The Wild Huntsman.' Scott's romantic mind received in Bürger's ballads and in Goethe's 'Götz,' which he translated four years later, just the nourishment it craved. It is a curious coincidence that another great romantic writer, Alexandre Dumas, should also have begun his literary career with a translation of 'Lenore.' Bürger was not, however, a man of one poem. He filled two goodly volumes, but the oft-quoted words of his friend Schlegel contain the essential truth:—"'Lenore' will always be Bürger's jewel, the precious ring with which, like the Doge of Venice espousing the sea, he married himself to the folk-song forever."

WILLIAM AND HELEN

Walter Scott's Translation of 'Lenore'

From heavy dreams fair Helen rose,
And eyed the dawning red:—
"Alas, my love, thou tarriest long!
O art thou false or dead?"

With gallant Frederick's princely power
He sought the bold crusade;
But not a word from Judah's wars
Told Helen how he sped.

With Paynim and with Saracen
At length a truce was made,
And every knight returned to dry
The tears his love had shed.

Our gallant host was homeward bound
With many a song of joy;
Green waved the laurel in each plume,
The badge of victory.

And old and young, and sire and son,
To meet them crowd the way,
With shouts, and mirth, and melody,
The debt of love to pay.

Full many a maid her true-love met,
And sobbed in his embrace,
And fluttering joy in tears and smiles
Arrayed full many a face.

Nor joy nor smile for Helen sad;
She sought the host in vain;
For none could tell her William's fate,
If faithless or if slain.

The martial band is past and gone;
She rends her raven hair,
And in distraction's bitter mood
She weeps with wild despair.

"O rise, my child," her mother said,
"Nor sorrow thus in vain:
A perjured lover's fleeting heart
No tears recall again."

"O mother, what is gone, is gone,
What's lost forever lorn;
Death, death alone can comfort me;
O had I ne'er been born!

"O break, my heart, O break at once!
Drink my life-blood, Despair!
No joy remains on earth for me,
For me in heaven no share."

"O enter not in judgment, Lord!"
The pious mother prays;
Impute not guilt to thy frail child!
She knows not what she says.

"O say thy paternoster, child!
O turn to God and grace!
His will, that turned thy bliss to bale,
Can change thy bale to bliss."

"O mother, mother, what is bliss?
O mother, what is bale?
My William's love was heaven on earth;
Without it earth is hell.

"Why should I pray to ruthless Heaven,
Since my loved William's slain?
I only prayed for William's sake,
And all my prayers were vain."

"O take the sacrament, my child,
And check these tears that flow;
By resignation's humble prayer,
O hallowed be thy woe!"

"No sacrament can quench this fire,
Or slake this scorching pain;
No sacrament can bid the dead
Arise and live again.

"O break, my heart, O break at once!
Be thou my god, Despair!
Heaven's heaviest blow has fallen on me.
And vain each fruitless prayer."

"O enter not in judgment, Lord,
With thy frail child of clay!
She knows not what her tongue has spoke;
Impute it not, I pray!

"Forbear, my child, this desperate woe,
And turn to God and grace;
Well can devotion's heavenly glow
Convert thy bale to bliss."

"O mother, mother, what is bliss?
O mother, what is bale?
Without my William what were heaven,
Or with him what were hell?"

Wild she arraigns the eternal doom,
Upbraids each sacred Power,
Till, spent, she sought her silent room,
All in the lonely tower.

She beat her breast, she wrung her hands
Till sun and day were o'er,
And through the glimmering lattice shone
The twinkling of the star.

Then, crash! the heavy drawbridge fell
That o'er the moat was hung;
And, clatter, clatter, on its boards
The hoof of courser rung.

The clank of echoing steel was heard
As off the rider bounded;
And slowly on the winding stair
A heavy footstep sounded.

And hark! and hark! a knock—Tap! tap
A rustling stifled noise;
Door-latch and tinkling staples ring;
At length a whispering voice:

"Awake, awake, arise, my love!
How, Helen, dost thou fare?
Wak'st thou, or sleep'st? laugh'st thou, or weep'st?
Hast thought on me, my fair?"

"My love! my love! so late at night!
I waked, I wept for thee.
Much have I borne since dawn of morn;
Where, William, couldst thou be?"

"We saddle late—from Hungary
I rode since darkness fell;
And to its bourne we both return
Before the matin bell."

"O rest this night within my arms,
And warm thee in their fold!
Chill howls through hawthorn bush the wind;—
My love is deadly cold."

"Let the wind howl through hawthorn bush!
This night we must away;
The steed is wight, the spur is bright;
I cannot stay till day.

"Busk, busk, and boune! Thou mount'st behind
Upon my black barb steed:
O'er stock and stile, a hundred mile,
We haste to bridal bed."

"To-night—to-night a hundred miles!
O dearest William, stay!
The bell strikes twelve—dark, dismal hour!
O wait, my love, till day!"

"Look here, look here—the moon shines clear—
Full fast I ween we ride;
Mount and away! for ere the day
We reach our bridal bed.

"The black barb snorts, the bridle rings,
Haste, busk, and boune, and seat thee!
The feast is made, the chamber spread,
The bridal guests await thee."

Strong love prevailed: she busks, she bounes,
She mounts the barb behind,
And round her darling William's waist
Her lily arms she twined.

And, hurry! hurry! off they rode,
And fast as fast might be;
Spurned from the courser's thundering heels
The flashing pebbles flee.

And on the right, and on the left,
Ere they could snatch a view,
Fast, fast each mountain, mead, and plain,
And cot and castle flew.

"Sit fast—dost fear?—The moon shines clear!—
Fleet goes my barb—keep hold!
Fear'st thou?"—"O no!" she faintly said;
"But why so stern and cold?

"What yonder rings, what yonder sings?
Why shrieks the owlet gray?"—
"'Tis death-bells' clang, 'tis funeral song,
The body to the clay.

"With song and clang, at morrow's dawn,
Ye may inter the dead;
To-night I ride, with my young bride,
To deck our bridal bed.

"Come with thy choir, thou coffined guest,
To swell our nuptial song!
Come, priest, to bless our marriage feast!
Come all, come all along!"

Ceased clang and song; down sunk the bier;
The shrouded corpse arose:
And hurry! hurry! all the train
The thundering steed pursues.

And forward, forward, on they go;
High snorts the straining steed;
Thick pants the rider's laboring breath
As headlong on they speed.

"O William, why this savage haste?
And where thy bridal bed?"
"'Tis distant far,—low, damp, and chill,
And narrow,—trustless maid!"

"No room for me?"—"Enough for both;
Speed, speed, my barb, thy course!"
O'er thundering bridge, through boiling surge,
He drove the furious horse.

Tramp! tramp! along the land they rode,
Splash! splash! along the sea;
The scourge is wight, the spur is bright,
The flashing pebbles flee.

Fled past on right and left how fast
Each forest, grove, and bower!
On right and left fled past how fast
Each city, town, and tower!

"Dost fear? dost fear? The moon shines clear,
Dost fear to ride with me?
Hurrah! hurrah! the dead can ride!"—
"O William, let them be!—

"See there, see there! What yonder swings
And creaks 'mid whistling rain?"
"Gibbet and steel, th' accursed wheel,
A murderer in his chain.

"Hollo! thou felon, follow here:
To bridal bed we ride;
And thou shalt prance a fetter dance
Before me and my bride."

And hurry! hurry! clash, clash, clash!
The wasted form descends;
And fleet as wind through hazel bush
The wild career attends.

Tramp! tramp! along the land they rode,
Splash! splash! along the sea;
The scourge is red, the spur drops blood,
The flashing pebbles flee.

How fled what moonshine faintly showed!
How fled what darkness hid!
How fled the earth beneath their feet,
The heaven above their head!

"Dost fear? dost fear? the moon shines clear
And well the dead can ride;
Dost, faithful Helen, fear for them?"—
"O leave in peace the dead!"

"Barb! barb! methinks I hear the cock;
The sand will soon be run;
Barb! barb! I smell the morning air;
The race is well-nigh done."

Tramp! tramp! along the land they rode,
Splash! splash! along the sea;
The scourge is red, the spur drops blood,
The flashing pebbles flee.

"Hurrah! hurrah! well ride the dead;
The bride, the bride is come;
And soon we reach the bridal bed,
For, Helen, here's my home."

Reluctant on its rusty hinge
Revolved an iron door,
And by the pale moon's setting beam
Were seen a church and tower.

With many a shriek and cry whiz round
The birds of midnight, scared;
And rustling like autumnal leaves
Unhallowed ghosts were heard.

O'er many a tomb and tombstone pale
He spurred the fiery horse,
Till sudden at an open grave
He checked the wondrous course.

The falling gauntlet quits the rein,
Down drops the casque of steel,
The cuirass leaves his shrinking side,
The spur his gory heel.

The eyes desert the naked skull,
The mold'ring flesh the bone,
Till Helen's lily arms entwine
A ghastly skeleton.

The furious barb snorts fire and foam,
And with a fearful bound,
Dissolves at once in empty air,
And leaves her on the ground.

Half seen by fits, by fits half heard,
Pale spectres flit along,
Wheel round the maid in dismal dance,
And howl the funeral song:—

"E'en when the heart's with anguish cleft,
Revere the doom of heaven.
Her soul is from her body reft;
Her spirit be forgiven!"

THE WIVES OF WEINSBERG

Which way to Weinsberg? neighbor, say!
'Tis sure a famous city:
It must have cradled, in its day,
Full many a maid of noble clay.
And matrons wise and witty;
And if ever marriage should happen to me,
A Weinsberg dame my wife shall be.

King Conrad once, historians say,
Fell out with this good city;
So down he came, one luckless day,—
Horse, foot, dragoons,—in stern array,—
And cannon,—more's the pity!
Around the walls the artillery roared,
And bursting bombs their fury poured.

But naught the little town could scare;
Then, red with indignation,
He bade the herald straight repair
Up to the gates, and thunder there
The following proclamation:—
"Rascals! when I your town do take,
No living thing shall save its neck!"

Now, when the herald's trumpet sent
These tidings through the city,
To every house a death knell went;
Such murder-cries the hot air rent
Might move the stones to pity.
Then bread grew dear, but good advice
Could not be had for any price.

Then, "Woe is me!" "O misery!"
What shrieks of lamentation!
And "Kyrie Eleison!" cried
The pastors, and the flock replied,
"Lord! save us from starvation!"
"Oh, woe is me, poor Corydon—
My neck,—my neck! I'm gone,—I'm gone!"

Yet oft, when counsel, deed, and prayer
Had all proved unavailing,
When hope hung trembling on a hair,
How oft has woman's wit been there!—
A refuge never failing;
For woman's wit and Papal fraud,
Of olden time, were famed abroad.

A youthful dame, praised be her name!—
Last night had seen her plighted,—
Whether in waking hour or dream,
Conceived a rare and novel scheme,
Which all the town delighted;
Which you, if you think otherwise,
Have leave to laugh at and despise.

At midnight hour, when culverin
And gun and bomb were sleeping,
Before the camp with mournful mien,
The loveliest embassy were seen,
All kneeling low and weeping.
So sweetly, plaintively they prayed,
But no reply save this was made:—

"The women have free leave to go,
Each with her choicest treasure;
But let the knaves their husbands know
That unto them the King will show
The weight of his displeasure."
With these sad terms the lovely train
Stole weeping from the camp again.

But when the morning gilt the sky.
What happened? Give attention:—
The city gates wide open fly,
And all the wives come trudging by,
Each bearing—need I mention?—
Her own dear husband on her back,
All snugly seated in a sack!

Full many a sprig of court, the joke
Not relishing, protested,
And urged the King; but Conrad spoke:—
"A monarch's word must not be broke!"
And here the matter rested.
"Bravo!" he cried, "Ha, ha! Bravo!
Our lady guessed it would be so."

He pardoned all, and gave a ball
That night at royal quarters.
The fiddles squeaked, the trumpets blew,
And up and down the dancers flew,
Court sprigs with city daughters.
The mayor's wife—O rarest sight!—
Danced with the shoemaker that night!

Ah, where is Weinsberg, sir, I pray?
'Tis sure a famous city:
It must have cradled in its day
Full many a maid of noble clay,
And matrons wise and witty;
And if ever marriage should happen to me,
A Weinsberg dame my wife shall be.

Translated by C. T. Brooks: Reprinted from 'Representative German Poems' by the courtesy of Mrs. Charles T. Brooks.

EDMUND BURKE

(1729-1797)

BY E. L. GODKIN

Edmund Burke, born in Dublin, Ireland, in 1729, was the son of a successful attorney, who gave him as good an education as the times and the country afforded. He went to school to an excellent Quaker, and graduated at Trinity College in 1748. He appears to have then gone to London in 1750 to "keep terms," as it was called, at the Middle Temple, with the view of being admitted to the bar, in obedience to his father's desire and ambition. But the desultory habit of mind, the preference for literature and philosophical speculation to connected study, which had marked his career in college, followed him and prevented any serious application to the law. His father's patience was after a while exhausted, and he withdrew Burke's allowance and left him to his own resources.

This was in 1755, but in 1756 he married, and made his first appearance in the literary world by the publication of a book. About these years from 1750 to 1759 little is known. He published two works, one a treatise on the 'Origin of our Ideas of the Sublime and Beautiful,' and the other a 'Vindication of Natural Society,' a satire on Bolingbroke. Stray allusions and anecdotes about other men in the diaries and correspondence of the time show that he frequented the literary coffee-houses, and was gradually making an impression on the authors and wits whom he met there. Besides the two books we have mentioned, he produced some smaller things, such as an 'Essay on the Drama,' and part of an 'Abridgment of the History of England.' But although these helped to secure him admission to the literary set, they did not raise him out of the rank of obscure literary adventurers, who from the Revolution of 1688, and especially after the union with Scotland, began to swarm to London from all parts of the three kingdoms. The first recognition of him as a serious writer was his employment by Dodsley the bookseller, at a salary of $100 a year, to edit the Annual Register, which Dodsley founded in 1769. Considered as a biographical episode, this may fairly be treated as a business man's certificate that Burke was industrious and accurate. As his income from his father was withdrawn or reduced in 1755, there remain four years during which his way of supporting himself is unknown. His published works were certainly not "pot-boilers." He was probably to some extent dependent on his wife's father, Dr. Nugent, an Irish physician who when Burke made his acquaintance lived in Bath, but after his daughter's marriage settled in London, and seems to have frequented and have been acceptable in the same coffee-houses as Burke, and for the same reasons. But Burke was not a man to remain long dependent on any one. These nine years were evidently not spent fruitlessly. They had made him known and brought him to the threshold of public life.

In 1759, political discussion as we understand it—that is, those explorations of the foundations of political society and analyses of social relations which now form our daily intellectual food—was hardly known. The interest in religion as the chief human concern was rapidly declining. The interest in human society as an organism to be studied, and if need be, taken to pieces and put together again, was only just beginning. Montesquieu's great work, 'The Spirit of the Laws,' which demanded for expediency and convenience in legislation the place which modern Europe had long assigned to authority, had only appeared in 1748. Swift's satires had made serious breaches in the wall of convention by which the State, in spite of the convulsions of the seventeenth century, was still surrounded. But the writer whose speculations excited most attention in England was Bolingbroke. The charm of his style and the variety of his interests made him the chief intellectual topic of the London world in Burke's early youth. To write like Bolingbroke was a legitimate ambition for a young man. It is not surprising that Burke felt it, and that his earliest political effort was a satire on Bolingbroke. It attracted the attention of a politician, Gerard Hamilton, and he quickly picked up Burke as his secretary, treated him badly, and was abandoned by him in disgust at the end of six years.

The peculiar condition of the English governmental machine made possible for men of Burke's kind at this period what would not be possible now. The population had vanished from a good many old boroughs, although their representation in Parliament remained, and the selection of the members fell to the lords of the soil. About one hundred and fifty members of the House of Commons were in this way chosen by great landed proprietors, and it is to be said to their credit that they used their power freely to introduce unknown young men of talent into public life. Moreover in many cases, if not in most, small boroughs, however well peopled, were expected to elect the proprietor's nominee. Burke after leaving Hamilton's service was for a short time private secretary to Lord Rockingham, when the latter succeeded Grenville in the Ministry in 1766; but when he went out, Burke obtained a seat in Parliament in 1765 in the manner we have described, for the borough of Wendover, from Lord Verney, who owned it. He made his first successful speech the same year, and was complimented by Pitt. He was already recognized as a man of enormous information, as any one who edited the Annual Register had to be.

Edmund Burke.

A man of such powers and tastes in that day naturally became a pamphleteer. Outside of Parliament there was no other mode of discussing public affairs. The periodical press for purposes of discussion did not exist. During and after the Great Rebellion, the pamphlet had made its appearance as the chief instrument of controversy. Defoe used it freely after the Restoration. Swift made a great hit with it, and probably achieved the first sensational sale with his pamphlet on 'The Conduct of the Allies.' Bolingbroke's 'Patriot King' was a work of the same class. As a rule the pamphlet exposed or refuted somebody, even if it also freely expounded. It was inevitable that Burke should early begin to wield this most powerful of existing weapons. His antagonist was ready for him in the person of George Grenville, the minister who had made way for Burke's friend and patron Lord Rockingham. Grenville showed, as easily as any party newspaper in our own day, that Rockingham and his friends had ruined the country by mismanagement of the war and of the finances. Burke refuted him with a mastery of facts and figures, and a familiarity with the operations of trade and commerce, and a power of exposition and illustration, and a comprehension of the fundamental conditions of national economy, which at once made him famous and a necessary man for the Whigs in the great struggle with the Crown on which they were entering.

The nature of this struggle cannot be better described in brief space than by saying that the King, from his accession to the throne down to the close of the American War, was engaged in a persistent effort to govern through ministers chosen and dismissed, as the German ministers are now, by himself; while the subservience of Parliament was secured by the profuse use of pensions and places. To this attempt, and all the abuses which inevitably grew out of it, the Whigs with Burke as their intellectual head offered a determined resistance, and the conflict was one extraordinarily well calculated to bring his peculiar powers into play.

The leading events in this long struggle were the attempt of the House of Commons to disqualify Wilkes for a seat in the House, to punish reporting their debates as a breach of privilege, and the prosecution of the war against the American colonies. It may be said to have begun at the accession of the King, and to have lasted until the resignation of Lord North after the surrender of Cornwallis, or from 1770 to 1783.

Burke's contributions to it were his pamphlet, 'Thoughts on the Cause of the Present Discontents,' and several speeches in Parliament: the first, like the pamphlet, on the general situation, and others on minor incidents in the struggle. This pamphlet has not only survived the controversy, but has become one of the most famous papers in the political literature of the Anglo-Saxon race. It is a century since every conspicuous figure in the drama passed away; it is seventy years since every trace of the controversy disappeared from English political life; most if not all of the principles for which Burke contended have become commonplaces of English constitutional practice; the discontents of that day have vanished as completely as those of 1630: but Burke's pamphlet still holds a high place in every course of English literature, and is still read and pondered by every student of constitutional history and by every speculator on government and political morals.

In 1774 Parliament was dissolved for the second time since Burke entered it: and there a misfortune overtook him which illustrated in a striking way the practical working of the British Constitution at that period. Lord Verney, to whom he had owed his seat for the borough of Wendover at two elections, had fallen into pecuniary embarrassment and could no longer return him, because compelled to sell his four boroughs. This left Burke high and dry, and he was beginning to tremble for his political future, when he was returned for the great commercial city of Bristol by a popular constituency. The six years during which he sat for Bristol were the most splendid portion of his career. Other portions perhaps contributed as much if not more to his literary or oratorical reputation; but this brought out in very bold relief the great traits of character which will always endear his memory to the lovers of national liberty, and place him high among the framers of great political ideals. In the first place, he propounded boldly to the Bristol electors the theory that he was to be their representative but not their delegate; that his parliamentary action must be governed by his own reason and not by their wishes. In the next, he resolutely sacrificed his seat by opposing his constituents in supporting the removal of the restrictions on Irish trade, of which English merchants reaped the benefit. He would not be a party to what he considered the oppression of his native country, no matter what might be the effect on his political prospects; and in 1780 he was not re-elected.

But the greatest achievement of this period of his history was his share in the controversy over the American War, which was really not more a conflict with the colonies over taxation, than a resolute and obstinate carrying out of the King's principles of government. The colonies were, for the time being, simply resisting pretensions to which the kingdom at home submitted. Burke's speeches on 'American Taxation' (1774), on 'Conciliation with America' (1775), and his 'Letter to the Sheriffs of Bristol' (1777) on the same subject, taken as a sequel to the 'Thoughts on the Present Discontents,' form a body of literature which it is not too much to pronounce not only a history of the dispute with the colonies, but a veritable political manual. He does not confine himself to a minute description of the arguments used in supporting the attempt to coerce America; he furnishes as he goes along principles of legislation applicable almost to any condition of society; illustrations which light up as by a single flash problems of apparently inscrutable darkness; explanations of great political failures; and receipts innumerable for political happiness and success. A single sentence often disposes of half a dozen fallacies firmly imbedded in governmental tradition. His own description of the rhetorical art of Charles Townshend was eminently applicable to himself:—"He knew, better by far than any man I ever was acquainted with, how to bring together within a short time all that was necessary to establish, to illustrate, and to decorate that side of the question which he supported."

This observation suggests the great advantage he derives as a political instructor from the facts that all his political speeches and writings are polemical. The difficulty of keeping exposition from being dry is familiar to everybody who has ever sought to communicate knowledge on any subject. But Burke in every one of his political theses had an antagonist, who was literally as he says himself, a helper: who did the work of an opposing counsel at the bar, in bringing out into prominence all the weak points of Burke's case and all the strong ones of his own; who set in array all the fallacies to be exposed, all the idols to be overthrown, all the doubts to be cleared up. Moreover he was not, like the man who usually figures in controversial dialogues, a sham opponent, but a creature of flesh and blood like Grenville, or the Sheriffs of Bristol, or the King's friends, or the Irish Protestant party, who met Burke with an ardor not inferior to his own. We consequently have, in all his papers and speeches, the very best of which he was capable in thought and expression, for he had not only to watch the city but to meet the enemy in the gate.

After the close of the American War, the remainder of Burke's career was filled with two great subjects, to which he devoted himself with an ardor which occasionally degenerated into fanaticism. One was the government of India by the East India Company, and the other was the French Revolution. Although the East India Company had been long in existence, and had towards the middle of the eighteenth century been rapidly extending its power and influence, comparatively little had been known by the English public of the nature of its operations. Attention had been drawn away from it by the events in America and the long contest with the King in England. By the close of the American War, however, the "Nabobs," as they were called,—or returned English adventurers,—began to make a deep impression on English society by the apparent size of their fortunes and the lavishness of their expenditure. Burke calculated that in his time they had brought home about $200,000,000, with which they bought estates and seats in Parliament and became a very conspicuous element in English public and private life. At the same time, information as to the mode in which their money was made and their government carried on was scanty and hard to acquire. The press had no foreign correspondence; India was six months away, and all the Europeans in it were either servants of the Company, or remained in it on the Company's sufferance. The Whigs finally determined to attempt a grand inquisition into its affairs, and a bill was brought in by Fox, withdrawing the government of India from the Company and vesting it in a commission named in the bill. This was preceded by eleven reports from a Committee of Inquiry. But the bill failed utterly, and brought down the Whig ministry, which did not get into office again in Burke's time. This was followed in 1785, on Burke's instigation, by the impeachment of the most conspicuous of the Company's officers, Warren Hastings. Burke was appointed one of the managers on behalf of the Commons.

No episode in his career is so familiar to the public as his conduct of this trial, owing to Warren Hastings having been the subject of one of the most popular of Macaulay's Essays. None brought out more clearly Burke's great dialectical powers, or so well displayed his mastery of details and his power of orderly exposition. The trial lasted eight years, and was adjourned over from one Parliamentary session to another. These delays were fatal to its success. The public interest in it died out long before the close, as usual in protracted legal prosecutions; the feeling spread that the defendant could not be very guilty when it took so long to prove his crime. Although Burke toiled over the case with extraordinary industry and persistence, and an enthusiasm which never flagged, Hastings was finally acquitted.

But the labors of the prosecution were not wholly vain. It awoke in England an attention to the government of India which never died out, and led to a considerable curtailing of the power of the East India Company, and necessarily of its severity, in dealing with Indian States. The impeachment was preceded by eleven reports on the affairs of India by the Committee of the House of Commons, and the articles of impeachment were nearly as voluminous. Probably no question which has ever come before Parliament has received so thorough an examination. Hardly less important was the report of the Committee of the Commons (which consisted of the managers of the impeachment) on the Lords' journals. This was an elaborate examination of the rules of evidence which govern proceedings in the trial of impeachments, or of persons guilty of malfeasance in office. This has long been a bone of contention between lawyers and statesmen. The Peers in the course of the trial had taken the opinion of the judges frequently, and had followed it in deciding on the admissibility of evidence, a great deal of which was important to the prosecution. The report maintained, and with apparently unanswerable force, that when a legislature sits on offenses against the State, it constitutes a grand inquest which makes its own rules of evidence; and is not and ought not to be tied up by the rules administered in the ordinary law courts, and formed for the most part for the guidance of the unskilled and often uneducated men who compose juries. As a manual for the instruction of legislative committees of inquiry it is therefore still very valuable, if it be not a final authority.

Burke, during and after the Warren Hastings trial, fell into considerable neglect and unpopularity. His zeal in the prosecution had grown as the public interest in it declined, until it approached the point of fanaticism. He took office in the coalition which succeeded the Fox Whigs, and when the French Revolution broke out it found him somewhat broken in nerves, irritated by his failures, and in less cordial relations with some of his old friends and colleagues. He at once arrayed himself fiercely against the Revolution, and broke finally with what might be called the Liberty of all parties and creeds, and stood forth to the world as the foremost champion of authority, prescription, and precedent. Probably none of his writings are so familiar to the general public as those which this crisis produced, such as the 'Thoughts on the French Revolution' and the 'Letters on a Regicide Peace.' They are and will always remain, apart from the splendor of the rhetoric, extremely interesting as the last words spoken by a really great man on behalf of the old order. Old Europe made through him the best possible defense of itself. He told, as no one else could have told it, the story of what customs, precedent, prescription, and established usage had done for its civilization; and he told it nevertheless as one who was the friend of rational progress, and had taken no small part in promoting it. Only one other writer who followed him came near equaling him as a defender of the past, and that was Joseph de Maistre; but he approached the subject mainly from the religious side. To him the old régime was the order of Providence. To Burke it was the best scheme of things that humanity could devise for the advancement and preservation of civilization. In the papers we have mentioned, which were the great literary sensations of Burke's day, everything that could be said for the system of political ethics under which Europe had lived for a thousand years was said with a vigor, incisiveness, and wealth of illustration which must make them for all time and in all countries the arsenal of those who love the ancient ways and dread innovation.

The failure of the proceedings against Warren Hastings, and the strong sympathy with the French Revolution—at least in its beginning—displayed by the Whigs and by most of those with whom Burke had acted in politics, had an unfortunate effect on his temper. He broke off his friendship with Fox and others of his oldest associates and greatest admirers. He became hopeless and out of conceit with the world around him. One might have set down some of this at least to the effect of advancing years and declining health, if such onslaughts on revolutionary ideas as his 'Reflections on the French Revolution' and his 'Letters on a Regicide Peace' did not reveal the continued possession of all the literary qualities which had made the success of his earlier works. Their faults are literally the faults of youth: the brilliancy of the rhetoric, the heat of the invective, the violence of the partisanship, the reluctance to admit the existence of any grievances in France to justify the popular onslaught on the monarchy, the noblesse, and the Church. His one explanation of the crisis and its attendant horrors was the instigation of the spirit of evil. The effect on contemporary opinion was very great, and did much to stimulate the conservative reaction in England which carried on the Napoleonic wars and lasted down to the passage of the Reform Bill in 1832.

There were, however, other causes for the cloud which came over Burke's later years. In spite of his great services to his party and his towering eminence as an orator and writer, he never obtained a seat in the Cabinet. The Paymastership of the Forces, at a salary of $20,000 a year, was the highest reward, either in honor or money, which his party ever bestowed on him. It is true that in those days the Whigs were very particular in reserving high places for men of rank and family. In fact, their government was, from the Revolution of 1688 on, a thorough oligarchy, divided among a few great houses. That they should not have broken through this rule in Burke's case, and admitted to the Cabinet a man to whom they owed so much as they did to him, excited wonder in his own day, and has down to our own time been one of the historical mysteries on which the students of that period love to expend their ingenuity. It is difficult to reconcile this exclusion and neglect of Burke with the unbounded admiration lavished on him by the aristocratic leaders of the party. It is difficult too to account for Burke's quiet acquiescence in what seems to be their ingratitude. There had before his time been no similar instance of party indifference to such claims as he could well make, on such honors and rewards as the party had to bestow.

The most probable explanation of the affair is the one offered by his latest and ablest biographer, Mr. John Morley. Burke had entered public life without property,—probably the most serious mistake, if in his case it can be called a mistake, which an English politician can commit. It is a wise and salutary rule of English public life that a man who seeks a political career shall qualify for it by pecuniary independence. It would be hardly fair in Burke's case to say that he had sought a political career. The greatness of his talents literally forced it on him. He became a statesman and great Parliamentary orator, so to speak, in spite of himself. But he must have early discovered the great barrier to complete success created by his poverty. He may be said to have passed his life in pecuniary embarrassment. This alone might not have shut him out from the Whig official Paradise, for the same thing might have been said of Pitt and Fox: but they had connections; they belonged by birth and association to the Whig class. Burke's relatives were no help or credit to him. In fact, they excited distrust of him. They offended the fastidious aristocrats with whom he associated, and combined with his impecuniousness to make him seem unsuitable for a great place. These aristocrats were very good to him. They lent him money freely, and settled a pension on him, and covered him with social adulation; but they were never willing to put him beside themselves in the government. His latter years therefore had an air of tragedy. He was unpopular with most of those who in his earlier years had adored him, and was the hero of those whom in earlier years he had despised. His only son, of whose capacity he had formed a strange misconception, died young, and he passed his own closing hours, as far as we can judge, with a sense of failure. But he left one of the great names in English history. There is no trace of him in the statute book, but he has, it is safe to say, exercised a profound influence in all succeeding legislation, both in England and America. He has inspired or suggested nearly all the juridical changes which distinguish the England of to-day from the England of the last century, and is probably the only British politician whose speeches and pamphlets, made for immediate results, have given him immortality.

FROM THE SPEECH ON 'CONCILIATION WITH AMERICA'

Sir,—It is not a pleasant consideration; but nothing in the world can read so awful and so instructive a lesson as the conduct of the Ministry in this business, upon the mischief of not having large and liberal ideas in the management of great affairs. Never have the servants of the State looked at the whole of your complicated interests in one connected view. They have taken things by bits and scraps, some at one time and one pretense and some at another, just as they pressed, without any sort of regard to their relations or dependencies. They never had any kind of system, right or wrong; but only invented occasionally some miserable tale for the day, in order meanly to sneak out of difficulties into which they had proudly strutted. And they were put to all these shifts and devices, full of meanness and full of mischief, in order to pilfer piecemeal a repeal of an act which they had not the generous courage, when they found and felt their error, honorably and fairly to disclaim. By such management, by the irresistible operation of feeble counsels, so paltry a sum as Threepence in the eyes of a financier, so insignificant an article as Tea in the eyes of a philosopher, have shaken the pillars of a commercial empire that circled the whole globe.

Do you forget that in the very last year you stood on the precipice of general bankruptcy? Your danger was indeed great. You were distressed in the affairs of the East India Company; and you well know what sort of things are involved in the comprehensive energy of that significant appellation. I am not called upon to enlarge to you on that danger; which you thought proper yourselves to aggravate, and to display to the world with all the parade of indiscreet declamation. The monopoly of the most lucrative trades and the possession of imperial revenues had brought you to the verge of beggary and ruin. Such was your representation—such, in some measure, was your case. The vent of ten millions of pounds of this commodity, now locked up by the operation of an injudicious tax and rotting in the warehouses of the company, would have prevented all this distress, and all that series of desperate measures which you thought yourselves obliged to take in consequence of it. America would have furnished that vent which no other part of the world can furnish but America, where tea is next to a necessary of life and where the demand grows upon the supply. I hope our dear-bought East India Committees have done us at least so much good as to let us know that without a more extensive sale of that article, our East India revenues and acquisitions can have no certain connection with this country. It is through the American trade of tea that your East India conquests are to be prevented from crushing you with their burden. They are ponderous indeed, and they must have that great country to lean upon, or they tumble upon your head. It is the same folly that has lost you at once the benefit of the West and of the East. This folly has thrown open folding-doors to contraband, and will be the means of giving the profits of the trade of your colonies to every nation but yourselves. Never did a people suffer so much for the empty words of a preamble. It must be given up. For on what principles does it stand? This famous revenue stands, at this hour, on all the debate, as a description of revenue not as yet known in all the comprehensive (but too comprehensive!) vocabulary of finance—a preambulary tax. It is indeed a tax of sophistry, a tax of pedantry, a tax of disputation, a tax of war and rebellion, a tax for anything but benefit to the imposers or satisfaction to the subject....

Could anything be a subject of more just alarm to America than to see you go out of the plain high-road of finance, and give up your most certain revenues and your clearest interests, merely for the sake of insulting your colonies? No man ever doubted that the commodity of tea could bear an imposition of threepence. But no commodity will bear threepence, or will bear a penny, when the general feelings of men are irritated; and two millions of people are resolved not to pay. The feelings of the colonies were formerly the feelings of Great Britain. Theirs were formerly the feelings of Mr. Hampden when called upon for the payment of twenty shillings. Would twenty shillings have ruined Mr. Hampden's fortune? No! but the payment of half twenty shillings, on the principle it was demanded, would have made him a slave. It is the weight of that preamble of which you are so fond, and not the weight of the duty, that the Americans are unable and unwilling to bear.

It is then, sir, upon the principle of this measure, and nothing else, that we are at issue. It is a principle of political expediency. Your Act of 1767 asserts that it is expedient to raise a revenue in America; your Act of 1769, which takes away that revenue, contradicts the Act of 1767, and by something much stronger than words asserts that it is not expedient. It is a reflection upon your wisdom to persist in a solemn Parliamentary declaration of the expediency of any object for which at the same time you make no sort of provision. And pray, sir, let not this circumstance escape you,—it is very material: that the preamble of this Act which we wish to repeal is not declaratory of a right, as some gentlemen seem to argue it; it is only a recital of the expediency of a certain exercise of a right supposed already to have been asserted; an exercise you are now contending for by ways and means which you confess, though they were obeyed, to be utterly insufficient for their purpose. You are therefore at this moment in the awkward situation of fighting for a phantom, a quiddity, a thing that wants not only a substance, but even a name; for a thing which is neither abstract right nor profitable enjoyment.

They tell you, sir, that your dignity is tied to it. I know not how it happens, but this dignity of yours is a terrible incumbrance to you; for it has of late been ever at war with your interest, your equity, and every idea of your policy. Show the thing you contend for to be reason; show it to be common-sense; show it to be the means of attaining some useful end: and then I am content to allow it what dignity you please. But what dignity is derived from the perseverance in absurdity, is more than ever I could discern. The honorable gentleman has said well—indeed, in most of his general observations I agree with him—he says that this subject does not stand as it did formerly. Oh, certainly not! Every hour you continue on this ill-chosen ground, your difficulties thicken on you; and therefore my conclusion is, remove from a bad position as quickly as you can. The disgrace and the necessity of yielding, both of them, grow upon you every hour of your delay....

To restore order and repose to an empire so great and so distracted as ours, is, merely in the attempt, an undertaking that would ennoble the flights of the highest genius and obtain pardon for the efforts of the meanest understanding. Struggling a good while with these thoughts, by degrees I felt myself more firm. I derived at length some confidence from what in other circumstances usually produces timidity. I grew less anxious, even from the idea of my own insignificance. For, judging of what you are by what you ought to be, I persuaded myself that you would not reject a reasonable proposition because it had nothing but its reason to recommend it. On the other hand, being totally destitute of all shadow of influence, natural or adventitious, I was very sure that if my proposition were futile or dangerous, if it were weakly conceived or improperly timed, there was nothing exterior to it of power to awe, dazzle, or delude you. You will see it just as it is; and you will treat it just as it deserves.

The proposition is Peace. Not Peace through the medium of War; not Peace to be hunted through the labyrinth of intricate and endless negotiations; not Peace to arise out of universal discord, fomented from principle in all parts of the empire; not Peace to depend on the juridical determination of perplexing questions, or the precise marking of the shadowy boundaries of a complex government. It is simple Peace, sought in its natural course and in its ordinary haunts. It is Peace sought in the spirit of Peace, and laid in principles purely pacific. I propose by removing the ground of the difference, and by restoring the former unsuspecting confidence of the colonies in the mother country, to give permanent satisfaction to your people; and (far from a scheme of ruling by discord) to reconcile them to each other in the same act and by the bond of the very same interest which reconciles them to British government.

My idea is nothing more. Refined policy ever has been the parent of confusion, and ever will be so, as long as the world endures. Plain good intention, which is as easily discovered at the first view as fraud is surely detected at last, is, let me say, of no mean force in the government of mankind. Genuine simplicity of heart is an healing and cementing principle. My plan, therefore, being formed upon the most simple grounds imaginable, may disappoint some people when they hear it. It has nothing to recommend it to the pruriency of curious ears. There is nothing at all new and captivating in it. It has nothing of the splendor of the project which has been lately laid upon your table by the noble lord in the blue ribbon. It does not propose to fill your lobby with squabbling colony agents, who will require the interposition of your mace at every instant to keep the peace amongst them. It does not institute a magnificent auction of finance, where captivated provinces come to general ransom by bidding against each other, until you knock down the hammer, and determine a proportion of payments beyond all the powers of algebra to equalize and settle.

The plan which I shall presume to suggest derives, however, one great advantage from the proposition and registry of that noble lord's project. The idea of conciliation is admissible. First, the House, in accepting the resolution moved by the noble lord, has admitted—notwithstanding the menacing front of our address, notwithstanding our heavy bills of pains and penalties—that we do not think ourselves precluded from all ideas of free grace and bounty.

The House has gone further: it has declared conciliation admissible, previous to any submission on the part of America. It has even shot a good deal beyond that mark, and has admitted that the complaints of our former mode of exerting the right of taxation were not wholly unfounded. That right, thus exerted, is allowed to have something reprehensible in it—something unwise, or something grievous: since in the midst of our heat and resentment we of ourselves have proposed a capital alteration, and in order to get rid of what seemed so very exceptionable have instituted a mode that is altogether new; one that is indeed wholly alien from all the ancient methods and forms of Parliament.

The principle of this proceeding is large enough for my purpose. The means proposed by the noble lord for carrying his ideas into execution, I think indeed are very indifferently suited to the end; and this I shall endeavor to show you before I sit down. But for the present I take my ground on the admitted principle. I mean to give peace. Peace implies reconciliation; and where there has been a material dispute, reconciliation does in a manner always imply concession on the one part or on the other. In this state of things I make no difficulty in affirming that the proposal ought to originate from us. Great and acknowledged force is not impaired, either in effect or in opinion, by an unwillingness to exert itself. The superior power may offer peace with honor and safety. Such an offer from such a power will be attributed to magnanimity. But the concessions of the weak are the concessions of fear. When such a one is disarmed, he is wholly at the mercy of his superior, and he loses forever that time and those chances which, as they happen to all men, are the strength and resources of all inferior power.

The capital leading questions on which you must this day decide are these two: First, whether you ought to concede; and secondly, what your concession ought to be. On the first of these questions we have gained (as I have just taken the liberty of observing to you) some ground. But I am sensible that a good deal more is still to be done. Indeed, sir, to enable us to determine both on the one and the other of these great questions with a firm and precise judgment, I think it may be necessary to consider distinctly the true nature and the peculiar circumstances of the object which we have before us. Because after all our struggle, whether we will or not, we must govern America according to that nature and to those circumstances, and not according to our own imaginations nor according to abstract ideas of right; by no means according to mere general theories of government, the resort to which appears to me, in our present situation, no better than arrant trifling. I shall therefore endeavor, with your leave, to lay before you some of the most material of these circumstances in as full and as clear a manner as I am able to state them.

FROM THE SPEECH ON 'THE NABOB OF ARCOT'S DEBTS'

That you may judge what chance any honorable and useful end of government has for a provision that comes in for the leavings of these gluttonous demands, I must take it on myself to bring before you the real condition of that abused, insulted, racked, and ruined country, though in truth my mind revolts from it; though you will hear it with horror: and I confess I tremble when I think on these awful and confounding dispensations of Providence. I shall first trouble you with a few words as to the cause.

The great fortunes made in India in the beginnings of conquest naturally excited an emulation in all the parts, and through the whole succession, of the company's service. But in the company it gave rise to other sentiments. They did not find the new channels of acquisition flow with equal riches to them. On the contrary, the high flood-tide of private emolument was generally in the lowest ebb of their affairs. They began also to fear that the fortune of war might take away what the fortune of war had given. Wars were accordingly discouraged by repeated injunctions and menaces; and that the servants might not be bribed into them by the native princes, they were strictly forbidden to take any money whatsoever from their hands. But vehement passion is ingenious in resources. The company's servants were not only stimulated but better instructed by the prohibition. They soon fell upon a contrivance which answered their purposes far better than the methods which were forbidden; though in this also they violated an ancient, but they thought an abrogated, order. They reversed their proceedings. Instead of receiving presents, they made loans. Instead of carrying on wars in their own name, they contrived an authority, at once irresistible and irresponsible, in whose name they might ravage at pleasure; and being thus freed from all restraint, they indulged themselves in the most extravagant speculations of plunder. The cabal of creditors who have been the object of the late bountiful grant from His Majesty's ministers, in order to possess themselves, under the name of creditors and assignees, of every country in India as fast as it should be conquered, inspired into the mind of the Nabob of Arcot (then a dependent on the company of the humblest order) a scheme of the most wild and desperate ambition that I believe ever was admitted into the thoughts of a man so situated. First, they persuaded him to consider himself as a principal member in the political system of Europe. In the next place they held out to him, and he readily imbibed, the idea of the general empire of Indostan. As a preliminary to this undertaking, they prevailed on him to propose a tripartite division of that vast country—one part to the company; another to the Mahrattas; and the third to himself. To himself he reserved all the southern part of the great peninsula, comprehended under the general name of the Deccan.

On this scheme of their servants, the company was to appear in the Carnatic in no other light than as a contractor for the provision of armies and hire of mercenaries, for his use and under his direction. This disposition was to be secured by the Nabob's putting himself under the guarantee of France, and by the means of that rival nation preventing the English forever from assuming an equality, much less a superiority, in the Carnatic. In pursuance of this treasonable project (treasonable on the part of the English), they extinguished the company as a sovereign power in that part of India; they withdrew the company's garrisons out of all the forts and strongholds of the Carnatic; they declined to receive the ambassadors from foreign courts, and remitted them to the Nabob of Arcot; they fell upon, and totally destroyed, the oldest ally of the company, the king of Tanjore, and plundered the country to the amount of near five millions sterling; one after another, in the Nabob's name but with English force, they brought into a miserable servitude all the princes and great independent nobility of a vast country. In proportion to these treasons and violences, which ruined the people, the fund of the Nabob's debt grew and flourished.

Among the victims to this magnificent plan of universal plunder, worthy of the heroic avarice of the projectors, you have all heard (and he has made himself to be well remembered) of an Indian chief called Hyder Ali Khan. This man possessed the western, as the company under the name of the Nabob of Arcot does the eastern, division of the Carnatic. It was among the leading measures in the design of this cabal (according to their own emphatic language) to extirpate this Hyder Ali. They declared the Nabob of Arcot to be his sovereign, and himself to be a rebel, and publicly invested their instrument with the sovereignty of the kingdom of Mysore. But their victim was not of the passive kind. They were soon obliged to conclude a treaty of peace and close alliance with this rebel at the gates of Madras. Both before and since that treaty, every principle of policy pointed out this power as a natural alliance; and on his part it was courted by every sort of amicable office. But the cabinet council of English creditors would not suffer their Nabob of Arcot to sign the treaty, nor even to give to a prince at least his equal the ordinary titles of respect and courtesy. From that time forward, a continued plot was carried on within the divan, black and white, of the Nabob of Arcot, for the destruction of Hyder Ali. As to the outward members of the double, or rather treble, government of Madras, which had signed the treaty, they were always prevented by some over-ruling influence (which they do not describe but which cannot be misunderstood) from performing what justice and interest combined so evidently to enforce.

When at length Hyder Ali found that he had to do with men who either would sign no convention, or whom no treaty and no signature could bind, and who were the determined enemies of human intercourse itself, he decreed to make the country possessed by these incorrigible and predestinated criminals a memorable example to mankind. He resolved, in the gloomy recesses of a mind capacious of such things, to leave the whole Carnatic an everlasting monument of vengeance, and to put perpetual desolation as a barrier between him and those against whom the faith which holds the moral elements of the world together was no protection. He became at length so confident of his force, so collected in his might, that he made no secret whatsoever of his dreadful resolution. Having terminated his disputes with every enemy and every rival, who buried their mutual animosities in their common detestation against the creditors of the Nabob of Arcot, he drew from every quarter whatever a savage ferocity could add to his new rudiments in the arts of destruction; and compounding all the materials of fury, havoc, and desolation into one black cloud, he hung for a while on the declivities of the mountains. Whilst the authors of all these evils were idly and stupidly gazing on this menacing meteor, which blackened all their horizon, it suddenly burst and poured down the whole of its contents upon the plains of the Carnatic. Then ensued a scene of woe, the like of which no eye had seen, no heart conceived, and which no tongue can adequately tell. All the horrors of war before known or heard of were mercy to that new havoc. A storm of universal fire blasted every field, consumed every house, destroyed every temple. The miserable inhabitants, flying from their flaming villages, in part were slaughtered; others, without regard to sex, to age, to the respect of rank, or sacredness of function,—fathers torn from children, husbands from wives,—enveloped in a whirlwind of cavalry, and amidst the goading spears of drivers and the trampling of pursuing horses, were swept into captivity in an unknown and hostile land. Those who were able to evade this tempest fled to the walled cities: but escaping from fire, sword, and exile, they fell into the jaws of famine.

The alms of the settlement in this dreadful exigency were certainly liberal, and all was done by charity that private charity could do: but it was a people in beggary; it was a nation which stretched out its hands for food. For months together these creatures of sufferance,—whose very excess of luxury in their most plenteous days had fallen short of the allowance of our austerest fasts,—silent, patient, resigned, without sedition or disturbance, almost without complaint, perished by an hundred a day in the streets of Madras; every day seventy at least laid their bodies in the streets, or on the glacis of Tanjore, and expired of famine in the granary of India. I was going to awake your justice towards this unhappy part of our fellow-citizens by bringing before you some of the circumstances of this plague of hunger. Of all the calamities which beset and waylay the life of man, this comes the nearest to our heart, and is that wherein the proudest of us all feels himself to be nothing more than he is: but I find myself unable to manage it with decorum; these details are of a species of horror so nauseous and disgusting, they are so degrading to the sufferers and to the hearers, they are so humiliating to human nature itself, that on better thoughts I find it more advisable to throw a pall over this hideous object, and to leave it to your general conceptions.

For eighteen months without intermission this destruction raged from the gates of Madras to the gates of Tanjore; and so completely did these masters in their art, Hyder Ali and his more ferocious son, absolve themselves of their impious vow, that when the British armies traversed, as they did, the Carnatic for hundreds of miles in all directions, through the whole line of their march they did not see one man, not one woman, not one child, not one four-footed beast of any description whatever. One dead uniform silence reigned over the whole region. With the inconsiderable exceptions of the narrow vicinage of some few forts, I wish to be understood as speaking literally;—I mean to produce to you more than three witnesses, above all exception, who will support this assertion in its full extent. That hurricane of war passed through every part of the central provinces of the Carnatic. Six or seven districts to the north and to the south (and those not wholly untouched) escaped the general ravage.

The Carnatic is a country not much inferior in extent to England. Figure to yourself, Mr. Speaker, the land in whose representative chair you sit; figure to yourself the form and fashion of your sweet and cheerful country from Thames to Trent north and south, and from the Irish to the German Sea east and west, emptied and emboweled (may God avert the omen of our crimes!) by so accomplished a desolation. Extend your imagination a little farther, and then suppose your ministers taking a survey of this scene of waste and desolation; what would be your thoughts if you should be informed that they were computing how much had been the amount of the excises, how much the customs, how much the land and malt tax, in order that they should charge (take it in the most favorable light) for public service, upon the relics of the satiated vengeance of relentless enemies, the whole of what England had yielded in the most exuberant seasons of peace and abundance? What would you call it? To call it tyranny sublimed into madness would be too faint an image; yet this very madness is the principle upon which the ministers at your right hand have proceeded in their estimate of the revenues of the Carnatic, when they were providing, not supply for the establishments of its protection, but rewards for the authors of its ruin.

Every day you are fatigued and disgusted with this cant:—"The Carnatic is a country that will soon recover, and become instantly as prosperous as ever." They think they are talking to innocents, who will believe that by sowing of dragons' teeth, men may come up ready grown and ready armed. They who will give themselves the trouble of considering (for it requires no great reach of thought, no very profound knowledge) the manner in which mankind are increased and countries cultivated, will regard all this raving as it ought to be regarded. In order that the people, after a long period of vexation and plunder, may be in a condition to maintain government, government must begin by maintaining them. Here the road to economy lies not through receipt, but through expense; and in that country nature has given no short cut to your object. Men must propagate, like other animals, by the mouth. Never did oppression light the nuptial torch; never did extortion and usury spread out the genial bed. Does any of you think that England, so wasted, would, under such a nursing attendance, so rapidly and cheaply recover? But he is meanly acquainted with either England or India, who does not know that England would a thousand times sooner resume population, fertility, and what ought to be the ultimate secretion from both,—revenue,—than such a country as the Carnatic.

The Carnatic is not by the bounty of nature a fertile soil. The general size of its cattle is proof enough that it is much otherwise. It is some days since I moved that a curious and interesting map kept in the India House should be laid before you. The India House is not yet in readiness to send it; I have therefore brought down my own copy, and there it lies for the use of any gentleman who may think such a matter worthy of his attention. It is indeed a noble map, and of noble things; but it is decisive against the golden dreams and sanguine speculations of avarice run mad. In addition to what you know must be the case in every part of the world (the necessity of a previous provision, seed, stock, capital) that map will show you that the uses of the influences of heaven itself are in that country a work of art. The Carnatic is refreshed by few or no living brooks or running streams, and it has rain only at a season; but its product of rice exacts the use of water subject to perpetual command. This is the national bank of the Carnatic, on which it must have a perpetual credit or it perishes irretrievably. For that reason, in the happier times of India, a number, almost incredible, of reservoirs have been made in chosen places throughout the whole country; they are formed for the greater part of mounds of earth and stones, with sluices of solid masonry; the whole constructed with admirable skill and labor, and maintained at a mighty charge. In the territory contained in that map alone, I have been at the trouble of reckoning the reservoirs, and they amount to upwards of eleven hundred, from the extent of two or three acres to five miles in circuit. From these reservoirs currents are occasionally drawn over the fields, and these water-courses again call for a considerable expense to keep them properly scoured and duly leveled. Taking the district in that map as a measure, there cannot be in the Carnatic and Tanjore fewer than ten thousand of these reservoirs of the larger and middling dimensions, to say nothing of those for domestic services and the uses of religious purification. These are not the enterprises of your power, nor in a style of magnificence suited to the taste of your minister. These are the monuments of real kings, who were the fathers of their people; testators to a posterity which they embrace as their own. These are the grand sepulchres built by ambition; but the ambition of an insatiable benevolence, which, not contented with reigning in the dispensation of happiness during the contracted term of human life, had strained, with all the reachings and graspings of a vivacious mind, to extend the dominion of their bounty beyond the limits of nature, and to perpetuate themselves through generations of generations, the guardians, the protectors, the nourishers of mankind.

Long before the late invasion, the persons who are objects of the grant of public money now before you had so diverted the supply of the pious funds of culture and population that everywhere the reservoirs were fallen into a miserable decay. But after those domestic enemies had provoked the entry of a cruel foreign foe into the country, he did not leave it until his revenge had completed the destruction begun by their avarice. Few, very few indeed, of these magazines of water that are not either totally destroyed, or cut through with such gaps as to require a serious attention and much cost to re-establish them, as the means of present subsistence to the people and of future revenue to the State.

What, sir, would a virtuous and enlightened ministry do on the view of the ruins of such works before them? on the view of such a chasm of desolation as that which yawned in the midst of those countries to the north and south, which still bore some vestiges of cultivation? They would have reduced all their most necessary establishments; they would have suspended the justest payments; they would have employed every shilling derived from the producing, to re-animate the powers of the unproductive, parts. While they were performing this fundamental duty, whilst they were celebrating these mysteries of justice and humanity, they would have told the corps of fictitious creditors whose crimes were their claims, that they must keep an awful distance; that they must silence their inauspicious tongues; that they must hold off their profane, unhallowed paws from this holy work; they would have proclaimed with a voice that should make itself heard, that on every country the first creditor is the plow,—that this original, indefeasible claim supersedes every other demand.

This is what a wise and virtuous ministry would have done and said. This, therefore, is what our minister could never think of saying or doing. A ministry of another kind would first have improved the country, and have thus laid a solid foundation for future opulence and future force. But on this grand point of the restoration of the country, there is not one syllable to be found in the correspondence of our ministers, from the first to the last; they felt nothing for a land desolated by fire, sword, and famine; their sympathies took another direction: they were touched with pity for bribery, so long tormented with a fruitless itching of its palms; their bowels yearned for usury, that had long missed the harvest of its returning months; they felt for peculation, which had been for so many years raking in the dust of an empty treasury; they were melted into compassion for rapine and oppression, licking their dry, parched, unbloody jaws. These were the objects of their solicitude. These were the necessities for which they were studious to provide.

To state the country and its revenues in their real condition, and to provide for those fictitious claims consistently with the support of an army and a civil establishment, would have been impossible; therefore the ministers are silent on that head, and rest themselves on the authority of Lord Macartney, who in a letter to the court of directors written in the year 1781, speculating on what might be the result of a wise management of the countries assigned by the Nabob of Arcot, rates the revenues, as in time of peace, at twelve hundred thousand pounds a year, as he does those of the King of Tanjore (which had not been assigned) at four hundred and fifty. On this Lord Macartney grounds his calculations, and on this they choose to ground theirs. It was on this calculation that the ministry, in direct opposition to the remonstrances of the court of directors, have compelled that miserable enslaved body to put their hands to an order for appropriating the enormous sum of £480,000 annually, as a fund for paying to their rebellious servants a debt contracted in defiance of their clearest and most positive injunctions.

The authority and information of Lord Macartney is held high on this occasion, though it is totally rejected in every other particular of this business. I believe I have the honor of being almost as old an acquaintance as any Lord Macartney has. A constant and unbroken friendship has subsisted between us from a very early period; and I trust he thinks that as I respect his character, and in general admire his conduct, I am one of those who feel no common interest in his reputation. Yet I do not hesitate wholly to disallow the calculation of 1781, without any apprehension that I shall appear to distrust his veracity or his judgment. This peace estimate of revenue was not grounded on the state of the Carnatic as it then, or as it had recently, stood. It was a statement of former and better times. There is no doubt that a period did exist when the large portion of the Carnatic held by the Nabob of Arcot might be fairly reputed to produce a revenue to that, or to a greater amount. But the whole had so melted away by the slow and silent hostilities of oppression and mismanagement, that the revenues, sinking with the prosperity of the country, had fallen to about £800,000 a year even before an enemy's horse had imprinted his hoof on the soil of the Carnatic. From that view, and independently of the decisive effects of the war which ensued, Sir Eyre Coote conceived that years must pass before the country could be restored to its former prosperity and production. It was that state of revenue (namely, the actual state before the war) which the directors have opposed to Lord Macartney's speculation. They refused to take the revenues for more than £800,000. In this they are justified by Lord Macartney himself, who in a subsequent letter informs the court that his sketch is a matter of speculation; it supposes the country restored to its ancient prosperity, and the revenue to be in a course of effective and honest collection. If therefore the ministers have gone wrong, they were not deceived by Lord Macartney: they were deceived by no man. The estimate of the directors is nearly the very estimate furnished by the right honorable gentleman himself, and published to the world in one of the printed reports of his own committee; but as soon as he obtained his power, he chose to abandon his account. No part of his official conduct can be defended on the ground of his Parliamentary information.

FROM THE SPEECH ON 'THE FRENCH REVOLUTION'

When ancient opinions and rules of life are taken away, the loss cannot possibly be estimated. From that moment we have no compass to govern us; nor can we know distinctly to what port we steer. Europe, undoubtedly, taken in a mass, was in a flourishing condition the day on which your revolution was completed. How much of that prosperous state was owing to the spirit of our old manners and opinions is not easy to say; but as such causes cannot be indifferent in their operation, we must presume that on the whole their operation was beneficial.

We are but too apt to consider things in the state in which we find them, without sufficiently adverting to the causes by which they have been produced and possibly may be upheld. Nothing is more certain than that our manners, our civilization, and all the good things which are connected with manners and with civilization, have in this European world of ours depended for ages upon two principles, and were indeed the result of both combined: I mean the spirit of a gentleman and the spirit of religion. The nobility and the clergy, the one by profession, the other by patronage, kept learning in existence even in the midst of arms and confusions, and whilst governments were rather in their causes than formed. Learning paid back what it received to nobility and to priesthood; and paid it with usury, by enlarging their ideas and by furnishing their minds. Happy if they had all continued to know their indissoluble union and their proper place! Happy if learning, not debauched by ambition, had been satisfied to continue the instructor, and not aspired to be the master! Along with its natural protectors and guardians, learning will be cast into the mire and trodden down under the hoofs of a swinish multitude.

If, as I suspect, modern letters owe more than they are always willing to own to ancient manners, so do other interests which we value full as much as they are worth. Even commerce and trade and manufacture, the gods of our economical politicians, are themselves perhaps but creatures; are themselves but effects, which as first causes we choose to worship. They certainly grew under the same shade in which learning flourished. They too may decay with their natural protecting principles. With you, for the present at least, they threaten to disappear together. Where trade and manufactures are wanting to a people, and the spirit of nobility and religion remains, sentiment supplies, and not always ill supplies, their place; but if commerce and the arts should be lost in an experiment to try how well a State may stand without these old fundamental principles, what sort of a thing must be a nation of gross, stupid, ferocious, and at the same time poor and sordid barbarians,—destitute of religion, honor, or manly pride, possessing nothing at present and hoping for nothing hereafter?

I wish you may not be going fast, and by the shortest cut, to that horrible and disgustful situation. Already there appears a poverty of conception, a coarseness and vulgarity, in all the proceedings of the Assembly and of all their instructors. Their liberty is not liberal. Their science is presumptuous ignorance. Their humanity is savage and brutal.

It is not clear whether in England we learned those grand and decorous principles and manners, of which considerable traces yet remain, from you, or whether you took them from us. But to you, I think, we trace them best. You seem to me to be gentis incunabula nostræ. France has always more or less influenced manners in England; and when your fountain is choked up and polluted the stream will not run long, or not run clear, with us or perhaps with any nation. This gives all Europe, in my opinion, but too close and connected a concern in what is done in France. Excuse me therefore if I have dwelt too long on the atrocious spectacle of the 6th of October, 1789, or have given too much scope to the reflections which have arisen in my mind on occasion of the most important of all revolutions, which may be dated from that day,—I mean a revolution in sentiments, manners, and moral opinions. As things now stand, with everything respectable destroyed without us, and an attempt to destroy within us every principle of respect, one is almost forced to apologize for harboring the common feelings of men.

Why do I feel so differently from the Reverend Dr. Price and those of his lay flock who will choose to adopt the sentiments of his discourse? For this plain reason—because it is natural I should; because we are so made as to be affected at such spectacles with melancholy sentiments upon the unstable condition of mortal prosperity, and the tremendous uncertainty of human greatness; because in those natural feelings we learn great lessons; because in events like these our passions instruct our reason; because when kings are hurled from their thrones by the Supreme Director of this great drama, and become the objects of insult to the base and of pity to the good, we behold such disasters in the moral as we should a miracle in the physical order of things. We are alarmed into reflection; our minds (as it has long since been observed) are purified by terror and pity; our weak, unthinking pride is humbled under the dispensations of a mysterious wisdom. Some tears might be drawn from me, if such a spectacle were exhibited on the stage. I should be truly ashamed of finding in myself that superficial, theatric sense of painted distress, whilst I could exult over it in real life. With such a perverted mind, I could never venture to show my face at a tragedy. People would think the tears that Garrick formerly, or that Siddons not long since, have extorted from me, were the tears of hypocrisy; I should know them to be the tears of folly.

Indeed, the theatre is a better school of moral sentiments than churches where the feelings of humanity are thus outraged. Poets, who have to deal with an audience not yet graduated in the school of the rights of men, and who must apply themselves to the moral constitution of the heart, would not dare to produce such a triumph as a matter of exultation. There, where men follow their natural impulses, they would not bear the odious maxims of a Machiavellian policy, whether applied to the attainment of monarchical or democratic tyranny. They would reject them on the modern, as they once did on the ancient stage, where they could not bear even the hypothetical proposition of such wickedness in the mouth of a personated tyrant, though suitable to the character he sustained. No theatric audience in Athens would bear what has been borne in the midst of the real tragedy of this triumphal day: a principal actor weighing, as it were in scales hung in a shop of horrors, so much actual crime against so much contingent advantage, and after putting in and out weights, declaring that the balance was on the side of the advantages. They would not bear to see the crimes of new democracy posted as in a ledger against the crimes of old despotism, and the book-keepers of politics finding democracy still in debt, but by no means unable or unwilling to pay the balance. In the theatre, the first intuitive glance, without any elaborate process of reasoning, will show that this method of political computation would justify every extent of crime. They would see that on these principles, even where the very worst acts were not perpetrated, it was owing rather to the fortune of the conspirators than to their parsimony in the expenditure of treachery and blood. They would soon see that criminal means, once tolerated, are soon preferred. They present a shorter cut to the object than through the highway of the moral virtues. Justifying perfidy and murder for public benefit, public benefit would soon become the pretext, and perfidy and murder the end; until rapacity, malice, revenge, and fear more dreadful than revenge, could satiate their insatiable appetites. Such must be the consequences of losing, in the splendor of these triumphs of the rights of men, all natural sense of wrong and right.

But the reverend pastor exults in this "leading in triumph," because truly Louis the Sixteenth was "an arbitrary monarch"; that is, in other words, neither more nor less than because he was Louis the Sixteenth, and because he had the misfortune to be born King of France, with the prerogatives of which a long line of ancestors, and a long acquiescence of the people, without any act of his, had put him in possession. A misfortune it has indeed turned out to him, that he was born King of France. But misfortune is not crime, nor is indiscretion always the greatest guilt. I shall never think that a prince, the acts of whose whole reign were a series of concessions to his subjects; who was willing to relax his authority, to remit his prerogatives, to call his people to a share of freedom not known, perhaps not desired, by their ancestors: such a prince, though he should be subjected to the common frailties attached to men and to princes, though he should have once thought it necessary to provide force against the desperate designs manifestly carrying on against his person and the remnants of his authority,—though all this should be taken into consideration, I shall be led with great difficulty to think he deserves the cruel and insulting triumph of Paris and of Dr. Price. I tremble for the cause of liberty, from such an example to kings. I tremble for the cause of humanity, in the unpunished outrages of the most wicked of mankind. But there are some people of that low and degenerate fashion of mind that they look up with a sort of complacent awe and admiration to kings who know how to keep firm in their seat, to hold a strict hand over their subjects, to assert their prerogative, and by the awakened vigilance of a severe despotism to guard against the very first approaches of freedom. Against such as these they never elevate their voice. Deserters from principle, listed with fortune, they never see any good in suffering virtue, nor any crime in prosperous usurpation.

If it could have been made clear to me that the King and Queen of France (those I mean who were such before the triumph) were inexorable and cruel tyrants, that they had formed a deliberate scheme for massacring the National Assembly (I think I have seen something like the latter insinuated in certain publications), I should think their captivity just. If this be true, much more ought to have been done; but done, in my opinion, in another manner. The punishment of real tyrants is a noble and awful act of justice; and it has with truth been said to be consolatory to the human mind. But if I were to punish a wicked king, I should regard the dignity in avenging the crime. Justice is grave and decorous, and in its punishments rather seems to submit to a necessity than to make a choice. Had Nero, or Agrippina, or Louis the Eleventh, or Charles the Ninth, been the subject; if Charles the Twelfth of Sweden after the murder of Patkul, or his predecessor Christina after the murder of Monaldeschi, had fallen into your hands, sir, or into mine, I am sure our conduct would have been different.

If the French King, or King of the French (or by whatever name he is known in the new vocabulary of your constitution), has in his own person and that of his Queen really deserved these unavowed but unavenged murderous attempts, and those frequent indignities more cruel than murder, such a person would ill deserve even that subordinate executory trust which I understand is to be placed in him; nor is he fit to be called chief in a nation which he has outraged and oppressed. A worse choice for such an office in a new commonwealth than that of a deposed tyrant could not possibly be made. But to degrade and insult a man as the worst of criminals, and afterwards to trust him in your highest concerns as a faithful, honest, and zealous servant, is not consistent with reasoning, nor prudent in policy, nor safe in practice. Those who could make such an appointment must be guilty of a more flagrant breach of trust than any they have yet committed against the people. As this is the only crime in which your leading politicians could have acted inconsistently, I conclude that there is no sort of ground for these horrid insinuations. I think no better of all the other calumnies.

In England, we give no credit to them. We are generous enemies: we are faithful allies. We spurn from us with disgust and indignation the slanders of those who bring us their anecdotes with the attestation of the flower-de-luce on their shoulder. We have Lord George Gordon fast in Newgate; and neither his being a public proselyte to Judaism, nor his having, in his zeal against Catholic priests and all sorts of ecclesiastics, raised a mob (excuse the term, it is still in use here) which pulled down all our prisons, have preserved to him a liberty of which he did not render himself worthy by a virtuous use of it. We have rebuilt Newgate, and tenanted the mansion. We have prisons almost as strong as the Bastile for those who dare to libel the Queens of France. In this spiritual retreat let the noble libeler remain. Let him there meditate on his Talmud, until he learns a conduct more becoming his birth and parts, and not so disgraceful to the ancient religion to which he has become a proselyte; or until some persons from your side of the water, to please your new Hebrew brethren, shall ransom him. He may then be enabled to purchase, with the old hoards of the synagogue, and a very small poundage on the long compound interest of the thirty pieces of silver (Dr. Price has shown us what miracles compound interest will perform in 1790 years), the lands which are lately discovered to have been usurped by the Gallican Church. Send us your Popish Archbishop of Paris, and we will send you our Protestant Rabbin. We shall treat the person you send us in exchange like a gentleman and an honest man, as he is; but pray let him bring with him the fund of his hospitality, bounty, and charity; and depend upon it, we shall never confiscate a shilling of that honorable and pious fund, nor think of enriching the treasury with the spoils of the poor-box.

To tell you the truth, my dear sir, I think the honor of our nation to be somewhat concerned in the disclaimer of the proceedings of this society of the Old Jewry and the London Tavern. I have no man's proxy. I speak only for myself when I disclaim, as I do with all possible earnestness, all communion with the actors in that triumph, or with the admirers of it. When I assert anything else, as concerning the people of England, I speak from observation, not from authority; but I speak from the experience I have had in a pretty extensive and mixed communication with the inhabitants of this kingdom, of all descriptions and ranks, and after a course of attentive observation begun early in life, and continued for nearly forty years. I have often been astonished, considering that we are divided from you but by a slender dike of about twenty-four miles, and that the mutual intercourse between the two countries has lately been very great, to find how little you seem to know of us. I suspect that this is owing to your forming a judgment of this nation from certain publications which do very erroneously, if they do at all, represent the opinions and dispositions generally prevalent in England. The vanity, restlessness, petulance, and spirit of intrigue of several petty cabals, who attempt to hide their total want of consequence in bustle, and noise, and puffing, and mutual quotation of each other, makes you imagine that our contemptuous neglect of their abilities is a mark of general acquiescence in their opinions. No such thing, I assure you. Because half a dozen grasshoppers under a fern make the field ring with their importunate chink, whilst thousands of great cattle reposed beneath the shadow of the British oak chew the cud and are silent, pray do not imagine that those who make the noise are the only inhabitants of the field; that of course they are many in number; or that after all they are other than the little, shriveled, meagre, hopping, though loud and troublesome, insects of the hour.

FRANCES HODGSON BURNETT

(1849-)

Mrs. Burnett has told the story of her childhood and tried to interpret her own personality in her autobiographical story, 'The One I Knew Best of All.' She has pictured a little English girl in a comfortable Manchester home, leading a humdrum, well-regulated existence, with brothers and sisters, nurse and governess. But an alert imagination added interest to the life of this "Small Person," and from her nursery windows and from the quiet park where she played she watched eagerly for anything of dramatic or picturesque interest. She seized upon the Lancashire dialect often overheard, as upon a game, and practiced it until she gained the facility of use shown in her mining and factory stories. One day the strong and beautiful figure of a young woman, followed by a coarse and abusive father, caught her attention, and years afterward she developed Joan Lowrie from the incident.

When the Hodgson family suffered pecuniary loss, and hoping to better its fortunes came to America, then best known to Frances from the pages of 'Uncle Tom's Cabin,' she was fifteen. A year or two later she began to send her stories to various magazines. In 1867 the first of these appeared. She did not however attain her great popularity until the appearance of 'That Lass o' Lowrie's' in 1877. The thoughtfully drawn group of characters—Derrick the engineer, Grace the young minister, Annie the rector's daughter, and Joan the pit girl,—are dramatic figures, working out their life problems under the eyes and the comments of half-cynical, half-brutalized miners. There is nothing in her history to account for Joan, or for the fact that the strength of vice in her father becomes an equal strength of virtue in her. Abused since her babyhood, doing the work of a man among degrading companionships, she yet remains capable of the noblest self-abnegation. Mrs. Burnett delights in heroes and heroines who are thus loftily at variance with their surroundings. Her stories are romantic in spirit, offering little to the lover of psychologic analysis. Her character-drawing is the product of quick observation and sympathetic intuition. She does not write "tendency" novels, but appeals to simple emotions of love, hate, revenge, or self-immolation, which sometimes, as in the case of her last book, 'A Lady of Quality' (1895), verge on sensationalism. In 1873 Miss Hodgson married Dr. Burnett of Washington. Her longest novel, 'Through One Administration,' is a story of the political and social life of the Capital. 'Little Lord Fauntleroy' (1886) is the best known of a series of stories nominally written for children, but intended to be read by their elders. 'Sara Crewe,' 'Giovanni and the Other,' 'Two Little Pilgrims,' and 'Little Saint Elizabeth' are chronicles of superlunary children. After those before mentioned, 'Esmeralda,' 'Louisiana,' 'A Fair Barbarian,' and 'Haworth's' are her best known stories.

AT THE PIT

From 'That Lass o' Lowrie's'

The next morning Derrick went down to the mine as usual. There were several things he wished to do in these last two days. He had heard that the managers had entered into negotiations with a new engineer, and he wished the man to find no half-done work. The day was bright and frosty, and the sharp, bracing air seemed to clear his brain. He felt more hopeful, and less inclined to view matters darkly.

He remembered afterward that as he stepped into the cage he turned to look at the unpicturesque little town, brightened by the winter's sun; and that as he went down he glanced up at the sky, and marked how intense appeared the bit of blue which was framed in by the mouth of the shaft.

Even in the few hours that had elapsed since the meeting, the rumor of what he had said and done had been bruited about. Some collier had heard it and had told it to his comrades, and so it had gone from one to the other. It had been talked over at the evening and morning meal in divers cottages, and many an anxious hand had warmed into praise of the man who had "had a thowt for th' men."

In the first gallery he entered he found a deputation of men awaiting him,—a group of burly miners with picks and shovels over their shoulders,—and the head of this deputation, a spokesman burlier and generally gruffer than the rest, stopped him.

"Mester," he said, "we chaps 'ud loike to ha' a word wi' yo'."

"All right," was Derrick's reply, "I am ready to listen."

The rest crowded nearer, as if anxious to participate as much as possible, and give their spokesman the support of their presence.

"It is na mich as we ha' getten to say," said the man, "but we're fain to say it. Are na we, mates?"

"Ay, we are, lad," in chorus.

"It's about summat as we'n heerd. Theer wur a chap as towd some on us last neet as yo'd getten th' sack fro' th' managers—or leastways as yo'd turned th' tables on 'em an' gi'en them th' sack yo'rsen. An' we'n heerd as it begun wi' yo're standin' up fur us chaps—axin' fur things as wur wanted i' th' pit to save us fro' runnin' more risk than we need. An' we heerd as yo' spoke up bold, an' argied for us an' stood to what yo' thowt war th' reet thing, an' we set our moinds on tellin' yo' as we'd heerd it an' talked it over, an' we'd loike to say a word o' thanks i' common fur th' pluck yo' showed. Is na that it, mates?"

"Ay, that it is, lad!" responded the chorus.

Suddenly one of the group stepped out and threw down his pick. "An' I'm dom'd, mates," he said, "if here is na a chap as ud loike to shake hands wi' him."

It was the signal for the rest to follow his example. They crowded about their champion, thrusting grimy paws into his hand, grasping it almost enthusiastically.

"Good luck to yo', lad!" said one. "We'n noan smooth soart o' chaps, but we'n stand by what's fair an' plucky. We shall ha' a good word fur thee when tha hast made thy flittin'."

"I'm glad of that, lads," responded Derrick heartily, by no means unmoved by the rough-and-ready spirit of the scene. "I only wish I had had better luck, that's all."

A few hours later the whole of the little town was shaken to its very foundations by something like an earthquake, accompanied by an ominous, booming sound which brought people flocking out of their houses with white faces. Some of them had heard it before—all knew what it meant. From the colliers' cottages poured forth women, shrieking and wailing,—women who bore children in their arms and had older ones dragging at their skirts, and who made their desperate way to the pit with one accord. From houses and workshops there rushed men, who coming out in twos and threes joined each other, and forming a breathless crowd, ran through the streets scarcely daring to speak a word—and all ran toward the pit.

There were scores at its mouth in five minutes; in ten minutes there were hundreds, and above all the clamor rose the cry of women:—

"My mester's down!"

"An' mine!"

"An' mine!"

"Four lads o' mine is down!"

"Three o' mine!"

"My little un's theer—th' youngest—nobbut ten year owd—nobbut ten year owd, poor little chap! an' ony been at work a week!"

"Ay, wenches, God ha' mercy on us aw'—God ha' mercy!" And then more shrieks and wails, in which the terror-stricken children joined.

It was a fearful sight. How many lay dead and dying in the noisome darkness below, God only knew! How many lay mangled and crushed, waiting for their death, Heaven only could tell!

In five minutes after the explosion occurred, a slight figure in clerical garb made its way through the crowd with an air of excited determination.

"Th' parson's feart," was the general comment.

"My men," he said, raising his voice so that all could hear, "can any of you tell me who last saw Fergus Derrick?"

There was a brief pause, and then came a reply from a collier who stood near.

"I coom up out o' th' pit an hour ago," he said, "I wur th' last as coom up, an' it wur on'y chance as browt me. Derrick wur wi' his men i' th' new part o' th' mine. I seed him as I passed through."

Grace's face became a shade or so paler, but he made no more inquiries.

His friend either lay dead below, or was waiting for his doom at that very moment. He stepped a little farther forward.

"Unfortunately for myself, at present," he said, "I have no practical knowledge of the nature of these accidents. Will some of you tell me how long it will be before we can make our first effort to rescue the men who are below?"

Did he mean to volunteer—this young whipper-snapper of a parson? And if he did, could he know what he was doing?

"I ask you," he said, "because I wish to offer myself as a volunteer at once; I think I am stronger than you imagine, and at least my heart will be in the work. I have a friend below—myself," his voice altering its tone and losing its firmness,—"a friend who is worthy the sacrifice of ten such lives as mine, if such a sacrifice could save him."

One or two of the older and more experienced spoke up. Under an hour it would be impossible to make the attempt—it might even be a longer time, but in an hour they might at least make their first effort.

If such was the case, the parson said, the intervening period must be turned to the best account. In that time much could be thought of and done which would assist themselves and benefit the sufferers. He called upon the strongest and most experienced, and almost without their recognizing the prominence of his position, led them on in the work. He even rallied the weeping women and gave them something to do. One was sent for this necessary article and another for that. A couple of boys were dispatched to the next village for extra medical assistance, so that there need be no lack of attention when it was required. He took off his broadcloth and worked with the rest of them until all the necessary preparations were made, and it was considered possible to descend into the mine.

When all was ready, he went to the mouth of the shaft and took his place quietly.

It was a hazardous task they had before them. Death would stare them in the face all through its performance. There was choking after-damp below,—noxious vapors, to breathe which was to die; there was the chance of crushing masses falling from the shaken galleries—and yet these men left their companions one by one, and ranged themselves without saying a word at the curate's side.

"My friends," said Grace, baring his head and raising a feminine hand,—"My friends, we will say a short prayer."

It was only a few words. Then the curate spoke again.

"Ready!" he said.

But just at that moment there stepped out from the anguished crowd a girl, whose face was set and deathly, though there was no touch of fear upon it.

"I ax yo'," she said, "to let me go wi' yo' and do what I con. Lasses, some on yo' speak a word for Joan Lowrie!"

There was a breathless start. The women even stopped their outcry to look at her as she stood apart from them,—a desperate appeal in the very quiet of her gesture as she turned to look about her for some one to speak.

"Lasses," she said again, "some on yo' speak a word for Joan Lowrie!"

There rose a murmur among them then, and the next instant this murmur was a cry.

"Ay," they answered, "we con aw speak fur yo'. Let her go, lads! She's worth two o' th' best on yo'. Nowt fears her. Ay, she mun go, if she will, mun Joan Lowrie! Go, Joan lass, and we'n not forget thee!"

But the men demurred. The finer instinct of some of them shrank from giving a woman a place in such a perilous undertaking—the coarser element in others rebelled against it.

"We'n ha' no wenches," these said, surlily.

Grace stepped forward. He went to Joan Lowrie and touched her gently on the shoulder.

"We cannot think of it," he said. "It is very brave and generous, and—God bless you!—but it cannot be. I could not think of allowing it myself, if the rest would."

"Parson," said Joan, coolly but not roughly, "tha'd ha' hard work to help thysen, if so be as th' lads wur willin'!"

"But," he protested, "it may be death. I could not bear the thought of it. You are a woman. We cannot let you risk your life."

She turned to the volunteers.

"Lads," she cried passionately, "yo' munnot turn me back. I—sin I mun tell yo'—" and she faced them like a queen—"theer's a mon down theer as I'd gi' my heart's blood to save."

They did not know whom she meant, but they demurred no longer.

"Tak' thy place, wench," said the oldest. "If tha mun, tha mun."

She took her seat in the cage by Grace, and when she took it she half turned her face away. But when those above began to lower them, and they found themselves swinging downward into what might be to them a pit of death, she spoke to him.

"Theer's a prayer I'd loike yo' to pray," she said. "Pray that if we mun dee, we may na dee until we ha' done our work."

It was a dreadful work indeed that the rescuers had to do in those black galleries. And Joan was the bravest, quickest, most persistent of all. Paul Grace, following in her wake, found himself obeying her slightest word or gesture. He worked constantly at her side, for he at least had guessed the truth. He knew that they were both engaged in the same quest. When at last they had worked their way—lifting, helping, comforting—to the end of the passage where the collier had said he last saw the master, then for one moment she paused, and her companion with a thrill of pity touched her to attract her attention.

"Let me go first," he said.

"Nay," she answered, "we'n go together."

The gallery was a long and low one, and had been terribly shaken. In some places the props had been torn away, in others they were borne down by the loosened blocks of coal. The dim light of the "Davy" Joan held up showed such a wreck that Grace spoke to her again.

"You must let me go first," he said with gentle firmness. "If one of these blocks should fall—"

Joan interrupted him:—

"If one on 'em should fall, I'm th' one as it had better fall on. There is na mony foak as ud miss Joan Lowrie. Yo' ha' work o' yore own to do."

She stepped into the gallery before he could protest, and he could only follow her. She went before, holding the Davy high, so that its light might be thrown as far forward as possible. Now and then she was forced to stoop to make her way around a bending prop; sometimes there was a falling mass to be surmounted: but she was at the front still when they reached the other end, without finding the object of their search.

"It—he is na there," she said. "Let us try th' next passage," and she turned into it.

It was she who first came upon what they were looking for; but they did not find it in the next passage, or the next, or even the next. It was farther away from the scene of the explosion than they had dared to hope. As they entered a narrow side gallery, Grace heard her utter a low sound, and the next minute she was down upon her knees.

"Theer's a mon here," she said. "It's him as we're lookin' fur."

She held the dim little lantern close to the face,—a still face with closed eyes, and blood upon it. Grace knelt down too, his heart aching with dread.

"Is he—" he began, but could not finish.

Joan Lowrie laid her hand upon the apparently motionless breast and waited almost a minute, and then she lifted her own face, white as the wounded man's—white and solemn, and wet with a sudden rain of tears.

"He is na dead," she said. "We ha' saved him."

She sat down upon the floor of the gallery, and lifting his head, laid it upon her bosom, holding it close, as a mother might hold the head of her child.

"Mester," she said, "gi' me th' brandy flask, and tak' thou thy Davy an' go fur some o' the men to help us get him to th' leet o' day. I'm gone weak at last. I conna do no more. I'll go wi' him to th' top."

When the cage ascended to the mouth again with its last load of sufferers, Joan Lowrie came with it, blinded and dazzled by the golden winter's sunlight as it fell upon her haggard face. She was holding the head of what seemed to be a dead man upon her knee. A great shout of welcome rose up from the bystanders.

She helped them to lay her charge upon a pile of coats and blankets prepared for him, and then she turned to the doctor who had hurried to the spot to see what could be done.

"He is na dead," she said. "Lay yore hond on his heart. It beats yet, Mester,—on'y a little, but it beats."

"No," said the doctor, "he is not dead—yet"; with a breath's pause between the two last words. "If some of you will help me to put him on a stretcher, he may be carried home, and I will go with him. There is just a chance for him, poor fellow, and he must have immediate attention. Where does he live?"

"He must go with me," said Grace. "He is my friend."

So they took him up, and Joan stood a little apart and watched them carry him away,—watched the bearers until they were out of sight, and then turned again and joined the women in their work among the sufferers.

By permission of Charles Scribner's Sons.

FRANCES BURNEY (MADAME D'ARBLAY)

(1752-1840)

There is a suggestion of the 'Ugly Duckling' story in Fanny Burney's early life. The personality of the shy little girl, who was neither especially pretty nor precocious, was rather merged in the half-dozen of gayer brothers and sisters. The first eight years of her life were passed at Lynn Regis in Norfolk; then the family moved to London, where her father continued his career as an important writer on music and a fashionable music-master. Soon after, Mrs. Burney died. All the children but young Fanny were sent away to school. She was to have been educated at home, but received little attention from the learned, kind, but heedless Dr. Burney, who seems to have considered her the dull member of his flock. "Poor Fanny!" he often said, until her sudden fame overwhelmed him with surprise as well as exultation. Only his friend, her beloved "Daddy Crisp" of the letters, appreciated her; himself a disappointed dramatic author, soured by what he felt to be an incomprehensible failure, yet of fine critical talent, with kind and wise suggestions for his favorite Fanny.

Frances Burney

But while her book-education was of the slightest, her social advantages were great. Pleasure-loving Dr. Burney had a delightful faculty of attracting witty and musical friends to enliven his home. Fanny's great unnoticed gift was power of observation. The shy girl who avoided notice herself, found her social pleasure in watching and listening to clever people. Perhaps a Gallic strain—for her mother was of French descent—gave her clear-sightedness. She had a turn for social satire which added humorous discrimination to her judgments. She understood people better than books, and perceived their petty hypocrisies, self-deceptions, and conventional standards, with witty good sense and love of sincerity. Years of this silent note-taking and personal intercourse with brilliant people gave her unusual knowledge of the world.

She was a docile girl, ready always to heed her father and her "Daddy Crisp," ready to obey her kindly stepmother, and try to exchange for practical occupations her pet pastime of scribbling.

But from the time she was ten she had loved to write down her impressions, and the habit was too strong to be more than temporarily renounced. Like many imaginative persons, she was fond of carrying on serial inventions in which repressed fancies found expression. One long story she destroyed; but the characters haunted her, and she began a sequel which became 'Evelina.' In the young, beautiful, virtuous heroine, with her many mortifying experiences and her ultimate triumph, she may have found compensation for a starved vanity of her own.

For a long time she and her sisters enjoyed Evelina's tribulations; then Fanny grew ambitious, and encouraged by her brother, thought of publication. When she tremblingly asked her father's consent, he carelessly countenanced the venture and gave it no second thought. After much negotiation, a publisher offered twenty pounds for the manuscript, and in 1778 the appearance of 'Evelina' ended Fanny Burney's obscurity. For a long time the book was the topic of boundless praise and endless discussion. Every one wondered who could have written the clever story, which was usually attributed to a society man. The great Dr. Johnson was enthusiastic, insisted upon knowing the author, and soon grew very fond of his little Fanny. He introduced her to his friends, and she became the celebrity of a delightful circle. Sir Joshua Reynolds and Burke sat up all night to finish 'Evelina.' The Thrales, Madame Delaney,—who later introduced her at court,—Sheridan, Gibbon, and Sir Walter Scott, were among those who admired her most cordially.

It was a happy time for Fanny, encouraged to believe her talent far greater than it was. She wrote a drama which was read in solemn judgment by her father and "Daddy Crisp," who decided against it as too like 'Les Précieuses Ridicules,' a play she had never read. A second novel, 'Cecilia,' appeared in 1782, and was as successful as its predecessor. Later readers find it less spontaneous, and after it she never resumed her early style except in her journal and correspondence. Her ambition was fully astir. She had every incentive from her family and friends. But the old zest in composition had departed. The self-consciousness which had always tormented her in society seized her now, when she was trying to cater to public taste, and made her change her frank, free, personal expression for a stilted artificial formality of phrase.

Her reputation was now at its height, and she was very happy in her position as society favorite and pride of the father whom she had always passionately admired, when she made the mistake of her life. Urged by her father, she accepted a position at court as Second Keeper of the Queen's Robes. There she spent five pleasureless and worse than profitless years. In her 'Diary and Letters,' the most readable to-day of all her works, she has told the story of wretched discomfort, of stupidly uncongenial companionship, of arduous tasks made worse by the selfish thoughtlessness of her superiors. She has also given our best historical picture of that time; the every-day life at court, the slow agony of King George's increasing insanity. But the drudgery and mean hardships of the place, and the depression of being separated from her family, broke down her health; and after much opposition she was allowed to resign in 1791.

Soon afterwards she astonished her friends by marrying General D'Arblay, a French officer and a gentleman, although very poor. As the pair had an income of only one hundred pounds, this seems a perilously rash act for a woman over forty. Fortunately the match proved a very happy one, and the situation stimulated Madame D'Arblay to renewed authorship. 'Camilla,' her third novel, was sold by subscription, and was a very remunerative piece of work. But from a critical point of view it was a failure; and being written in a heavy pedantic style, is quite deficient in her early charm. With the proceeds she built a modest home, Camilla Cottage. Later the family moved to France, where her husband died and where her only son received his early education. When he was nearly ready for an English university she returned to England, and passed her tranquil age among her friends until she died at eighty-eight.

What Fanny Burney did in all unconsciousness was to establish fiction upon a new basis. She may be said to have created the family novel. Fielding, Smollett, and Sterne had bequeathed their legacy impregnated with objectionable qualities, in spite of strength and charm; they were read rather secretly, and tabooed for women. On the other hand, the followers of Richardson were too didactic to be readable. Fanny Burney proved that entertaining tales, unweighted by heavy moralizing, may be written, adapted to young and old. Her sketches of life were witty, sincere, and vigorous, yet always moral in tone. 'Evelina,' the work of an innocent, frank girl, could be read by any one.

A still greater source of her success was her robust and abounding, though sometimes rather broad and cheap, fun. In her time decent novels were apt to be appallingly serious in tone, and not infrequently stupid; humor in spite of Addison still connoted much coarseness and obtrusive sexuality, and in fiction had to be sought in the novels written for men only. As humor is the deadly foe to sentimentalism and hysterics, the Richardson school were equally averse to it on further grounds. Fanny Burney produced novels fit for women's and family reading, yet full of humor of a masculine vigor—and it must be added, with something of masculine unsensitiveness. There is little fineness to most of it; some is mere horseplay, some is extravagant farce: but it is deep and genuine, it supplied an exigent want, and deserved its welcome. De Morgan says it was like introducing dresses of glaring red and yellow and other crude colors into a country where every one had previously dressed in drab—a great relief, but not art. This is hard measure, however: some of her character-drawing is almost as richly humorous and valid as Jane Austen's own.

Fanny Burney undoubtedly did much to augment the new respect for woman's intellectual ability, and was a stimulus to the brilliant group which succeeded her. Miss Ferrier, Maria Edgeworth, and Jane Austen all owe her something of their inspiration and more of their welcome.

EVELINA'S LETTER TO THE REV. MR. VILLARS

From 'Evelina'

Holborn, June 17th

Yesterday Mr. Smith carried his point of making a party for Vauxhall, consisting of Madame Duval, M. Du Bois, all the Branghtons, Mr. Brown, himself,—and me!—for I find all endeavors vain to escape anything which these people desire I should not.

There were twenty disputes previous to our setting out; first as to the time of our going: Mr. Branghton, his son, and young Brown, were for six o'clock, and all the ladies and Mr. Smith were for eight;—the latter, however, conquered. Then as to the way we should go: some were for a boat, others for a coach, and Mr. Branghton himself was for walking; but the boat at length was decided upon. Indeed, this was the only part of the expedition that was agreeable to me; for the Thames was delightfully pleasant.

The garden is very pretty, but too formal; I should have been better pleased had it consisted less of straight walks, where

"Grove nods at grove, each alley has its brother."

The trees, the numerous lights, and the company in the circle round the orchestra make a most brilliant and gay appearance; and had I been with a party less disagreeable to me, I should have thought it a place formed for animation and pleasure. There was a concert, in the course of which a hautbois concerto was so charmingly played that I could have thought myself upon enchanted ground, had I had spirits more gentle to associate with. The hautbois in the open air is heavenly.

Mr. Smith endeavored to attach himself to me, with such officious assiduity and impertinent freedom that he quite sickened me. Indeed, M. Du Bois was the only man of the party to whom, voluntarily, I ever addressed myself. He is civil and respectful, and I have found nobody else so since I left Howard Grove. His English is very bad; but I prefer it to speaking French myself, which I dare not venture to do. I converse with him frequently, both to disengage myself from others and to oblige Madame Duval, who is always pleased when he is attended to.

As we were walking about the orchestra, I heard a bell ring; and in a moment Mr. Smith, flying up to me, caught my hand, and with a motion too quick to be resisted, ran away with me many yards before I had breath to ask his meaning; though I struggled as well as I could to get from him. At last, however, I insisted upon stopping. "Stopping, ma'am!" cried he, "why, we must run on, or we shall lose the cascade!"

And then again he hurried me away, mixing with a crowd of people, all running with so much velocity that I could not imagine what had raised such an alarm. We were soon followed by the rest of the party; and my surprise and ignorance proved a source of diversion to them all which was not exhausted the whole evening. Young Branghton, in particular, laughed till he could hardly stand.

The scene of the cascade I thought extremely pretty, and the general effect striking and lively.

But this was not the only surprise which was to divert them at my expense; for they led me about the garden purposely to enjoy my first sight of various other deceptions.

About ten o'clock, Mr. Smith having chosen a box in a very conspicuous place, we all went to supper. Much fault was found with everything that was ordered, though not a morsel of anything was left, and the dearness of the provisions, with conjectures upon what profit was made by them, supplied discourse during the whole meal.

When wine and cyder were brought, Mr. Smith said, "Now let's enjoy ourselves; now is the time, or never. Well, ma'am, and how do you like Vauxhall?"

"Like it!" cried young Branghton; "why, how can she help liking it? She has never seen such a place before, that I'll answer for."

"For my part," said Miss Branghton, "I like it because it is not vulgar."

"This must have been a fine treat for you, Miss," said Mr. Branghton; "why, I suppose you was never so happy in all your life before?"

I endeavored to express my satisfaction with some pleasure; yet I believe they were much amazed at my coldness.

"Miss ought to stay in town till the last night," said young Branghton; "and then, it's my belief, she'd say something to it! Why, Lord, it's the best night of any; there's always a riot,—and there the folks run about,—and then there's such squealing and squalling!—and there, all the lamps are broke,—and the women run skimper-scamper—I declare, I would not take five guineas to miss the last night!"

I was very glad when they all grew tired of sitting, and called for the waiter to pay the bill. The Miss Branghtons said they would walk on while the gentlemen settled the account, and asked me to accompany them; which however I declined.

"You girls may do as you please," said Madame Duval, "but as to me, I promise you, I sha'n't go nowhere without the gentlemen."

"No more, I suppose, will my cousin," said Miss Branghton, looking reproachfully towards Mr. Smith.

This reflection, which I feared would flatter his vanity, made me most unfortunately request Madame Duval's permission to attend them. She granted it; and away we went, having promised to meet in the room.

To the room, therefore, I would immediately have gone: but the sisters agreed that they would first have a little pleasure; and they tittered and talked so loud that they attracted universal notice.

"Lord, Polly," said the eldest, "suppose we were to take a turn in the dark walks?"

"Ay, do," answered she; "and then we'll hide ourselves, and then Mr. Brown will think we are lost."

I remonstrated very warmly against this plan, telling them it would endanger our missing the rest of the party all the evening.

"O dear," cried Miss Branghton, "I thought how uneasy Miss would be, without a beau!"

This impertinence I did not think worth answering; and quite by compulsion I followed them down a long alley, in which there was hardly any light.

By the time we came near the end, a large party of gentlemen, apparently very riotous, and who were hallooing, leaning on one another, and laughing immoderately, seemed to rush suddenly from behind some trees, and meeting us face to face, put their arms at their sides and formed a kind of circle, which first stopped our proceeding and then our retreating, for we were presently entirely enclosed. The Miss Branghtons screamed aloud, and I was frightened exceedingly; our screams were answered with bursts of laughter, and for some minutes we were kept prisoners, till at last one of them, rudely seizing hold of me, said I was a pretty little creature.

Terrified to death, I struggled with such vehemence to disengage myself from him that I succeeded, in spite of his efforts to detain me: and immediately, and with a swiftness which fear only could have given me, I flew rather than ran up the walk, hoping to secure my safety by returning to the lights and company we had so foolishly left; but before I could possibly accomplish my purpose, I was met by another party of men, one of whom placed himself directly in my way, calling out, "Whither so fast, my love?"—so that I could only have proceeded by running into his arms.

In a moment both my hands, by different persons, were caught hold of, and one of them, in a most familiar manner, desired when I ran next to accompany me in a race; while the rest of the party stood still and laughed. I was almost distracted with terror, and so breathless with running that I could not speak; till another, advancing, said I was as handsome as an angel, and desired to be of the party. I then just articulated, "For Heaven's sake, gentlemen, let me pass!"

Another, then rushing suddenly forward, exclaimed, "Heaven and earth! what voice is that?"

"The voice of the prettiest little actress I have seen this age," answered one of my persecutors.

"No,—no,—no,—" I panted out, "I am no actress—pray let me go,—pray let me pass—"

"By all that's sacred," cried the same voice, which I then knew for Sir Clement Willoughby's, "'tis herself!"

A MAN OF THE TON

From 'Cecilia'

At the door of the Pantheon they were joined by Mr. Arnott and Sir Robert Floyer, whom Cecilia now saw with added aversion; they entered the great room during the second act of the concert, to which, as no one of the party but herself had any desire to listen, no sort of attention was paid; the ladies entertaining themselves as if no orchestra was in the room, and the gentlemen, with an equal disregard to it, struggling for a place by the fire, about which they continued hovering till the music was over.

Soon after they were seated, Mr. Meadows, sauntering towards them, whispered something to Mrs. Mears, who, immediately rising, introduced him to Cecilia; after which, the place next to her being vacant, he cast himself upon it, and lolling as much at his ease as his situation would permit, began something like a conversation with her.

"Have you been long in town, ma'am?"

"No, sir."

"This is not your first winter?"

"Of being in town, it is."

"Then you have something new to see; oh charming! how I envy you!—Are you pleased with the Pantheon?"

"Very much; I have seen no building at all equal to it."

"You have not been abroad. Traveling is the ruin of all happiness! There's no looking at a building here after seeing Italy."

"Does all happiness, then, depend upon sight of buildings?" said Cecilia, when, turning towards her companion, she perceived him yawning, with such evident inattention to her answer that, not choosing to interrupt his reverie, she turned her head another way.

For some minutes he took no notice of this; and then, as if suddenly recollecting himself, he called out hastily, "I beg your pardon, ma'am, you were saying something?"

"No, sir; nothing worth repeating."

"Oh, pray don't punish me so severely as not to let me hear it!"

Cecilia, though merely not to seem offended at his negligence, was then beginning an answer, when looking at him as she spoke, she perceived that he was biting his nails with so absent an air that he appeared not to know he had asked any question. She therefore broke off, and left him to his cogitation.

Some time after, he addressed her again, saying, "Don't you find this place extremely tiresome, ma'am?"

"Yes, sir," said she half laughing, "it is indeed not very entertaining!"

"Nothing is entertaining," answered he, "for two minutes together. Things are so little different one from another, that there is no making pleasure out of anything. We go the same dull round forever; nothing new, no variety! all the same thing over again! Are you fond of public places, ma'am?"

"Yes, sir, soberly, as Lady Grace says."

"Then I envy you extremely, for you have some amusement always in your own power. How desirable that is!"

"And have you not the same resources?"

"Oh no! I am tired to death! tired of everything! I would give the universe for a disposition less difficult to please. Yet, after all, what is there to give pleasure? When one has seen one thing, one has seen everything. Oh, 'tis heavy work! Don't you find it so, ma'am?"

This speech was ended with so violent a fit of yawning that Cecilia would not trouble herself to answer it: but her silence as before passed unnoticed, exciting neither question nor comment.

A long pause now succeeded, which he broke at last by saying, as he writhed himself about upon his seat, "These forms would be much more agreeable if there were backs to them. 'Tis intolerable to be forced to sit like a schoolboy. The first study of life is ease. There is indeed no other study that pays the trouble of attainment. Don't you think so, ma'am?"

"But may not even that," said Cecilia, "by so much study become labor?"

"I am vastly happy you think so."

"Sir?"

"I beg your pardon, ma'am, but I thought you said—I really beg your pardon, but I was thinking of something else."

"You did very right, sir," said Cecilia, laughing, "for what I said by no means merited any attention."

"Will you do me the favor to repeat it?" cried he, taking out his glass to examine some lady at a distance.

"Oh no," said Cecilia, "that would be trying your patience too severely."

"These glasses shew one nothing but defects," said he; "I am sorry they were ever invented. They are the ruin of all beauty; no complexion can stand them. I believe that solo will never be over! I hate a solo; it sinks, it depresses me intolerably."

"You will presently, sir," said Cecilia, looking at the bill of the concert, "have a full piece; and that I hope will revive you."

"A full piece! oh, insupportable! it stuns, it fatigues, it overpowers me beyond endurance! no taste in it, no delicacy, no room for the smallest feeling."

"Perhaps, then, you are only fond of singing?"

"I should be, if I could hear it; but we are now so miserably off in voices, that I hardly ever attempt to listen to a song, without fancying myself deaf from the feebleness of the performers. I hate everything that requires attention. Nothing gives pleasure that does not force its own way."

"You only, then, like loud voices, and great powers?"

"Oh, worse and worse!—no, nothing is so disgusting to me. All my amazement is that these people think it worth while to give concerts at all—one is sick to death of music."

"Nay," cried Cecilia, "if it gives no pleasure, at least it takes none away; for, far from being any impediment to conversation, I think everybody talks more during the performance than between the acts. And what is there better you could substitute in its place?"

Cecilia, receiving no answer to this question, again looked round to see if she had been heard; when she observed her new acquaintance, with a very thoughtful air, had turned from her to fix his eyes upon the statue of Britannia.

Very soon after, he hastily arose, and seeming entirely to forget that he had spoken to her, very abruptly walked away.

Mr. Gosport, who was advancing to Cecilia and had watched part of this scene, stopped him as he was retreating, and said, "Why, Meadows, how's this? are you caught at last?"

"Oh, worn to death! worn to a thread!" cried he, stretching himself and yawning; "I have been talking with a young lady to entertain her! oh, such heavy work! I would not go through it again for millions!"

"What, have you talked yourself out of breath?"

"No; but the effort! the effort!—Oh, it has unhinged me for a fortnight!—Entertaining a young lady!—one had better be a galley-slave at once!"

"Well, but did she not pay your toils? She is surely a sweet creature."

"Nothing can pay one for such insufferable exertion! though she's well enough, too—better than the common run—but shy, quite too shy; no drawing her out."

"I thought that was to your taste. You commonly hate much volubility. How have I heard you bemoan yourself when attacked by Miss Larolles!"

"Larolles! Oh, distraction! she talks me into a fever in two minutes. But so it is for ever! nothing but extremes to be met with! common girls are too forward, this lady is too reserved—always some fault! always some drawback! nothing ever perfect!"

"Nay, nay," cried Mr. Gosport, "you do not know her; she is perfect enough, in all conscience."

"Better not know her then," answered he, again yawning, "for she cannot be pleasing. Nothing perfect is natural,—I hate everything out of nature."

MISS BURNEY'S FRIENDS

From the 'Letters'

But Dr. Johnson's approbation!—it almost crazed me with agreeable surprise—it gave me such a flight of spirits that I danced a jig to Mr. Crisp, without any preparation, music, or explanation—to his no small amazement and diversion. I left him, however, to make his own comments upon my friskiness, without affording him the smallest assistance.

Susan also writes me word that when my father went last to Streatham, Dr. Johnson was not there, but Mrs. Thrale told him that when he gave her the first volume of 'Evelina,' which she had lent him, he said, "Why, madam, why, what a charming book you lent me!" and eagerly inquired for the rest. He was particularly pleased with the snow-hill scenes, and said that Mr. Smith's vulgar gentility was admirably portrayed; and when Sir Clement joins them, he said there was a shade of character prodigiously well marked. Well may it be said, that the greatest minds are ever the most candid to the inferior set! I think I should love Dr. Johnson for such lenity to a poor mere worm in literature, even if I were not myself the identical grub he has obliged.

Susan has sent me a little note which has really been less pleasant to me, because it has alarmed me for my future concealment. It is from Mrs. Williams, an exceeding pretty poetess, who has the misfortune to be blind, but who has, to make some amends, the honor of residing in the house of Dr. Johnson; for though he lives almost wholly at Streatham, he always keeps his apartments in town, and this lady acts as mistress of his house.

July 25.

"Mrs. Williams sends compliments to Dr. Burney, and begs he will intercede with Miss Burney to do her the favor to lend her the reading of 'Evelina.'"

Though I am frightened at this affair, I am by no means insensible to the honor which I receive from the certainty that Dr. Johnson must have spoken very well of the book, to have induced Mrs. Williams to send to our house for it.

I now come to last Saturday evening, when my beloved father came to Chesington, in full health, charming spirits, and all kindness, openness, and entertainment.

In his way hither he had stopped at Streatham, and he settled with Mrs. Thrale that he would call on her again in his way to town, and carry me with him! and Mrs. Thrale said, "We all long to know her."

I have been in a kind of twitter ever since, for there seems something very formidable in the idea of appearing as an authoress! I ever dreaded it, as it is a title which must raise more expectations than I have any chance of answering. Yet I am highly flattered by her invitation, and highly delighted in the prospect of being introduced to the Streatham society.

She sent me some very serious advice to write for the theatre, as she says I so naturally run into conversations that 'Evelina' absolutely and plainly points out that path to me; and she hinted how much she should be pleased to be "honored with my confidence."

My dear father communicated this intelligence, and a great deal more, with a pleasure that almost surpassed that with which I heard it, and he seems quite eager for me to make another attempt. He desired to take upon himself the communication to my Daddy Crisp; and as it is now in so many hands that it is possible accident might discover it to him, I readily consented.

Sunday evening, as I was going into my father's room, I heard him say, "The variety of characters—the variety of scenes—and the language—why, she has had very little education but what she has given herself—less than any of the others!" and Mr. Crisp exclaimed, "Wonderful!—it's wonderful!"

I now found what was going forward, and therefore deemed it most fitting to decamp.

About an hour after, as I was passing through the hall, I met my daddy [Crisp]. His face was all animation and archness; he doubled his fist at me and would have stopped me, but I ran past him into the parlor.

Before supper, however, I again met him, and he would not suffer me to escape; he caught both my hands and looked as if he would have looked me through, and then exclaimed, "Why, you little hussy—you young devil!—ain't you ashamed to look me in the face, you Evelina, you! Why, what a dance have you led me about it! Young friend, indeed! O you little hussy, what tricks have you served me!"

I was obliged to allow of his running on with these gentle appellations for I know not how long, ere he could sufficiently compose himself, after his great surprise, to ask or hear any particulars; and then he broke out every three instants with exclamations of astonishment at how I had found time to write so much unsuspected, and how and where I had picked up such various materials; and not a few times did he with me, as he had with my father, exclaim "Wonderful!"

He has since made me read him all my letters upon this subject. He said Lowndes would have made an estate had he given me £1000 for it, and that he ought not to have given less! "You have nothing to do now," continued he, "but to take your pen in hand; for your fame and reputation are made, and any bookseller will snap at what you write."

I then told him that I could not but really and unaffectedly regret that the affair was spread to Mrs. Williams and her friends.

"Pho," said he: "if those who are proper judges think it right that it should be known, why should you trouble yourself about it? You have not spread it, there can no imputation of vanity fall to your share, and it cannot come out more to your honor than through such a channel as Mrs. Thrale."

London, August.—I have now to write an account of the most consequential day I have spent since my birth; namely, my Streatham visit.

Our journey to Streatham was the least pleasant part of the day, for the roads were dreadfully dusty, and I was really in the fidgets from thinking what my reception might be, and from fearing they would expect a less awkward and backward kind of person than I was sure they would find.

Mr. Thrale's house is white, and very pleasantly situated in a fine paddock. Mrs. Thrale was strolling about, and came to us as we got out of the chaise.

She then received me, taking both my hands, and with mixed politeness and cordiality welcoming me to Streatham. She led me into the house, and addressed herself almost wholly for a few minutes to my father, as if to give me an assurance she did not mean to regard me as a show, or to distress or frighten me by drawing me out. Afterwards she took me up stairs, and showed me the house, and said she had very much wished to see me at Streatham; and should always think herself much obliged to Dr. Burney for his goodness in bringing me, which she looked upon as a very great favor.

But though we were some time together, and though she was so very civil, she did not hint at my book, and I love her much more than ever for her delicacy in avoiding a subject which she could not but see would have greatly embarrassed me.

When we returned to the music-room, we found Miss Thrale was with my father. Miss Thrale is a very fine girl, about fourteen years of age, but cold and reserved, though full of knowledge and intelligence.

Soon after, Mrs. Thrale took me to the library; she talked a little while upon common topics, and then at last she mentioned 'Evelina.'

"Yesterday at supper," said she, "we talked it all over, and discussed all your characters; but Dr. Johnson's favorite is Mr. Smith. He declares the fine gentleman manqué was never better drawn, and he acted him all the evening, saying 'he was all for the ladies!' He repeated whole scenes by heart. I declare I was astonished at him. Oh, you can't imagine how much he is pleased with the book; he 'could not get rid of the rogue,' he told me. But was it not droll," said she, "that I should recommend it to Dr. Burney? and tease him so innocently to read it?"

I now prevailed upon Mrs. Thrale to let me amuse myself, and she went to dress. I then prowled about to choose some book, and I saw upon the reading-table 'Evelina.' I had just fixed upon a new translation of Cicero's Lælius, when the library door was opened, and Mr. Seward entered. I instantly put away my book because I dreaded being thought studious and affected. He offered his services to find anything for me, and then in the same breath ran on to speak of the book with which I had myself "favored the world"!

The exact words he began with I cannot recollect, for I was actually confounded by the attack; and his abrupt manner of letting me know he was au fait equally astonished and provoked me. How different from the delicacy of Mr. and Mrs. Thrale!

When we were summoned to dinner, Mrs. Thrale made my father and me sit on each side of her. I said that I hoped I did not take Dr. Johnson's place;—for he had not yet appeared.

"No," answered Mrs. Thrale, "he will sit by you, which I am sure will give him great pleasure."

Soon after we were seated, this great man entered. I have so true a veneration for him, that the very sight of him inspires me with delight and reverence, notwithstanding the cruel infirmities to which he is subject; for he has almost perpetual convulsive movements, either of his hands, lips, feet, or knees, and sometimes of all together.

Mrs. Thrale introduced me to him, and he took his place. We had a noble dinner, and a most elegant dessert. Dr. Johnson, in the middle of dinner, asked Mrs. Thrale what was in some little pies that were near him.

"Mutton," answered she, "so I don't ask you to eat any, because I know you despise it!"

"No, madam, no," cried he; "I despise nothing that is good of its sort; but I am too proud now to eat of it. Sitting by Miss Burney makes me very proud to-day!"

"Miss Burney," said Mrs. Thrale, laughing, "you must take great care of your heart if Dr. Johnson attacks it; for I assure you he is not often successless."

"What's that you say, madam?" cried he; "are you making mischief between the young lady and me already?"

A little while after he drank Miss Thrale's health and mine, and then added:—

"'Tis a terrible thing that we cannot wish young ladies well without wishing them to become old women!"

"But some people," said Mr. Seward, "are old and young at the same time, for they wear so well that they never look old."

"No, sir, no," cried the doctor, laughing; "that never yet was: you might as well say they are at the same time tall and short."

ROBERT BURNS

(1759-1796)

BY RICHARD HENRY STODDARD

There have been, there are, and there always will be, poets concerning whose lives it is not necessary that the world should know anything in order to understand their poetry; and there have been, there are, and there always will be, other poets concerning whose lives it is necessary that the world should know all there is to be known, before it can begin to understand their poetry. The difference between these two classes of poets is the difference between a company of accomplished actors, who by virtue of their training and practice are able to project themselves into imaginary characters on the public stage, and the originals of these characters in private personal life; or to put it in other words, the difference between art and nature. It is the privilege of art to dispense with explanations and extenuations; for if it be true to itself it is sufficient in itself, and anything added to it or taken from it is an impertinence or a deformity. When we read 'Hamlet' and 'Lear,' or 'As You Like It' and 'Much Ado About Nothing,' we do not ask ourselves what Shakespeare meant by them,—why some scenes were written in verse and other scenes in prose,—for it is not of Shakespeare that we are thinking as we read, but of his characters, for whom we feel that he is no more responsible than we are, since they move, live, and have their being in a world of their own, above the smoke and stir of this dim spot which men call Earth,—the world of pure, perfect, poetic art. If Shakespeare was conscious of himself when he wrote, he succeeded in concealing himself so thoroughly that it is impossible to discover him in his writing,—as impossible as it is not to discover other poets in their writings; for whatever is absent from the choir of British song, the note of personality is always present there. A low laugh in the gracious mouth of Chaucer, a harsh rebuke on the stern lips of Milton, a modish sneer in the smile of Pope,—it was now a stifled complaint, now an amorous ditty, and now a riotous shout with Burns, who was as much a poet through his personality as through his genius. He put his life into his song; and not to know what his life was, is not to know what his song is,—why it was a consolation to him while he lived, and why after his death it made his—

"One of the few, the immortal names,
That were not born to die."

Early in the last half of the eighteenth century a staid and worthy man, named William Burness (as the name Burns was then spelled), a native of Kincardineshire, emigrated to Ayrshire in pursuit of a livelihood. He hired himself as a gardener to the laird of Fairlie, and later to a Mr. Crawford of Doonside, and at length took a lease of seven acres of land on his own account at Alloway on the banks of the Doon. He built a clay cottage there with his own hands, and to this little cottage, in December 1757, he brought a wife, the eldest daughter of a farmer of Carrick. There was a disparity in their ages, for he was about thirty-six and she some eight or nine years younger; and a disparity in their education, for he was an intelligent reader and lover of books, while she, though she had been taught as a child to read the Bible and to repeat the Psalms, was not able to write her name. She had a great respect for her husband, whose occupation was now that of a nurseryman. A little more than a year after their marriage, on the 25th of January, 1759, she bore him a son who was christened Robert, who was followed, as time went on, by brothers and sisters; and before many years were over, what with the guidman, the guidwife, and the bonny bairns, there was not much spare room in the little clay biggin at Alloway.

Poor as they were, the social condition of this Scottish family was superior to the social condition of most English families in the same walk of rustic life; this superiority resulting from certain virtues inherent in the national character,—the virtues of simple appetites and frugal habits, of patience and courage in adversity, and best of all, in affectionate hearts, reverential minds, and a thirst for knowledge which only books could supply. William Burness inherited respect for education from his father, who in his young manhood was instrumental in building a schoolhouse on his farm at Clockenhill. Accordingly, when his son Robert was in his sixth year he sent him to a little school at Alloway Mill, about a mile from his cottage; and not long after he took the lead in hiring a young teacher named Murdoch to instruct him and his younger brother Gilbert at some place near at hand. Their school-books consisted of the Shorter Catechism, the Bible, the spelling-book, and Fisher's 'English Grammar.' Robert was a better scholar than Gilbert, especially in grammar, in which he acquired some proficiency. The only book which he is known to have read outside of his primitive curriculum was a 'Life of Hannibal,' which was loaned him by his teacher. When he was seven the family removed to a small upland farm called Mount Oliphant, about two miles from Alloway, to and from which the boys plodded daily in pursuit of learning. At the end of two years the teacher obtained a better situation in Carrick; the school was broken up, and from that time onward William Burness took upon himself the education of his lads and lassies, whom he treated as if they were men and women, conversing with them on serious topics as they accompanied him in his labors on the farm, and borrowing for their edification, from a Book Society in Ayr, solid works like Derham's 'Physico- and Astro-Theology' and Ray's 'Wisdom of God in the Creation.' This course of heavy reading was lightened by the 'History of Sir William Wallace,' which was loaned to Robert by a blacksmith named Kilpatrick, and which forced a hot flood of Scottish feeling through his boyish veins. His next literary benefactor was a brother of his mother, who while living for a time with the family had learned some arithmetic by their winter evening's candle. He went one day into a bookseller's shop in Ayr to purchase a Ready Reckoner and a Complete Letter-Writer, but procured by mistake in place of the latter a small collection of 'Letters by Eminent Wits,' which proved of more advantage (or disadvantage) to his nephew than to himself, for it inspired the lad with a desire to excel in epistolary writing. Not long after this Robert's early tutor Murdoch returned to Ayr, and lent him Pope's Works; a bookish friend of his father's obtained for him the reading of two volumes of Richardson's 'Pamela' and another friendly soul the reading of Smollett's 'Ferdinand Count Fathom,' and 'Peregrine Pickle.' The book which most delighted him, however, was a collection of English songs called 'The Lark.'

ROBERT BURNS.

Mount Oliphant taxed the industry and endurance of William Burness to the utmost; and what with the sterility of the soil, which was the poorest in the parish, and the loss of cattle by accidents and disease, it was with great difficulty that he managed to support his family. They lived so sparingly that butcher's meat was for years a stranger in the house, and they labored, children and all, from morning to night. Robert, at the age of thirteen, assisted in threshing the crop of corn, and at fifteen he was the principal laborer on the farm, for they could not afford a hired hand. That he was constantly afflicted with a dull headache in the evenings was not to be wondered at; nor that the sight and thought of his gray-haired father, who was turned fifty, should depress his spirits and impart a tinge of gloom to his musings. It was under circumstances like these that he composed his first song, the inspiration of which was a daughter of the blacksmith who had loaned him the 'History of Sir William Wallace.' It was the custom of the country to couple a man and woman together in the labors of harvest; and on this occasion his partner was Nelly Kilpatrick, with whom, boy-like,—for he was in his seventeenth year and she a year younger,—he liked to lurk behind the rest of the hands when they returned from their labors in the evening, and who made his pulse beat furiously when he fingered over her little hand to pick out the cruel nettle-stings and thistles. She sang sweetly, and among her songs there was one which was said to be composed by a small laird's son about one of his father's maids, with whom he was in love; and Robert saw no reason why he should not rhyme as well as he, for the author had no more school-craft than himself. Writing of this song a few years later, he called it puerile and silly; and his verdict as a poetical one was correct. Still, considered as a song, this artless effusion possessed one merit of which he himself was probably not conscious: it was inspired by his feeling and not by his reading, by the warmth and purity of his love of Nelly Kilpatrick, and not by his admiration of any amorous ditty in his collection of English songs. It was a poor thing, but it was certainly his own, and nowhere more so than in its recognition of the womanly personality of its heroine:—

"And then there's something in her gait
Gars ony dress look weel."

This touch of nature, which no modish artist would have attempted, marked the hand of one who painted from the life.

William Burness struggled along for twelve years at Mount Oliphant, and then removed to Lochlea, in the parish of Tarbolton. Here he rented a larger farm, the soil of which promised a surer maintenance for himself and the hostages he had given to Fortune. And there these loving hostages began to put away childish things, and to become men and women. They were cheerful, in spite of the frugality which their poverty imposed upon them; and were merry in their simple homely way, singing and dancing among themselves and among their friendly neighbors. Their hearts expanded in the healthy air about them, particularly the heart of Robert, which turned to thoughts of love,—not lightly, as in his boyish fancy for Nelly Kilpatrick, but seriously, as beseemed a man; for he was now in his nineteenth year, and as conscious of what he was to woman as of what woman was to him. A born lover, and a born poet, he discovered himself and his song at Tarbolton. The custom of the country and the time sanctioned a freedom of manners, and a frequency of meeting on the part of rustic amorists, of which he was not slow to avail himself. The love affairs of the Scottish peasantry are thus described by one of his biographers:—"The young farmer or plowman, after his day of exhausting toil, would proceed to the home of his mistress, one, two, three, or more miles distant, there signal her to the door, and then the pair would seat themselves in the barn for an hour or two's conversation." Burns practiced this mode of courtship, which was the only one open to him, and among the only women whom he knew at Tarbolton. "He made no distinction between the farmer's own daughters and those who acted as his servants, the fact after all being that the servants were often themselves the daughters of farmers, and only sent to be the hirelings of others because their services were not needed at home." We should remember this habit of the Scottish peasantry if we wish to understand the early songs of Burns; for they were suggested by it, and vitalized by it, as much as by his impassioned genius. He painted what he saw; he sang what he felt. We have a glimpse of him in one of his winter courtships in 'My Nanie, O'; another and warmer glimpse of him in one of his summer courtships in 'The Rigs o' Barley'; and another and livelier glimpse of him in one of his mocking moods in 'Tibbie, I hae seen the day.' But he was more than the lover which these songs revealed: he was a man of sound understanding and fine, active intelligence, gifted with ready humor and a keen sense of wit. If he had been other than he was, he might and probably would have been elated by his poetic powers, of which he must have been aware; but being what he was, he was content to enjoy them and to exercise them modestly, and at such scanty intervals as his daily duties afforded. He composed his songs as he went about his work, plowing, sowing, reaping; crooning them as he strode along the fields, and correcting them in his head as the hours dragged on, until night came, and he could write them down in his little room by the light of his solitary candle. He had no illusions about himself: he was the son of a poor farmer, who, do what he might, was never prosperous; and poverty was his portion. His apprehension, which was justified by the misfortunes of the family at Mount Oliphant, was confirmed by their dark continuance at Tarbolton, where he saw his honored father, bowed with years of toil, grow older and feebler day by day, dying of consumption before his eyes. The end came on February 13th, 1784; and a day or two afterwards the humble coffin of William Burness, arranged between two leading horses placed after each other, and followed by relations and neighbors on horseback, was borne to Alloway and buried in the old kirkyard.

The funeral over, the family removed to Mossgiel, in the parish of Mauchline, where, at Martinmas, Robert and Gilbert had rented another farm. Having no means of their own, they and their sisters were obliged to rank as creditors of their dead father for the arrears of wages due them as laborers at Lochlea; and it was with these arrears, which they succeeded in wresting from their old landlord or his factor, that they stocked the new farm. The change was a beneficial one for all the family, who were now for the first time in their lives provided with a comfortable dwelling; and everything considered, especially so for their head,—which Robert, who was now in his twenty-sixth year, virtually became. He realized the gravity of the responsibility which rested upon him, and rightly judging that industry alone would not enable him to support it, resolved to work with the brains of others as well as his own hard hands. He read farming books, he calculated crops, he attended markets, but all to no purpose; for like his father before him, however much he may have deserved success, he could not command it. What he could and did command however was the admiration of his fellows, who were quick to perceive and ready to acknowledge his superiority. There was that about him which impressed them,—something in his temperament or talent, in his personality or character, which removed him from the roll of common men. What seemed to distinguish him most was the charm of his conversation, which, remarkable as it was for fluency and force, for originality and brilliancy, was quite as remarkable for good sense and good feeling. Grave or gay, as the occasion suggested and the spirit moved him, he spoke as with authority and was listened to with rapt attention. His company was sought, and go where he would he was everywhere welcomed as a good fellow. He had the art of making friends; and though they were not always of the kind that his well-wishers could have desired, they were the best of their kind in and about Mauchline. What he saw in some of them, other than the pleasure they felt in his society, it is hard to say; but whatever it was, he liked it and the conviviality to which it led,—which, occasionally coarsened by stories that set the table in a roar, was ever and anon refined by songs that filled his eyes with tears. His life was a hard one,—a succession of dull, monotonous, laborious days, haunted by anxiety and harassed by petty, irritating cares,—but he faced it cheerfully, manfully, and wrestled with it triumphantly, for he compelled it to forge the weapons with which he conquered it. He sang like a boy at Lochlea; he wrote like a man at Mossgiel. The first poetical note that he struck there was a personal one, and commemorative of his regard for two rustic rhymers, David Sillar and John Lapraik, to whom he addressed several Epistles,—a form of composition which he found in Ferguson and Ramsay, and of which he was enamored. That he thoroughly enjoyed the impulse which suggested and dictated these Epistles was evident from the spirit with which they were written. In the first of the two, which he addressed to Sillar, he discovered and disclosed for the first time the distinctive individuality of his genius. It was a charming and touching piece of writing; charming as a delineation of his character, and touching as a confession of his creed,—the patient philosophy of the poor. As his social horizon was enlarged, his mental vision was sharpened; and before long, other interests than those which concerned himself and his poetical friends excited his sympathies and stimulated his powers. It was a period of theological squabbles, and he plunged into them at once, partly no doubt because there was a theological strain in his blood, but largely because they furnished opportunities for the riotous exercise of his wit. He paid his disrespects to the fomenters of this holy brawl in 'The Twa Herds,' and he pilloried an old person who was obnoxious to him, in that savage satire on sanctimonious hypocrisy, 'Holy Willy's Prayer.' Always a poet, he was more, much more than a poet. He was a student of man,—of all sorts of men; caring much, as a student, for the baser sort which reveled in Poosie Nansie's dram-shop, and which he celebrated in 'The Jolly Beggars'; but caring more, as a man, for the better sort which languished in huts where poor men lodged, and of which he was the voice of lamentation in 'Man was Made to Mourn.' He was a student of manners, which he painted with a sure hand, his masterpiece being that reverential reproduction of the family life at Lochlea,—'The Cotter's Saturday Night.' He was a student of nature,—his love of which was conspicuous in his poetry, flushing his words with picturesque phrases and flooding his lines with the feeling of outdoor life. He was a student of animal life,—a lover of horses and dogs, observant of their habits and careful of their comfort. He felt for the little mouse which his plowshare turned out of its nest, and he pitied the poor hare which the unskillful fowler could only wound. The commoners of earth and air were dear to him; and the flower beside his path, the gowan wet with dew, was precious in his eyes. His heart was large, his mind was comprehensive, and his temper singularly sweet and sunny.

Such was Robert Burns at Mossgiel, and a very likable person he was. But all the while there was another Robert Burns at Mossgiel, and he was not quite so likable. He had a strange fascination for women, and a strange disregard of the consequences of this fascination. This curious combination of contradictory traits was an unfortunate one, as a young woman of Mauchline was destined to learn. She was the daughter of a mason, and her name was Jean Armour. He met her on a race day at a house of entertainment which must have been popular, since it contained a dancing-hall, admission to which was free, any man being privileged to invite to it any woman whom he fancied and for whose diversion he was willing to disburse a penny to the fiddler. He was accompanied on this occasion by his dog, who insisted on following him into the hall and persisted in keeping at his heels while he danced,—a proof of its fidelity which created considerable amusement, and which its master turned to his personal account by saying he wished he could get any of the lasses to like him as well as his dog. Jean heard his remark, and not long afterwards, as he was passing through the washing-green where she was bleaching clothes (from which she begged him to call off his troublesome follower), she reminded him of it by asking him if he had yet got any of the lasses to like him as well as did his dog? He got one there and then; for from that hour Jean was attached to him and he to Jean. He was reticent about his conquest, concealing it from his closest friends, and even from his dearest foe, the Muse; but however reticent, his conquest was not to be concealed, for Jean one day discovered that she was with child. What he felt when this calamity was made known to him we know not, for he kept his own counsel. What he wished his friends to feel, if they could and would, we may divine from a poem which he wrote about this time,—an address to the rigidly righteous, into whose minds he sought to instill the charity of which he and Jean were sorely in need:—

"Then gently scan your brother man,
Still gentler sister woman;
Though they may gang a kennin' wrang
To step aside is human:

"One point must still be greatly dark,
The moving why they do it;
And just as lamely can ye mark
How far perhaps they rue it."

He wrote a paper which he gave Jean, in the belief that it constituted a marriage between them,—a belief which was perhaps justifiable in the existing condition of Scottish laws of marriage. But he counted without his host; for instead of accepting it as a manly endeavor to shield the reputation of his daughter and divert scandal from his family, the hot-headed father of Jean denounced it and demanded its destruction,—a foolish proceeding to which his foolish daughter consented. Whether its destruction could destroy his obligation need not be curiously considered; it is enough to know that he believed that it did, and that it was a proof of perfidy on the part of Jean. But they should see! She had forsaken him, and he would forsake her. So, the old love being off, he was straightway on with a new one. Of this new love little is known, except that she was, or had been, a servant in the family of one of his friends,—a nurserymaid or something of the sort,—and that she was of Highland parentage. Her name was Mary Campbell. He transferred his affections from Jean to Mary, and his fascination was so strong that she promised to become his wife. They met one Sunday in a sequestered spot on the banks of the Ayr, where, standing on each side of a little brook, they laved their hands in its limpid waters, plighted their troth, and exchanged Bibles,—she giving him her copy, which was a small one, he giving her his copy, which was a large one in two volumes, on the blank leaves of which he had written his name and two quotations from the sacred text, one being the solemn injunction to fidelity in Leviticus:—"And ye shall not swear by my name falsely. I am the Lord." They parted. She returned to her relatives, among whom she died a few months afterward of a malignant fever; he returned to his troubles at Mossgiel. They were not all of his own making. It was not his fault that the farm was an unproductive one; he could not impart fertility to barren acres nor compel the sun to ripen scanty crops. In the hope of bettering his fortunes he resolved to expatriate himself, and entered into negotiations with a man who had an estate in the West Indies, and who agreed to employ him as his factor. He had no money and no means of getting any, except by the publication of his poems, none of which had yet appeared in print. He issued a prospectus for their publication by subscription; and such was the reputation they had made for him through their circulation in manuscript, and the activity of his friends, that the necessary number of subscribers was soon obtained. They were published at Kilmarnock in the summer of 1786, and were read by all classes,—by the plowman as eagerly as by the laird, by the milkmaid in the dairy as eagerly as by her mistress in the parlor,—and wherever they were read they were admired. No poet was ever so quickly recognized as Burns, who captivated his readers by his human quality as well as his genius. They understood him at once. He sung of things which concerned them,—of emotions which they felt, the joys and sorrows of their homely lives, and, singing from his heart, his songs went to their hearts. His fame as a poet spread along the country and came to the knowledge of Dr. Blacklock, a blind poet in Edinburgh, who after hearing Burns's poetry was so impressed by it that he wrote or dictated a letter about it, which he addressed to a correspondent in Kilmarnock, by whom it was placed in the hands of Burns. He was still at Mossgiel, and in a perturbed condition of mind, not knowing whether he could remain there, or whether he would have to go to Jamaica. He resolved at last to do neither, but to go to Edinburgh, which he accordingly did, proceeding thither on a pony borrowed from a friend.

The visit of Burns to Edinburgh was a hazardous experiment from which he might well have shrunk. He was ignorant of the manners of its citizens,—the things which differentiated them as a class from the only class he knew,—but his ignorance did not embarrass him. He was self-possessed; manly in his bearing; modest, but not humble; courteous, but independent. He had no letters of introduction, and needed none, for his poetry had prepared the way for him. It was soon known among the best people in Edinburgh that he was there, and they hastened to make his acquaintance; one of the first to do so being a man of rank, Lord Glencairn. To know him was to know other men of rank, and to be admitted to the brilliant circles in which they moved. Burns's society was sought by the nobility and gentry and by the literary lords of the period, professors, historians, men of letters. They dined him and wined him and listened to him,—listened to him eagerly, for here as elsewhere he distinguished himself by his conversation, the charm of which was so potent that the Duchess of Gordon declared that she was taken off her feet by it. He increased his celebrity in Edinburgh by the publication of a new and enlarged edition of his Poems, which he dedicated to the noblemen and gentlemen of the Caledonian Hunt in a page of manly prose, the proud modesty and the worldly tact of which must have delighted them. "The poetic genius of my country found me," he wrote, "as the prophetic bard Elijah did Elisha, and threw her inspiring mantle over me. She bade me sing the loves, the joys, the rural scenes and rural pleasures of my native soil in my native tongue. I tuned my wild, artless notes as she inspired. She whispered me to come to this ancient metropolis of Caledonia and lay my songs under your honored protection. I now obey her dictates." His mind was not active at this time, for beyond a few trivial verses he wrote nothing worthy of him except a short but characteristic 'Epistle to the Guidwife of Wauchope House.' He spent the winter of 1786 and the spring of 1787 in Edinburgh; and summer being close at hand, he resolved to return for a time to Mossgiel. There were strong reasons for his return, some of which pertained to his impoverished family, whom he was now in a condition to assist, for the new edition of his Poems had proved profitable to himself, and others—for before his departure for Edinburgh, Jean had borne twins, a boy and a girl; and the girl was being cared for at Mossgiel. He returned therefore to his family and his child, and whether he purposed to do so or not, to the mother of his child. It was not a wise thing to do, perhaps, but it was a human thing, and very characteristic of the man, who, whatever else he was not, was very human. And the Armours were very human also, for old Armour received him into his house, and Jean received him into her arms. She was not a prudent young woman, but she was a fond and forgiving one.

The life of Burns during the next twelve months may be briefly described. He returned to Edinburgh, where in his most serious moods he held sessions of thought. It may have been a silent one, but it was not a sweet one; for while he summoned up remembrance of things past, he summoned up apprehensions of things to come. That he had won distinction as a poet was certain; what was not certain was the duration of this distinction. He was famous to-day; he might be forgotten to-morrow. But famous or forgotten, he and those dependent on him must have bread; and since he saw no reasonable prospect of earning it with his head, he must earn it with his hands. They were strong and willing. So he leased a farm at Ellisland in Dumfriesshire, and obtained an appointment from the Board of Excise: then, poet, farmer, and exciseman, he went back to Mauchline and was married to Jean. Leaving her and her child he repaired to Ellisland, where he was obliged to build a cottage for himself. He dug the foundations, collected stone and sand, carted lime, and generally assisted the masons and carpenters. Nor was this all, for he directed at the same time whatever labor the careful cultivation of a farm demanded from its tenant. He was happy at Ellisland,—happier than he had been at Mount Oliphant, where his family had been so sorely pinched by poverty, and much happier than he had been at Mossgiel, where he had wrought so much trouble for himself and others. A good son and a good brother, he was a good husband and a good father. It was in no idle moment that he wrote this stanza, which his conduct now illustrated:—

"To make a happy fireside chime
To weans and wife,
That's the true pathos and sublime
Of human life."

His life was orderly; his wants were few and easily supplied; his mind was active, and his poetical vein more productive than it had been at Edinburgh. The best lyric that he wrote at Ellisland was the one in praise of his wife ('Of a' the airts the wind can blaw—'); the most important poem 'Tam o' Shanter.' Farmer and exciseman, he was very busy,—busier, perhaps, as the last than the first, for while his farming labors might be performed by others, his excise labors could only be performed by himself; the district under his charge covering ten parishes, the inspection of which required his riding about two hundred miles a week. The nature of his duties, and the spirit with which he went through them, may be inferred from a bit of his doggerel:—

"Searching auld wives' barrels,
Och, hone, the day!
That clarty barm should stain my laurels:
But—what'll ye say—
These movin' things ca'd wives and weans
Wad move the very hearts o' stanes!"

A model exciseman, he was neither a model nor a prosperous farmer, for here as elsewhere, mother earth was an unkind stepmother to him. He struggled on, hoping against hope, from June 1788 to December 1791; then, beaten, worn out, exhausted, he gave up his farm and removed to Dumfries, exchanging his cozy cottage with its outlook of woods and waters for a mean little house in the Wee Vennel, with its inlook of narrow dirty streets and alleys. His life in Dumfries was not what one could wish it might have been for his sake; for though it was not without its hours of happiness, its unhappy days were many, and of a darker kind than he had hitherto encountered. They were monotonous, they were wearisome, they were humiliating. They could not be other than humiliating to a man of his proud, impulsive spirit, who, schooling himself to prudence on account of his wife and children, was not always prudent in his speech. Who indeed could be, unless he were a mean, cowardly creature, in the storm and stress of the great Revolution with which France was then convulsed? His utterances, whatever they may have been, were magnified to his official and social disadvantage, and he was greatly troubled. He felt his disfavor with the people of Dumfries,—as he could not help showing to one of his friends, who, riding into the town on a fine summer evening to attend a county ball, saw him walking alone on the shady side of the principal street, while the other side was crowded with ladies and gentlemen who seemed unwilling to recognize him. This friend dismounted, and joining him, proposed that they should cross the street. "Nay, nay, my young friend," said the poet, "that's all over now." Then, after a pause, he quoted two stanzas from a pathetic ballad by Lady Grizel Bailie:—

"His bonnet stood then fu' fair on his brow,
His auld are looked better than mony ane's new;
But now he lets 't wear ony way it will hing,
And casts himself doure upon the corn bing.

"O were we young now as we ance hae been,
We should hae been galloping down on yon green,
And linking it owre the lily-white lea—
And werena my heart light I wad die."

The light heart of Burns failed him at last,—failed him because, enfeebled by disease and incapacitated from performing his excise duties, his salary, which had never exceeded seventy pounds a year, was reduced to half that beggarly sum; because he was so distressed for money that he was obliged to solicit a loan of a one-pound note from a friend: failed him, poor heart, because it was broken! He took to his bed for the last time on July 21st, 1796, and two days later, surrounded by his little family, he passed away in the thirty-eighth year of his age.

BURNS.

Facsimile of the original of his version of the Scottish song
"Here's a Health to Them that's Awa."

Such was the life of Robert Burns,—the hard, struggling, erring, suffering, manly life, of which his poetry is the imperishable record. He was what his birth, his temperament, his circumstances, his genius made him. He owed but little to books, and the books to which he owed anything were written in his mother tongue. His English reading, which was not extensive, harmed him rather than helped him. No English author taught or could teach him anything. He was not English, but Scottish,—Scottish in his nature and genius, Scottish to his heart's core,—the singer of the Scottish people, their greatest poet, and the greatest poet of his time.

THE COTTER'S SATURDAY NIGHT

My loved, my honored, much respected friend!
No mercenary bard his homage pays;
With honest pride I scorn each selfish end;
My dearest meed, a friend's esteem and praise:
To you I sing, in simple Scottish lays,
The lowly train in life's sequestered scene;
The native feelings strong, the guileless ways;
What Aiken in a cottage would have been;
Ah! though his worth unknown, far happier there, I ween.

November chill blaws loud wi' angry sugh1;
The shortening winter day is near a close;
The miry beasts retreating frae the pleugh;
The blackening trains o' craws to their repose
The toil-worn Cotter frae his labor goes;
This night his weekly moil is at an end;
Collects his spades, his mattocks, and his hoes,
Hoping the morn in ease and rest to spend,
And weary, o'er the moor his course does hameward bend.

At length his lonely cot appears in view,
Beneath the shelter of an aged tree;
The expectant wee-things, toddlin, stacher2 through
To meet their Dad, wi' flichterin noise an' glee.
His wee bit ingle,3 blinking bonnily,
His clean hearthstane, his thriftie wifie's smile,
The lisping infant prattling on his knee,
Does a' his weary carking cares beguile,
An' makes him quite forget his labor an' his toil.

Belyve4 the elder bairns come drapping in,
At service out, amang the farmers roun';
Some ca' the pleugh, some herd, some tentie5 rin
A cannie errand to a neebor town.
Their eldest hope, their Jenny, woman grown,
In youthfu' bloom, love sparkling in her e'e,
Comes hame, perhaps, to shew a braw new gown,
Or deposit her sair-won penny-fee,
To help her parents dear, if they in hardship be.

Wi' joy unfeigned brothers and sisters meet,
An' each for other's weelfare kindly speirs6:
The social hours, swift-winged, unnoticed fleet;
Each tells the uncos7 that he sees or hears:
The parents, partial, eye their hopeful years;
Anticipation forward points the view.
The mother, wi' her needle an' her shears,
Gars8 auld claes look amaist as weel's the new;
The father mixes a' wi' admonition due.

Their masters' an' their mistresses' command,
The yonkers a' are warnèd to obey;
An' mind their labors wi' an eydent9 hand,
An' ne'er, though out o' sight, to jauk10 or play:
"An' O! be sure to fear the Lord alway!
An' mind your duty duly, morn an' night!
Lest in temptation's path ye gang astray,
Implore His counsel and assisting might:
They never sought in vain that sought the Lord aright!"

But hark! a rap comes gently to the door;
Jenny, wha kens the meaning o' the same,
Tells how a neebor lad cam o'er the moor,
To do some errands, and convoy her hame.
The wily mother sees the conscious flame
Sparkle in Jenny's e'e, and flush her cheek;
With heart-struck anxious care, inquires his name,
While Jenny hafflins11 is afraid to speak:
Weel pleased, the mother hears it's nae wild, worthless rake.

Wi' kindly welcome Jenny brings him ben,12
A strappan youth; he taks the mother's eye;
Blithe Jenny sees the visit's no ill ta'en:
The father cracks13 of horses, pleughs, and kye:14
The youngster's artless heart o'erflows wi' joy,
But blate15 and laithfu',16 scarce can weel behave;
The mother, wi' a woman's wiles, can spy
What makes the youth sae bashfu' an' sae grave;
Weel pleased to think her bairn's respected like the lave.17

O happy love, where love like this is found!
O heartfelt raptures! bliss beyond compare!
I've pacèd much this weary mortal round,
And sage experience bids me this declare:—
"If Heaven a draught of heavenly pleasure spare,
One cordial in this melancholy vale,
'Tis when a youthful, loving, modest pair,
In other's arms breathe out the tender tale,
Beneath the milk-white thorn that scents the evening gale."

Is there in human form, that bears a heart—
A wretch! a villain! lost to love and truth!
That can, with studied, sly, ensnaring art,
Betray sweet Jenny's unsuspecting youth?
Curse on his perjured arts! dissembling, smooth!
Are honor, virtue, conscience, all exiled?
Is there no pity, no relenting ruth,
Points to the parents fondling o'er their child?
Then paints the ruined maid, and their distraction wild?

But now the supper crowns their simple board,
The halesome parritch,18 chief o' Scotia's food:
The soupe their only Hawkie19 does afford,
That 'yont the hallan20 snugly chows her cood:21
The dame brings forth in complimental mood,
To grace the lad, her weel-hained22 kebbuck,23 fell,
An' aft he's prest, an' aft he ca's it guid;
The frugal wifie, garrulous, will tell,
How 'twas a towmond24 auld, sin' lint was i' the bell.25

The cheerfu' supper done, wi' serious face,
They round the ingle form a circle wide:
The sire turns o'er, wi' patriarchal grace,
The big ha' Bible, ance his father's pride;
His bonnet rev'rently is laid aside,
His lyart haffets26 wearing thin an' bare;
Those strains that once did sweet in Zion glide,
He wales27 a portion wi' judicious care;
And "Let us worship God!" he says, with solemn air.

They chant their artless notes in simple guise,
They tune their hearts, by far the noblest aim:
Perhaps 'Dundee's' wild warbling measures rise,
Or plaintive 'Martyrs,' worthy of the name;
Or noble 'Elgin' beets28 the heavenward flame,
The sweetest far of Scotia's holy lays:
Compared with these, Italian trills are tame;
The tickled ears no heartfelt raptures raise;
Nae unison hae they with our Creator's praise.

The priest-like father reads the sacred page,
How Abram was the friend of God on high;
Or Moses bade eternal warfare wage
With Amalek's ungracious progeny;
Or how the royal bard did groaning lie
Beneath the stroke of Heaven's avenging ire;
Or Job's pathetic plaint, and wailing cry;
Or rapt Isaiah's wild, seraphic fire:
Or other holy seers that tune the sacred lyre.

Perhaps the Christian volume is the theme:
How guiltless blood for guilty man was shed;
How He who bore in heaven the second name
Had not on earth whereon to lay his head:
How his first followers and servants sped;
The precepts sage they wrote to many a land;
How he who, lone in Patmos banishèd,
Saw in the sun a mighty angel stand;
And heard great Bab'lon's doom pronounced by Heaven's command.

Then kneeling down, to Heaven's Eternal King
The saint, the father, and the husband prays:
Hope "springs exulting on triumphant wing,"29
That thus they all shall meet in future days:
There ever bask in uncreated rays,
No more to sigh, or shed the bitter tear,
Together hymning their Creator's praise,
In such society, yet still more dear;
While circling time moves round in an eternal sphere.

Compared with this, how poor Religion's pride,
In all the pomp of method and of art,
When men display to congregations wide
Devotion's every grace, except the heart!
The Power, incensed, the pageant will desert,
The pompous strain, the sacerdotal stole;
But haply in some cottage far apart,
May hear, well pleased, the language of the soul;
And in his Book of Life the inmates poor enroll.

Then homeward all take off their several way;
The youngling cottagers retire to rest:
The parent pair their secret homage pay,
And proffer up to Heaven the warm request
That He who stills the raven's clamorous nest,
And decks the lily fair in flowery pride,
Would, in the way His wisdom sees the best,
For them and for their little ones provide;
But chiefly in their hearts with grace divine preside.

From scenes like these old Scotia's grandeur springs,
That makes her loved at home, revered abroad;
Princes and lords are but the breath of kings,
"An honest man's the noblest work of God:"30
And certes, in fair virtue's heavenly road,
The cottage leaves the palace far behind;
What is a lordling's pomp! a cumbrous load,
Disguising oft the wretch of human kind,
Studied in arts of hell, in wickedness refined!

O Scotia! my dear, my native soil!
For whom my warmest wish to Heaven is sent!
Long may thy hardy sons of rustic toil
Be blest with health, and peace, and sweet content!
And oh! may Heaven their simple lives prevent
From Luxury's contagion weak and vile!
Then, howe'er crowns and coronets be rent,
A virtuous populace may rise the while,
And stand a wall of fire around their much-loved Isle.

O Thou! who poured the patriotic tide
That streamed through Wallace's undaunted heart;
Who dared to nobly stem tyrannic pride,
Or nobly die, the second glorious part,
(The patriot's God peculiarly thou art,
His friend, inspirer, guardian, and reward!)
O never, never, Scotia's realm desert;
But still the patriot, and the patriot bard,
In bright succession raise, her ornament and guard!

JOHN ANDERSON, MY JO

John Anderson, my jo, John,
When we were first acquent,
Your locks were like the raven,
Your bonnie brow was brent;
But now your brow is bald, John,
Your locks are like the snaw;
But blessings on your frosty pow,
John Anderson, my jo.

John Anderson, my jo, John,
We clamb the hill thegither;
And mony a canty day, John,
We've had wi' ane anither:
Now we maun totter down, John,
But hand in hand we'll go;
And sleep thegither at the foot,
John Anderson, my jo.

MAN WAS MADE TO MOURN

A Dirge

When chill November's surly blast
Made fields and forests bare,
One evening, as I wandered forth
Along the banks of Ayr,
I spied a man, whose aged step
Seemed weary, worn with care;
His face was furrowed o'er with years,
And hoary was his hair.

"Young stranger, whither wanderest thou?"
Began the reverend sage;
"Does thirst of wealth thy step constrain,
Or youthful pleasure's rage?
Or haply, pressed with cares and woes,
Too soon thou hast began
To wander forth, with me, to mourn
The miseries of man!

"The sun that overhangs yon moors,
Outspreading far and wide,
Where hundreds labor to support
A haughty lordling's pride;—
I've seen yon weary winter sun
Twice forty times return;
And every time has added proofs
That man was made to mourn.

"O man! while in thy early years,
How prodigal of time!
Misspending all thy precious hours,
Thy glorious youthful prime!
Alternate follies take the sway,
Licentious passions burn;
Which tenfold force gives Nature's law,
That man was made to mourn.

"Look not alone on youthful prime,
Or manhood's active might;
Man then is useful to his kind,
Supported is his right:
But see him on the edge of life,
With cares and sorrows worn,
Then age and want—oh ill-matched pair!—
Show man was made to mourn.

"A few seem favorites of fate,
In Pleasure's lap caressed;
Yet think not all the rich and great
Are likewise truly blest.
But oh! what crowds in every land
Are wretched and forlorn!
Through weary life this lesson learn,
That man was made to mourn.

"Many and sharp the num'rous ills
Inwoven with our frame;
More pointed still we make ourselves
Regret, remorse, and shame!
And man, whose heaven-erected face
The smiles of love adorn,
Man's inhumanity to man
Makes countless thousands mourn!

"See yonder poor o'er-labored wight,
So abject, mean, and vile,
Who begs a brother of the earth
To give him leave to toil;
And see his lordly fellow-worm
The poor petition spurn,
Unmindful, though a weeping wife
And helpless offspring mourn.

"If I'm designed yon lordling's slave,
By Nature's law designed,
Why was an independent wish
E'er planted in my mind?
If not, why am I subject to
His cruelty or scorn?
Or why has man the will and power
To make his fellow mourn?

"Yet let not this too much, my son,
Disturb thy youthful breast;
This partial view of humankind
Is surely not the best!
The poor, oppressèd, honest man,
Had never, sure, been born,
Had there not been some recompense
To comfort those that mourn.

"O Death! the poor man's dearest friend—
The kindest and the best!
Welcome the hour my agèd limbs
Are laid with thee at rest!
The great, the wealthy, fear thy blow
From pomp and pleasure torn;
But, oh! a blest relief to those
That weary-laden mourn!"

GREEN GROW THE RASHES

There's naught but care on every han',
In every hour that passes, O:
What signifies the life o' man,
An 't werena for the lasses, O?

CHORUS

Green grow the rashes, O!
Green grow the rashes, O!
The sweetest hours that e'er I spent
Were spent amang the lasses, O!

The warly race may riches chase,
An' riches still may fly them, O;
An' though at last they catch them fast,
Their hearts can ne'er enjoy them, O.

But gi'e me a canny hour at e'en,
My arms about my dearie, O;
An' warly cares, an' warly men,
May a' gae tapsalteerie, O!

For you sae douce, ye sneer at this,
Ye're nought but senseless asses, O;
The wisest man the warl' e'er saw,
He dearly loved the lasses, O.

Auld Nature swears the lovely dears
Her noblest work she classes, O;
Her 'prentice han' she tried on man,
An' then she made the lasses, O.

IS THERE FOR HONEST POVERTY

Is there for honest poverty
That hangs his head, and a' that?
The coward slave, we pass him by,
We dare be poor for a' that!
For a' that, and a' that,
Our toil's obscure, and a' that:
The rank is but the guinea's stamp,
The man's the gowd for a' that.

What though on hamely fare we dine,
Wear hoddin gray, and a' that?
Gi'e fools their silks, and knaves their wine,
A man's a man for a' that;
For a' that, and a' that,
Their tinsel show, and a' that—
The honest man, though e'er sae poor,
Is king o' men for a' that.

Ye see yon birkie,31 ca'd a lord,
Wha struts, and stares, and a' that:
Though hundreds worship at his word,
He's but a coof32 for a' that:
For a' that, and a' that,
His riband, star, and a' that—
The man of independent mind,
He looks and laughs at a' that.

A prince can mak' a belted knight,
A marquis, duke, and a' that,
But an honest man's aboon his might—
Guid faith, he mauna fa' that!
For a' that, and a' that,
Their dignities, and a' that,
The pith o' sense and pride o' worth
Are higher ranks than a' that.

Then let us pray that come it may—
As come it will for a' that—
That sense and worth, o'er a' the earth,
May bear the gree, and a' that.
For a' that, and a' that,
It's comin' yet, for a' that,—
That man to man, the warld o'er,
Shall brothers be for a' that!

TO A MOUSE

Flying before a Plow

Wee, sleekit, cowrin', tim'rous beastie,
Oh, what a panic's in thy breastie!
Thou needna start awa' sae hasty,
Wi' bick'ring brattle!33
I wad be laith to rin and chase thee,
Wi' murd'ring pattle!34

I'm truly sorry man's dominion
Has broken nature's social union,
And justifies that ill opinion
Which mak's thee startle
At me, thy poor earth-born companion
And fellow-mortal!

I doubt na, whiles, but thou may thieve;
What then? poor beastie, thou maun live!
A daimen icker in a thrave35
'S a sma' request:
I'll get a blessin' wi' the lave,
And never miss 't!

Thy wee bit housie, too, in ruin!
Its silly36 wa's the win's are strewin'!
And naething now to big37 a new ane
O' foggage38 green!
And bleak December's winds ensuin',
Baith snell39 and keen!

Thou saw the fields laid bare and waste,
And weary winter comin' fast,
And cozie here, beneath the blast
Thou thought to dwell,
Till, crash! the cruel coulter past
Out through thy cell.

That wee bit heap o' leaves and stibble
Has cost thee mony a weary nibble!
Now thou's turned out for a' thy trouble,
But house or hauld,40
To thole41 the winter's sleety dribble,
And cranreuch42 cauld!

But, Mousie, thou art no thy lane43
In proving foresight may be vain!
The best-laid schemes o' mice and men
Gang aft agley,
And lea'e us naught but grief and pain
For promised joy.

Still thou art blest, compared wi' me!
The present only toucheth thee;
But och! I backward cast my e'e
On prospects drear!
And forward, though I canna see,
I guess and fear.

TO A MOUNTAIN DAISY

On Turning One Down with the Plow

Wee, modest, crimson-tippèd flower,
Thou's met me in an evil hour;
For I maun crush amang the stoure44
Thy slender stem;
To spare thee now is past my power,
Thou bonnie gem.

Alas! it's no thy neebor sweet,
The bonnie lark, companion meet!
Bending thee 'mang the dewy weet,
Wi' spreckled breast,
When upward-springing, blithe, to greet
The purpling east.

Cauld blew the bitter biting north
Upon thy early, humble birth,
Yet cheerfully thou glinted45 forth
Amid the storm,
Scarce reared above the parent earth
Thy tender form.
The flaunting flowers our gardens yield,
High shelt'ring woods and wa's maun shield;
But thou beneath the random bield46
O' clod or stane,
Adorns the histie47 stibble-field,
Unseen, alane.

There, in thy scanty mantle clad,
Thy snawy bosom sunward spread,
Thou lifts thy unassuming head
In humble guise;
But now the share uptears thy bed,
And low thou lies!

Such is the fate of artless maid,
Sweet flow'ret of the rural shade!
By love's simplicity betrayed,
And guileless trust,
Till she, like thee, all soiled, is laid
Low i' the dust.

Such is the fate of simple bard,
On life's rough ocean luckless starred!
Unskillful he to note the card
Of prudent lore,
Till billows rage, and gales blow hard,
And whelm him o'er!

Such fate to suffering worth is given,
Who long with wants and woes has striven,
By human pride or cunning driven
To mis'ry's brink,
Till wrenched of every stay but Heaven,
He, ruined, sink!

Ev'n thou who mourn'st the Daisy's fate,
That fate is thine—no distant date;
Stern Ruin's plowshare drives, elate,
Full on thy bloom,
Till crushed beneath the furrow's weight
Shall be thy doom!

TAM O' SHANTER

When chapman billies48 leave the street,
And drouthy49 neebors neebors meet,
As market days are wearing late,
An' folk begin to tak' the gate50;
While we sit bousing at the nappy,51
An' getting fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps,52 and stiles,
That lie between us and our hame,
Whaur sits our sulky, sullen dame,
Gathering her brows like gathering storm,
Nursing her wrath to keep it warm.

This truth fand honest Tam o' Shanter,
As he frae Ayr ae night did canter
(Auld Ayr, wham ne'er a town surpasses,
For honest men and bonny lasses).
O Tam! hadst thou but been sae wise,
As ta'en thy ain wife Kate's advice!
She tauld thee weel thou was a skellum,53
A blethering,54 blustering, drunken blellum55;
That frae November till October,
Ae market-day thou was nae sober;
That ilka melder,56 wi' the miller,
Thou sat as lang as thou had siller;
That every naig was ca'd a shoe on,57
The smith and thee gat roaring fou on;
That at the Lord's house, ev'n on Sunday,
Thou drank wi' Kirkton Jean58 till Monday.
She prophesied that, late or soon,
Thou would be found deep drowned in Doon;
Or catched wi' warlocks in the mirk,
By Alloway's auld haunted kirk.

Ah, gentle dames! it gars me greet,59
To think how mony counsels sweet,
How many lengthened sage advices,
The husband frae the wife despises!

But to our tale:—Ae market-night,
Tam had got planted unco right;
Fast by an ingle,60 bleezing finely,
Wi' reaming swats,61 that drank divinely;
And at his elbow, Souter62 Johnny,
His ancient, trusty, drouthy crony:
Tam lo'ed him like a vera brither;
They had been fou for weeks thegither.
The night drave on wi' sangs an' clatter,
And aye the ale was growing better;
The landlady and Tam grew gracious,
Wi' favors, secret, sweet, and precious;
The Souter tauld his queerest stories;
The landlord's laugh was ready chorus;
The storm without might rair63 and rustle.
Tam did na mind, the storm a whistle.

Care, mad to see a man sae happy,
E'en drowned himself amang the nappy;
As bees flee hame wi' lades o' treasure,
The minutes winged their way wi' pleasure:
Kings may be blest, but Tam was glorious,
O'er a' the ills o' life victorious!

But pleasures are like poppies spread,
You seize the flower, its bloom is shed!
Or like the snowfall in the river,
A moment white—then melts for ever;
Or like the Borealis race,
That flit ere you can point their place;
Or like the rainbow's lovely form
Evanishing amid the storm.

Nae man can tether time or tide;
The hour approaches Tam maun ride:
That hour, o' night's black arch the keystane,
That dreary hour he mounts his beast in:
And sic a night he tak's the road in,
As ne'er poor sinner was abroad in.
The wind blew as 'twad blawn its last;
The rattlin' showers rose on the blast;
The speedy gleams the darkness swallowed;
Loud, deep, and lang the thunder bellowed:
That night, a child might understand,
The de'il had business on his hand.

Weel mounted on his gray mare Meg
(A better never lifted leg),
Tam skelpit64 on through dub and mire,
Despising wind, and rain, and fire;
Whiles holding fast his guid blue bonnet,
Whiles crooning o'er some auld Scots sonnet,
Whiles glow'ring round wi' prudent cares,
Lest bogles65 catch him unawares;
Kirk-Alloway was drawing nigh,
Whaur ghaists and houlets66 nightly cry.

By this time he was 'cross the ford,
Whaur in the snaw the chapman smoored;67
And past the birks and meikle stane,
Whaur drunken Charlie brak's neck-bane;
And through the whins, and by the cairn,
Whaur hunters fand the murdered bairn;
And near the thorn, aboon the well,
Whaur Mungo's mither hanged hersel'.
Before him Doon pours all his floods;
The doubling storm roars through the woods;
The lightnings flash from pole to pole;
Near and more near the thunders roll;
When, glimmering through the groaning trees,
Kirk-Alloway seemed in a bleeze;
Through ilka bore68 the beams were glancing;
And loud resounded mirth and dancing.

Inspiring, bold John Barleycorn!
What dangers thou canst mak' us scorn!
Wi' tippenny69 we fear nae evil;
Wi' usquabae70 we'll face the devil!
The swats71 sae reamed72 in Tammie's noddle,
Fair play, he cared na de'ils a boddle.73
But Maggie stood right sair astonished,
Till, by the heel and hand admonished
She ventured forward on the light;
And wow! Tam saw an unco sight!
Warlocks and witches in a dance;
Nae cotillion brent new frae France,
But hornpipes, jigs, strathspeys, and reels
Put life and mettle in their heels.
At winnock-bunker74 in the east,
There sat auld Nick, in shape o' beast;—
A towzie tyke,75 black, grim, and large;
To gi'e them music was his charge:
He screwed the pipes and gart them skirl,76
Till roof and rafters a' did dirl!77
Coffins stood round, like open presses,
That shawed the dead in their last dresses;
And by some devilish cantrip78 slight,
Each in its cauld hand held a light,
By which heroic Tam was able
To note upon the haly table
A murderer's banes in gibbet airns;79
Twa span-lang, wee unchristened bairns;
A thief new-cutted frae a rape,
Wi' his last gasp his gab80 did gape;
Five tomahawks, wi' bluid red-rusted;
Five scimitars wi' murder crusted;
A garter which a babe had strangled;
A knife a father's throat had mangled,
Whom his ain son o' life bereft—
The gray hairs yet stack to the heft:
Wi' mair o' horrible and awfu',
Which ev'n to name wad be unlawfu'.

As Tammie glow'red,81 amazed and curious,
The mirth and fun grew fast and furious:
The piper loud and louder blew;
The dancers quick and quicker flew;
They reeled, they set, they crossed, they cleekit,82
Till ilka carlin83 swat and reekit,84
And coost85 her duddies86 to the wark,
And linket87 at it in her sark!88

Now Tam, O Tam! had they been queans
A' plump and strapping, in their teens;
Their sarks, instead o' creeshie flannen,89
Been snaw-white seventeen-hunder linen90,
Thir breeks91 o' mine, my only pair,
That ance were plush, o' guid blue hair,
I wad hae gi'en them off my hurdies,
For ane blink o' the bonnie burdies!

But withered beldams old and droll,
Rigwoodie92 hags wad spean93 a foal,
Lowping and flinging on a crummock,94
I wonder didna turn thy stomach.

But Tam kenned what was what fu' brawlie:
"There was ae winsome wench and walie,"95
That night inlisted in the core
(Lang after kenned on Carrick shore!
For mony a beast to dead she shot,
And perished mony a bonnie boat,
And shook baith meikle corn and bear,96
And kept the country-side in fear),
Her cutty sark,97 o' Paisley harn,98
That while a lassie she had worn,
In longitude though sorely scanty,
It was her best, and she was vauntie.99
Ah! little kenned thy reverend grannie,
That sark she coft100 for her wee Nannie,
Wi' twa pund Scots ('twas a' her riches),
Wad ever graced a dance of witches!
But here my muse her wing maun cour101;
Sic flights are far beyond her power:
To sing how Nannie lap and flang
(A souple jade she was and strang),
And how Tam stood like ane bewitched,
And thought his very een enriched;
Even Satan glow'red and fidged fu' fain,
And hotched and blew wi' might and main:
Till first ae caper, syne anither,
Tam tints102 his reason a'thegither,
And roars out, "Weel done, Cutty-sark!"
And in an instant all was dark;
And scarcely had he Maggie rallied,
When out the hellish legion sallied.

As bees bizz out wi' angry fyke,103
When plundering hords assail their byke104;
As open pussie's mortal foes
When, pop! she starts before their nose;
As eager runs the market-crowd,
When "Catch the thief!" resounds aloud;
So Maggie runs, the witches follow,
Wi' mony an eldritch105 screech and hollow.

Ah, Tam! ah, Tam, thou'll get thy fairin'!
In hell they'll roast thee like a herrin'!
In vain thy Kate awaits thy comin'!
Kate soon will be a woefu' woman!
Now, do thy speedy utmost, Meg,
And win the keystane of the brig;
There at them thou thy tail may toss,—
A running stream they dare na cross.
But ere the keystane she could make,
The fient a tail she had to shake!

For Nannie, far before the rest,
Hard upon noble Maggie prest,
And flew at Tam wi' furious ettle;
But little wist she Maggie's mettle—
Ae spring brought off her master hale,
But left behind her ain grey tail:
The carlin claught her by the rump,
And left poor Maggie scarce a stump!

Now, wha this tale o' truth shall read,
Ilk man and mother's son, take heed:
Whene'er to drink you are inclined,
Or cutty sarks run in your mind,
Think, ye may buy the joys o'er dear—
Remember Tam o' Shanter's mare.

BRUCE TO HIS MEN AT BANNOCKBURN

Scots wha hae wi' Wallace bled,
Scots wham Bruce has aften led;
Welcome to your gory bed,
Or to victorie!

Now's the day, and now's the hour;
See the front o' battle lour:
See approach proud Edward's pow'r—
Chains and slaverie!

Wha will be a traitor-knave?
Wha can fill a coward's grave?
Wha sae base as be a slave?
Let him turn and flee!

Wha for Scotland's king and law
Freedom's sword will strongly draw,
Freemen stand, or freemen fa',
Let him follow me!

By oppression's woes and pains!
By our sons in servile chains!
We will drain our dearest veins,
But they shall be free!

Lay the proud usurpers low!
Tyrants fall in every foe!
Liberty's in every blow!—
Let us do or die!

HIGHLAND MARY

Ye banks and braes and streams around
The castle o' Montgomery,
Green be your woods, and fair your flowers,
Your waters never drumlie!
There Simmer first unfald her robes,
And there the langest tarry;
For there I took the last fareweel
O' my sweet Highland Mary.

How sweetly bloomed the gay green birk,
How rich the hawthorn's blossom!
As underneath their fragrant shade,
I clasped her to my bosom!
The golden hours, on angel wings,
Flew o'er me and my dearie;
For dear to me as light and life
Was my sweet Highland Mary.

Wi' mony a vow and locked embrace
Our parting was fu' tender;
And, pledging aft to meet again,
We tore oursel's asunder;
But oh! fell Death's untimely frost,
That nipt my flower sae early!
Now green's the sod and cauld's the clay
That wraps my Highland Mary!

Oh pale, pale now those rosy lips,
I aft hae kissed so fondly!
And closed for aye the sparkling glance,
That dwelt on me sae kindly;
And moldering now in silent dust
That heart that lo'ed me dearly!
But still within my bosom's core
Shall live my Highland Mary.

MY HEART'S IN THE HIGHLANDS

My heart's in the Highlands, my heart is not here;
My heart's in the Highlands, a-chasing the deer;
Chasing the wild deer, and following the roe—
My heart's in the Highlands wherever I go.
Farewell to the Highlands, farewell to the North!
The birthplace of valor, the country of worth;
Wherever I wander, wherever I rove,
The hills of the Highlands for ever I love.

Farewell to the mountains high covered with snow!
Farewell to the straths and green valleys below!
Farewell to the forests and wild-hanging woods!
Farewell to the torrents and loud-pouring floods!
My heart's in the Highlands, my heart is not here,
My heart's in the Highlands a-chasing the deer;
Chasing the wild deer, and following the roe—
My heart's in the Highlands wherever I go.

THE BANKS O' DOON

Ye banks and braes o' bonnie Doon,
How can ye bloom sae fresh and fair?
How can ye chant, ye little birds,
And I sae weary fu' o' care?
Thou'll break my heart, thou warbling bird,
That wantons through the flowering thorn;
Thou minds me o' departed joys,
Departed—never to return!

Oft ha'e I roved by bonnie Doon,
To see the rose and woodbine twine;
And ilka bird sang o' its luve,
And fondly sae did I o' mine.
Wi' lightsome heart I pu'd a rose,
Fu' sweet upon its thorny tree;
And my fause lover stole my rose,
But ah! he left the thorn wi' me.

"THE BANKS AND BRAES O' BONNIE DOON."

Oft hae I roved by bonnie Doon,
To see the rose and woodbine twine;
And ilka bird sang o' his luve.
And fondly sae did I o' mine.

Etching from a Photograph.

JOHN BURROUGHS

(1837-)

John Burroughs was born in Roxbury, New York, April 3d, 1837, and like many other American youths who later in life became distinguished, he went to school winters and worked on the farm in summer. He grew up among people who neither read books nor cared for them, and he considers this circumstance best suited to his development. Early intercourse with literary men would, he believes, have dwarfed his original faculty.

John Burroughs

He began to write essays at the age of fourteen, but these early literary efforts give little hint of his later work, of that faculty for seeing, and commenting on all that he saw in nature, which became his chief characteristic. He was especially fond of essays; one of his first purchases with his own money was a full set of Dr. Johnson, and for a whole year he lived on 'The Idler' and 'The Rambler' and tried to imitate their ponderous prose. His first contributions to literature, modeled on these essays, were promptly returned. By chance he picked up a volume of Emerson, the master who was to revolutionize his whole manner of thinking; and as he had fed on Dr. Johnson he fed on the 'Essays and Miscellanies,' until a paper he wrote at nineteen on 'Expressions' was accepted by the editor of the Atlantic, with a lurking doubt whether it had not come to him on false pretenses, as it was very much like an early essay of Emerson.

Mr. Burroughs ascribes to Emerson, who stimulated his religious nature, his improved literary expression; while Whitman was to him a great humanizing power, and Matthew Arnold taught him clear thinking and clean writing. He had passed through these different influences by the time he was twenty-one or twenty-two; had taught for a while; and from 1863 to 1873 was vault-keeper and afterwards chief of the organization division of the Bureau of National Banks, in the Treasury Department. For several years afterward he was a special national bank examiner.

The literary quality of his writings from the first captivates the reader. He has the interpretive power which makes us see what he sees and invites us to share his enjoyment in his strange adventures. The stories of the wary trout and the pastoral bee, the ways of sylvan folk, their quarrels and their love-making, are so many character sketches on paper, showing a most intimate acquaintance with nature.

He is a born naturalist. He tells us that from childhood he was familiar with the homely facts of the barn, the cattle and the horses, the sugar-making and the work of the corn-field, the hay-field, the threshing, the planting, the burning of fallows. He "loved nature in those material examples and subtle expressions, with a love passing all the books in the world." But he also loved and knew books, and this other love gives to his works their literary charm.

His account of a bird, a flower, or an open-air incident, however painstaking and minute the record, teems with literary memories. The sight of the Scotch hills recalls Shakespeare's line,

"The tufty mountains where lie the nibbling sheep."

The plane-tree vocal with birds' voices recalls Tennyson,—"The pillared dusk of sounding sycamores"; he hears the English chaffinch, and remembers with keen delight that Drayton calls it "the throstle with sharp thrills," and Ben Jonson "the lusty throstle." After much wondering, he finds out why Shakespeare wrote

"The murmuring surge
That on the unnumbered idle pebbles chafes,"

his own experience being that sea-shores are sandy; but the pebbled cliffs of Folkestone, with not a grain of sand on the chalk foundation, justified the poet.

This lover of nature loves not only the beautiful things he sees, but he loves what they suggest, what they remind him of, what they bid him aspire to. Like Wordsworth, he "looks on the hills with tenderness, and makes deep friendship with the streams and groves." He notes what he divines by observation. And what an observer he is! He discovers that the bobolink goes south in the night. He scraped an acquaintance with a yellow rumpled warbler who, taking the reflection of the clouds and blue sky in a pond for a short cut to the tropics, tried to cross it; with the result of his clinging for a day and night to a twig that hung down in the water.

Burroughs has found that whatever bait you use in a trout stream,—grasshopper, grub, or fly,—there is one thing you must always put on your hook; namely, your heart. It is a morsel they love above everything else. He tells us that man has sharper eyes than a dog, a fox, or any of the wild creatures except the birds, but not so sharp an ear or a nose; he says that a certain quality of youth is indispensable in the angler, a certain unworldliness and readiness to invest in an enterprise that does not pay in current coin. He says that nature loves to enter a door another hand has opened: a mountain view never looks better than when one has been warmed up by the capture of a big trout. Like certain wary game, she is best taken by seeming to pass her by, intent on other matters. What he does not find out for himself, people tell him. From a hedge-cutter he learns that some of the birds take an earth-bath and some a water-bath, while a few take both; a farmer boy confided to him that the reason we never see any small turtles is because for two or three years the young turtles bury themselves in the ground and keep hidden from observation. From a Maine farmer he heard that both male and female hawks take part in incubation. A barefooted New Jersey boy told him that "lampers" die as soon as they have built their nests and laid their eggs. How apt he is in similes! The pastoral fields of Scotland are "stall-fed," and the hill-sides "wrinkled and dimpled, like the forms of fatted sheep."

And what other bird-lover has such charming fancies about birds, in whom he finds a hundred human significances? "The song of the bobolink," he says, "expresses hilarity; the sparrow sings faith, the bluebird love, the catbirds pride, the white-eyed fly-catchers self-consciousness, that of the hermit thrush spiritual serenity, while there is something military in the call of the robin." Mr. Burroughs has been compared with Thoreau, but he seems closer to White of Selborne, whom he has commemorated in one of his most charming essays. Like White, he is a literary man who is a born naturalist in close intimacy with his brute neighbors and "rural nature's varied shows." In both, the moral element is back of nature and the source of her value and charm. Never nature for her own sake, but for the sake of the soul that is above all and over all. Like White, too, though by nature solitary, Burroughs is on cordial terms with his kind. He is an accurate observer, and he takes Bryant to task for giving an odor to the yellow violet, and Coleridge for making a lark perch on the stalk of a foxglove. He gloats over a felicitous expression, like Arnold's "blond meadow-sweet" and Tennyson's "little speedwell's darling blue"; though in commenting on another poet he waives the question of accuracy, and says "his happy literary talent makes up for the poverty of his observation."

And again as with White, he walks through life slowly and in a ruminating fashion, as though he had leisure to linger with the impression of the moment. Incident he uses with reserve, but with picturesque effects; figures do not dominate his landscape but humanize it.

As a critic Mr. Burroughs most fully reveals his personality. In his sketches of nature we see what he sees; in his critiques, what he feels and thinks. The cry of discovery he made when 'Leaves of Grass' fell into his hands found response in England and was re-echoed in this country till Burroughs's strange delight in Whitman seemed no longer strange, but an accepted fact in the history of poetry. The essay on Emerson, his master, shows the same discriminating mind. But as a revelation of both author and subject there are few more delightful papers than Burroughs's essay on Thoreau. In manner it is as pungent and as racy as Thoreau's writings, and as epigrammatic as Emerson's; and his defense of Thoreau against the English reviewer who dubbed him a "skulker" has the sound of the trumpet and the martial tread of soldiers marching to battle.

SHARP EYES

From 'Locusts and Wild Honey'

Noting how one eye seconds and reinforces the other, I have often amused myself by wondering what the effect would be if one could go on opening eye after eye, to the number, say, of a dozen or more. What would he see? Perhaps not the invisible—not the odors of flowers or the fever germs in the air—not the infinitely small of the microscope or the infinitely distant of the telescope. This would require not so much more eyes as an eye constructed with more and different lenses; but would he not see with augmented power within the natural limits of vision? At any rate, some persons seem to have opened more eyes than others, they see with such force and distinctness; their vision penetrates the tangle and obscurity where that of others fails, like a spent or impotent bullet. How many eyes did Gilbert White open? how many did Henry Thoreau? how many did Audubon? how many does the hunter, matching his sight against the keen and alert senses of a deer, or a moose, or a fox, or a wolf? Not outward eyes, but inward. We open another eye whenever we see beyond the first general features or outlines of things—whenever we grasp the special details and characteristic markings that this mask covers. Science confers new powers of vision. Whenever you have learned to discriminate the birds, or the plants, or the geological features of a country, it is as if new and keener eyes were added.

Of course one must not only see sharply, but read aright what he sees. The facts in the life of nature that are transpiring about us are like written words that the observer is to arrange into sentences. Or, the writing is a cipher and he must furnish the key. A female oriole was one day observed very much preoccupied under a shed where the refuse from the horse stable was thrown. She hopped about among the barn fowls, scolding them sharply when they came too near her. The stable, dark and cavernous, was just beyond. The bird, not finding what she wanted outside, boldly ventured into the stable, and was presently captured by the farmer. What did she want? was the query. What but a horse-hair for her nest, which was in an apple-tree near by? and she was so bent on having one that I have no doubt she would have tweaked one out of the horse's tail had he been in the stable. Later in the season I examined her nest, and found it sewed through and through with several long horse-hairs, so that the bird persisted in her search till the hair was found.

Little dramas and tragedies and comedies, little characteristic scenes, are always being enacted in the lives of the birds, if our eyes are sharp enough to see them. Some clever observer saw this little comedy played among some English sparrows, and wrote an account of it in his newspaper. It is too good not to be true: A male bird brought to his box a large, fine goose-feather, which is a great find for a sparrow and much coveted. After he had deposited his prize and chattered his gratulations over it, he went away in quest of his mate. His next-door neighbor, a female bird, seeing her chance, quickly slipped in and seized the feather,—and here the wit of the bird came out, for instead of carrying it into her own box she flew with it to a near tree and hid it in a fork of the branches, then went home, and when her neighbor returned with his mate, was innocently employed about her own affairs. The proud male, finding his feather gone, came out of his box in a high state of excitement, and with wrath in his manner and accusation on his tongue, rushed into the cot of the female. Not finding his goods and chattels there as he had expected, he stormed around awhile, abusing everybody in general and his neighbor in particular, and then went away as if to repair the loss. As soon as he was out of sight, the shrewd thief went and brought the feather home and lined her own domicile with it....

The bluebird is a home bird, and I am never tired of recurring to him. His coming or reappearance in the spring marks a new chapter in the progress of the season; things are never quite the same after one has heard that note. The past spring the males came about a week in advance of the females. A fine male lingered about my grounds and orchard all that time, apparently awaiting the arrival of his mate. He called and warbled every day, as if he felt sure she was within earshot and could be hurried up. Now he warbled half angrily or upbraidingly; then coaxingly; then cheerily and confidently, the next moment in a plaintive and far-away manner. He would half open his wings, and twinkle them caressingly as if beckoning his mate to his heart. One morning she had come, but was shy and reserved. The fond male flew to a knot-hole in an old apple-tree and coaxed her to his side. I heard a fine confidential warble—the old, old story. But the female flew to a near tree and uttered her plaintive, homesick note. The male went and got some dry grass or bark in his beak and flew again to the hole in the old tree, and promised unremitting devotion; but the other said "Nay," and flew away in the distance. When he saw her going, or rather heard her distant note, he dropped his stuff and cried out in a tone that said plainly enough, "Wait a minute: one word, please!" and flew swiftly in pursuit. He won her before long, however, and early in April the pair were established in one of the four or five boxes I had put up for them, but not until they had changed their minds several times. As soon as the first brood had flown, and while they were yet under their parents' care, they began to nest in one of the other boxes, the female as usual doing all the work and the male all the complimenting. A source of occasional great distress to the mother-bird was a white cat that sometimes followed me about. The cat had never been known to catch a bird, but she had a way of watching them that was very embarrassing to the bird. Whenever she appeared, the mother bluebird set up that pitiful melodious plaint. One morning the cat was standing by me, when the bird came with her beak loaded with building material, and alighted above me to survey the place before going into the box. When she saw the cat she was greatly disturbed, and in her agitation could not keep her hold upon all her material. Straw after straw came eddying down, till not half her original burden remained. After the cat had gone away the bird's alarm subsided; till presently, seeing the coast clear, she flew quickly to the box and pitched in her remaining straws with the greatest precipitation, and without going in to arrange them as was her wont, flew away in evident relief.

In the cavity of an apple-tree but a few yards off, and much nearer the house than they usually build, a pair of high-holes, or golden-shafted woodpeckers, took up their abode. A knot-hole which led to the decayed interior was enlarged, the live wood being cut away as clean as a squirrel would have done it. The inside preparations I could not witness, but day after day as I passed near I heard the bird hammering away, evidently beating down obstructions and shaping and enlarging the cavity. The chips were not brought out, but were used rather to floor the interior. The woodpeckers are not nest-builders, but rather nest-carvers.

The time seemed very short before the voices of the young were heard in the heart of the old tree,—at first feebly, but waxing stronger day by day, until they could be heard many rods distant. When I put my hand upon the trunk of the tree they would set up an eager, expectant chattering; but if I climbed up it toward the opening, they soon detected the unusual sound and would hush quickly, only now and then uttering a warning note. Long before they were fully fledged they clambered up to the orifice to receive their food. As but one could stand in the opening at a time, there was a good deal of elbowing and struggling for this position. It was a very desirable one, aside from the advantages it had when food was served; it looked out upon the great shining world, into which the young birds seemed never tired of gazing. The fresh air must have been a consideration also, for the interior of a high-hole's dwelling is not sweet. When the parent birds came with food, the young one in the opening did not get it all; but after he had received a portion, either on his own motion or on a hint from the old one, he would give place to the one behind him. Still, one bird evidently outstripped his fellows, and in the race of life was two or three days in advance of them. His voice was the loudest and his head oftenest at the window. But I noticed that when he had kept the position too long, the others evidently made it uncomfortable in his rear, and after "fidgeting" about awhile he would be compelled to "back down." But retaliation was then easy, and I fear his mates spent few easy moments at the outlook. They would close their eyes and slide back into the cavity as if the world had suddenly lost all its charms for them.

This bird was of course the first to leave the nest. For two days before that event he kept his position in the opening most of the time, and sent forth his strong voice incessantly. The old ones abstained from feeding him almost entirely, no doubt to encourage his exit. As I stood looking at him one afternoon and noticing his progress, he suddenly reached a resolution,—seconded, I have no doubt, from the rear,—and launched forth upon his untried wings. They served him well, and carried him about fifty yards up-hill the first heat. The second day after, the next in size and spirit left in the same manner; then another, till only one remained. The parent birds ceased their visits to him, and for one day he called and called till our ears were tired of the sound. His was the faintest heart of all: then he had none to encourage him from behind. He left the nest and clung to the outer hole of the tree, and yelped and piped for an hour longer; then he committed himself to his wings and went his way like the rest.

A young farmer in the western part of New York sends me ... some interesting observations about the cuckoo. He says a large gooseberry-bush, standing in the border of an old hedge-row in the midst of the open fields, and not far from his house, was occupied by a pair of cuckoos for two seasons in succession; and after an interval of a year, for two seasons more. This gave him a good chance to observe them. He says the mother-bird lays a single egg and sits upon it a number of days before laying the second, so that he has seen one young bird nearly grown, a second just hatched, and a whole egg all in the nest at once. "So far as I have seen, this is the settled practice,—the young leaving the nest one at a time, to the number of six or eight. The young have quite the look of the young of the dove in many respects. When nearly grown they are covered with long blue pin-feathers as long as darning needles, without a bit of plumage on them. They part on the back and hang down on each side by their own weight. With its curious feathers and misshapen body the young bird is anything but handsome. They never open their mouths when approached, as many young birds do, but sit perfectly still, hardly moving when touched." He also notes the unnatural indifference of the mother-bird when her nest and young are approached. She makes no sound, but sits quietly on a near branch in apparent perfect unconcern.

These observations, together with the fact that the egg of the cuckoo is occasionally found in the nest of other birds, raise the inquiry whether our bird is slowly relapsing into the habit of the European species, which always foists its egg upon other birds; or whether on the other hand it be not mending its manners in this respect. It has but little to unlearn or forget in the one case, but great progress to make in the other. How far is its rudimentary nest—a mere platform of coarse twigs and dry stalks of weeds—from the deep, compact, finely woven and finely modeled nest of the goldfinch or kingbird, and what a gulf between its indifference toward its young and their solicitude! Its irregular manner of laying also seems better suited to a parasite like our cow-bird, or the European cuckoo, than to a regular nest-builder.

This observer, like most sharp-eyed persons, sees plenty of interesting things as he goes about his work. He one day saw a white swallow, which is of rare occurrence. He saw a bird, a sparrow, he thinks, fly against the side of a horse and fill his beak with hair from the loosened coat of the animal. He saw a shrike pursue a chickadee, when the latter escaped by taking refuge in a small hole in a tree. One day in early spring he saw two hen-hawks that were circling and screaming high in air, approach each other, extend a claw, and grasping them together, fall toward the earth flapping and struggling as if they were tied together; on nearing the ground they separated and soared aloft again. He supposed that it was not a passage of war but of love, and that the hawks were toying fondly with each other.

When the air is damp and heavy, swallows frequently hawk for insects about cattle and moving herds in the field. My farmer describes how they attended him one foggy day, as he was mowing in the meadow with a mowing-machine. It had been foggy for two days, and the swallows were very hungry and the insects stupid and inert. When the sound of his machine was heard, the swallows appeared and attended him like a brood of hungry chickens. He says there was a continual rush of purple wings over the "cutter-bar," and just where it was causing the grass to tremble and fall. Without his assistance the swallows would have gone hungry yet another day.

Of the hen-hawk he has observed that both the male and female take part in incubation. "I was rather surprised," he says, "on one occasion, to see how quickly they change places on the nest. The nest was in a tall beech, and the leaves were not yet fully out. I could see the head and neck of the hawk over the edge of the nest, when I saw the other hawk coming down through the air at full speed. I expected he would alight near by, but instead of that he struck directly upon the nest, his mate getting out of the way barely in time to avoid being hit; it seemed almost as if he had knocked her off the nest. I hardly see how they can make such a rush on the nest without danger to the eggs."

The kingbird will worry the hawk as a whiffet dog will worry a bear. It is by his persistence and audacity, not by any injury he is capable of dealing his great antagonist. The kingbird seldom more than dogs the hawk, keeping above and between his wings and making a great ado; but my correspondent says he once "saw a kingbird riding on a hawk's back. The hawk flew as fast as possible, and the kingbird sat upon his shoulders in triumph until they had passed out of sight,"—tweaking his feathers, no doubt, and threatening to scalp him the next moment.

That near relative of the kingbird, the great crested fly-catcher, has one well-known peculiarity: he appears never to consider his nest finished until it contains a cast-off snake-skin. My alert correspondent one day saw him eagerly catch up an onion skin and make off with it, either deceived by it or else thinking it a good substitute for the coveted material.

One day in May, walking in the woods, I came upon a nest of whippoorwill, or rather its eggs,—for it builds no nest,—two elliptical whitish spotted eggs lying upon the dry leaves. My foot was within a yard of the mother-bird before she flew. I wondered what a sharp eye would detect curious or characteristic in the ways of the bird, so I came to the place many times and had a look. It was always a task to separate the bird from her surroundings, though I stood within a few feet of her, and knew exactly where to look. One had to bear on with his eye, as it were, and refuse to be baffled. The sticks and leaves, and bits of black or dark-brown bark, were all exactly copied in the bird's plumage. And then she did sit so close and simulate so well a shapeless decaying piece of wood or bark! Twice I brought a companion, and guiding his eye to the spot, noted how difficult it was for him to make out there, in full view upon the dry leaves, any semblance to a bird. When the bird returned after being disturbed, she would alight within a few inches of her eggs and then, after a moment's pause, hobble awkwardly upon them.

After the young had appeared, all the wit of the bird came into play. I was on hand the next day, I think. The mother-bird sprang up when I was within a pace of her, and in doing so fanned the leaves with her wings till they sprang up too; as the leaves started the young started, and, being of the same color, to tell which was the leaf and which the bird was a trying task to any eye. I came the next day, when the same tactics were repeated. Once a leaf fell upon one of the young birds and nearly hid it. The young are covered with a reddish down like a young partridge, and soon follow their mother about. When disturbed they gave but one leap, then settled down, perfectly motionless and stupid, with eyes closed. The parent bird, on these occasions, made frantic efforts to decoy me away from her young. She would fly a few paces and fall upon her breast, and a spasm like that of death would run through her tremulous outstretched wings and prostrate body. She kept a sharp eye out the meanwhile to see if the ruse took, and if it did not she was quickly cured, and moving about to some other point tried to draw my attention as before. When followed she always alighted upon the ground, dropping down in a sudden peculiar way. The second or third day both old and young had disappeared.

The whippoorwill walks as awkwardly as a swallow, which is as awkward as a man in a bag, and yet she manages to lead her young about the woods. The latter, I think, move by leaps and sudden spurts, their protective coloring shielding them most effectively. Wilson once came upon the mother-bird and her brood in the woods, and though they were at his very feet, was so baffled by the concealment of the young that he was about to give up the search, much disappointed, when he perceived something "like a slight moldiness among the withered leaves, and, on stooping down, discovered it to be a young whippoorwill, seemingly asleep." Wilson's description of the young is very accurate, as its downy covering does look precisely like a "slight moldiness." Returning a few moments afterward to the spot to get a pencil he had forgotten, he could find neither old nor young.

It takes an eye to see a partridge in the woods, motionless upon the leaves; this sense needs to be as sharp as that of smell in hounds and pointers, and yet I know an unkempt youth that seldom fails to see the bird and shoot it before it takes wing. I think he sees it as soon as it sees him, and before it suspects itself seen. What a training to the eye is hunting! To pick out the game from its surroundings, the grouse from the leaves, the gray squirrel from the mossy oak limb it hugs so closely, the red fox from the ruddy or brown or gray field, the rabbit from the stubble, or the white hare from the snow, requires the best powers of this sense. A woodchuck motionless in the fields or upon a rock looks very much like a large stone or bowlder, yet a keen eye knows the difference at a glance, a quarter of a mile away.

A man has a sharper eye than a dog, or a fox, or than any of the wild creatures; but not so sharp an ear or nose. But in the birds he finds his match. How quickly the old turkey discovers the hawk, a mere speck against the sky, and how quickly the hawk discovers you if you happen to be secreted in the bushes, or behind the fence near which he alights! One advantage the bird surely has; and that is, owing to the form, structure, and position of the eye, it has a much larger field of vision—indeed, can probably see in nearly every direction at the same instant, behind as well as before. Man's field of vision embraces less than half a circle horizontally, and still less vertically; his brow and brain prevent him from seeing within many degrees of the zenith without a movement of the head; the bird, on the other hand, takes in nearly the whole sphere at a glance.

I find I see, almost without effort, nearly every bird within sight in the field or wood I pass through (a flit of the wing, a flirt of the tail, are enough, though the flickering leaves do all conspire to hide them), and that with like ease the birds see me, though unquestionably the chances are immensely in their favor. The eye sees what it has the means of seeing, truly. You must have the bird in your heart before you can find it in the bush. The eye must have purpose and aim. No one ever yet found the walking-fern who did not have the walking-fern in his mind. A person whose eye is full of Indian relics picks them up in every field he walks through.

One season I was interested in the tree-frogs, especially the tiny pipers that one hears about the woods and brushy fields—the hylas of the swamps become a denizen of trees; I had never seen him in this new rôle. But this season having them in mind, or rather being ripe for them, I several times came across them. One Sunday, walking amid some bushes, I captured two. They leaped before me as doubtless they had done many times before, but though not looking for or thinking of them, yet they were quickly recognized, because the eye had been commissioned to find them. On another occasion, not long afterward, I was hurriedly loading my gun in the October woods in hopes of overtaking a gray squirrel that was fast escaping through the treetops, when one of these Lilliput frogs, the color of the fast-yellowing leaves, leaped near me. I saw him only out of the corner of my eye, and yet bagged him, because I had already made him my own.

Nevertheless, the habit of observation is the habit of clear and decisive gazing; not by a first casual glance, but by a steady, deliberate aim of the eye are the rare and characteristic things discovered. You must look intently and hold your eye firmly to the spot, to see more than do the rank and file of mankind. The sharpshooter picks out his man and knows him with fatal certainty from a stump, or a rock, or a cap on a pole. The phrenologists do well to locate not only form, color, weight, etc., in the region of the eye, but a faculty which they call individuality—that which separates, discriminates, and sees in every object its essential character. This is just as necessary to the naturalist as to the artist or the poet. The sharp eye notes specific points and differences,—it seizes upon and preserves the individuality of the thing.

We think we have looked at a thing sharply until we are asked for its specific features. I thought I knew exactly the form of the leaf of the tulip-tree, until one day a lady asked me to draw the outlines of one. A good observer is quick to take a hint and to follow it up. Most of the facts of nature, especially in the life of the birds and animals, are well screened. We do not see the play, because we do not look intently enough.

Birds, I say, have wonderfully keen eyes. Throw a fresh bone or a piece of meat upon the snow in winter, and see how soon the crows will discover it and be on hand. If it be near the house or barn, the crow that first discovers it will alight near it, to make sure that he is not deceived; then he will go away and soon return with a companion. The two alight a few yards from the bone, and after some delay, during which the vicinity is sharply scrutinized, one of the crows advances boldly to within a few feet of the coveted prize. Here he pauses, and if no trick is discovered, and the meat be indeed meat, he seizes it and makes off.

One midwinter I cleared away the snow under an apple-tree near the house, and scattered some corn there. I had not seen a bluejay for weeks, yet that very day they found my corn, and after that they came daily and partook of it, holding the kernels under their feet upon the limbs of the trees and pecking them vigorously.

Of course the woodpecker and his kind have sharp eyes. Still I was surprised to see how quickly Downy found out some bones that were placed in a convenient place under the shed to be pounded up for the hens. In going out to the barn I often disturbed him making a meal off the bits of meat that still adhered to them.

"Look intently enough at anything," said a poet to me one day, "and you will see something that would otherwise escape you." I thought of the remark as I sat on a stump in the opening of the woods one spring day. I saw a small hawk approaching; he flew to a tall tulip-tree and alighted on a large limb near the top. He eyed me and I eyed him. Then the bird disclosed a trait that was new to me; he hopped along the limb to a small cavity near the trunk, when he thrust in his head and pulled out some small object and fell to eating it. After he had partaken of it some minutes he put the remainder back in his larder and flew away. I had seen something like feathers eddying slowly down as the hawk ate, and on approaching the spot found the feathers of a sparrow here and there clinging to the bushes beneath the tree. The hawk then—commonly called the chicken hawk—is as provident as a mouse or squirrel, and lays by a store against a time of need; but I should not have discovered the fact had I not held my eye to him.

An observer of the birds is attracted by any unusual sound or commotion among them. In May and June, when other birds are most vocal, the jay is a silent bird; he goes sneaking about the orchards and the groves as silent as a pickpocket; he is robbing birds'-nests and he is very anxious that nothing should be said about it, but in the fall none so quick and loud to cry "Thief, thief" as he. One December morning a troop of them discovered a little screech-owl secreted in the hollow trunk of an old apple-tree near my house. How they found the owl out is a mystery, since it never ventures forth in the light of day; but they did, and proclaimed the fact with great emphasis. I suspect the bluebirds first told them, for these birds are constantly peeping into holes and crannies, both spring and fall. Some unsuspecting bird probably entered the cavity, prospecting for a place for next year's nest, or else looking out a likely place to pass a cold night, when it has rushed with very important news. A boy who should unwittingly venture into a bear's den when Bruin was at home could not be more astonished and alarmed than a bluebird would be on finding itself in the cavity of a decayed tree with an owl. At any rate, the bluebirds joined the jays, in calling the attention of all whom it might concern to the fact that a culprit of some sort was hiding from the light of day in the old apple-tree. I heard the notes of warning and alarm and approached to within eyeshot. The bluebirds were cautious, and hovered about uttering their peculiar twittering calls; but the jays were bolder, and took turns looking in at the cavity and deriding the poor shrinking owl. A jay would alight in the entrance of the hole, and flirt and peer and attitudinize, and then fly away crying "Thief, thief, thief," at the top of his voice.

I climbed up and peered into the opening, and could just descry the owl clinging to the inside of the tree. I reached in and took him out, giving little heed to the threatening snapping of his beak. He was as red as a fox and as yellow-eyed as a cat. He made no effort to escape, but planted his claws in my forefinger and clung there with a grip that soon grew uncomfortable. I placed him in the loft of an out-house in hopes of getting better acquainted with him. By day he was a very willing prisoner, scarcely moving at all even when approached and touched with the hand, but looking out upon the world with half-closed sleepy eyes. But at night what a change; how alert, how wild, how active! He was like another bird; he darted about with wild fearful eyes, and regarded me like a cornered cat. I opened the window, and swiftly, but as silently as a shadow, he glided out into the congenial darkness, and perhaps ere this has revenged himself upon the sleeping jay or bluebird that first betrayed his hiding-place.

Copyrighted by Houghton, Mifflin and Company, Boston.

WAITING

Serene, I fold my hands and wait,
Nor care for wind, or tide, or sea;
I rave no more 'gainst time or fate,
For lo! my own shall come to me.

I stay my haste, I make delays,
For what avails this eager pace?
I stand amid the eternal ways,
And what is mine shall know my face.

Asleep, awake, by night or day,
The friends I seek are seeking me;
No wind can drive my bark astray,
Nor change the tide of destiny.

What matter if I stand alone?
I wait with joy the coming years;
My heart shall reap where it has sown,
And garner up its fruit of tears.

The waters know their own, and draw
The brook that springs in yonder height;
So flows the good with equal law
Unto the soul of pure delight.

The stars come nightly to the sky;
The tidal wave unto the sea;
Nor time, nor space, nor deep, nor high,
Can keep my own away from me.

Republished by courtesy of John Burroughs.

SIR RICHARD F. BURTON

(1821-1890)

It has sometimes been said that the roving propensities of Sir Richard Burton are attributable to a slight infusion of gipsy blood; but if this pedigree were to be assumed for all instinctively nomadic Englishmen, it would make family trees as farcical in general as they often are now. At any rate, Burton early showed a love for travel which circumstances strengthened. Although born in Hertfordshire, England, he spent much of his boyhood on the Continent, where he was educated under tutors. He returned for a course at Oxford, after which, at twenty-one, he entered the Indian service. For nineteen years he was in the Bombay army corps, the first ten in active service, principally in the Sindh Survey, on Sir Charles Napier's staff. He also served in the Crimea as Chief of Staff to General Blatsom, and was chief organizer of the irregular cavalry. For nearly twenty-six years he was in the English consular service in Africa, Asia, South America, and Europe.

Richard Burton

In 1852, when upon leave, Captain Burton accomplished one of his most striking feats. Disguised as an Afghan Moslem, he went on a pilgrimage to Mecca and Medina, in the hope of finding out "something of the great eastern wilderness marked 'Ruba el Khala' (the Empty Abode) on our maps." For months he successfully braved the imminent danger of detection and death. Conspicuous among his explorations is his trip of 1856, when with Speke he discovered the lake regions of Central Africa. The bitter Speke controversy which followed, dividing geographers for a time into two contending factions, deprived Burton of the glory which he merited and drew upon him much unfriendly criticism.

He had the true ardor of the discoverer. In 'First Footsteps in Eastern Africa' he shows his unhesitating bravery again, when penetrating the mysterious, almost mythical walled city of Harar. After many dangers and exhausting experiences he sees the goal at last. "The spectacle, materially speaking, was a disappointment," he says. "Nothing conspicuous appeared but two gray minarets of rude shape. Many would grudge exposing their lives to win so paltry a prize. But of all that have attempted, none ever succeeded in entering that pile of stones."

Richard Burton carefully worded his varied experiences, and has left about fifty valuable and interesting volumes. Among the best known are 'Sindh,' 'The Lake Regions of Central Africa,' 'Two Trips to Gorilla Land,' and 'Ultima Thule.' With his knowledge of thirty-five languages and dialects he gained an intimate acquaintance with the people among whom he lived, and was enabled to furnish the world much novel information in his strong, straightforward style.

Perhaps his most noteworthy literary achievement was his fine translation of the 'Arabian Nights,' which appeared in 1885. Of this his wife wrote:—

"This grand Arabian work I consider my husband's Magnum Opus.... We were our own printers and our own publishers, and we made, between September 1885 and November 1888, sixteen thousand guineas—six thousand of which went for publishing and ten thousand into our own pockets, and it came just in time to give my husband the comforts and luxuries and freedom that gilded the five last years of his life. When he died there were four florins left, which I put into the poor-box."

This capable soldier and author was very inadequately recompensed. As a soldier, his bravery and long service brought him only the rank of Captain. In the civil service he was given only second-class consulates. The French Geographical Society, and also the Royal Geographical Society of England, each awarded him a gold medal, but the latter employed him upon only one expedition. At the age of sixty-five he was knighted. He had no other honors. This lack of recognition was undoubtedly a mortification, although toward the end of his career he writes philosophically:—

"The press are calling me 'the neglected Englishman,' and I want to express to them the feelings of pride and gratitude with which I have seen the exertions of my brethren of the press to procure for me a tardy justice. The public is a fountain of honor which amply suffices all my aspirations; it is the more honorable as it will not allow a long career to be ignored because of catechisms or creed."

He comforted himself, no doubt, with the belief that his outspoken skepticism was the cause of this lack of advancement, and that he was in some sort a martyr to freedom of thought; but one may be excused for discrediting this in the face of so many contrary instances. Capable men are too scarce to throw aside for such things in this century. The real and sufficient reason was his equally outspoken criticism of his superior officers in every department. A subordinate may and often does know more than his masters; but if he wishes the luxury of advertising the fact, he must pay for it with their ill-will and his own practical suppression.

Lady Burton was also an author; her 'Inner Life in Syria' and 'Arabia, Egypt, and India' are bright and entertaining. But her most important work is the 'Life of Sir Richard F. Burton,' published in 1892, two years after her husband's death. This unorganized mass of interesting material, in spite of carelessness and many faults of style and taste, shows her a ready observer, with a clever and graphic way of stating her impressions.

THE PRETERNATURAL IN FICTION

From the Essay on 'The Book of a Thousand Nights and a Night'

"As the active world is inferior to the rational soul," says Bacon, with his normal sound sense, "so Fiction gives to Mankind what History denies, and in some measure satisfies the Mind with Shadows when it cannot enjoy the Substance. And as real History gives us not the success of things according to the deserts of vice and virtue, Fiction corrects it and presents us with the fates and fortunes of persons rewarded and punished according to merit." But I would say still more. History paints or attempts to paint life as it is, a mighty maze with or without a plan; Fiction shows or would show us life as it should be, wisely ordered and laid down on fixed lines. Thus Fiction is not the mere handmaid of History: she has a household of her own, and she claims to be the triumph of Art, which, as Goethe remarked, is "Art because it is not Nature." Fancy, la folle du logis, is "that kind and gentle portress who holds the gate of Hope wide open, in opposition to Reason, the surly and scrupulous guard." As Palmerin of England says, and says well:—"For that the report of noble deeds doth urge the courageous mind to equal those who bear most commendation of their approved valiancy; this is the fair fruit of Imagination and of ancient histories." And last, but not least, the faculty of Fancy takes count of the cravings of man's nature for the marvelous, the impossible, and of his higher aspirations for the Ideal, the Perfect; she realizes the wild dreams and visions of his generous youth, and portrays for him a portion of that "other and better world," with whose expectation he would console his age.

The imaginative varnish of 'The Nights' serves admirably as a foil to the absolute realism of the picture in general. We enjoy being carried away from trivial and commonplace characters, scenes, and incidents; from the matter-of-fact surroundings of a workaday world, a life of eating and drinking, sleeping and waking, fighting and loving, into a society and a mise-en-scène which we suspect can exist and which we know do not. Every man, at some turn or term of his life, has longed for supernatural powers and a glimpse of Wonderland. Here he is in the midst of it. Here he sees mighty spirits summoned to work the human mite's will, however whimsical; who can transport him in an eye-twinkling whithersoever he wishes; who can ruin cities and build palaces of gold and silver, gems and jacinths; who can serve up delicate viands and delicious drinks in priceless chargers and impossible cups, and bring the choicest fruits from farthest Orient: here he finds magas and magicians who can make kings of his friends, slay armies of his foes, and bring any number of beloveds to his arms.

And from this outraging probability and outstripping possibility arises not a little of that strange fascination exercised for nearly two centuries upon the life and literature of Europe by 'The Nights,' even in their mutilated and garbled form. The reader surrenders himself to the spell, feeling almost inclined to inquire, "And why may it not be true?" His brain is dazed and dazzled by the splendors which flash before it, by the sudden procession of Jinns and Jinniyahs, demons and fairies, some hideous, others preternaturally beautiful; by good wizards and evil sorcerers, whose powers are unlimited for weal and for woe; by mermen and mermaids, flying horses, talking animals, and reasoning elephants; by magic rings and their slaves, and by talismanic couches which rival the carpet of Solomon. Hence, as one remarks, these Fairy Tales have pleased and still continue to please almost all ages, all ranks, and all different capacities.

Dr. Hawkesworth observes that these Fairy Tales find favor "because even their machinery, wild and wonderful as it is, has its laws; and the magicians and enchanters perform nothing but what was naturally to be expected from such beings, after we had once granted them existence." Mr. Heron "rather supposes the very contrary is the truth of the fact. It is surely the strangeness, the unknown nature, the anomalous character of the supernatural agents here employed, that makes them to operate so powerfully on our hopes, fears, curiosities, sympathies, and in short, on all the feelings of our hearts. We see men and women who possess qualities to recommend them to our favor, subjected to the influence of beings whose good or ill will, power or weakness, attention or neglect, are regulated by motives and circumstances which we cannot comprehend: and hence we naturally tremble for their fate with the same anxious concern as we should for a friend wandering in a dark night amidst torrents and precipices; or preparing to land on a strange island, while he knew not whether he should be received on the shore by cannibals waiting to tear him piecemeal and devour him, or by gentle beings disposed to cherish him with fond hospitality."

Both writers have expressed themselves well; but meseems each has secured, as often happens, a fragment of the truth and holds it to be the whole Truth. Granted that such spiritual creatures as Jinns walk the earth, we are pleased to find them so very human, as wise and as foolish in word and deed as ourselves; similarly we admire in a landscape natural forms like those of Staffa or the Palisades, which favor the works of architecture. Again, supposing such preternaturalisms to be around and amongst us, the wilder and more capricious they prove, the more our attention is excited and our forecasts are baffled, to be set right in the end. But this is not all. The grand source of pleasure in fairy tales is the natural desire to learn more of the Wonderland which is known to many as a word and nothing more, like Central Africa before the last half-century; thus the interest is that of the "personal narrative" of a grand exploration, to one who delights in travels. The pleasure must be greatest where faith is strongest; for instance, amongst imaginative races like the Kelts, and especially Orientals, who imbibe supernaturalism with their mothers' milk. "I am persuaded," writes Mr. Bayle St. John, "that the great scheme of preternatural energy, so fully developed in 'The Thousand and One Nights,' is believed in by the majority of the inhabitants of all the religious professions both in Syria and Egypt." He might have added, "by every reasoning being from prince to peasant, from Mullah to Badawi, between Marocco and Outer Ind."...

Dr. Johnson thus sums up his notice of 'The Tempest':—"Whatever might have been the intention of their author, these tales are made instrumental to the production of many characters, diversified with boundless invention, and preserved with profound skill in nature, extensive knowledge of opinions, and accurate observation of life. Here are exhibited princes, courtiers, and sailors, all speaking in their real characters. There is the agency of airy spirits and of earthy goblins, the operations of magic, the tumults of a storm, the adventures on a desert island, the native effusion of untaught affection, the punishment of guilt, and the final happiness of those for whom our passions and reason are equally interested."

We can fairly say this much and far more for our Tales. Viewed as a tout ensemble in full and complete form, they are a drama of Eastern life, and a Dance of Death made sublime by faith and the highest emotions, by the certainty of expiation and the fullness of atoning equity, where virtue is victorious, vice is vanquished, and the ways of Allah are justified to man. They are a panorama which remains ken-speckle upon the mental retina. They form a phantasmagoria in which archangels and angels, devils and goblins, men of air, of fire, of water, naturally mingle with men of earth; where flying horses and talking fishes are utterly realistic; where King and Prince meet fisherman and pauper, lamia and cannibal; where citizen jostles Badawi, eunuch meets knight; the Kazi hob-nobs with the thief; the pure and pious sit down to the same tray with the pander and the procuress; where the professional religionist, the learned Koranist, and the strictest moralist consort with the wicked magician, the scoffer, and the debauchee-poet like Abu Nowas; where the courtier jests with the boor, and where the sweep is bedded with the noble lady. And the characters are "finished and quickened by a few touches swift and sure as the glance of sunbeams." The whole is a kaleidoscope where everything falls into picture; gorgeous palaces and pavilions; grisly underground caves and deadly wolds; gardens fairer than those of the Hesperid; seas dashing with clashing billows upon enchanted mountains; valleys of the Shadow of Death; air-voyages and promenades in the abysses of ocean; the duello, the battle, and the siege; the wooing of maidens and the marriage-rite. All the splendor and squalor, the beauty and baseness, the glamor and grotesqueness, the magic and the mournfulness, the bravery and baseness of Oriental life are here: its pictures of the three great Arab passions—love, war, and fancy—entitle it to be called 'Blood, Musk, and Hashish.' And still more, the genius of the story-teller quickens the dry bones of history, and by adding Fiction to Fact revives the dead past; the Caliphs and the Caliphate return to Baghdad and Cairo, whilst Asmodeus kindly removes the terrace-roof of every tenement and allows our curious glances to take in the whole interior. This is perhaps the best proof of their power. Finally the picture-gallery opens with a series of weird and striking adventures, and shows as a tail-piece an idyllic scene of love and wedlock, in halls before reeking with lust and blood.

A JOURNEY IN DISGUISE

From 'The Personal Narrative of a Pilgrimage to El Medinah and Meccah'

The thoroughbred wanderer's idiosyncrasy I presume to be a composition of what phrenologists call "inhabitiveness" and "locality," equally and largely developed. After a long and toilsome march, weary of the way, he drops into the nearest place of rest to become the most domestic of men. For a while he smokes the "pipe of permanence" with an infinite zest; he delights in various siestas during the day, relishing withal a long sleep at night; he enjoys dining at a fixed dinner hour, and wonders at the demoralization of the mind which cannot find means of excitement in chit-chat or small talk, in a novel or a newspaper. But soon the passive fit has passed away; again a paroxysm of ennui coming on by slow degrees, Viator loses appetite, he walks about his room all night, he yawns at conversations, and a book acts upon him as a narcotic. The man wants to wander, and he must do so or he shall die.

After about a month most pleasantly spent at Alexandria, I perceived the approach of the enemy, and as nothing hampered my incomings and outgoings, I surrendered. The world was "all before me," and there was pleasant excitement in plunging single-handed into its chilling depths. My Alexandrian Shaykh, whose heart fell victim to a new "jubbeh" which I had given in exchange for his tattered zaabut, offered me in consideration of a certain monthly stipend the affections of a brother and religious refreshment, proposing to send his wife back to her papa, and to accompany me in the capacity of private chaplain to the other side of Kaf. I politely accepted the "brüderschaft," but many reasons induced me to decline his society and services. In the first place, he spoke the detestable Egyptian jargon. Secondly, it was but prudent to lose the "spoor" between Alexandria and Suez. And thirdly, my "brother" had shifting eyes (symptoms of fickleness), close together (indices of cunning); a flat-crowned head and large ill-fitting lips, signs which led me to think lightly of his honesty, firmness, and courage. Phrenology and physiognomy, be it observed, disappoint you often among civilized people, the proper action of whose brains and features is impeded by the external pressure of education, accident, example, habit, necessity, and what not. But they are tolerably safe guides when groping your way through the mind of man in his natural state, a being of impulse in that chrysalis stage of mental development which is rather instinct than reason. But before my departure there was much to be done.

The land of the Pharaohs is becoming civilized, and unpleasantly so: nothing can be more uncomfortable than its present middle state between barbarism and the reverse. The prohibition against carrying arms is rigid as in Italy; all "violence" is violently denounced; and beheading being deemed cruel, the most atrocious crimes, as well as those small political offenses which in the days of the Mamelukes would have led to a beyship or a bowstring, receive fourfold punishment by deportation to Faizoghli, the local Cayenne. If you order your peasant to be flogged, his friends gather in threatening hundreds at your gates; when you curse your boatman, he complains to your consul; the dragomans afflict you with strange wild notions about honesty; a government order prevents you from using vituperative language to the "natives" in general; and the very donkey-boys are becoming cognizant of the right of man to remain unbastinadoed. Still the old leaven remains behind; here, as elsewhere in "morning-land," you cannot hold your own without employing your fists. The passport system, now dying out of Europe, has sprung up, or rather revived, in Egypt with peculiar vigor. Its good effects claim for it our respect; still we cannot but lament its inconvenience. We, I mean real Easterns. As strangers—even those whose beards have whitened in the land—know absolutely nothing of what unfortunate natives must endure, I am tempted to subjoin a short sketch of my adventures in search of a Tezkireh at Alexandria.

Through ignorance which might have cost me dear but for my friend Larking's weight with the local authorities, I had neglected to provide myself with a passport in England; and it was not without difficulty, involving much unclean dressing and an unlimited expenditure of broken English, that I obtained from the consul at Alexandria a certificate declaring me to be an Indo-British subject named Abdullah, by profession a doctor, aged thirty, and not distinguished—at least so the frequent blanks seemed to denote—by any remarkable conformation of eyes, nose, or cheek. For this I disbursed a dollar. And here let me record the indignation with which I did it. That mighty Britain—the mistress of the seas—the ruler of one-sixth of mankind—should charge five shillings to pay for the shadow of her protecting wing! That I cannot speak my modernized "civis sum Romanus" without putting my hand into my pocket, in order that these officers of the Great Queen may not take too ruinously from a revenue of fifty-six millions! Oh the meanness of our magnificence! the littleness of our greatness!

My new passport would not carry me without the Zabit or Police Magistrate's counter-signature, said the consul. Next day I went to the Zabit, who referred me to the Muhafiz (Governor) of Alexandria, at whose gate I had the honor of squatting at least three hours, till a more compassionate clerk vouchsafed the information that the proper place to apply to was the Diwan Kharijiyeh (the Foreign Office). Thus a second day was utterly lost. On the morning of the third I started as directed for the place, which crowns the Headland of Figs. It is a huge and couthless shell of building in parallelogrammic form, containing all kinds of public offices in glorious confusion, looking with their glaring whitewashed faces upon a central court, where a few leafless wind-wrung trees seem struggling for the breath of life in an eternal atmosphere of clay, dust, and sun-blaze.

The first person I addressed was a Kawwas or police officer, who, coiled comfortably up in a bit of shade fitting his person like a robe, was in full enjoyment of the Asiatic "Kaif." Having presented the consular certificate and briefly stated the nature of my business, I ventured to inquire what was the right course to pursue for a visá.

They have little respect for Dervishes, it appears, at Alexandria! "M'adri" (Don't know), growled the man of authority, without moving anything but the quantity of tongue necessary for articulation.

Now there are three ways of treating Asiatic officials,—by bribe, by bullying, or by bothering them with a dogged perseverance into attending to you and your concerns. The latter is the peculiar province of the poor; moreover, this time I resolved for other reasons to be patient. I repeated my question in almost the same words. "Ruh!" (Be off) was what I obtained for all reply. By this time the questioned went so far as to open his eyes. Still I stood twirling the paper in my hands, and looking very humble and very persevering, till a loud "Ruh ya Kalb!" (Go, O dog!) converted into a responsive curse the little speech I was preparing about the brotherhood of El-Islam and the mutual duties obligatory on true believers. I then turned away slowly and fiercely, for the next thing might have been a cut with the Kurbaj [bastinado], and by the hammer of Thor! British flesh and blood could never have stood that.

After which satisfactory scene,—for satisfactory it was in one sense, proving the complete fitness of the Dervish's dress,—I tried a dozen other promiscuous sources of information,—policemen, grooms, scribes, donkey-boys, and idlers in general. At length, wearied of patience, I offered a soldier some pinches of tobacco and promised him an Oriental sixpence if he would manage the business for me. The man was interested by the tobacco and the pence; he took my hand, and inquiring the while he went along, led me from place to place till, mounting a grand staircase, I stood in the presence of Abbas Effendi, the governor's Naib or deputy.

It was a little whey-faced black-bearded Turk, coiled up in the usual conglomerate posture upon a calico-covered divan, at the end of a long bare large-windowed room. Without deigning even to nod the head which hung over his shoulder with transcendent listlessness and affectation of pride, in answer to my salams and benedictions, he eyed me with wicked eyes and faintly ejaculated "Minent?" Then hearing that I was a Dervish and doctor,—he must be an Osmanli Voltairian, that little Turk,—the official snorted a contemptuous snort. He condescendingly added, however, that the proper source to seek was "Taht," which, meaning simply "below," conveyed rather imperfect information in a topographical point of view to a stranger. At length however my soldier guide found out that a room in the custom-house bore the honorable appellation of "Foreign Office." Accordingly I went there, and after sitting at least a couple of hours at the bolted door in the noonday sun, was told, with a fury which made me think I had sinned, that the officer in whose charge the department was had been presented with an olive-branch in the morning, and consequently that business was not to be done that day. The angry-faced official communicated the intelligence to a large group of Anadolian, Caramanian, Bosniac, and Roumelian Turks,—sturdy, undersized, broad-shouldered, bare-legged, splay-footed, horny-fisted, dark-browed, honest-looking mountaineers, who were lounging about with long pistols and yataghans stuck in their broad sashes, head-gear composed of immense tarbooshes with proportionate turbans coiled round them, and two or three suits of substantial clothes—even at this season of the year—upon their shoulders.

Like myself they had waited some hours, but they were not patient under disappointment: they bluntly told the angry official that he and his master were a pair of idlers, and the curses that rumbled and gurgled in their hairy throats as they strode towards the door sounded like the growling of wild beasts.

Thus was another day truly Orientally lost. On the morrow however I obtained permission, in the character of Dr. Abdullah, to visit any part of Egypt I pleased, and to retain possession of my dagger and pistols.

And now I must explain what induced me to take so much trouble about a passport. The home reader naturally inquires, Why not travel under your English name?

For this reason. In the generality of barbarous countries you must either proceed, like Bruce, preserving the "dignity of manhood" and carrying matters with a high hand, or you must worm your way by timidity and subservience; in fact, by becoming an animal too contemptible for man to let or injure. But to pass through the Holy Land you must either be a born believer, or have become one; in the former case you may demean yourself as you please, in the latter a path is ready prepared for you. My spirit could not bend to own myself a Burma, a renegade—to be pointed at and shunned and catechized, an object of suspicion to the many and of contempt to all. Moreover, it would have obstructed the aim of my wanderings. The convert is always watched with Argus eyes, and men do not willingly give information to a "new Moslem," especially a Frank: they suspect his conversion to be a feigned or a forced one, look upon him as a spy, and let him see as little of life as possible. Firmly as was my heart set upon traveling in Arabia, by Heaven! I would have given up the dear project rather than purchase a doubtful and partial success at such a price. Consequently I had no choice but to appear as a born believer, and part of my birthright in that respectable character was toil and trouble in obtaining a tezkirah.

Then I had to provide myself with certain necessaries for the way. These were not numerous. The silver-mounted dressing-case is here supplied by a rag containing a miswak, a bit of soap, and a comb—wooden, for bone and tortoise-shell are not, religiously speaking, correct. Equally simple was my wardrobe: a change or two of clothing. The only article of canteen description was a zemzemiyah, a goatskin water-bag, which communicates to its contents, especially when new, a ferruginous aspect and a wholesome though hardly an attractive flavor of tanno-gelatine. This was a necessary; to drink out of a tumbler, possibly fresh from pig-eating lips, would have entailed a certain loss of reputation. For bedding and furniture I had a coarse Persian rug—which, besides being couch, acts as chair, table, and oratory,—a cotton-stuffed chintz-covered pillow, a blanket in case of cold, and a sheet, which does duty for tent and mosquito curtains in nights of heat. As shade is a convenience not always procurable, another necessary was a huge cotton umbrella of Eastern make, brightly yellow, suggesting the idea of an overgrown marigold. I had also a substantial housewife, the gift of a kind friend: it was a roll of canvas, carefully soiled, and garnished with needles and thread, cobblers' wax, buttons, and other such articles. These things were most useful in lands where tailors abound not; besides which, the sight of a man darning his coat or patching his slippers teems with pleasing ideas of humility. A dagger, a brass inkstand and penholder stuck in the belt, and a mighty rosary, which on occasion might have been converted into a weapon of offense, completed my equipment. I must not omit to mention the proper method of carrying money, which in these lands should never be intrusted to box or bag. A common cotton purse secured in a breast pocket (for Egypt now abounds in that civilized animal the pickpocket) contained silver pieces and small change. My gold, of which I carried twenty-five sovereigns, and papers, were committed to a substantial leathern belt of Maghrabi manufacture, made to be strapped round the waist under the dress. This is the Asiatic method of concealing valuables, and a more civilized one than ours in the last century, when Roderick Random and his companion "sewed their money between the lining and the waistband of their breeches, except some loose silver for immediate expense on the road." The great inconvenience of the belt is its weight, especially where dollars must be carried, as in Arabia, causing chafes and inconvenience at night. Moreover it can scarcely be called safe. In dangerous countries wary travelers will adopt surer precautions.

A pair of common native khurjin or saddle-bags contained my wardrobe, the "bed," readily rolled up into a bundle; and for a medicine chest I bought a pea-green box with red and yellow flowers, capable of standing falls from a camel twice a day.

The next step was to find out when the local steamer would start for Cairo, and accordingly I betook myself to the Transit Office. No vessel was advertised; I was directed to call every evening till satisfied. At last the fortunate event took place: a "weekly departure," which by-the-by had occurred once every fortnight or so, was in order for the next day. I hurried to the office, but did not reach it till past noon—the hour of idleness. A little dark gentleman, so formed and dressed as exactly to resemble a liver-and-tan bull-terrier, who with his heels on the table was dozing, cigar in mouth, over the last Galignani, positively refused after a time,—for at first he would not speak at all,—to let me take my passage till three in the afternoon. I inquired when the boat started, upon which he referred me, as I had spoken bad Italian, to the advertisement. I pleaded inability to read or write, whereupon he testily cried "Alle nove! alle nove!" (At nine! at nine!) Still appearing uncertain, I drove him out of his chair, when he rose with a curse and read "8 a.m." An unhappy Eastern, depending upon what he said, would have been precisely one hour too late.

Thus were we lapsing into the real good old Indian style of doing business. Thus Indicus orders his first clerk to execute some commission; the senior, having "work" upon his hands, sends a junior; the junior finds the sun hot, and passes on the word to a "peon"; the peon charges a porter with the errand; and the porter quietly sits or dozes in his place, trusting that fate will bring him out of the scrape, but firmly resolved, though the shattered globe fall, not to stir an inch.

The reader, I must again express a hope, will pardon the egotism of these descriptions: my object is to show him how business is carried on in these hot countries—business generally. For had I, instead of being Abdullah the Dervish, been a rich native merchant, it would have been the same. How many complaints of similar treatment have I heard in different parts of the Eastern world! and how little can one realize them without having actually experienced the evil! For the future I shall never see a "nigger" squatting away half a dozen mortal hours in a broiling sun, patiently waiting for something or for some one, without a lively remembrance of my own cooling of the calces at the custom-house of Alexandria.

At length, about the end of May, all was ready. Not without a feeling of regret I left my little room among the white myrtle blossoms and the oleander flowers. I kissed with humble ostentation my kind host's hand in presence of his servants, bade adieu to my patients, who now amounted to about fifty, shaking hands with all meekly and with religious equality of attention, and, mounted in a "trap" which looked like a cross between a wheel-barrow and dog-cart, drawn by a kicking, jibbing, and biting mule, I set out for the steamer.

EN ROUTE

From 'A Pilgrimage to El Medinah and Meccah'

At 3 p.m. we left El Zaribah, traveling towards the S.W., and a wondrously picturesque scene met the eye. Crowds hurried along, habited in the pilgrim garb, whose whiteness contrasted strangely with their black skins, their newly shaven heads glistening in the sun, and their long black hair streaming in the wind. The rocks rang with shouts of "Labbayk! Labbayk!" At a pass we fell in with the Wahhabis, accompanying the Baghdad caravan, screaming "Here am I"; and guided by a large loud kettle-drum, they followed in double file the camel of a standard-bearer, whose green flag bore in huge white letters the formula of the Moslem creed. They were wild-looking mountaineers, dark and fierce, with hair twisted into thin dalik or plaits: each was armed with a long spear, a matchlock, or a dagger. They were seated upon coarse wooden saddles, without cushions or stirrups, a fine saddle-cloth alone denoting a chief. The women emulated the men; they either guided their own dromedaries, or sitting in pillion, they clung to their husbands; veils they disdained, and their countenances certainly belonged not to a "soft sex." These Wahhabis were by no means pleasant companions. Most of them were followed by spare dromedaries, either unladen or carrying water-skins, fodder, fuel, and other necessaries for the march. The beasts delighted in dashing furiously through our file, which, being colligated, was thrown each time into the greatest confusion. And whenever we were observed smoking, we were cursed aloud for infidels and idolaters.

Looking back at El Zaribah, soon after our departure, I saw a heavy nimbus settle upon the hilltops, a sheet of rain being stretched between it and the plain. The low grumbling of thunder sounded joyfully in our ears. We hoped for a shower, but were disappointed by a dust-storm, which ended with a few heavy drops. There arose a report that the Bedouins had attacked a party of Meccans with stones,—classical Arabian missiles,—and the news caused men to look exceeding grave.

At 5 p.m. we entered the wide bed of the fiumara, down which we were to travel all night. Here the country falls rapidly towards the sea, as the increasing heat of the air, the direction of the water-courses, and signs of violence in the torrent-bed show. The fiumara varies in breadth from 150 feet to three-quarters of a mile; its course, I was told, is towards the southwest, and it enters the sea near Jeddah. The channel is a coarse sand, with here and there masses of sheet rock and patches of thin vegetation.

At about half-past 5 p.m. we entered a suspicious-looking place. On the right was a stony buttress, along whose base the stream, when there is one, flows; and to this depression was our road limited by the rocks and thorn-trees, which filled the other half of the channel. The left side was a precipice, grim and barren, but not so abrupt as its brother. Opposite us the way seemed barred by piles of hills, crest rising above crest into the far blue distance. Day still smiled upon the upper peaks, but the lower slopes and the fiumara bed were already curtained with gray sombre shade.

A damp seemed to fall upon our spirits as we approached this Valley Perilous. I remarked with wonder that the voices of the women and children sank into silence, and the loud Labbaykas of the pilgrims were gradually stilled. Whilst still speculating upon the cause of this phenomenon, it became apparent. A small curl of smoke, like a lady's ringlet, on the summit of the right-hand precipice, caught my eye, and simultaneous with the echoing crack of the matchlock a high-trotting dromedary in front of me rolled over upon the sands. A bullet had split his heart, throwing his rider a goodly somerset of five or six yards.

Ensued terrible confusion; women screamed, children shrieked, and men vociferated, each one striving with might and main to urge his animal out of the place of death. But the road being narrow, they only managed to jam the vehicles in a solid immovable mass. At every matchlock shot a shudder ran through the huge body, as when the surgeon's scalpel touches some more sensitive nerve. The irregular horsemen, perfectly useless, galloped up and down over the stones, shouting to and ordering one another. The Pacha of the army had his carpet spread at the foot of the left-hand precipice, and debated over his pipe with the officers what ought to be done. No good genius whispered "Crown the heights."

Then it was that the conduct of the Wahhabis found favor in my eyes. They came up, galloping their camels,—

"Torrents less rapid and less rash.—"

with their elf-locks tossing in the wind, and their flaring matches casting a strange lurid light over their features. Taking up a position, one body began to fire upon the Utaybah robbers, whilst two or three hundred, dismounting, swarmed up the hill under the guidance of the Sherif Zayd. I had remarked this nobleman at El Medinah as a model specimen of the pure Arab. Like all Sherifs, he is celebrated for bravery, and has killed many with his own hand. When urged at El Zaribah to ride into Meccah, he swore that he would not leave the caravan till in sight of the walls; and fortunately for the pilgrims, he kept his word. Presently the firing was heard far in our rear—the robbers having fled; the head of the column advanced, and the dense body of the pilgrims opened out. Our forced halt was now exchanged for a flight. It required much management to steer our desert-craft clear of danger; but Shaykh Masud was equal to the occasion. That many were lost was evident by the boxes and baggage that strewed the shingles. I had no means of ascertaining the number of men killed and wounded: reports were contradictory, and exaggeration unanimous. The robbers were said to be 150 in number; their object was plunder, and they would eat the shot camels. But their principal ambition was the boast "We, the Utaybah, on such and such a night stopped the Sultan's mahmal one whole hour in the pass."

At the beginning of the skirmish I had primed my pistols, and sat with them ready for use. But soon seeing that there was nothing to be done, and wishing to make an impression,—nowhere does Bobadil now "go down" but in the East,—I called aloud for my supper. Shaykh Nur, exanimate with fear, could not move. The boy Mohammed ejaculated only an "Oh, sir!" and the people around exclaimed in disgust, "By Allah! he eats!" Shaykh Abdullah, the Meccan, being a man of spirit, was amused by the spectacle. "Are these Afghan manners, Effendim?" he inquired from the shugduf behind me. "Yes," I replied aloud, "in my country we always dine before an attack of robbers, because that gentry is in the habit of sending men to bed supperless." The Shaykh laughed aloud, but those around him looked offended. I thought the bravado this time mal placé; but a little event which took place on my way to Jeddah proved that it was not quite a failure.

As we advanced our escort took care to fire every large dry asclepias, to disperse the shades which buried us. Again the scene became wondrous wild:—

"Full many a waste I've wander'd o'er,
Clomb many a crag, cross'd many a shore,
But, by my halidome,
A scene so rude, so wild as this,
Yet so sublime in barrenness,
Ne'er did my wandering footsteps press,
Where'er I chanced to roam."

On either side were ribbed precipices, dark, angry, and towering above, till their summits mingled with the glooms of night; and between them formidable looked the chasm, down which our host hurried with shouts and discharges of matchlocks. The torch-smoke and the night-fires of flaming asclepias formed a canopy, sable above and livid red below, which hung over our heads like a sheet, and divided the cliffs into two equal parts. Here the fire flashed fiercely from a tall thorn, that crackled and shot up showers of sparks into the air; there it died away in lurid gleams, which lit up a truly Stygian scene. As usual, however, the picturesque had its inconveniences. There was no path. Rocks, stone-banks, and trees obstructed our passage. The camels, now blind in darkness, then dazzled by a flood of light, stumbled frequently; in some places slipping down a steep descent, in others sliding over a sheet of mud. There were furious quarrels and fierce language between camel-men and their hirers, and threats to fellow-travelers; in fact, we were united in discord. I passed that night crying "Hai! Hai!" switching the camel, and fruitlessly endeavoring to fustigate Masud's nephew, who resolutely slept upon the water-bags. During the hours of darkness we made four or five halts, when we boiled coffee and smoked pipes, but man and beasts were beginning to suffer from a deadly fatigue.

Dawn found us still traveling down the fiumara, which here is about one hundred yards broad. The granite hills on both sides were less precipitous, and the borders of the torrent-bed became natural quays of stiff clay, which showed a water-mark of from twelve to fifteen feet in height. In many parts the bed was muddy, and the moist places, as usual, caused accidents. I happened to be looking back at Shaykh Abdullah, who was then riding in old Ali bin Ya Sin's fine shugduf; suddenly the camel's four legs disappeared from under him, his right side flattening the ground, and the two riders were pitched severally out of the smashed vehicle. Abdullah started up furious, and abused the Bedouins, who were absent, with great zest. "Feed these Arabs," he exclaimed, quoting a Turkish proverb, "and they will fire at Heaven!" But I observed that, when Shaykh Masud came up, the citizen was only gruff.

We then turned northward, and sighted El Mazik, more generally known as Wady Laymun, the Valley of Limes. On the right bank of the fiumara stood the Meccan Sherif's state pavilion, green and gold: it was surrounded by his attendants, and prepared to receive the Pacha of the caravan. We advanced half a mile, and encamped temporarily in a hill-girt bulge of the fiumara bed. At 8 a.m. we had traveled about twenty-four miles from El Zaribah, and the direction of our present station was S. W. 50°.

Shaykh Masud allowed us only four hours' halt; he wished to precede the main body. After breaking our fast joyously upon limes, pomegranates, and fresh dates, we sallied forth to admire the beauties of the place. We are once more on classic ground, the ground of the ancient Arab poets:—

"Deserted is the village—waste the halting place and home
At Mina; o'er Rijam and Ghul wild beasts unheeded roam;
On Rayyan hill the channel lines have left a naked trace,
Time-worn, as primal Writ that dints the mountains flinty face;"—

and this wady, celebrated for the purity of its air, has from remote ages been a favorite resort of the Meccans. Nothing can be more soothing to the brain than the dark-green foliage of the limes and pomegranates; and from the base of the southern hill bursts a bubbling stream, whose

"Chiare, fresche e dolci acque"

flow through the garden, filling them with the most delicious of melodies, and the gladdest sound which nature in these regions knows.

Exactly at noon Masud seized the halter of the foremost camel, and we started down the fiumara. Troops of Bedouin girls looked over the orchard walls laughingly, and children came out to offer us fresh fruit and sweet water. At 2 p.m., traveling southwest, we arrived at a point where the torrent-bed turns to the right, and quitting it, we climbed with difficulty over a steep ridge of granite. Before three o'clock we entered a hill-girt plain, which my companions called "Sola." In some places were clumps of trees, and scattered villages warned us that we were approaching a city. Far to the left rose the blue peaks of Taif, and the mountain road, a white thread upon the nearer heights, was pointed out to me. Here I first saw the tree, or rather shrub, which bears the balm of Gilead, erst so celebrated for its tonic and stomachic properties. I told Shaykh to break off a twig, which he did heedlessly. The act was witnessed by our party with a roar of laughter, and the astounded Shaykh was warned that he had become subject to an atoning sacrifice. Of course he denounced me as the instigator, and I could not fairly refuse assistance. The tree has of late years been carefully described by many botanists; I will only say that the bark resembled in color a cherry-stick pipe, the inside was a light yellow, and the juice made my fingers stick together.

At 4 p.m. we came to a steep and rocky pass, up which we toiled with difficulty. The face of the country was rising once more, and again presented the aspect of numerous small basins divided and surrounded by hills. As we jogged on we were passed by the cavalcade of no less a personage than the Sherif of Meccah. Abd el Muttalib bin Ghalib is a dark, beardless old man with African features, derived from his mother. He was plainly dressed in white garments and a white muslin turban, which made him look jet-black; he rode an ambling mule, and the only emblem of his dignity was the large green satin umbrella borne by an attendant on foot. Scattered around him were about forty matchlock-men, mostly slaves. At long intervals, after their father, came his four sons, Riza Bey, Abdullah, Ali, and Ahmed, the latter still a child. The three elder brothers rode splendid dromedaries at speed; they were young men of light complexion, with the true Meccan cast of features, showily dressed in bright-colored silks, and armed, to denote their rank, with sword and gold-hilted dagger.

We halted as evening approached, and strained our eyes, but all in vain, to catch sight of Meccah, which lies in a winding valley. By Shaykh Abdullah's direction I recited, after the usual devotions, the following prayer. The reader is forewarned that it is difficult to preserve the flowers of Oriental rhetoric in a European tongue.

"O Allah! verily this is thy safeguard (Amn) and thy Sanctuary (Haram)! Into it whoso entereth becometh safe (Amin). So deny (Harrim) my flesh and blood, my bones and skin, to hell-fire. O Allah! Save me from thy wrath on the day when thy servants shall be raised from the dead. I conjure thee by this that thou art Allah, besides whom is none (thou only), the merciful, the compassionate. And have mercy upon our lord Mohammed, and upon the progeny of our lord Mohammed, and upon his followers, one and all!" This was concluded with the "Talbiyat," and with an especial prayer for myself.

We again mounted, and night completed our disappointment. About 1 a.m. I was aroused by general excitement. "Meccah! Meccah!" cried some voices. "The Sanctuary! O the Sanctuary!" exclaimed others; and all burst into loud "Labbayk," not unfrequently broken by sobs. I looked out from my litter, and saw by the light of the southern stars the dim outlines of a large city, a shade darker than the surrounding plain. We were passing over the last ridge by a "winding path" flanked on both sides by watch-towers, which command the "Darb el Maala," or road leading from the north into Meccah. Thence we passed into the Maabidah (northern suburb), where the Sherif's palace is built. After this, on the left hand, came the deserted abode of the Sherif bin Aun, now said to be a "haunted house."106 Opposite to it lies the Jannat el Maala, the holy cemetery of Meccah. Thence, turning to the right, we entered the Sulaymaniyah or Afghan quarter. Here the boy Mohammed, being an inhabitant of the Shamiyah or Syrian ward, thought proper to display some apprehension. These two are on bad terms; children never meet without exchanging volleys of stones, and men fight furiously with quarter-staves. Sometimes, despite the terrors of religion, the knife and sabre are drawn. But these hostilities have their code. If a citizen be killed, there is a subscription for blood-money. An inhabitant of one quarter, passing singly through another, becomes a guest; once beyond the walls, he is likely to be beaten to insensibility by his hospitable foes.

At the Sulaymaniyah we turned off the main road into a by-way, and ascended by narrow lanes the rough heights of Jebel Hindi, upon which stands a small whitewashed and crenellated building called a "fort." Thence descending, we threaded dark streets, in places crowded with rude cots and dusky figures, and finally at 2 a.m. we found ourselves at the door of the boy Mohammed's house.

We arrived on the morning of Sunday the 7th Zu'l Hijjah (11th September, 1853), and had one day before the beginning of the pilgrimage to repose and visit the Haram. From El Medinah to Meccah the distance, according to my calculation, was 248 English miles, which was accomplished in eleven marches.

ROBERT BURTON

(1577-1640)

There are some books of which every reader knows the names, but of whose contents few know anything, excepting as the same may have come to them filtered through the work of others. Of these, Burton's 'Anatomy of Melancholy' is one of the most marked instances. It is a vast storehouse from which subsequent authors have always drawn and continue to draw, even as Burton himself drew from others,—though without always giving the credit which with him was customary. Few would now have the courage to read it through, and probably fewer still could say with Dr. Johnson that it "was the only book that ever took him out of bed two hours sooner than he wished to rise."

Robert Burton

Of Robert Burton himself very little is known. He was born in 1577, a few years later than Shakespeare,—probably at Lindley, in Leicestershire; and died at Oxford in 1640. He had some schooling at Sutton Coldfield in Warwickshire, and was sent to Brasenose College at Oxford in 1593; was elected a student at Christ Church College in 1599, and took his degree of B.D. in 1614. He was then thirty-seven years of age. Why he should have been so long in reaching his degree, does not appear. Two years later he was presented by the Dean and Chapter of Christ Church to the vicarage of St. Thomas in the suburbs of Oxford. To this, about 1630, through presentation by George, Lord Berkeley, was added the rectory of Segrave in Leicestershire, and he retained both livings until his death. This is about the sum and substance of his known history. Various legends remain regarding him; as, that he was very good and jolly company, a most learned scholar, very ready in quotations from the poets and classical authors,—and indeed no reader of the 'Anatomy' could imagine otherwise. Yet was he of a melancholy disposition, and it is said that "he composed this book with a view of relieving his own melancholy, but increased it to such a degree that nothing could make him laugh but going to the foot-bridge and hearing the ribaldry of the bargemen, which rarely failed to throw him into a violent fit of laughter." He says himself, "I write of melancholy, by being busie, to avoid melancholy." He was expert in the calculation of nativities, and cast his own horoscope; having determined in which, the time at which his death should occur, it was afterward shrewdly believed that he took measures to insure the fulfillment of the prophecy.

His life was almost wholly spent in his study at Oxford. He was a wide and curious reader, and the book to the composition of which he devoted himself quotes authorities without end. All was fish which came to his net: divines, poets, astrologists, doctors, philosophers, men of science, travelers, romancers—he draws from the whole range of literature; and often page after page—scores and hundreds of pages,—is filled with quotations, sometimes of two or three words only, sometimes translated and sometimes not, an almost inextricable network of facts, of fancies, and of phrases. He says: "As those old Romans rob'd all the cities of the world, to set out their bad-sited Rome, we skim off the cream of other men's wits, pick the choice flowers of their till'd gardens to set out our own steril plots."

Yet when he sets about it, his handling is steady and assured, and he has distinctly the literary touch, as well as the marks of genius; having a very great quaintness withal. The title of his famous book is 'The Anatomy of Melancholy. What It Is, with All the Kinds, Causes, Symptoms, Prognostics, and several Cures of it. In three Partitions. With their several Sections, Members, and Sub-sections, Philosophically, Medically, Historically Opened and Cut Up. By Democritus Junior.' The first edition appears to have been issued in 1621. He continued to modify and enlarge it from time to time throughout his life; and for the sixth edition, which appeared some years after his death, he prepared a long address to the reader, describing his student life, accounting for his choice of subject, and full of quaint fancies and scathing criticisms of the ill habits and weaknesses of mankind.

"Melancholy" means with Burton Melancholia, but it means also all sorts of insanity, and apparently all affections of the mind or spirit, sane or insane. On the one hand he heaps up, in page after page and chapter after chapter, all the horrid ills to which flesh is heir, or which it cultivates for itself, and paints the world as a very pandemonium of evil and outrage. And anon the air blows soft and sweet, the birds sing, both brotherly love and domestic happiness are possible, and

"God's in his heaven, all's right with the world."

To the first volume is prefixed 'The Author's Abstract of Melancholy,' beginning:—

"When I go musing all alone,
Thinking of divers things foreknown,
When I build castles in the ayr,
Void of sorrow and void of feare
Pleasing myself with phantasms sweet,
Methinks the time runs very fleet.
All my joys to this are folly,
Naught so sweet as melancholy."

It does not need an expert to tell, after reading this, whence Milton drew the suggestion of 'L'Allegro' and 'Il Penseroso.'

CONCLUSIONS AS TO MELANCHOLY

Generally thus much we may conclude of melancholy: that it is most pleasant at first, I say, mentis gratissimus error, a most delightsome humor, to be alone, dwell alone, walk alone, meditate, lie in bed whole days, dreaming awake as it were, and frame a thousand phantastical imaginations unto themselves. They are never better pleased than when they are so doing; they are in Paradise for the time, and cannot well endure to be interrupt; with him in the Poet:—

"—pol! me occidistis, amici,
Non servâstis, ait:"

you have undone him, he complains, if you trouble him: tell him what inconvenience will follow, what will be the event, all is one, canis ad vomitum, 'tis so pleasant he cannot refrain. He may thus continue peradventure many years by reason of a strong temperature, or some mixture of business, which may divert his cogitations: but at the last læsa imaginatio, his phantasy is crazed, & now habituated to such toys, cannot but work still like a fate; the Scene alters upon a sudden; Fear and Sorrow supplant those pleasing thoughts, suspicion, discontent, and perpetual anxiety succeed in their places; so little by little, by that shoeing-horn of idleness, and voluntary solitariness, Melancholy this feral fiend is drawn on, et quantum vertice ad auras Æthereas, tantum radice in Tartara tendit; "extending up, by its branches, so far towards Heaven, as, by its roots, it does down towards Tartarus;" it was not so delicious at first, as now it is bitter and harsh: a cankered soul macerated with cares and discontents, tædium vitæ, impatience, agony, inconstancy, irresolution, precipitate them unto unspeakable miseries. They cannot endure company, light, or life itself, some unfit for action, and the like. Their bodies are lean and dried up, withered, ugly; their looks harsh, very dull, and their souls tormented, as they are more or less entangled, as the humor hath been intended, or according to the continuance of time they have been troubled.

To discern all which symptoms the better, Rhasis the Arabian makes three degrees of them. The first is falsa cogitatio, false conceits and idle thoughts: to misconstrue and amplify, aggravating everything they conceive or fear: the second is falso cogitatio loqui, to talk to themselves, or to use inarticulate incondite voices, speeches, obsolete gestures, and plainly to utter their minds and conceits of their hearts, by their words and actions, as to laugh, weep, to be silent, not to sleep, eat their meat, &c.; the third is to put in practice that which they think or speak. Savanarola, Rub. II, Tract. 8, cap. 1, de ægritudine, confirms as much: when he begins to express that in words, which he conceives in his heart, or talks idly, or goes from one thing to another, which Gordonius calls nec caput habentia nec caudam [having neither head nor tail], he is in the middle way: but when he begins to act it likewise, and to put his fopperies in execution, he is then in the extent of melancholy, or madness itself. This progress of melancholy you shall easily observe in them that have been so affected, they go smiling to themselves at first, at length they laugh out; at first solitary, at last they can endure no company, or if they do, they are now dizzards, past sense and shame, quite moped, they care not what they say or do; all their actions, words, gestures, are furious or ridiculous. At first his mind is troubled, he doth not attend what is said, if you tell him a tale, he cries at last, What said you? but in the end he mutters to himself, as old women do many times, or old men when they sit alone; upon a sudden they laugh, whoop, halloo, or run away, and swear they see or hear Players, Devils, Hobgoblins, Ghosts, strike, or strut, &c., grow humorous in the end: like him in the Poet, sæpe ducentos sæpe decem servos [he often keeps two hundred slaves, often only ten], he will dress himself, and undress, careless at last, grows insensible, stupid or mad. He howls like a wolf, barks like a dog, and raves like Ajax and Orestes, hears Music and outcries which no man else hears....

Who can sufficiently speak of these symptoms, or prescribe rules to comprehend them? As Echo to the painter in Ausonius, vane, quid affectas, &c.—foolish fellow, what wilt? if you must needs paint me, paint a voice, et similem si vis pingere, pinge sonum; if you will describe melancholy, describe a phantastical conceit, a corrupt imagination, vain thoughts and different, which who can do? The four-and-twenty letters make no more variety of words in divers languages, than melancholy conceits produce diversity of symptoms in several persons. They are irregular, obscure, various, so infinite, Proteus himself is not so diverse; you may as well make the Moon a new coat, as a true character of a melancholy man; as soon find the motion of a bird in the air, as the heart of man, a melancholy man. They are so confused, I say, diverse, intermixt with other diseases. As the species be confounded (which I have shewed) so are the symptoms; sometimes with headache, cachexia, dropsy, stone, (as you may perceive by those several examples and illustrations, collected by Hildesheim, spicel. 2, Mercurialis, consil. 118, cap. 6 et 11), with headache, epilepsy, priapismus (Trincavellius, consil. 12, lib. I, consil. 49), with gout, caninus appetitus (Montanus, consil. 26, &c., 23, 234, 249), with falling-sickness, headache, vertigo, lycanthropia, &c. (J. Cæsar Claudinus, consult. 4, consult. 89 et 116), with gout, agues, hæmrods, stone, &c. Who can distinguish these melancholy symptoms so intermixt with others, or apply them to their several kinds, confine them into method? 'Tis hard I confess, yet I have disposed of them as I could, and will descend to particularize them according to their species. For hitherto I have expatiated in more general lists or terms, speaking promiscuously of such ordinary signs, which occur amongst writers. Not that they are all to be found in one man, for that were to paint a Monster or Chimæra, not a man; but some in one, some in another, and that successively, or at several times.

Which I have been the more curious to express and report, not to upbraid any miserable man, or by way of derision (I rather pity them), but the better to discern, to apply remedies unto them; and to shew that the best and soundest of us all is in great danger; how much we ought to fear our own fickle estates, remember our miseries and vanities, examine and humiliate ourselves, seek to God, and call to him for mercy, that needs not look for any rods to scourge ourselves, since we carry them in our bowels; and that our souls are in a miserable captivity, if the light of grace and heavenly truth doth not shine continually upon us; and by our discretion to moderate ourselves, to be more circumspect and wary in the midst of these dangers.

HORACE BUSHNELL

(1802-1876)

BY THEODORE T. MUNGER

Horace Bushnell was born in 1802 in Litchfield, Connecticut, and reared in New Preston, a hamlet near by. He was graduated at Yale College in 1827, and after a year of editorial service on the Journal of Commerce in New York he became tutor in Yale College, studied theology at the same time, and in 1833 was settled in the ministry over a Congregational church in Hartford, Connecticut. He resigned his charge in 1853 on account of ill health, but lived till 1876, filling the years to the last with arduous study and authorship. He published three volumes of sermons, two of essays and addresses, a treatise on Women's Suffrage, under the title 'A Reform against Nature,' and five treatises of a theological character. Each of the latter was a distinct challenge to the prevailing thought of his day, and involved him in suspicion and accusation that well-nigh cost him his ecclesiastical standing. It is now generally acknowledged that he led the way into the new world of theological thought which has since opened so widely, and thereby rendered great and enduring service to the Christian faith.

Horace Bushnell

It is enough to say of his work in this respect that it was characterized by a mingling of the thought of the first three centuries, and of the modern spirit which had found its way from Germany into England through Coleridge. The two did not always agree well, and the latter is the predominating feature in all his writings. He was the first theologian in New England to admit fully into his thought the modern sense of Nature, as it is found in the literature of the early part of the century, and notably in Wordsworth and Coleridge. Dr. Bushnell was not a student of this literature beyond a thorough and sympathetic study of 'The Aids to Reflection,' but through this open door the whole spirit of that great thought movement entered his mind and found a congenial home. The secret of this movement was a spiritual interpretation of nature. It was a step in the evolution of human thought; and appearing first in literature, its natural point of entrance, it was sure to reach all forms of thought, as in time to come it will reach all forms of social life. The thing that the world is rapidly learning is, that not only is the world God's but that God is in his world. Bushnell was by nature immensely open to this thought, and its undertone can be heard in almost every page of his writings. It was this that gave value to his works and made them exceptional in his day and place. Each of his great treatises is, with more or less distinctness, an effort to put natural things and divine things into some sort of relevance and oneness.

He took the path by which superior minds have always found their way into new realms of truth. They do not pass from one school to another, but instead rise into some new or some larger conception of nature and start afresh. All gains in philosophy and religion and civilization have been made by further inroads into nature, and never in any other way. Dr. Bushnell, with the unerring instinct of a discoverer, struck this path and kept it to the end. At the bottom of all his work lies a profound sense of nature, of its meaning and force in the realm of the spirit. He did not deny a certain antithesis between nature and the supernatural, but he so defined the latter that the two could be embraced in the one category of nature when viewed as the ascertained order of God in creation. The supernatural is simply the realm of freedom, and it is as natural as the physical realm of necessity. Thus he not only got rid of the traditional antinomy between them, but led the way into that conception of the relation of God to his world which more and more is taking possession of modern thought. In his essay on Language he says (and the thought is always with him as a governing principle):—"The whole universe of nature is a perfect analogon of the whole universe of thought or spirit. Therefore, as nature becomes truly a universe only through science revealing its universal laws, the true universe of thought and spirit cannot sooner be conceived." Thus he actually makes the revelation of spiritual truth wait on the unfolding of the facts and laws of the world of nature. There is something pathetic in the attitude of this great thinker sitting in the dark, waiting for disclosures in nature that would substantiate what he felt was true in the realm of the spirit. A generation later he would have seen the light for which he longed—a light that justifies the central point of all his main contentions.

His first and most important work, 'Christian Nurture,' contended that the training of children should be according to nature,—not in the poor sense of Rousseau, but that it should be divinely natural. So 'Nature and the Supernatural,' whatever place may be accorded to the book to-day, was an effort to bring the two terms that were held as opposite and contradictory, into as close relation as God is to his laws in nature. So in 'The Vicarious Sacrifice' his main purpose was to take a doctrine that had been dwarfed out of its proper proportions, and give to it the measure of God's love and the manner of its action in human life. Dr. Bushnell may or may not have thought with absolute correctness on these themes, but he thought with consummate ability, he wrote with great eloquence and power, and he left many pages that are to be cherished as literature, while theologically they "point the way we are going."

One of the most characteristic and interesting things about Dr. Bushnell is the method he took to find his way between this spiritual view of things and that world of theological orthodoxy where he stood by virtue of his profession. It was a very hard and dry world,—a world chiefly of definitions,—but it covered vital realities, and so must have had some connection with the other world. Dr. Bushnell bridged the chasm by a theory of language which he regarded as original with himself. It was not new, but he elaborated it in an original way and with great ability. In its main feature it was simply a claim to use in theology the symbolism of poetry; it regarded language as something that attempts to make one feel the inexpressible truth, rather than a series of definitions which imply that it can be exactly stated in words; it held that truth is larger than any form which attempts to express it; it images and reflects truth instead of defining it.

This theory might be assumed without so long explication as he gave, but it was greatly needed in the theological world, which at that time was sunk in a sea of metaphysical definition, and consumed with a lust for explaining everything in heaven and earth in terms of alphabetic plainness. Dr. Bushnell was not only justified by the necessity of his situation in resorting to his theory, but he had the right which every man of genius may claim for himself. Any one whose thought is broader than that about him, whose feeling is deeper, whose imagination is loftier, is entitled to such a use of language as shall afford him fullest expression; for he alone knows just how much of thought, feeling, and imagination, how much of himself, he puts into his words; they are coin whose value he himself has a right to indicate by his own stamp. There is no pact with others to use language in any given way, except upon some very broad basis as to the main object of language. The first object is not to secure definite and comprehensive understanding, but to give expression, and to start thought which may lead to full understanding—as the parable hides the thought until you think it out.

Dr. Bushnell's theory did not blind the ordinary reader. No writer is more easily apprehended by the average mind if he has any sympathy with the subjects treated; but it was an inconvenient thing for his theological neighbors to manage. While they insisted on "the evident meaning of the words,"—a mischievous phrase,—he was breathing his meaning into attentive souls by the spirit which he had contrived to hide within his words. It is a way that genius has,—as Abt Vogler says:—

"But God has a few of us whom he whispers in the ear:
The rest may reason and welcome: 'tis we musicians know."

The first thing that brought Dr. Bushnell out of the world of theology into the world of literature was his oration before the Phi Beta Kappa Society at Harvard College in 1848. He had achieved a reputation as a preacher of remarkable insight for such as had ears to hear, and he was already in the thick of theological controversy; but his fine power of expression and breadth of thought had not been specially noticed. This oration introduced him into the world of letters. Mr. J. T. Fields—the most discerning critic of the day—said to the writer that the oration was heard with surprise and delight, and that it gave the speaker an assured place in the ranks of literature. That he should have been so readily welcomed by the literary guild is not strange, for the title of his oration—'Work and Play'—led the way into a discussion of the secret that underlies all works of genius. For once, the possessor of the divine gift heard its secret revealed and himself explained to himself; his work was set before him as the full play of his spirit. Beginning with nature, where our author always began, and finding there a free and sportive element, he carries it into human life; making the contention that its aim should be, and that its destiny will be, to free itself from the constraint of mere work and rise into that natural action of the faculties which may be called play—a moral and spiritual process. His conclusion is that—

"if the world were free,—free, I mean, of themselves; brought up, all, out of work into the pure inspiration of truth and charity,—new forms of personal and intellectual beauty would appear, and society itself reveal the Orphic movement. No more will it be imagined that poetry and rhythm are accidents or figments of the race, one side of all ingredient or ground of nature. But we shall know that poetry is the real and true state of man; the proper and last ideal of souls, the free beauty they long for, and the rhythmic flow of that universal play in which all life would live."

The key to Dr. Bushnell is to be found in this passage, and it is safe to say of him that in hardly a page of a dozen volumes is he false to it. He is always a poet, singing out of "the pure inspiration of truth and charity," and keeping ever in mind that poetry and rhythm are not figments outside of nature, but the real and true state of man and the proper and last ideal of souls.

The centrality of this thought is seen in his style. It is a remarkable style, and is only to be appreciated when the man is understood. It is made up of long sentences full of qualifying phrases until the thought is carved into perfect exactness; or—changing the figure—shade upon shade is added until the picture and conception are alike. But with all this piling up of phrases, he not only did not lose proportion and rhythm, but so set down his words that they read like a chant and sound like the breaking of waves upon the beach. Nor does he ever part with poetry in the high sense in which he conceived it. I will not compare his style, as to merit, with that of Milton and Jeremy Taylor and Sir Thomas Browne, but he belongs to their class; he has the same majestic swing, and like them he cannot forbear singing, whatever he may have to say. His theme may be roads, or city plans, or agriculture, or emigration, or the growth of law; yet he never fails of lifting his subject into that higher world of the imagination where the real truth of the subject is to be found, and is made to appear as poetry. It would be unjust to identify him so thoroughly with the poets if it should lead to the thought that he was not a close and rigorous thinker. It should not be forgotten that all great prose-writers, from Plato down to Carlyle and Emerson, stand outside of poetry only by virtue of their form and not by virtue of their thought; indeed, poet and thinker are interchangeable names. Dr. Bushnell wrote chiefly on theology, and the value and efficacy of his writings lie in the fact that imagination and fact, thought and sentiment, reason and feeling, are each preserved and yet so mingled as to make a single impression.

This combination of two realms or habits of thought appears on every page. He was, as Novalis said of Spinoza, "A God-intoxicated man," but it was God as containing humanity in himself. His theology was a veritable Jacob's ladder, on which the angels of God ascend and descend; and if in his thought they descended before they ascended, it was because he conceived of humanity as existing in God before it was manifest in creation; and if his head was among the stars, his feet were always firmly planted on the earth. This twofoldness finds a curious illustration in the sub-titles of several of his books. 'The Vicarious Sacrifice' does not spring alone out of the divine nature, but is 'Grounded in Principles of Universal Obligation.' 'Nature and the Supernatural'—the great antithesis in theology—constitute 'The One System of God.' 'Women's Suffrage' is 'The Reform against Nature'—the best book, I must be permitted to say, on either side of this much-debated question.

It is a popular impression of Dr. Bushnell that he was the subject of his imagination, and that it ran away with him in the treatment of themes which required only severe thought: the impression is a double mistake: theology does not call for severe thought, alone nor mainly; but first and chiefly for the imagination, and the seeing and interpreting eye that usually goes with it; its object is to find spirit under form, to discover what the logos expresses. For this the imagination is the chief requisite. It is not a vagrant and irresponsible faculty, but an inner eye whose vision is to be trusted like that of the outer; it has in itself the quality of thought, and is not a mere picture-making gift. Dr. Bushnell trained his imagination to work on certain definite lines, and for a definite end—namely, to bring out the spiritual meaning hidden within the external form. He worked in the spirit of Coleridge's words:—

"I had found
That outward forms the loftiest, still receive
Their finer influence from the Life within."

No analysis or recapitulation of his works can be given in these preliminary words. Perhaps his most influential book is the first, 'Christian Nurture'; while a treatise for the household, it was surcharged with theological opinions which proved to be revolutionary and epoch-making. 'The Vicarious Sacrifice' has most affected the pulpit. 'Nature and the Supernatural,' the tenth chapter of which has become a classic, has done great service in driving out the extreme dualism that invested the subject of God's relation to creation. His ablest essay is the treatise on Language; the most literary is that on 'Work and Play'; the most penetrating in its insight is 'Our Gospel a Gift to the Imagination'; the most personal and characteristic is 'The Age of Homespun.' His best sermon is always the one last read; and they are perhaps his most representative work. The sermon is not usually ranked as belonging to literature, but no canon excludes those preached by this great man. They are timeless in their truth, majestic in their diction, commanding in their moral tone, penetrating in their spirituality, and pervaded by that quality without which a sermon is not one—the divine uttering itself to the human. There is no striving and crying in the streets, no heckling of saints nor dooming of sinners, no petty debates over details of conduct, no dogmatic assumption, no logical insistence, but only the gentle and mighty persuasions of truth, coming as if breathed by the very spirit of God.

Language was to him "the sanctuary of thought," and these sermons are the uttered worship in that temple where reason and devotion are one.

WORK AND PLAY

From 'Work and Play'

Let me call to my aid, then, some thoughtful spirit in my audience: not a poet, of necessity, or a man of genius, but a man of large meditation, one who is accustomed to observe, and, by virtue of the warm affinities of a living heart, to draw out the meanings that are hid so often in the humblest things. Returning into the bosom of his family in some interval of care and labor, he shall come upon the very unclassic and certainly unimposing scene,—his children and a kitten playing on the floor together; and just there, possibly, shall meet him suggestions more fresh and thoughts of higher reach concerning himself and his race, than the announcement of a new-discovered planet or the revolution of an empire would incite. He surveys with a meditative feeling this beautiful scene of muscular play,—the unconscious activity, the exuberant life, the spirit of glee,—and there rises in his heart the conception that possibly he is here to see the prophecy or symbol of another and higher kind of play, which is the noblest exercise and last end of man himself. Worn by the toils of years, perceiving with a sigh that the unconscious joy of motion here displayed is spent in himself, and that now he is effectually tamed to the doom of a working creature, he may yet discover, in the lively sympathy with play that bathes his inward feeling, that his soul is playing now,—enjoying, without the motions, all it could do in them; manifold more than it could if he were down upon the floor himself, in the unconscious activity and lively frolic of childhood. Saddened he may be to note how time and work have changed his spirit and dried away the playful springs of animal life in his being; yet he will find, or ought, a joy playing internally over the face of his working nature, which is fuller and richer as it is more tranquil; which is to the other as fulfillment to prophecy, and is in fact the prophecy of a better and far more glorious fulfillment still.

Having struck in this manner the great world-problem of work and play, his thoughts kindle under the theme, and he pursues it. The living races are seen at a glance to be offering in their history everywhere a faithful type of his own. They show him what he himself is doing and preparing—all that he finds in the manifold experience of his own higher life. They have, all, their gambols; all, their sober cares and labors. The lambs are sporting on the green knoll; the anxious dams are bleating to recall them to their side. The citizen beaver is building his house by a laborious carpentry; the squirrel is lifting his sail to the wind on the swinging top of the tree. In the music of the morning, he hears the birds playing with their voices, and when the day is up, sees them sailing round in circles on the upper air, as skaters on a lake, folding their wings, dropping and rebounding, as if to see what sport they can make of the solemn laws that hold the upper and lower worlds together. And yet these play-children of the air he sees again descending to be carriers and drudges; fluttering and screaming anxiously about their nest, and confessing by that sign that not even wings can bear them clear of the stern doom of work. Or, passing to some quiet shade, meditating still on this careworn life, playing still internally with ideal fancies and desires unrealized, there returns upon him there, in the manifold and spontaneous mimicry of nature, a living show of all that is transpiring in his own bosom; in every flower some bee humming over his laborious chemistry and loading his body with the fruits of his toil; in the slant sunbeam, populous nations of motes quivering with animated joy, and catching, as in play, at the golden particles of the light with their tiny fingers. Work and play, in short, are the universal ordinance of God for the living races; in which they symbolize the fortune and interpret the errand of man. No creature lives that must not work and may not play.

Returning now to himself and to man, and meditating yet more deeply, as he is thus prepared to do, on work and play, and play and work, as blended in the compound of our human life; asking again what is work and what is play, what are the relations of one to the other, and which is the final end of all, he discovers in what he was observing round him a sublimity of import, a solemnity even, that is deep as the shadow of eternity.

I believe in a future age yet to be revealed, which is to be distinguished from all others as the godly or godlike age,—an age not of universal education simply, or universal philanthropy, or external freedom, or political well-being, but a day of reciprocity and free intimacy between all souls and God. Learning and religion, the scholar and the Christian, will not be divided as they have been. The universities will be filled with a profound spirit of religion, and the bene orâsse will be a fountain of inspiration to all the investigations of study and the creations of genius.

I raise this expectation of the future, not because some prophet of old time has spoken of a day to come when "the streets of the city shall be full of boys and girls playing in the streets thereof" (for I know not that he meant to be so interpreted), but because I find a prophecy of play in our nature itself which it were a violation of all insight not to believe will sometime be fulfilled. And when it is fulfilled it will be found that Christianity has at last developed a new literary era, the era of religious love.

Hitherto the passion of love has been the central fire of the world's literature. The dramas, epics, odes, novels, and even histories, have spoken to the world's heart chiefly through this passion, and through this have been able to get their answer. For this passion is a state of play, wherein the man loses himself in the ardor of a devotion regardless of interest, fear, care, prudence, and even of life itself. Hence there gathers round the lover a tragic interest, and we hang upon his destiny as if some natural charm or spell were in it. Now this passion of love, which has hitherto been the staple of literature, is only a crude symbol in the life of nature, by which God designs to interpret, and also to foreshadow, the higher love of religion,—nature's gentle Beatrice, who puts her image in the youthful Dante, by that to attend him afterwards in the spirit-flight of song, and be his guide up through the wards of Paradise to the shining mount of God. What then are we to think, but that God will sometime bring us up out of the literature of the lower love, into that of the higher?—that as the age of passion yields to the age of reason, so the crude love of instinct will give place to the loftier, finer, more impelling love of God? And then around that nobler love, or out of it, shall arise a new body of literature, as much more gifted as the inspiration is purer and more intellectual. Beauty, truth, and worship; song, science, and duty, will all be unfolded together in this common love.

FROM 'THE AGE OF HOMESPUN'

Most of all to be remembered are those friendly circles gathered so often round the winter's fire; not the stove, but the fire, the brightly blazing, hospitable fire. In the early dusk, the home circle is drawn more closely and quietly round it; but a good neighbor and his wife drop in shortly from over the way, and the circle begins to spread. Next, a few young folk from the other end of the village, entering in brisker mood, find as many more chairs set in as wedges into the periphery to receive them also. And then a friendly sleighful of old and young that have come down from the hill to spend an hour or two, spread the circle again, moving it still farther back from the fire; and the fire blazes just as much higher and more brightly, having a new stick added for every guest. There is no restraint, certainly no affectation of style. They tell stories, they laugh, they sing. They are serious and gay by turns, or the young folks go on with some play, while the fathers and mothers are discussing some hard point of theology in the minister's last sermon, or perhaps the great danger coming to sound morals from the multiplication of turnpikes and newspapers! Meantime the good housewife brings out her choice stock of home-grown exotics, gathered from three realms—doughnuts from the pantry, hickory-nuts from the chamber, and the nicest, smoothest apples from the cellar; all which, including, I suppose I must add, the rather unpoetic beverage that gave its acid smack to the ancient hospitality, are discussed as freely, with no fear of consequences. And then, as the tall clock in the corner of the room ticks on majestically towards nine, the conversation takes, it may be, a little more serious turn, and it is suggested that a very happy evening may fitly be ended with a prayer. Whereupon the circle breaks up with a reverent, congratulative look on every face, which is itself the truest language of a social nature blessed in human fellowship.

Such, in general, was the society of the homespun age....

Passing to the church, or rather I should say, to the meeting-house—good translation, whether meant or not, of what is older and more venerable than church, viz., synagogue—here again you meet the picture of a sturdy homespun worship. Probably it stands on some hill, midway between three or four valleys, whither the tribes go up to worship, and, when the snow-drifts are deepest, go literally from strength to strength. There is no furnace or stove save the foot-stoves that are filled from the fires of the neighboring houses, and brought in partly as a rather formal compliment to the delicacy of the tender sex, and sometimes because they are really wanted. The dress of the assembly is mostly homespun, indicating only slight distinctions of quality in the worshipers. They are seated according to age,—the old king Lemuels and their queens in front, near the pulpit, and the younger Lemuels farther back, inclosed in pews, sitting back to back, impounded, all, for deep thought and spiritual digestion; only the deacons, sitting close under the pulpit by themselves, to receive, as their distinctive honor, the more perpendicular droppings of the Word. Clean round the front of the gallery is drawn a single row of choir, headed by the key-pipe in the centre. The pulpit is overhung by an august wooden canopy called a sounding-board—study general, of course, and first lesson of mystery to the eyes of the children, until what time their ears are opened to understand the spoken mysteries.

There is no affectation of seriousness in the assembly, no mannerism of worship; some would say too little of the manner of worship. They think of nothing, in fact, save what meets their intelligence and enters into them by that method. They appear like men who have a digestion for strong meat, and have no conception that trifles more delicate can be of any account to feed the system. Nothing is dull that has the matter in it, nothing long that has not exhausted the matter. If the minister speaks in his great-coat and thick gloves or mittens, if the howling blasts of winter drive in across the assembly fresh streams of ventilation that move the hair upon their heads, they are none the less content, if only he gives them good strong exercise. Under their hard and, as some would say, stolid faces, great thoughts are brewing, and these keep them warm. Free-will, fixed fate, foreknowledge absolute, trinity, redemption, special grace, eternity—give them anything high enough, and the tough muscle of their inward man will be climbing sturdily into it; and if they go away having something to think of, they have had a good day. A perceptible glow will kindle in their hard faces only when some one of the chief apostles, a Day, a Smith, or a Bellamy, has come to lead them up some higher pinnacle of thought or pile upon their sturdy minds some heavier weight of argument—fainting never under any weight, even that which, to the foreign critics of the discourses preached by them and others of their day, it seems impossible for any, the most cultivated audience in the world, to have supported. These royal men of homespun—how great a thing to them was religion!

The sons and daughters grew up, all, as you will perceive, in the closest habits of industry. The keen jocky way of whittling out a living by small bargains sharply turned, which many suppose to be an essential characteristic of the Yankee race, is yet no proper inbred distinction, but only a casual result, or incident, that pertains to the transition period between the small, stringent way of life in the previous times of home-production and the new age of trade. In these olden times, these genuine days of homespun, they supposed, in their simplicity, that thrift represented work, and looked about seldom for any more delicate and sharper way of getting on. They did not call a man's property his fortune, but they spoke of one or another as being worth so much; conceiving that he had it laid up as the reward or fruit of his deservings. The house was a factory on the farm, the farm a grower and producer for the house. The exchanges went on briskly enough, but required neither money nor trade. No affectation of polite living, no languishing airs of delicacy and softness indoors, had begun to make the fathers and sons impatient of hard work out of doors, and set them at contriving some easier and more plausible way of living. Their very dress represented work, and they went out as men whom the wives and daughters had dressed for work; facing all weather, cold and hot, wet and dry, wrestling with the plow on the stony-sided hills, digging out the rocks by hard lifting and a good many very practical experiments in mechanics, dressing the flax, threshing the rye, dragging home, in the deep snows, the great woodpile of the year's consumption; and then when the day is ended—having no loose money to spend in taverns—taking their recreation all together in reading or singing or happy talk or silent looking in the fire, and finally in sleep—to rise again with the sun and pray over the family Bible for just such another good day as the last. And so they lived, working out, each year, a little advance of thrift, just within the line of comfort.

No mode of life was ever more expensive: it was life at the expense of labor too stringent to allow the highest culture and the most proper enjoyment. Even the dress of it was more expensive than we shall ever see again. Still it was a life of honesty and simple content and sturdy victory. Immoralities that rot down the vigor and humble the consciousness of families were as much less frequent as they had less thought of adventure; less to do with travel and trade and money, and were closer to nature and the simple life of home.

It was also a great point, in this homespun mode of life, that it imparted exactly what many speak of only with contempt—a closely girded habit of economy. Harnessed all together into the producing process, young and old, male and female, from the boy that rode the plow-horse to the grandmother knitting under her spectacles, they had no conception of squandering lightly what they all had been at work, thread by thread and grain by grain, to produce. They knew too exactly what everything cost, even small things, not to husband them carefully. Men of patrimony in the great world, therefore, noticing their small way in trade or expenditure, are ready, as we often see, to charge them with meanness—simply because they knew things only in the small; or, what is not far different, because they were too simple and rustic to have any conception of the big operations by which other men are wont to get their money without earning it, and lavish the more freely because it was not earned. Still, this knowing life only in the small, it will be found, is really anything but meanness.

THE FOUNDERS

From 'Work and Play'

There is a class of writers and critics in our country, who imagine it is quite clear that our fathers cannot have been the proper founders of our American liberties, because it is in proof that they were so intolerant and so clearly unrepublican often in their avowed sentiments. They suppose the world to be a kind of professor's chair, and expect events to transpire logically in it. They see not that casual opinions, or conventional and traditional prejudices, are one thing, and that principles and morally dynamic forces are often quite another; that the former are the connectives only of history, the latter its springs of life; and that if the former serve well enough as providential guards and moderating weights overlying the deep geologic fires and subterranean heavings of the new moral instincts below, these latter will assuredly burst up at last in strong mountains of rock, to crest the world. Unable to conceive such a truth, they cast about them accordingly to find the paternity of our American institutions in purely accidental causes. We are clear of aristocratic orders, they say, because there was no blood of which to make an aristocracy; independent of king and parliament, because we grew into independence under the natural effects of distance and the exercise of a legislative power; republican, because our constitutions were cast in the molds of British law; a wonder of growth in riches, enterprise, and population, because of the hard necessities laid upon us, and our simple modes of life.

There is yet another view of this question, that has a far higher significance. We do not understand, as it seems to me, the real greatness of our institutions when we look simply at the forms under which we hold our liberties. It consists not in these, but in the magnificent possibilities that underlie these forms as their fundamental supports and conditions. In these we have the true paternity and spring of our institutions; and these, beyond a question, are the gift of our founders.

We see this, first of all, in the fixed relation between freedom and intelligence, and the remarkable care they had of popular education. It was not their plan to raise up a body of republicans. But they believed in mind as in God. Their religion was the choice of mind. The gospel they preached must have minds to hear it; and hence the solemn care they had, even from the first day of their settlement, of the education of every child. And, as God would have it, the children whom they trained up for pillars in the church turned out also to be more than tools of power. They grew up into magistrates, leaders of the people, debaters of right and of law, statesmen, generals, and signers of declarations for liberty. Such a mass of capacity had never been seen before in so small a body of men. And this is the first condition of liberty—the Condensation of Power. For liberty is not the license of an hour; it is not the butchery of a royal house, or the passion that rages behind a barricade, or the caps that are swung or the vivas shouted at the installing of a liberator. But it is the compact, impenetrable matter of much manhood, the compressed energy of good sense and public reason, having power to see before and after and measure action by counsel—this it is that walls about the strength and liberty of a people. To be free is not to fly abroad as the owls of the night when they take the freedom of the air, but it is to settle and build and be strong—a commonwealth as much better compacted in the terms of reason, as it casts off more of the restraints of force.

Their word was "Reformation"—"the completion of the Reformation"; not Luther's nor Calvin's, they expressly say; they cannot themselves imagine it. Hitherto it is unconceived by men. God must reveal it in the light that breaks forth from him. And this he will do in his own good time. It is already clear to us that, in order to any further progress in this direction, it was necessary for a new movement to begin that should loosen the joints of despotism and emancipate the mind of the world. And in order to this a new republic must be planted and have time to grow. It must be seen rising up in the strong majesty of freedom and youth, outstripping the old prescriptive world in enterprise and the race of power, covering the ocean with its commerce, spreading out in populous swarms of industry,—planting, building, educating, framing constitutions, rushing to and fro in the smoke and thunder of travel along its mighty rivers, across its inland seas, over its mountain-tops from one shore to the other, strong in order as in liberty,—a savage continent become the field of a colossal republican empire, whose name is a name of respect and a mark of desire to the longing eyes of mankind. And then, as the fire of new ideas and hopes darts electrically along the nerves of feeling in the millions of the race, it will be seen that a new Christian movement also begins with it. Call it reformation, or formation, or by whatever name, it is irresistible because it is intangible. In one view it is only destruction. The State is loosened from the Church. The Church crumbles down into fragments. Superstition is eaten away by the strong acid of liberty, and spiritual despotism flies affrighted from the broken loyalty of its metropolis. Protestantism also, divided and subdivided by its dialectic quarrels, falls into the finest, driest powder of disintegration. Be not afraid. The new order crystallizes only as the old is dissolved; and no sooner is the old unity of orders and authorities effectually dissolved than the reconstructive affinities of a new and better unity begin to appear in the solution. Repugnances melt away. Thought grows catholic. Men look for good in each other as well as evil. The crossings of opinion by travel and books, and the intermixture of races and religions, issue in freer, broader views of the Christian truth; and so the "Church of the Future," as it has been called, gravitates inwardly towards those terms of brotherhood in which it may coalesce and rest. I say not or believe that Christendom will be Puritanized or Protestantized; but what is better than either, it will be Christianized. It will settle thus into a unity, probably not of form, but of practical assent and love—a Commonwealth of the Spirit, as much stronger in its unity than the old satrapy of priestly despotism, as our republic is stronger than any other government of the world.

RELIGIOUS MUSIC

From 'Work and Play'

As we are wont to argue the invisible things of God, even his eternal power and Godhead, from the things that are seen, finding them all images of thought and vehicles of intelligence, so we have an argument for God more impressive, in one view, because the matter of it is so deep and mysterious, from the fact that a grand, harmonic, soul-interpreting law of music pervades all the objects of the material creation, and that things without life, all metals and woods and valleys and mountains and waters, are tempered with distinctions of sound, and toned to be a language to the feeling of the heart. It is as if God had made the world about us to be a grand organ of music, so that our feelings might have play in it, as our understanding has in the light of the sun and the outward colors and forms of things. What is called the musical scale, or octave, is fixed in the original appointments of sound just as absolutely and definitely as the colors of the rainbow or prism in the optical properties and laws of light. And the visible objects of the world are not more certainly shaped and colored to us under the exact laws of light and the prism, than they are tempered and toned, as objects audible, to give distinctions of sound by their vibrations in the terms of the musical octave. It is not simply that we hear the sea roar and the floods clap their hands in anthems of joy; it is not that we hear the low winds sigh, or the storms howl dolefully, or the ripples break peacefully on the shore, or the waters dripping sadly from the rock, or the thunders crashing in horrible majesty through the pavements of heaven; not only do all the natural sounds we hear come to us in tones of music as interpreters of feeling, but there is hid in the secret temper and substance of all matter a silent music, that only waits to sound and become a voice of utterance to the otherwise unutterable feeling of our heart—a voice, if we will have it, of love and worship to the God of all.

First, there is a musical scale in the laws of the air itself, exactly answering to the musical sense or law of the soul. Next, there is in all substances a temperament of quality related to both; so that whatever kind of feeling there may be in a soul—war and defiance, festivity and joy, sad remembrance, remorse, pity, penitence, self-denial, love, adoration—may find some fit medium of sound in which to express itself. And, what is not less remarkable, connected with all these forms of substances there are mathematical laws of length and breadth, or definite proportions of each, and reflective angles, that are every way as exact as those which regulate the colors of the prism, the images of the mirror, or the telescopic light of astronomic worlds—mathematics for the heart as truly as for the head.

It cannot be said that music is a human creation, and as far as the substances of the world are concerned, a mere accident. As well can it be said that man creates the colors of the prism, and that they are not in the properties of the light, because he shapes the prism by his own mechanical art. Or if still we doubt; if it seems incredible that the soul of music is in the heart of all created being; then the laws of harmony themselves shall answer, one string vibrating to another, when it is not struck itself, and uttering its voice of concord simply because the concord is in it and it feels the pulses on the air to which it cannot be silent. Nay, the solid mountains and their giant masses of rock shall answer; catching, as they will, the bray of horns or the stunning blast of cannon, rolling it across from one top to another in reverberating pulses, till it falls into bars of musical rhythm and chimes and cadences of silver melody. I have heard some fine music, as men are wont to speak—the play of orchestras, the anthems of choirs, the voices of song that moved admiring nations. But in the lofty passes of the Alps I heard a music overhead from God's cloudy orchestra, the giant peaks of rock and ice, curtained in by the driving mist and only dimly visible athwart the sky through its folds, such as mocks all sounds our lower worlds of art can ever hope to raise. I stood (excuse the simplicity) calling to them, in the loudest shouts I could raise, even till my power was spent, and listening in compulsory trance to their reply. I heard them roll it up through their cloudy worlds of snow, sifting out the harsh qualities that were tearing in it as demon screams of sin, holding on upon it as if it were a hymn they were fining to the ear of the great Creator, and sending it round and round in long reduplications of sweetness, minute after minute; till finally receding and rising, it trembled, as it were, among the quick gratulations of angels, and fell into the silence of the pure empyrean. I had never any conception before of what is meant by quality in sound. There was more power upon the soul in one of those simple notes than I ever expect to feel from anything called music below, or ever can feel till I hear them again in the choirs of the angelic world. I had never such a sense of purity, or of what a simple sound may tell of purity by its own pure quality; and I could not but say, O my God, teach me this! Be this in me forever! And I can truly affirm that the experience of that hour has consciously made me better able to think of God ever since—better able to worship. All other sounds are gone; the sounds of yesterday, heard in the silence of enchanted multitudes, are gone; but that is with me still, and I hope will never cease to ring in my spirit till I go down to the slumber of silence itself.

SAMUEL BUTLER

(1612-1680)

A pretty picture of the time is the glimpse of young Mr. Pepys at the bookseller's in London Strand on a February morning in 1663, making haste to buy a new copy of 'Hudibras,' and carefully explaining that it was "ill humor of him to be so against that which all the world cries up to be an example of wit." The Clerk of the Admiralty had connections at court; and between that February morning and a December day when Mr. Battersby was at the Wardrobe using the King's time in gossip about the new book of drollery, the merry Stuart had found out Sam Butler's poem and had given it the help of his royal approval. Erstwhile, Samuel the courtier had thought the work of Samuel the poet silly, and had given warranty of his opinion by suffering loss of one shilling eightpence on his purchase of the book. A view not to be wondered at in one who sets down "Midsummer Night's Dream" as "insipid and ridiculous," and "Othello" as a "mean thing"! Perhaps it was because Butler had a keen knowledge of Shakespeare, and unconsciously used much of the actor's quick-witted method, that his delicately feathered barbs made no dent on the hard head of Pepys. Like his neighbor of the Avon, the author of "Hudibras" was a merciless scourge to the vainglorious follies of the time in which he poorly and obscurely lived; and like the truths which he told in his inimitable satires, the virtue and decency of his life was obscured by the disorder of the Commonwealth and the unfaith of the restored monarchy.

Samuel Butler

Samuel Butler was born near Strensham, Worcestershire, in 1612, the fifth child and second son of a farmer of that parish, whose homestead was known to within the present century as "Butler's tenement." The elder Butler was not well-to-do, but had enough to educate his son at the Worcester Grammar School, and to send him to a university. Whether or what time he was at Oxford or Cambridge remains doubtful. A Samuel Butler went up from Westminster to Christ Church, Oxford, 1623, too soon for the Worcester lad of eleven years. Another doubtful tradition places him at Cambridge in 1620. There is evidence that he was employed as a clerk by Mr. Jeffreys, a justice of the peace at Earl's Croombe in Worcestershire, and that while in this position he studied painting under Samuel Cooper. A portrait of Oliver Cromwell attributed to his hand was once in existence, and a number of paintings, said to have been by him, hung on the walls at Earl's Croombe until they were used to patch broken windows there in the last century. Butler went into the service of Elizabeth, Countess of Kent, at Wrest in Bedfordshire, where he had the use of a good library and the friendship of John Selden, then steward of the Countess's estate. It was there and in association with Selden that he began his literary work. Some time afterward he held a servitor's position in the family of an officer of Cromwell's army, Sir Samuel Luke, of Woodend, Bedfordshire. A manuscript note in an old edition of 'Hudibras,' 1710, "from the books of Phil. Lomax by gift of his father, G. Lomax," confirms the tradition that this Cromwellian colonel was the original of Hudibras. The elder Lomax is said to have been an intimate friend of Butler. Another name on the list of candidates for this humorous honor—the honor of contributing with Don Quixote to the increase of language—is that of Sir Henry Rosewell of Ford Abbey, Devonshire. But it is unnecessary to limit to an individual sample the satirist and poet of the whole breadth of human nature. A presumption that Butler was in France and Holland for a time arises from certain references in his writings. It was about 1659, when the decline of the Cromwells became assured, that Butler ventured, but anonymously, into print with a tract warmly advocating the recall of the King. At the Restoration, and probably in reward for this evidence of loyalty, he was made secretary to the Earl of Carbury, President of Wales, by whom he was appointed steward of Ludlow Castle. About this time he married a gentlewoman of small fortune, and is said to have lived comfortably upon her money until it was lost by bad investments. The King having come to his own again, Butler obtained permission in November 1662 to print the first part of 'Hudibras.' The quaint title of this poem has attracted much curious cavil. The name is used by Milton, Spenser, and Robert of Gloucester for an early king of Britain, the grandfather of King Lear; and by Ben Jonson—from whom Butler evidently adopted it—for a swaggering fellow in the 'Magnetic Lady':—

"Rut—Where is your captain
Rudhudibrass de Ironside?"

Act iii., Scene 3.

Charles II. was so delighted with the satire that he not only read and reread it, but gave many copies to his intimates. The royal generosity, lavish in promises, never exerted itself further than to give Butler—or Boteler, as he is writ in the warrant—a monopoly of printing his own poem.

The second part of 'Hudibras' appeared in 1664, and the third and last in 1678.

The Duke of Buckingham was, we are told by Aubrey, well disposed towards Butler, and Wycherley was a constant suitor in his behalf; but the fickle favorite forgot his promises as easily as did the King. Lord Clarendon, who had the witty poet's portrait painted for his library, was no better at promise-keeping. It is natural that such neglect should have provoked the sharp but just satires which Butler wrote against the manners of Charles's dissolute court.

'Hudibras' was never finished; for Butler, who had been confined by his infirmities to his room in Rose Court, Covent Garden, since 1676, died on September 25th, 1680. William Longueville, a devoted friend but for whose kindness the poet might have starved, buried the remains at his own expense in the churchyard of St. Paul's, Covent Garden. In 1721 John Barber, Lord Mayor of London, set up in the Poet's Corner of Westminster Abbey an inscription to Butler's memory, which caused later satirists to suggest that this was giving a stone to him who had asked for bread.

Butler was a plain man of middle stature, strong-set, high-colored, with a head of sorrel hair. He possessed a severe and sound judgment, but was "a good fellow," according to his friend Aubrey.

Many of Butler's writings were not published in his lifetime, during which only the three parts of 'Hudibras' and some trifles appeared. Longueville, who received his papers, left them, unpublished, to his son Charles; from whom they came to John Clarke of Cheshire, by whose permission the 'Genuine Remains' in two volumes were published in 1759. The title of this book is due to the fact that poor Butler, as is usual with his kind, became very popular immediately after his death, and the ghouls of literature supplied the book-shops with forgeries. Butler's manuscripts, many of which have never been published, were placed in the British Museum in 1885.

HUDIBRAS DESCRIBED

When civil fury first grew high,
And men fell out, they knew not why;
When hard words, jealousies, and fears
Set folks together by the ears,
And made them fight, like mad or drunk,
For dame Religion as for Punk,
Whose honesty they all durst swear for,
Tho' not a man of them knew wherefore;
When Gospel-Trumpeter, surrounded
With long-ear'd rout, to battle sounded,
And pulpit, drum ecclesiastick,
Was beat with fist, instead of a stick;
Then did Sir Knight abandon dwelling,
And out he rode a-colonelling.

A Wight he was, whose very sight would
Entitle him Mirror of Knighthood,
That never bent his stubborn knee
To anything but chivalry;
Nor put up blow, but that which laid
Right worshipful on shoulder-blade;
Chief of domestic knights, and errant,
Either for chartel or for warrant;
Great on the bench, great in the saddle,
That could as well bind o'er, as swaddle:
Mighty he was at both of these,
And styl'd of War as well as Peace.
So some rats of amphibious nature
Are either for the land or water.
But here our authors make a doubt,
Whether he were more wise, or stout.
Some hold the one, and some the other;
But howsoe'er they make a pother,
The diff'rence was so small, his brain
Outweigh'd his rage but half a grain;
Which made some take him for a tool
That knaves do work with, call'd a Fool;
And offer'd to lay wagers that
As Montaigne, playing with his cat,
Complains she thought him but an ass,
Much more she wou'd Sir Hudibras:
For that's the name our valiant knight
To all his challenges did write.
But they're mistaken very much;
'Tis plain enough he was no such:
We grant, although he had much wit,
H' was very shy of using it,
As being loth to wear it out;
And therefore bore it not about,
Unless on holy-days, or so,
As men their best apparel do.

He was in Logic a great critic,
Profoundly skill'd in Analytic;
He could distinguish and divide
A hair 'twixt south and southwest side;
On either side he would dispute,
Confute, change hands, and still confute;
He'd undertake to prove by force
Of argument, a man's no horse;
He'd prove a buzzard is no fowl,
And that a Lord may be an owl;
A calf an Alderman, a goose a Justice,
And rooks Committee-Men or Trustees.
He'd run in debt by disputation,
And pay with ratiocination.
All this by syllogism true,
In mood and figure, he would do.

For Rhetoric, he could not ope
His mouth, but out there flew a trope:
And when he happen'd to break off
I' th' middle of his speech, or cough,
H' had hard words, ready to shew why
And tell what rules he did it by.
Else, when with greatest art he spoke,
You'd think he talk'd like other folk.
For all a Rhetorician's rules
Teach nothing but to name his tools.

His ordinary rate of speech
In loftiness of sound was rich;
A Babylonish dialect,
Which learned pedants much affect;
It was a parti-color'd dress
Of patch'd and piebald languages:
'Twas English cut on Greek and Latin,
Like fustian heretofore on satin.
It had an odd promiscuous tone,
As if h' had talk'd three parts in one;
Which made some think, when he did gabble,
Th' had heard three laborers of Babel;
Or Cerberus himself pronounce
A leash of languages at once.
This he as volubly would vent
As if his stock would ne'er be spent:
And truly, to support that charge,
He had supplies as vast and large,
For he could coin or counterfeit
New words with little or no wit:
Words so debas'd and hard, no stone
Was hard enough to touch them on;
And when with hasty noise he spoke 'em,
The ignorant for current took 'em—
That had the orator who once
Did fill his mouth with pebble-stones
When he harangu'd, but known his phrase,
He would have us'd no other ways.

In Mathematics he was greater
Than Tycho Brahe, or Erra Pater:
For he, by geometric scale,
Could take the size of pots of ale;
Resolve, by sines and tangents straight,
If bread or butter wanted weight;
And wisely tell what hour o' th' day
The clock does strike, by Algebra.

. . . . . . . . . . . . . . . . .

Beside, he was a shrewd Philosopher,
And had read every text and gloss over:
Whate'er the crabbed'st author hath,
He understood b' implicit faith:
Whatever Skeptic could inquire for;
For every WHY he had a WHEREFORE:
Knew more than forty of them do,
As far as words and terms could go.
All which he understood by rote,
And, as occasion serv'd, would quote;
No matter whether right or wrong,
They might be either said or sung.
His notions fitted things so well,
That which was which he could not tell,
But oftentimes mistook the one
For th' other, as great clerks have done.
He could reduce all things to acts,
And knew their natures by abstracts;
Where entity and quiddity,
The ghost of defunct bodies, fly;
Where Truth in person does appear,
Like words congealed in northern air.
He knew what's what, and that's as high
As metaphysic wit can fly.

. . . . . . . . . . . . . . . . .

For his religion, it was fit
To match his learning and his wit:
'Twas Presbyterian, true blue;
For he was of that stubborn crew
Of errant saints, whom all men grant
To be the true church militant:
Such as do build their faith upon
The holy text of pike and gun;
Decide all controversy by
Infallible artillery;
And prove their doctrine orthodox
By apostolic blows and knocks;
Call fire and sword and desolation
A godly-thorough-Reformation,
Which always must be carry'd on,
And still be doing, never done,
As if Religion were intended
For nothing else but to be mended.
A sect whose chief devotion lies
In odd perverse antipathies:
In falling out with that or this,
And finding somewhat still amiss:
More peevish, cross, and splenetic,
Than dog distract, or monkey sick.
That with more care keep holy-day
The wrong, than others the right way:
Compound for sins they are inclin'd to,
By damning those they have no mind to:
Still so perverse and opposite,
As if they worship'd God for spite.
The self-same thing they will abhor
One way, and long another for.
Free-will they one way disavow,
Another, nothing else allow.
All piety consists therein
In them, in other men all sin.
Rather than fail, they will defy
That which they love most tenderly:
Quarrel with minc'd pies, and disparage
Their best and dearest friend—plum-porridge;
Fat pig and goose itself oppose,
And blaspheme custard through the nose.

. . . . . . . . . . . . . . . . .

His puissant sword unto his side,
Near his undaunted heart, was ty'd,
With basket-hilt, that would hold broth,
And serve for fight and dinner both.
In it he melted lead for bullets,
To shoot at foes, and sometimes pullets;
To whom he bore so fell a grutch,
He ne'er gave quarter t'any such.
The trenchant blade, Toledo trusty,
For want of fighting was grown rusty,
And ate into itself, for lack
Of somebody to hew and hack.
The peaceful scabbard where it dwelt
The rancor of its edge had felt....

This sword a dagger had, his page,
That was but little for his age:
And therefore waited on him so,
As dwarfs upon knights-errant do.
It was a serviceable dudgeon,
Either for fighting or for drudging:
When it had stabb'd, or broke a head,
It would scrape trenchers or chip bread,
Toast cheese or bacon, though it were
To bait a mouse-trap, 'twould not care:
'Twould make clean shoes, and in the earth
Set leeks and onions, and so forth:
It had been 'prentice to a brewer,
Where this, and more, it did endure;
But left the trade, as many more
Have lately done, on the same score.

LORD BYRON

(1788-1824)

BY CHARLES DUDLEY WARNER

Goethe, in one of his conversations with Henry Crabb Robinson about Byron, said "There is no padding in his poetry" ("Es sind keine Flickwörter im Gedichte"). This was in 1829, five years after Byron died. "This, and indeed every evening, I believe, Lord Byron was the subject of his praise. He compared the brilliancy and clearness of his style to a metal wire drawn through a steel plate." He expressed regret that Byron should not have lived to execute his vocation, which he said was "to dramatize the Old Testament. What a subject under his hands would the Tower of Babel have been!" Byron's views of nature he declared were "equally profound and poetical." Power in all its forms Goethe had respect for, and he was captivated by the indomitable spirit of Manfred. He enjoyed the 'Vision of Judgment' when it was read to him, exclaiming "Heavenly!" "Unsurpassable!" "Byron has surpassed himself." He equally enjoyed the satire on George IV. He did not praise Milton with the warmth with which he eulogized Byron, of whom he said that "the like would never come again; he was inimitable."

Goethe's was the Continental opinion, but it was heightened by his conception of "realism"; he held that the poet must be matter-of-fact, and that it was the truth and reality that made writing popular: "It is by the laborious collection of facts that even a poetical view of nature is to be corrected and authenticated." Tennyson was equally careful for scientific accuracy in regard to all the phenomena of nature. Byron had not scientific accuracy, but with his objectivity Goethe sympathized more than with the reflection and introspection of Wordsworth.

Byron was hailed on the Continent as a poet of power, and the judgment of him was not influenced by his disregard of the society conventions of England, nor by his personal eccentricities, nor because he was not approved by the Tory party and the Tory writers. Perhaps unconsciously—certainly not with the conviction of Shelley—Byron was on the side of the new movement in Europe; the spirit of Rousseau, the unrest of 'Wilhelm Meister,' the revolutionary seething, with its tinge of morbidness and misanthropy, its brilliant dreams of a new humanity, and its reckless destructive theories. In France especially his influence was profound and lasting. His wit and his lyric fire excused his morbidness and his sentimental posing as a waif, unfriended in a cold and treacherous world of women and men; and his genius made misanthropy and personal recklessness a fashion. The world took his posing seriously and his grievances to heart, sighed with him, copied his dress, tried to imitate his adventures, many of them imaginary, and accepted him as a perturbed, storm-tost spirit, representative of an age of agitation.

LORD GEORGE GORDON BYRON.

So he was, but not by consistent hypocritical premeditation; for his pose was not so much of set purpose as in obedience to a false education, an undisciplined temper, and a changing mind. He was guided by the impulse of the moment. I think it a supportable thesis that every age, every wide and popular movement, finds its supreme expression in a Poet. Byron was the mouthpiece of a certain phase of his time. He expressed it, and the expression remains and is important as a record, like the French Revolution and the battle of Waterloo. Whatever the judgment in history may be of the value to civilization of this eighteenth-century movement extending into the nineteenth, in politics, sociology, literature, with all its recklessness, morbidness, hopefulness, Byron represented it. He was the poet of Revolt. He sounded the note of intemperate, unconsidered defiance in the 'English Bards and Scotch Reviewers.' This satire was audacious; many of its judgments were unjust; but its wit and poetic vigor announced a new force in English literature, and the appearance of a man who was abundantly able to take care of himself and secure respectful treatment. In moments afterward he expressed regret for it, or for portions of it, and would have liked to soften its personalities. He was always susceptible to kindness, and easily won by the good opinion of even a declared enemy. He and Moore became lifelong friends, and between him and Walter Scott there sprang up a warm friendship, with sincere reciprocal admiration of each other's works. Only on politics and religion did they disagree, but Scott thought Byron's Liberalism not very deep: "It appeared to me," he said, "that the pleasure it afforded him as a vehicle of displaying his wit and satire against individuals in office was at the bottom of this habit of thinking. At heart I would have termed Byron a patrician on principle." Scott shared Goethe's opinion of Byron's genius:—"He wrote from impulse, never for effect, and therefore I have always reckoned Burns and Byron the most genuine poetic geniuses of my time, and of half a century before me. We have many men of high poetic talents, but none of that ever-gushing and perennial fountain of natural waters." It has been a fashion of late years to say that both Byron and Scott have gone by; I fancy it is a case of "not lost, but gone before." Among the men satirized in the 'Bards' was Wordsworth. Years after, Byron met him at a dinner, and on his return told his wife that the "one feeling he had for him from the beginning to the end of the visit was reverence." Yet he never ceased to gird at him in his satires. The truth is, that consistency was never to be expected in Byron. Besides, he inherited none of the qualities needed for an orderly and noble life. He came of a wild and turbulent race.

George Gordon, Lord Byron, the sixth of the name, was born in London, January 22d, 1788, and died at Missolonghi, Greece, April 19th, 1824. His father, John Byron, a captain in the Guards, was a heartless profligate with no redeeming traits of character. He eloped with Amelia D'Arcy, wife of the Marquis of Carmarthen, and after her divorce from her husband married her and treated her like a brute. One daughter of this union was Augusta, Byron's half-sister, who married Colonel Leigh, and who was the good angel of the poet, and the friend of Lady Byron until there was a rupture of their relations in 1830 on a matter of business. A year after the death of his first wife, John Byron entrapped and married Catherine Gordon of Gicht,—a Scotch heiress, very proud of her descent from James I. of Scotland,—whose estate he speedily squandered. In less than two years after the birth of George, John Byron ran away from his wife and his creditors, and died in France.

Mrs. Byron was a wholly undisciplined and weak woman, proud of her descent, wayward and hysterical. She ruined the child, whom she alternately petted and abused. She interfered with his education and fixed him in all his bad tendencies. He never learned anything until he was sent away from her to Harrow. He was passionate, sullen, defiant of authority, but very amenable to kindness; and with a different mother his nobler qualities, generosity, sense of justice, hatred of hypocrisy, and craving for friendship would have been developed, and the story of his life would be very different from what it is. There is no doubt that the regrettable parts of the careers of both Byron and Shelley are due to lack of discipline and loving-kindness in their early years. Byron's irritability and bad temper were aggravated by a physical defect, which hindered him from excelling in athletic sports of which he was fond, and embittered all his life. Either at birth or by an accident one of his feet was malformed or twisted so as to affect his gait, and the evil was aggravated by surgical attempts to straighten the limb. His sensitiveness was increased by unfeeling references to it. His mother used to call him "a lame brat," and his pride received an incurable wound in the heartless remark of Mary Chaworth, "Do you think I could care for that lame boy?" Byron was two years her junior, but his love for her was the purest passion of his life, and it has the sincerest expression in the famous 'Dream.' Byron's lameness, and his morbid fear of growing obese, which led him all his life into reckless experiments in diet, were permanent causes of his discontent and eccentricity. In 1798, by the death of its incumbent, Byron became the heir of Newstead Abbey and the sixth Lord Byron. He had great pride in the possession of this crumbling and ruinous old pile. After its partial repair he occupied it with his mother, and from time to time in his stormy life; but in 1818 it was sold for £90,000, which mostly went to pay debts and mortgages. Almost all the influences about Byron's early youth were such as to foster his worst traits, and lead to those eccentricities of conduct and temper which came at times close to insanity. But there was one exception, his nurse Mary Gray, to whom he owed his intimate knowledge of the Bible, and for whom he always retained a sincere affection. It is worth noting also, as an indication of his nature, that he always had the love of his servants.

A satisfactory outline of Byron's life and work is found in Mr. John Nichol's 'Byron' in the 'English Men of Letters' series. Owing to his undisciplined home life, he was a backward boy in scholarship. In 1805 he entered Trinity College, Cambridge, where he resided irregularly for three years, reading much in a desultory manner, but paying slight attention to the classics and mathematics; so that it was a surprise that he was able to take his degree. But he had keen powers of observation and a phenomenal memory. Notwithstanding his infirmity he was distinguished in many athletic sports, he was fond of animals and such uncomfortable pets as bears and monkeys, and led generally an irregular life. The only fruit of this period in literature was the 'Hours of Idleness,' which did not promise much, and would be of little importance notwithstanding many verses of great lyric skill, had it not been for the slashing criticism on it, imputed to Lord Brougham, in the Edinburgh Review, which provoked the 'English Bards and Scotch Reviewers.' This witty outburst had instant success with the public.

In 1809 Byron came of age, and went abroad on a two-years' pilgrimage to Spain, Malta, Greece, and Constantinople, giving free rein to his humor for intrigue and adventure in the "lands of the sun," and gathering the material for many of his romances and poems. He became at once the picturesque figure of his day,—a handsome, willful poet, sated with life, with no regret for leaving his native land; the conqueror of hearts and the sport of destiny. The world was speedily full of romances of his recklessness, his intrigues, his diablerie, and his munificence. These grew, upon his return in 1811 and the publication in 1812 of the first two cantos of 'Childe Harold.' All London was at his feet. He had already made his first speech in the House of Lords espousing the Liberal side. The second speech was in favor of Catholic emancipation. The fresh and novel poem, which Byron himself had not at first thought worth offering a publisher, fell in with the humor and moral state of the town. It was then that he made the oft-quoted remark, "I awoke one morning and found myself famous." The poem gave new impetus to the stories of his romantic life, and London seemed to idolize him as much for his follies and his liaisons as for his genius. He plunged into all the dissipation of the city. But this period from 1811 to 1815 was also one of extraordinary intellectual fertility. In rapid succession he gave to the press poems and romances,—'The Giaour,' 'The Bride of Abydos,' 'The Corsair,' 'Lara,' the 'Hebrew Melodies,' 'The Siege of Corinth,' and 'Parisina.' Some of the 'Hebrew Melodies' are unequaled in lyric fire. The romances are all taking narratives, full of Oriental passion, vivid descriptions of scenery, and portraitures of female loveliness and dark-browed heroes, often full of melody, but melodramatic; and in substance do not bear analysis. But they still impress with their flow of vitality, their directness and power of versification, and their frequent beauty.

Sated with varied dissipation, worn out with the flighty adoration of Lady Caroline Lamb, and urged by his friends to marry and settle down, Byron married (January 2d, 1815) Anne Isabella, daughter of Sir Ralph Milbanke. He liked but did not love her; and she was no doubt fascinated by the reputation of the most famous man in Europe, and perhaps indulged the philanthropic hope that she could reform the literary Corsair. On the 10th of December was born Augusta Ada, the daughter whom Byron celebrates in his verse and to whom he was always tenderly attached. On the 15th of January, five weeks after her daughter's birth, Lady Byron left home with the child to pay a visit to her family, dispatching to her husband a playfully tender letter. Shortly after, he was informed by her father and by herself that she did not intend ever to return to him. It is useless to enter into the controversy as to the cause of this separation. In the light of the latest revelations, the better opinion seems to be that it was a hopeless incongruity that might have been predicted from the characters of the two. It seems that Lady Byron was not quite so amiable as she was supposed to be, and in her later years she was subject to hallucinations. Byron, it must be admitted, was an impossible husband for any woman, most of all for any woman who cared for the social conventions. This affair brought down upon Byron a storm of public indignation which drove him from England. The society which had petted him and excused his vagaries and violations of all decency, now turned upon him with rage and made the idol responsible for the foolishness of his worshipers. To the end of his life, neither society nor the critics ever forgave him, and did not even do justice to his genius. His espousal of the popular cause in Europe embittered the conservative element, and the freedom of speculation in such masterly works as 'Cain' brought upon him the anathemas of orthodox England. Henceforth in England his poetry was judged by his liberal and unorthodox opinions. This vituperation rose to its height when Byron dared to satirize George III., and to expose mercilessly in 'Don Juan' the hypocrisy of English life.

On the 25th of April, 1816, Byron left England, never to return. And then opened the most brilliant period of his literary career. Instead of being crushed by the situation, Byron's warlike spirit responded to it with defiance, and his suffering and his anger invoked the highest qualities of his extraordinary genius. His career in Italy was as wild and dissipated as ever. Strange to say, the best influence in his irregular life was the Countess Guiccioli, who persuaded him at one time to lay aside the composition of 'Don Juan,' and in whose society he was drawn into ardent sympathy with the Italian liberals. For the cause of Italian unity he did much when it was in its darkest period, and his name is properly linked in this great achievement with those of Mazzini and Cavour. It was in Switzerland, before Byron settled in Venice, that he met Shelley, with whom he was thereafter to be on terms of closest intimacy. Each had a mutual regard for the genius of the other, but Shelley placed Byron far above himself. It was while sojourning near the Shelleys on the Lake of Geneva that Byron formed a union with Claire Clairmont, the daughter of Mrs. Clairmont, who became William Godwin's second wife. The result of this intimacy was a natural daughter, Allegra, for whose maintenance and education Byron provided, and whose early death was severely felt by him.

Byron's life in Italy from 1816 to 1823 continued to be a romance of exciting and dubious adventure. Many details of it are given in Byron's letters,—his prose is always as vigorous as his poetry, and as self-revealing,—and it was no doubt recorded in his famous Diary, which was intrusted to his friend Tom Moore, and was burned after Byron's death. Byron's own frankness about himself, his love of mystification, his impulsiveness in writing anything that entered his brain at the moment, and his habit of boasting about his wickedness, which always went to the extent of making himself out worse than he was, stands in the way of getting a clear narration of his life and conduct. But he was always an interesting and commanding and perplexing personality, and the writings about him by his intimates are as various as the moods he indulged in. The bright light of inquiry always shone upon him, for Byron was the most brilliant, the most famous, the most detested, the most worshiped, and the most criticized and condemned man in Europe.

It was in this period that he produced the works that by their innate vigor and power placed him in the front rank of English poets. A complete list of them cannot be given in this brief notice. The third and fourth cantos of 'Childe Harold' attained a height that the first two cantos had not prepared the world to expect. 'Cain' was perhaps the culmination of his power. The lyrics and occasional poems of this time add to his fame because they exhibit his infinite variety. Critics point out the carelessness of his verse,—and there is an air of haste in much of it; they deny his originality and give the sources of his inspiration,—but he had Shakespeare's faculty of transforming all things to his own will; and they deny him the contribution of thought to the ideas of the world. This criticism must stand against the fact of his almost unequaled power to move the world and make it feel and think. The Continental critics did not accuse him of want of substance. What did he not do for Spain, for Italy, for Greece! No interpretation of their splendid past, of their hope for the future, no musings over the names of other civilizations, no sympathy with national pride, has ever so satisfied the traveling and reading world in these lands, as Byron's. The public is not so good a judge of what poetry should be, as the trained critics; but it is a judge of power, of what is stirring and entertaining: and so it comes to pass that Byron's work is read when much poetry, more finished but wanting certain vital qualities, is neglected. I believe it is a fact that Byron is more quoted than any English poet except Pope since Shakespeare, and that he is better known to the world at large than any except the Master. But whether this is so or not, he is more read now at the close of this century than he was in its third quarter.

'The Dream' and 'Darkness' are poems that will never lose their value so long as men love and are capable of feeling terror. 'Manfred,' 'Mazeppa,' 'Heaven and Earth,' 'The Prisoner of Chillon,' and the satire of the 'Vision of Judgment' maintain their prominence; and it seems certain that many of the lyrics, like 'The Isles of Greece' and the 'Maid of Athens,' will never pall upon any generation of readers, and the lyrics will probably outlast the others in general favor. Byron wrote many dramas, but they are not acting plays. He lacked the dramatic instinct, and it is safe to say that his plays, except in certain passages, add little to his great reputation.

In the opinion of many critics, Byron's genius was more fully displayed in 'Don Juan' than in 'Childe Harold.' Byron was Don Juan, mocking, satirical, witty, pathetic, dissolute, defiant of all conventional opinion. The ease, the grace, the diablerie of the poem are indescribable; its wantonness is not to be excused. But it is a microcosm of life as the poet saw it, a record of the experience of thirty years, full of gems, full of flaws, in many ways the most wonderful performance of his time. The critics who were offended by its satire of English hypocrisy had no difficulty in deciding that it was not fit for English readers. I wonder what would be the judgment of it if it were a recovered classic disassociated from the personality of any writer.

Byron was an aristocrat, and sometimes exhibited a silly regard for his rank; but he was a democrat in all the impulses of his nature. His early feeling was that as a peer he condescended to authorship, and for a time he would take no pay for what he wrote. But later, when he needed money, he was keen at a bargain for his poetry. He was extravagant in his living, generous to his friends and to the popular causes he espoused, and cared nothing for money except the pleasure of spending it. It was while he was living at Ravenna that he became involved in the intrigues for Italian independence. He threw himself, his fortune and his time, into it. The time has come, he said, when a man must do something—writing was only a pastime. He joined the secret society of the Carbonari; he showed a statesmanlike comprehension of the situation; his political papers bear the stamp of the qualities of vision and leadership. When that dream faded under the reality of the armies of despotism, his thoughts turned to Greece. Partly his restless nature, partly love of adventure carried him there; but once in the enterprise, he gave his soul to it with a boldness, a perseverance, a good sense, a patriotic fervor that earn for him the title of a hero in a good cause. His European name was a tower of strength to the Greek patriots. He mastered the situation with a statesman's skill and with the perception of a soldier; he endured all the hardships of campaigning, and waited in patience to bring some order to the wrangling factions. If his life had been spared, it is possible that the Greeks then might have thrown off the Turkish yoke; but he succumbed to a malarial fever, brought on by the exposure of a frame weakened by a vegetable diet, and expired at Missolonghi in his thirty-seventh year. He was adored by the Greeks, and his death was a national calamity. This last appearance of Lord Byron shows that he was capable of as great things in action as in the realm of literature. It was the tragic end of the stormy career of a genius whose life was as full of contradictions as his character.

NEWSTEAD ABBEY.

The ancestral home of the family of Lord Byron.
Original Etching from an Old Engraving.

It was not only in Greece that Byron's death was profoundly felt, but in all Europe, which was under the spell of his genius. Mrs. Anne Thackeray Ritchie, in her charming recollections of Tennyson, says:—"One day the news came to the village—the dire news which spread across the land, filling men's hearts with consternation—that Byron was dead. Alfred was then a boy about fifteen. 'Byron was dead! I thought the whole world was at an end,' he once said, speaking of those bygone days. 'I thought everything was over and finished for every one—that nothing else mattered. I remember I walked out alone and carved "Byron is dead" into the sandstone.'"

MAID OF ATHENS

Maid of Athens, ere we part,
Give, oh give me back my heart!
Or, since that has left my breast,
Keep it now, and take the rest!
Hear my vow before I go,
Ζωε μου, σας αγαπω.107

By those tresses unconfined,
Wooed by each Ægean wind;
By those lids whose jetty fringe
Kiss thy soft cheeks' blooming tinge;
By those wild eyes like the roe,
Ζωε μου, σας αγαπω.

By that lip I long to taste;
By that zone-encircled waist;
By all the token-flowers that tell
What words can never speak so well;
By love's alternate joy and woe,
Ζωε μου, σας αγαπω.

Maid of Athens! I am gone:
Think of me, sweet! when alone.
Though I fly to Istambol,
Athens holds my heart and soul:
Can I cease to love thee? No!
Ζωε μου, σας αγαπω.

TRANSLATION OF A ROMAIC SONG

I enter thy garden of roses,
Beloved and fair Haidée,
Each morning where Flora reposes,
For surely I see her in thee.
O Lovely! thus low I implore thee,
Receive this fond truth from my tongue,
Which utters its song to adore thee,
Yet trembles for what it has sung:
As the branch, at the bidding of Nature,
Adds fragrance and fruit to the tree,
Through her eyes, through her every feature,
Shines the soul of the young Haidée.

But the loveliest garden grows hateful
When love has abandoned the bowers;
Bring me hemlock—since mine is ungrateful,
That herb is more fragrant than flowers.
The poison, when poured from the chalice,
Will deeply embitter the bowl;
But when drunk to escape from thy malice,
The draught shall be sweet to my soul.
Too cruel! in vain I implore thee
My heart from these horrors to save:
Will naught to my bosom restore thee?
Then open the gates of the grave.

As the chief who to combat advances
Secure of his conquest before,
Thus thou, with those eyes for thy lances,
Hast pierced through my heart to its core.
Ah, tell me, my soul, must I perish
By pangs which a smile would dispel?
Would the hope, which thou once bad'st me cherish,
For torture repay me too well?
Now sad is the garden of roses,
Belovèd but false Haidée!
There Flora all withered reposes,
And mourns o'er thine absence with me.

GREECE

From 'The Giaour'

He who hath bent him o'er the dead
Ere the first day of death is fled,—
The first dark day of nothingness,
The last of danger and distress,
(Before Decay's effacing fingers
Have swept the lines where beauty lingers,)—
And marked the mild angelic air,
The rapture of repose that's there,
The fixed yet tender traits that streak
The languor of the placid cheek,
And—but for that sad shrouded eye,
That fires not, wins not, weeps not now,
And but for that chill, changeless brow,
Where cold Obstruction's apathy
Appalls the gazing mourner's heart,
As if to him it could impart
The doom he dreads, yet dwells upon—
Yes, but for these and these alone,
Some moments, ay, one treacherous hour,
He still might doubt the tyrant's power;
So fair, so calm, so softly sealed,
The first, last look by death revealed!
Such is the aspect of this shore;
'Tis Greece, but living Greece no more!
So coldly sweet, so deadly fair,
We start, for soul is wanting there.
Hers is the loveliness in death
That parts not quite with parting breath;
But beauty with that fearful bloom,
That hue which haunts it to the tomb,
Expression's last receding ray,
A gilded halo hovering round decay,
The farewell beam of Feeling passed away!
Spark of that flame—perchance of heavenly birth—
Which gleams, but warms no more its cherished earth!

Clime of the unforgotten brave!
Whose land from plain to mountain-cave
Was Freedom's home, or Glory's grave!
Shrine of the mighty! can it be
That this is all remains of thee?
Approach, thou craven crouching slave:
Say, is not this Thermopylæ?
These waters blue that round you lave,
O servile offspring of the free—
Pronounce what sea, what shore is this?
The gulf, the rock of Salamis!
These scenes, their story not unknown,
Arise, and make again your own;
Snatch from the ashes of your sires
The embers of their former fires;
And he who in the strife expires
Will add to theirs a name of fear
That Tyranny shall quake to hear,
And leave his sons a hope, a fame,
They too will rather die than shame:
For Freedom's battle once begun,
Bequeathed by bleeding Sire to Son,
Though baffled oft, is ever won.
Bear witness, Greece, thy living page,
Attest it many a deathless age!
While kings, in dusty darkness hid,
Have left a nameless pyramid,
Thy heroes, though the general doom
Hath swept the column from their tomb,
A mightier monument command,
The mountains of their native land!
There points thy Muse to stranger's eye
The graves of those that cannot die!

'Twere long to tell, and sad to trace,
Each step from splendor to disgrace:
Enough—no foreign foe could quell
Thy soul, till from itself it fell;
Yes! self-abasement paved the way
To villain-bonds and despot sway.

THE HELLESPONT AND TROY

From 'The Bride of Abydos'

The winds are high on Helle's wave;
As on that night of stormy water,
When Love, who sent, forgot to save
The young, the beautiful, the brave,
The lonely hope of Sestos's daughter.
Oh! when alone along the sky
Her turret torch was blazing high,
Though rising gale, and breaking foam,
And shrieking sea-birds, warned him home;
And clouds aloft and tides below,
With signs and sounds, forbade to go:
He could not see, he would not hear,
Or sound or sign foreboding fear;
His eye but saw the light of love,
The only star it hailed above;
His ear but rang with Hero's song,
"Ye waves, divide not lovers long!"—
That tale is old, but love anew
May nerve young hearts to prove as true.

The winds are high, and Helle's tide
Rolls darkly heaving to the main;
And Night's descending shadows hide
That field with blood bedewed in vain,
The desert of old Priam's pride,
The tombs, sole relics of his reign,
All—save immortal dreams that could beguile
The blind old man of Scio's rocky isle!

Oh! yet—for there my steps have been;
These feet have pressed the sacred shore;
These limbs that buoyant wave hath borne—
Minstrel! with thee to muse, to mourn,
To trace again those fields of yore,
Believing every hillock green
Contains no fabled hero's ashes,
And that around the undoubted scene
Thine own "broad Hellespont" still dashes,—
Be long my lot! and cold were he
Who there could gaze denying thee!

GREECE AND HER HEROES

From 'The Siege of Corinth'

They fell devoted, but undying;
The very gale their names seemed sighing:
The waters murmured of their name;
The woods were peopled with their fame;
The silent pillar, lone and gray,
Claimed kindred with their sacred clay;
Their spirits wrapt the dusky mountain,
Their memory sparkled o'er the fountain:
The meanest rill, the mightiest river,
Rolled mingling with their fame forever.
Despite of every yoke she bears,
That land is glory's still, and theirs!
'Tis still a watchword to the earth:
When man would do a deed of worth
He points to Greece, and turns to tread,
So sanctioned, on the tyrant's head;
He looks to her, and rushes on
Where life is lost, or freedom won.

THE ISLES OF GREECE

From 'Don Juan'

The isles of Greece! the isles of Greece!
Where burning Sappho loved and sung,
Where grew the arts of war and peace,
Where Delos rose and Phœbus sprung!
Eternal summer gilds them yet,
But all except their sun is set.

The Scian108 and the Teian109 muse,
The hero's harp, the lover's lute,
Have found the fame your shores refuse;
Their place of birth alone is mute
To sounds which echo further west
Than your sires' "Islands of the Blest."

The mountains look on Marathon—
And Marathon looks on the sea;
And musing there an hour alone,
I dreamed that Greece might still be free;
For, standing on the Persians' grave,
I could not deem myself a slave.

A king sat on the rocky brow
Which looks o'er sea-born Salamis;
And ships by thousands lay below,
And men in nations;—all were his!
He counted them at break of day—
And when the sun set, where were they?

And where are they? and where art thou,
My country? On thy voiceless shore
The heroic lay is tuneless now—
The heroic bosom beats no more!
And must thy lyre, so long divine,
Degenerate into hands like mine?

'Tis something, in the dearth of fame,
Though linked among a fettered race,
To feel at least a patriot's shame,
Even as I sing, suffuse my face:
For what is left the poet here?
For Greeks a blush—for Greece a tear.

Must we but weep o'er days more blest?
Must we but blush?—Our fathers bled.
Earth! render back from out thy breast
A remnant of our Spartan dead!
Of the three hundred grant but three
To make a new Thermopylæ!

What, silent still? and silent all?
Ah, no;—the voices of the dead
Sound like a distant torrent's fall,
And answer, "Let one living head,
But one, arise—we come, we come!"
'Tis but the living who are dumb.

In vain—in vain: strike other chords;
Fill high the cup with Samian wine!
Leave battles to the Turkish hordes,
And shed the blood of Scio's vine!
Hark! rising to the ignoble call,
How answers each bold Bacchanal!

You have the Pyrrhic dance as yet,
Where is the Pyrrhic phalanx gone?
Of two such lessons, why forget
The nobler and the manlier one?
You have the letters Cadmus gave—
Think ye he meant them for a slave?

Fill high the bowl with Samian wine!
We will not think of themes like these:
It made Anacreon's song divine;
He served—but served Polycrates—
A tyrant: but our masters then
Were still at least our countrymen.

The tyrant of the Chersonese
Was freedom's best and bravest friend;
That tyrant was Miltiades!
Oh that the present hour would lend
Another despot of the kind!
Such chains as his were sure to bind.

Fill high the bowl with Samian wine!
On Suli's rock, and Parga's shore,
Exists the remnant of a line
Such as the Doric mothers bore:
And there, perhaps, some seed is sown
The Heracleidan blood might own.

Trust not for freedom to the Franks—
They have a king who buys and sells;
In native swords and native ranks
The only hope of courage dwells:
But Turkish force and Latin fraud
Would break your shield, however broad.

Fill high the bowl with Samian wine!
Our virgins dance beneath the shade:
I see their glorious black eyes shine;
But, gazing on each glowing maid,
My own the burning tear-drop laves,
To think such breasts must suckle slaves.

Place me on Sunium's marble steep,
Where nothing, save the waves and I,
May hear our mutual murmurs sweep:
There, swan-like, let me sing and die!
A land of slaves shall ne'er be mine—
Dash down yon cup of Samian wine!

GREECE AND THE GREEKS BEFORE THE REVOLUTION

From 'Childe Harold's Pilgrimage'

Ancient of days! august Athena! where,
Where are thy men of might? thy grand in soul?
Gone—glimmering through the dream of things that were:
First in the race that led to Glory's goal,
They won, and passed away—is this the whole?
A schoolboy's tale, the wonder of an hour!
The warrior's weapon and the sophist's stole
Are sought in vain, and o'er each moldering tower,
Dim with the mist of years, gray flits the shade of power.

. . . . . . . . . . . . . . . . .

Fair Greece! sad relic of departed worth!
Immortal, though no more! though fallen, great!
Who now shall lead thy scattered children forth,
And long accustomed bondage uncreate?
Not such thy sons who whilome did await,
The hopeless warriors of a willing doom,
In bleak Thermopylæ's sepulchral strait—
Oh, who that gallant spirit shall resume,
Leap from Eurotas's banks, and call thee from the tomb?

Spirit of Freedom! when on Phyle's brow
Thou sat'st with Thrasybulus and his train,
Couldst thou forebode the dismal hour which now
Dims the green beauties of thine Attic plain?
Not thirty tyrants now enforce the chain,
But every earl can lord it o'er thy land:
Nor rise thy sons, but idly rail in vain,
Trembling beneath the scourge of Turkish hand,
From birth till death enslaved; in word, in deed, unmanned.

. . . . . . . . . . . . . . . . .

Hereditary bondmen! know ye not
Who would be free, themselves must strike the blow?
By their right arms the conquest must be wrought?
Will Gaul or Muscovite redress ye? No!
True, they may lay your proud despoilers low,
But not for you will Freedom's altars flame.
Shades of the Helots! triumph o'er your foe:
Greece! change thy lords, thy state is still the same;
Thy glorious day is o'er, but not thy years of shame....

When riseth Lacedæmon's hardihood,
When Thebes Epaminondas rears again,
When Athens' children are with hearts endued,
When Grecian mothers shall give birth to men,
Then may'st thou be restored; but not till then.
A thousand years scarce serve to form a State;
An hour may lay it in the dust: and when
Can man its shattered splendor renovate,
Recall its virtues back, and vanquish Time and Fate?

And yet how lovely in thine age of woe,
Land of lost gods and godlike men, art thou!
Thy vales of evergreen, thy hills of snow,
Proclaim thee Nature's varied favorite now.
Thy fanes, thy temples to thy surface bow,
Commingling slowly with heroic earth,
Broke by the share of every rustic plough:
So perish monuments of mortal birth,
So perish all in turn, save well-recorded worth;

Save where some solitary column mourns
Above its prostrate brethren of the cave;
Save where Tritonia's airy shrine adorns
Colonna's cliff, and gleams along the wave;
Save o'er some warrior's half-forgotten grave,
Where the gray stones and long-neglected grass
Ages, but not oblivion, feebly brave,
While strangers only not regardless pass,
Lingering like me, perchance, to gaze, and sigh "Alas!"

Yet are thy skies as blue, thy crags as wild,
Sweet are thy groves, and verdant are thy fields,
Thine olive ripe as when Minerva smiled,
And still his honeyed wealth Hymettus yields;
There the blithe bee his fragrant fortress builds,
The free-born wanderer of thy mountain air;
Apollo still thy long, long summer gilds,
Still in his beam Mendeli's marbles glare:
Art, Glory, Freedom fail, but Nature still is fair.

Where'er we tread, 'tis haunted, holy ground;
No earth of thine is lost in vulgar mold,
But one vast realm of wonder spreads around,
And all the Muse's tales seem truly told,
Till the sense aches with gazing to behold
The scenes our earliest dreams have dwelt upon:
Each hill and dale, each deepening glen and wold,
Defies the power which crushed thy temples gone:
Age shakes Athena's tower, but spares gray Marathon.

TO ROME

From 'Childe Harold's Pilgrimage'

O Rome! my country! city of the soul!
The orphans of the heart must turn to thee,
Lone mother of dead empires! and control
In their shut breasts their petty misery.
What are our woes and sufferings? Come and see
The cypress, hear the owl, and plod your way
O'er steps of broken thrones and temples, ye!
Whose agonies are evils of a day—
A world is at our feet as fragile as our clay.

The Niobe of nations! there she stands,
Childless and crownless, in her voiceless woe;
An empty urn within her withered hands,
Whose holy dust was scattered long ago:
The Scipios' tomb contains no ashes now;
The very sepulchres lie tenantless
Of their heroic dwellers: dost thou flow,
Old Tiber! through a marble wilderness?
Rise, with thy yellow waves, and mantle her distress!

The Goth, the Christian, Time, War, Flood, and Fire
Have dealt upon the seven-hilled city's pride:
She saw her glories star by star expire,
And up the steep, Barbarian monarchs ride,
Where the car climbed the Capitol; far and wide
Temple and tower went down, nor left a site:—
Chaos of ruins! who shall trace the void,
O'er the dim fragments cast a lunar light,
And say, "Here was, or is," where all is doubly night?

The double night of ages, and of her,
Night's daughter, Ignorance, hath wrapt and wrap
All round us; we but feel our way to err:
The ocean hath its chart, the stars their map,
And Knowledge spreads them on her ample lap;
But Rome is as the desert, where we steer
Stumbling o'er recollections: now we clap
Our hands, and cry "Eureka! it is clear—"
When but some false mirage of ruin rises near.

Alas, the lofty city! and alas,
The trebly hundred triumphs! and the day
When Brutus made the dagger's edge surpass
The conqueror's sword in bearing fame away!
Alas for Tully's voice, and Virgil's lay,
And Livy's pictured page! But these shall be
Her resurrection; all beside—decay.
Alas for Earth, for never shall we see
That brightness in her eye she bore when Rome was free!

THE COLISEUM

From 'Childe Harold's Pilgrimage'

Arches on arches! as it were that Rome,
Collecting the chief trophies of her line,
Would build up all her triumphs in one dome,
Her Coliseum stands; the moonbeams shine
As 'twere its natural torches, for divine
Should be the light which streams here, to illume
This long explored but still exhaustless mine
Of contemplation; and the azure gloom
Of an Italian night, where the deep skies assume

Hues which have words, and speak to ye of heaven,
Floats o'er this vast and wondrous monument,
And shadows forth its glory. There is given
Unto the things of earth, which Time hath bent,
A spirit's feeling, and where he hath leant
His hand, but broke his scythe, there is a power
And magic in the ruined battlement,
For which the palace of the present hour
Must yield its pomp, and wait till ages are its dower.

And here the buzz of eager nations ran,
In murmured pity, or loud-roared applause,
As man was slaughtered by his fellow-man.
And wherefore slaughtered? wherefore, but because
Such were the bloody Circus's genial laws,
And such the imperial pleasure.—Wherefore not?
What matters where we fall to fill the maws
Of worms—on battle-plains or listed spot?
Both are but theatres where the chief actors rot.

I see before me the Gladiator lie:
He leans upon his hand—his manly brow
Consents to death, but conquers agony,
And his drooped head sinks gradually low;
And through his side the last drops, ebbing slow
From the red gash, fall heavy, one by one,
Like the first of a thunder-shower; and now
The arena swims around him—he is gone,
Ere ceased the inhuman shout which hailed the wretch who won.

He heard it, but he heeded not—his eyes
Were with his heart, and that was far away;
He recked not of the life he lost, nor prize,
But where his rude hut by the Danube lay,
There were his young barbarians all at play,
There was their Dacian mother—he, their sire,
Butchered to make a Roman holiday:
All this rushed with his blood. Shall he expire,
And unavenged?—Arise, ye Goths, and glut your ire!

. . . . . . . . . . . . . . . . .

A ruin—yet what ruin! from its mass
Walls, palaces, half-cities, have been reared;
Yet oft the enormous skeleton ye pass,
And marvel where the spoil could have appeared.
Hath it indeed been plundered, or but cleared?
Alas! developed, opens the decay,
When the colossal fabric's form is neared:
It will not bear the brightness of the day,
Which streams too much on all years, man, have reft away.

But when the rising moon begins to climb
Its topmost arch, and gently pauses there;
When the stars twinkle through the loops of time,
And the low night-breeze waves along the air
The garland-forest which the gray walls wear,
Like laurels on the bald first Cæsar's head;
When the light shines serene, but doth not glare,—
Then in this magic circle raise the dead:
Heroes have trod this spot—'tis on their dust ye tread.

CHORUS OF SPIRITS

At the Storming of Rome by the Constable of Bourbon, 1527

From 'The Deformed Transformed'

'Tis the morn, but dim and dark.
Whither flies the silent lark?
Whither shrinks the clouded sun?
Is the day indeed begun?
Nature's eye is melancholy
O'er the city high and holy;
But without there is a din
Should arouse the saints within,
And revive the heroic ashes
Round which yellow Tiber dashes.
O ye seven hills! awaken,
Ere your very base be shaken!

Hearken to the steady stamp!
Mars is in their every tramp!
Not a step is out of tune,
As the tides obey the moon!
On they march, though to self-slaughter,
Regular as rolling water,
Whose high waves o'ersweep the border
Of huge moles, but keep their order,
Breaking only rank by rank.
Hearken to the armor's clank!
Look down o'er each frowning warrior,
How he glares upon the barrier:
Look on each step of each ladder,
As the stripes that streak an adder.

Look upon the bristling wall,
Manned without an interval!
Round and round, and tier on tier,
Cannon's black mouth, shining spear,
Lit match, bell-mouthed musquetoon,
Gaping to be murderous soon—
All the warlike gear of old,
Mixed with what we now behold,
In this strife 'twixt old and new,
Gather like a locust's crew.
Shade of Remus! 'tis a time
Awful as thy brother's crime!
Christians war against Christ's shrine:
Must its lot be like to thine?

Near—and near—and nearer still,
As the earthquake saps the hill,
First with trembling, hollow motion,
Like a scarce-awakened ocean,
Then with stronger shock and louder,
Till the rocks are crushed to powder,—
Onward sweeps the rolling host!
Heroes of the immortal boast!
Mighty chiefs! eternal shadows!
First flowers of the bloody meadows
Which encompass Rome, the mother
Of a people without brother!
Will you sleep when nations' quarrels
Plow the root up of your laurels?
Ye who wept o'er Carthage burning,
Weep not—strike! for Rome is mourning!

Onward sweep the varied nations!
Famine long hath dealt their rations.
To the wall, with hate and hunger,
Numerous as wolves, and stronger,
On they sweep. O glorious city!
Must thou be a theme for pity?
Fight like your first sire, each Roman!
Alaric was a gentle foeman,
Matched with Bourbon's black banditti.
Rouse thee, thou eternal city!
Rouse thee! Rather give the torch
With thine own hand to thy porch,
Than behold such hosts pollute
Your worst dwelling with their foot.

Ah! behold yon bleeding spectre!
Ilion's children find no Hector;
Priam's offspring loved their brother;
Rome's great sire forgot his mother,
When he slew his gallant twin,
With inexpiable sin.
See the giant shadow stride
O'er the ramparts high and wide!
When the first o'erleapt thy wall,
Its foundation mourned his fall.
Now, though towering like a Babel,
Who to stop his steps are able?
Stalking o'er thy highest dome,
Remus claims his vengeance, Rome!

Now they reach thee in their anger;
Fire and smoke and hellish clangor
Are around thee, thou world's wonder!
Death is in thy walls and under.
Now the meeting steel first clashes,
Downward then the ladder crashes,
With its iron load all gleaming,
Lying at its foot blaspheming.
Up again! for every warrior
Slain, another climbs the barrier.
Thicker grows the strife; thy ditches
Europe's mingling gore enriches.
Rome! although thy wall may perish,
Such manure thy fields will cherish,
Making gay the harvest-home;
But thy hearths! alas, O Rome!—
Yet be Rome amidst thine anguish,
Fight as thou wast wont to vanquish!

Yet once more, ye old Penates,
Let not your quenched hearths be Atè's!
Yet again, ye shadowy heroes,
Yield not to these stranger Neros!
Though the son who slew his mother
Shed Rome's blood, he was your brother:
'Twas the Roman curbed the Roman;—
Brennus was a baffled foeman.
Yet again, ye saints and martyrs,
Rise! for yours are holier charters!
Mighty gods of temples falling,
Yet in ruin still appalling,
Mightier founders of those altars
True and Christian—strike the assaulters!
Tiber! Tiber! let thy torrent
Show even nature's self abhorrent.
Let each breathing heart dilated
Turn, as doth the lion baited:
Rome be crushed to one wide tomb,
But be still the Roman's Rome!

VENICE

From 'Childe Harold's Pilgrimage'

I stood in Venice, on the Bridge of Sighs;
A palace and a prison on each hand;
I saw from out the wave her structures rise
As from the stroke of the enchanter's wand:
A thousand years their cloudy wings expand
Around me, and a dying glory smiles
O'er the far times when many a subject land
Looked to the wingèd Lion's marble piles,
Where Venice sat in state, throned on her hundred isles!

She looks a sea Cybele, fresh from ocean,
Rising with her tiara of proud towers
At airy distance, with majestic motion,
A ruler of the waters and their powers:
And such she was; her daughters had their dowers
From spoils of nations, and the exhaustless East
Poured in her lap all gems in sparkling showers.
In purple was she robed, and of her feast
Monarchs partook, and deemed their dignity increased.

In Venice, Tasso's echoes are no more,
And silent rows the songless gondolier;
Her palaces are crumbling to the shore,
And music meets not always now the ear:
Those days are gone—but Beauty still is here.
States fall, arts fade—but Nature doth not die,
Nor yet forget how Venice once was dear,
The pleasant place of all festivity,
The revel of the earth, the masque of Italy!

But unto us she hath a spell beyond
Her name in story, and her long array
Of mighty shadows, whose dim forms despond
Above the Dogeless city's vanished sway:
Ours is a trophy which will not decay
With the Rialto; Shylock and the Moor,
And Pierre, cannot be swept or worn away—
The keystones of the arch! though all were o'er,
For us repeopled were the solitary shore.

The beings of the mind are not of clay;
Essentially immortal, they create
And multiply in us a brighter ray
And more beloved existence: that which Fate
Prohibits to dull life, in this our state
Of mortal bondage, by these spirits supplied,
First exiles, then replaces what we hate;
Watering the heart whose early flowers have died,
And with a fresher growth replenishing the void.

ODE TO VENICE

I

O Venice! Venice! when thy marble walls
Are level with the waters, there shall be
A cry of nations o'er thy sunken halls,
A loud lament along the sweeping sea!
If I, a northern wanderer, weep for thee,
What should thy sons do?—anything but weep:
And yet they only murmur in their sleep.
In contrast with their fathers—as the slime,
The dull green ooze of the receding deep,
Is with the dashing of the spring-tide foam
That drives the sailor shipless to his home—
Are they to those that were; and thus they creep,
Crouching and crab-like, through their sapping streets.
Oh, agony! that centuries should reap
No mellower harvest! Thirteen hundred years
Of wealth and glory turned to dust and tears;
And every monument the stranger meets,
Church, palace, pillar, as a mourner greets;
And even the Lion all subdued appears,
And the harsh sound of the barbarian drum,
With dull and daily dissonance, repeats
The echo of thy tyrant's voice along
The soft waves, once all musical to song,
That heaved beneath the moonlight with the throng
Of gondolas—and to the busy hum
Of cheerful creatures, whose most sinful deeds
Were but the overbeating of the heart,
And flow of too much happiness, which needs
The aid of age to turn its course apart
From the luxuriant and voluptuous flood
Of sweet sensations, battling with the blood.
But these are better than the gloomy errors,
The weeds of nations in their last decay,
When Vice walks forth with her unsoftened terrors,
And Mirth is madness, and but smiles to slay:
And Hope is nothing but a false delay,
The sick man's lightning half an hour ere death,
When Faintness, the last mortal birth of Pain,
And apathy of limb, the dull beginning
Of the cold staggering race which Death is winning,
Steals vein by vein and pulse by pulse away,
Yet so relieving the o'er-tortured clay,
To him appears renewal of his breath,
And freedom the mere numbness of his chain;
And then he talks of life, and how again
He feels his spirit soaring—albeit weak,
And of the fresher air, which he would seek:
And as he whispers knows not that he gasps,
That his thin finger feels not what it clasps,
And so the film comes o'er him—and the dizzy
Chamber swims round and round—and shadows busy,
At which he vainly catches, flit and gleam,
Till the last rattle chokes the strangled scream,
And all is ice and blackness—and the earth
That which it was the moment ere our birth.

II

There is no hope for nations!—Search the page
Of many thousand years—the daily scene,
The flow and ebb of each recurring age,
The everlasting to be which hath been,
Hath taught us naught, or little: still we lean
On things that rot beneath our weight, and wear
Our strength away in wrestling with the air:
For 'tis our nature strikes us down; the beasts
Slaughtered in hourly hecatombs for feasts
Are of as high an order—they must go
Even where their driver goads them, though to slaughter.
Ye men, who pour your blood for kings as water,
What have they given your children in return?
A heritage of servitude and woes,
A blindfold bondage, where your hire is blows.
What! do not yet the red-hot plowshares burn,
O'er which you stumble in a false ordeal,
And deem this proof of loyalty the real;
Kissing the hand that guides you to your scars,
And glorying as you tread the glowing bars?
All that your sires have left you, all that Time
Bequeaths of free, and History of sublime,
Spring from a different theme! Ye see and read,
Admire and sigh, and then succumb and bleed!
Save the few spirits who, despite of all,
And worse than all—the sudden crimes engendered
By the down-thundering of the prison-wall,
And thirst to swallow the sweet waters tendered
Gushing from Freedom's fountains, when the crowd,
Maddened with centuries of drought, are loud,
And trample on each other to obtain
The cup which brings oblivion of a chain
Heavy and sore, in which long yoked they plowed
The sand; or if there sprung the yellow grain,
'Twas not for them,—their necks were too much bowed,
And their dead palates chewed the cud of pain;—
Yes! the few spirits who, despite of deeds
Which they abhor, confound not with the cause
Those momentary starts from Nature's laws
Which, like the pestilence and earthquake, smite
But for a term, then pass, and leave the earth
With all her seasons to repair the blight
With a few summers, and again put forth
Cities and generations—fair when free—
For, Tyranny, there blooms no bud for thee!

III

Glory and Empire! once upon these towers
With Freedom—godlike Triad!—how ye sate!
The league of mightiest nations in those hours
When Venice was an envy, might abate,
But did not quench her spirit; in her fate
All were enwrapped: the feasted monarchs knew
And loved their hostess, nor could learn to hate,
Although they humbled. With the kingly few
The many felt, for from all days and climes
She was the voyager's worship; even her crimes
Were of the softer order—born of Love.
She drank no blood, nor fattened on the dead,
But gladdened where her harmless conquests spread;
For these restored the Cross, that from above
Hallowed her sheltering banners, which incessant
Flew between earth and the unholy Crescent,
Which if it waned and dwindled, Earth may thank
The city it has clothed in chains, which clank
Now, creaking in the ears of those who owe
The name of Freedom to her glorious struggles;
Yet she but shares with them a common woe,
And called the "kingdom" of a conquering foe,
But knows what all—and, most of all, we—know,
With what set gilded terms a tyrant juggles!

IV

The name of Commonwealth is past and gone
O'er the three fractions of the groaning globe:
Venice is crushed, and Holland deigns to own
A sceptre, and endures the purple robe;
If the free Switzer yet bestrides alone
His chainless mountains, 'tis but for a time,
For tyranny of late is cunning grown,
And in its own good season tramples down
The sparkles of our ashes. One great clime,
Whose vigorous offspring by dividing ocean
Are kept apart and nursed in the devotion
Of Freedom, which their fathers fought for and
Bequeathed—a heritage of heart and hand,
And proud distinction from each other land,
Whose sons must bow them at a monarch's motion,
As if his senseless sceptre were a wand
Full of the magic of exploded science—
Still one great clime, in full and free defiance,
Yet rears her crest, unconquered and sublime,
Above the far Atlantic! She has taught
Her Esau-brethren that the haughty flag,
The floating fence of Albion's feebler crag,
May strike to those whose red right hands have bought
Rights cheaply earned with blood. Still, still forever,
Better, though each man's life-blood were a river,
That it should flow, and overflow, than creep
Through thousand lazy channels in our veins,
Dammed like the dull canal with locks and chains,
And moving as a sick man in his sleep,
Three paces, and then faltering:—better be
Where the extinguished Spartans still are free,
In their proud charnel of Thermopylæ,
Than stagnate in our marsh,—or o'er the deep
Fly, and one current to the ocean add,
One spirit to the souls our fathers had,
One freeman more, America, to thee!

THE EAST

From 'The Bride of Abydos'

Know ye the land where the cypress and myrtle
Are emblems of deeds that are done in their clime?
Where the rage of the vulture, the love of the turtle,
Now melt into sorrow, now madden to crime?
Know ye the land of the cedar and vine,
Where the flowers ever blossom, the beams ever shine;
Where the light wings of Zephyr, oppressed with perfume,
Wax faint o'er the gardens of Gül in her bloom;
Where the citron and olive are fairest of fruit,
And the voice of the nightingale never is mute:
Where the tints of the earth and the hues of the sky,
In color though varied, in beauty may vie,
And the purple of ocean is deepest in dye;
Where the virgins are soft as the roses they twine,
And all, save the spirit of man, is divine?
'Tis the clime of the East! 'tis the land of the Sun!
Can he smile on such deeds as his children have done?
Oh! wild as the accents of lovers' farewell
Are the hearts which they bear, and the tales which they tell.

ORIENTAL ROYALTY

From 'Don Juan'

He had fifty daughters and four dozen sons,
Of whom all such as came of age were stowed—
The former in a palace, where like nuns
They lived till some Bashaw was sent abroad,
When she whose turn it was, was wed at once,
Sometimes at six years old—though this seems odd,
'Tis true: the reason is, that the Bashaw
Must make a present to his sire-in-law.

His sons were kept in prison, till they grew
Of years to fill a bowstring or the throne,—
One or the other, but which of the two
Could yet be known unto the Fates alone:
Meantime the education they went through
Was princely, as the proofs have always shown;
So that the heir-apparent still was found
No less deserving to be hanged than crowned.

A GRECIAN SUNSET

From 'The Curse of Minerva'

Slow sinks, more lovely ere his race be run,
Along Morea's hills the setting sun;
Not, as in Northern climes, obscurely bright,
But one unclouded blaze of living light:
O'er the hushed deep the yellow beam he throws,
Gilds the green wave that trembles as it glows.
On cold Ægina's rock and Idra's isle
The god of gladness sheds his parting smile;
O'er his own regions lingering, loves to shine,
Though there his altars are no more divine.
Descending fast, the mountain shadows kiss
Thy glorious gulf, unconquered Salamis!
Their azure arches through the long expanse,
More deeply purpled meet his mellowing glance,
And tenderest tints, along their summits driven,
Mark his gay course, and own the hues of heaven;
Till, darkly shaded from the land and deep,
Behind his Delphian cliff he sinks to sleep.

On such an eve his palest beam he cast,
When, Athens! here thy Wisest looked his last.
How watched thy better sons his farewell ray,
That closed their murdered sage's latest day!
Not yet—not yet—Sol pauses on the hill—
The precious hour of parting lingers still:
But sad his light to agonizing eyes,
And dark the mountain's once delightful dyes;
Gloom o'er the lovely land he seemed to pour,
The land where Phœbus never frowned before:
But ere he sank below Cithæron's head,
The cup of woe was quaffed—the spirit fled;
The soul of him who scorned to fear or fly—
Who lived and died as none can live or die.

But lo! from high Hymettus to the plain,
The queen of night asserts her silent reign.
No murky vapor, herald of the storm,
Hides her fair face, nor girds her glowing form.
With cornice glimmering as the moonbeams play,
Where the white column greets her grateful ray,
And, bright around with quivering beams beset,
Her emblem sparkles o'er the minaret;
The groves of olive scattered dark and wide,
Where meek Cephisus pours his scanty tide,
The cypress saddening by the sacred mosque,
The gleaming turret of the gay kiosk,
And, dun and sombre 'mid the holy calm,
Near Theseus's fane yon solitary palm,—
All, tinged with varied hues, arrest the eye,
And dull were his that passed them heedless by.

Again the Ægean, heard no more afar,
Lulls his chafed breast from elemental war;
Again his waves in milder tints unfold
Their long array of sapphire and of gold,
Mixed with the shades of many a distant isle,
That frown where gentler ocean deigns to smile.

AN ITALIAN SUNSET

From 'Childe Harold's Pilgrimage'

The moon is up, and yet it is not night—
Sunset divides the sky with her—a sea
Of glory streams along the Alpine height
Of blue Friuli's mountains; Heaven is free
From clouds, but of all colors seems to be,
Melted to one vast Iris of the West,
Where the Day joins the past Eternity;
While, on the other hand, meek Dian's crest
Floats through the azure air—an island of the blest!

A single star is at her side, and reigns
With her o'er half the lovely heaven; but still
Yon sunny sea heaves brightly, and remains
Rolled o'er the peak of the far Rhætian hill,
As Day and Night contending were, until
Nature reclaimed her order:—gently flows
The deep-dyed Brenta, where their hues instil
The odorous purple of a new-born rose,
Which streams upon her stream, and glassed within it glows,

Filled with the face of heaven, which from afar
Comes down upon the waters; all its hues,
From the rich sunset to the rising star,
Their magical variety diffuse:
And now they change; a paler shadow strews
Its mantle o'er the mountains; parting day
Dies like the dolphin, whom each pang imbues
With a new color as it gasps away,
The last still loveliest, till—'tis gone—and all is gray.

TWILIGHT

From 'Don Juan'

T' our tale.—The feast was over, the slaves gone,
The dwarfs and dancing girls had all retired;
The Arab lore and poet's song were done,
And every sound of revelry expired;
The lady and her lover, left alone,
The rosy flood of twilight sky admired;—
Ave Maria! o'er the earth and sea,
That heavenliest hour of Heaven is worthiest thee!

Ave Maria! blessed be the hour,
The time, the clime, the spot, where I so oft
Have felt that moment in its fullest power
Sink o'er the earth so beautiful and soft,
While swung the deep bell in the distant tower,
Or the faint dying day hymn stole aloft,
And not a breath crept through the rosy air,
And yet the forest leaves seemed stirred with prayer.

Ave Maria! 'tis the hour of prayer!
Ave Maria! 'tis the hour of love!
Ave Maria! may our spirits dare
Look up to thine and to thy Son's above!
Ave Maria! oh that face so fair!
Those downcast eyes beneath the Almighty Dove—
What though 'tis but a pictured image strike?
That painting is no idol—'tis too like.

Some kindly casuists are pleased to say,
In nameless print, that I have no devotion;
But set those persons down with me to pray,
And you shall see who has the properest notion
Of getting into heaven the shortest way:
My altars are the mountains and the ocean,
Earth, air, stars—all that springs from the great Whole,
Who hath produced and will receive the soul.

Sweet hour of twilight!—in the solitude
Of that pine forest, and the silent shore
Which bounds Ravenna's immemorial wood,
Rooted where once the Adrian wave flowed o'er
To where the last Cæsarean fortress stood,—
Evergreen forest! which Boccaccio's lore
And Dryden's lay made haunted ground to me,
How have I loved the twilight hour and thee!

The shrill cicalas, people of the pine,
Making their summer lives one ceaseless song,
Were the sole echoes, save my steed's and mine,
And vesper bells that rose the boughs along:
The spectre huntsman of Onesti's line,
His hell-dogs and their chase, and the fair throng
Which learned from this example not to fly
From a true lover—shadowed my mind's eye.

O Hesperus! thou bringest all good things:
Home to the weary, to the hungry cheer,
To the young bird the parent's brooding wings,
The welcome stall to the o'er-labored steer;
Whatever of peace about our hearthstone clings,
Whate'er our household gods protect of dear,
Are gathered round us by thy look of rest;
Thou bring'st the child, too, to the mother's breast.

Soft hour! which wakes the wish and melts the heart
Of those who sail the seas, on the first day
When they from their sweet friends are torn apart;
Or fills with love the pilgrim on his way
As the far bell of vesper makes him start,
Seeming to weep the dying day's decay.
Is this a fancy which our reason scorns?
Ah! surely nothing dies but something mourns.

AN ALPINE STORM

From 'Childe Harold's Pilgrimage'

The sky is changed—and such a change!—O Night,
And storm, and darkness, ye are wondrous strong,
Yet lovely in your strength, as is the light
Of a dark eye in woman! Far along,
From peak to peak, the rattling crags among,
Leaps the live thunder! Not from one lone cloud,
But every mountain now hath found a tongue,
And Jura answers through her misty shroud
Back to the joyous Alps, who call to her aloud!

And this is in the night.—Most glorious night!
Thou wert not sent for slumber! let me be
A sharer in thy fierce and far delight—
A portion of the tempest and of thee!
How the lit lake shines, a phosphoric sea,
And the big rain comes dancing to the earth!
And now again 'tis black—and now the glee
Of the loud hills shakes with its mountain-mirth,
As if they did rejoice o'er a young earthquake's birth.

Now, where the swift Rhone cleaves his way between
Heights which appear as lovers who have parted
In hate, whose mining depths so intervene
That they can meet no more, though broken-hearted!
Though in their souls which thus each other thwarted,
Love was the very root of that fond rage
Which blighted their life's bloom, and then departed;
Itself expired, but leaving them an age
Of years all winters—war within themselves to wage—

Now, where the quick Rhone thus hath cleft his way,
The mightiest of the storms hath ta'en his stand:
For here not one, but many, make their play
And fling their thunderbolts from hand to hand,
Flashing and cast around: of all the band,
The brightest through these parted hills hath forked
His lightnings; as if he did understand
That in such gaps as desolation worked,
There the hot shaft should blast whatever therein lurked.

Sky, mountains, river, winds, lake, lightnings! ye,
With night, and clouds, and thunder, and a soul
To make these felt and feeling, well may be
Things that have made me watchful; the far roll
Of your departing voices is the knoll
Of what in me is sleepless,—if I rest.
But where of ye, O tempests! is the goal?
Are ye like those within the human breast?
Or do ye find at length, like eagles, some high nest?

THE OCEAN

From 'Childe Harold's Pilgrimage'

But I forgot: my Pilgrim's shrine is won,
And he and I must part;—so let it be:
His task and mine alike are nearly done;
Yet once more let us look upon the sea:
The midland ocean breaks on him and me,
And from the Alban Mount we now behold
Our friend of youth, that ocean, which when we
Beheld it last by Calpe's rock unfold
Those waves, we followed on till the dark Euxine rolled

Upon the blue Symplegades: long years—
Long, though not very many—since have done
Their work on both; much suffering and some tears
Have left us nearly where we had begun:
Yet not in vain our mortal race hath run,—
We have had our reward, and it is here;
That we can yet feel gladdened by the sun,
Can reap from earth, sea, joy almost as dear
As if there were no man to trouble what is clear.

Oh that the desert were my dwelling-place,
With one fair Spirit for my minister,
That I might all forget the human race,
And, hating no one, love but only her!
Ye Elements!—in whose ennobling stir
I feel myself exalted—can ye not
Accord me such a being? Do I err
In deeming such inhabit many a spot?
Though with them to converse can rarely be our lot.

There is a pleasure in the pathless woods,
There is a rapture on the lonely shore,
There is society, where none intrudes,
By the deep Sea, and music in its roar:
I love not Man the less, but Nature more,
From these our interviews, in which I steal
From all I may be, or have been before,
To mingle with the Universe, and feel
What I can ne'er express, yet cannot all conceal.

Roll on, thou deep and dark blue Ocean—roll!
Ten thousand fleets sweep over thee in vain;
Man marks the earth with ruin—his control
Stops with the shore;—upon the watery plain
The wrecks are all thy deed, nor doth remain
A shadow of man's ravage, save his own,
When for a moment, like a drop of rain,
He sinks into thy depths with bubbling groan,
Without a grave, unknelled, uncoffined, and unknown.

His steps are not upon thy paths—thy fields
Are not a spoil for him—thou dost arise
And shake him from thee; the vile strength he wields
For earth's destruction thou dost all despise,
Spurning him from thy bosom to the skies,
And send'st him, shivering in thy playful spray,
And howling, to his gods, where haply lies
His petty hope in some near port or bay,
And dashest him again to earth: there let him lay.

The armaments which thunderstrike the walls
Of rock-built cities, bidding nations quake
And monarchs tremble in their capitals,—
The oak leviathans, whose huge ribs make
Their clay creator the vain title take
Of lord of thee, and arbiter of war,—
These are thy toys, and as the snowy flake,
They melt into thy yeast of waves, which mar
Alike the Armada's pride, or spoils of Trafalgar.

Thy shores are empires, changed in all save thee—
Assyria, Greece, Rome, Carthage, what are they?
Thy waters wasted them while they were free,
And many a tyrant since: their shores obey
The stranger, slave, or savage; their decay
Has dried up realms to deserts;—not so thou,
Unchangeable save to thy wild waves' play.
Time writes no wrinkle on thine azure brow;
Such as creation's dawn beheld, thou rollest now.

Thou glorious mirror, where the Almighty's form
Glasses itself in tempests: in all time,
Calm or convulsed—in breeze, or gale, or storm,
Icing the pole, or in the torrid clime
Dark-heaving;—boundless, endless, and sublime;
The image of eternity, the throne
Of the Invisible: even from out thy slime
The monsters of the deep are made; each zone
Obeys thee; thou goest forth, dread, fathomless, alone.

And I have loved thee, Ocean! and my joy
Of youthful sports was on thy breast to be
Borne, like thy bubbles, onward; from a boy
I wantoned with thy breakers—they to me
Were a delight; and if the freshening sea
Made them a terror—'twas a pleasing fear,
For I was as it were a child of thee,
And trusted to thy billows far and near,
And laid my hand upon thy mane—as I do here.

THE SHIPWRECK

From 'Don Juan'

'Twas twilight, and the sunless day went down
Over the waste of waters; like a veil
Which, if withdrawn, would but disclose the frown
Of one whose hate is masked but to assail;
Thus to their hopeless eyes the night was shown,
And grimly darkled o'er their faces pale,
And the dim desolate deep: twelve days had Fear
Been their familiar, and now Death was here.

. . . . . . . . . . . . . . . . .

There was no light in heaven but a few stars;
The boats put off, o'ercrowded with their crews:
She gave a heel, and then a lurch to port,
And going down head foremost—sunk, in short.

Then rose from sea to sky the wild farewell!
Then shrieked the timid and stood still the brave;
Then some leaped overboard with dreadful yell,
As eager to anticipate their grave;
And the sea yawned around her like a hell,
And down she sucked with her the whirling wave,
Like one who grapples with his enemy,
And tries to strangle him before he die.

At first one universal shriek there rushed,
Louder than the loud ocean, like a crash
Of echoing thunder: and then all was hushed,
Save the wild wind and the remorseless dash
Of billows; but at intervals there gushed,
Accompanied with a convulsive splash,
A solitary shriek—the bubbling cry
Of some strong swimmer in his agony.

LOVE ON THE ISLAND

From 'Don Juan'

It was the cooling hour, just when the rounded
Red sun sinks down behind the azure hill,
Which then seems as if the whole earth it bounded,
Circling all nature, hushed, and dim, and still,
With the far mountain-crescent half-surrounded
On one side, and the deep sea calm and chill
Upon the other, and the rosy sky,
With one star sparkling through it like an eye.

And thus they wandered forth, and hand in hand,
Over the shining pebbles and the shells,
Glided along the smooth and hardened sand,
And in the worn and wild receptacles
Worked by the storms, yet worked as it were planned,
In hollow halls, with sparry roofs and cells,
They turned to rest; and, each clasped by an arm,
Yielded to the deep twilight's purple charm.

They looked up to the sky, whose floating glow
Spread like a rosy ocean, vast and bright;
They gazed upon the glittering sea below,
Whence the broad moon rose circling into sight;
They heard the waves splash, and the wind so low,
And saw each other's dark eyes darting light
Into each other—and, beholding this,
Their lips drew near, and clung into a kiss:

A long, long kiss, a kiss of youth and love
And beauty, all concentrating like rays
Into one focus, kindled from above;
Such kisses as belong to early days,
Where heart, and soul, and sense, in concert move,
And the blood's lava, and the pulse a blaze,
Each kiss a heart-quake—for a kiss's strength,
I think, it must be reckoned by its length.

By length I mean duration; theirs endured
Heaven knows how long—no doubt they never reckoned;
And if they had, they could not have secured
The sum of their sensations to a second:
They had not spoken; but they felt allured,
As if their souls and lips each other beckoned,
Which, being joined, like swarming bees they clung—
Their hearts the flowers from whence the honey sprung.

They were alone, but not alone as they
Who, shut in chambers, think it loneliness;
The silent ocean, and the starlit bay,
The twilight glow, which momently grew less,
The voiceless sands, and dropping caves, that lay
Around them, made them to each other press,
As if there were no life beneath the sky
Save theirs, and that their life could never die.

They feared no eyes nor ears on that lone beach,
They felt no terrors from the night; they were
All in all to each other: though their speech
Was broken words, they thought a language there;
And all the burning tongues the passions teach
Found in one sigh the best interpreter
Of nature's oracle, first love,—that all
Which Eve has left her daughters since her fall.

And when those deep and burning moments passed,
And Juan sank to sleep within her arms,
She slept not, but all tenderly, though fast,
Sustained his head upon her bosom's charms;
And now and then her eye to heaven is cast,
And then on the pale cheek her breast now warms,
Pillowed on her o'erflowing heart, which pants
With all it granted, and with all it grants.

An infant when it gazes on the light,
A child the moment when it drains the breast
A devotee when soars the Host in sight,
An Arab with a stranger for a guest,
A sailor when the prize has struck in fight,
A miser filling his most hoarded chest,
Feel rapture; but not such true joy are reaping,
As they who watch o'er what they love while sleeping.

For there it lies, so tranquil, so beloved;
All that it hath of life with us is living;
So gentle, stirless, helpless, and unmoved,
And all unconscious of the joy 'tis giving.
All it hath felt, inflicted, passed, and proved,
Hushed into depths beyond the watcher's diving:
There lies the thing we love, with all its errors
And all its charms, like death without its terrors.

The lady watched her lover—and that hour
Of Love's, and Night's, and Ocean's solitude,
O'erflowed her soul with their united power;
Amidst the barren sand and rocks so rude,
She and her wave-worn love had made their bower
Where naught upon their passion could intrude;
And all the stars that crowded the blue space
Saw nothing happier than her glowing face.

Alas, the love of women! it is known
To be a lovely and a fearful thing;
For all of theirs upon that die is thrown,
And if 'tis lost, life hath no more to bring
To them but mockeries of the past alone,
And their revenge is as the tiger's spring,
Deadly and quick and crushing; yet as real
Torture is theirs—what they inflict they feel.

THE TWO BUTTERFLIES

From 'The Giaour'

As, rising on its purple wing,
The insect queen of eastern spring
O'er emerald meadows of Kashmeer
Invites the young pursuer near,
And leads him on from flower to flower,
A weary chase and wasted hour,
Then leaves him, as it soars on high,
With panting heart and tearful eye:
So beauty lures the full-grown child,
With hue as bright, and wing as wild,—
A chase of idle hopes and fears,
Begun in folly, closed in tears.
If won, to equal ills betrayed,
Woe waits the insect and the maid:
A life of pain, the loss of peace,
From infant's play and man's caprice.
The lovely toy so fiercely sought
Hath lost its charm by being caught,
For every touch that wooed its stay
Hath brushed its brightest hues away,
Till, charm and hue and beauty gone,
'Tis left to fly or fall alone.
With wounded wing or bleeding breast,
Ah, where shall either victim rest?
Can this with faded pinion soar
From rose to tulip as before?
Or Beauty, blighted in an hour,
Find joy within her broken bower?
No: gayer insects fluttering by
Ne'er droop the wing o'er those that die,
And lovelier things have mercy shown
To every failing but their own,
And every woe a tear can claim,
Except an erring sister's shame.

TO HIS SISTER

From 'Childe Harold's Pilgrimage'

The castled crag of Drachenfels
Frowns o'er the wide and winding Rhine,
Whose breast of waters broadly swells
Between the banks which bear the vine;
And hills all rich with blossomed trees,
And fields which promise corn and wine.
And scattered cities crowning these,
Whose far white walls along them shine,
Have strewed a scene which I should see
With double joy, wert thou with me!

And peasant girls, with deep-blue eyes,
And hands which offer early flowers,
Walk smiling o'er this paradise;
Above, the frequent feudal towers
Through green leaves lift their walls of gray.
And many a rock which steeply lours,
And noble arch in proud decay,
Look o'er this vale of vintage bowers;
But one thing want these banks of Rhine—
Thy gentle hand to clasp in mine!

I send the lilies given to me;
Though long before thy hand they touch,
I know that they must withered be.
But yet reject them not as such;
For I have cherished them as dear.
Because they yet may meet thine eye,
And guide thy soul to mine even here,
When thou beholdest them drooping nigh,
And knowest them gathered by the Rhine,
And offered from my heart to thine!

The river nobly foams and flows,
The charm of this enchanted ground,
And all its thousand turns disclose
Some fresher beauty varying round;
The haughtiest breast its wish might bound
Through life to dwell delighted here;
Nor could on earth a spot be found
To nature and to me so dear,
Could thy dear eyes in following mine
Still sweeten more these banks of Rhine!

ODE TO NAPOLEON

Tis done—but yesterday a King,
And armed with Kings to strive;
And now thou art a nameless thing,
So abject—yet alive!
Is this the man of thousand thrones,
Who strewed our earth with hostile bones,
And can he thus survive?
Since he, miscalled the Morning Star,
Nor man nor fiend hath fallen so far.

Ill-minded man! why scourge thy kind
Who bowed so low the knee?
By gazing on thyself grown blind,
Thou taught'st the rest to see.
With might unquestioned—power to save—
Thine only gift hath been the grave
To those that worshiped thee;
Nor till thy fall could mortals guess
Ambition's less than littleness!

Thanks for that lesson—it will teach
To after-warriors more
Than high Philosophy can preach,
And vainly preached before.
That spell upon the minds of men
Breaks never to unite again,
That led them to adore
Those pagod things of sabre sway,
With fronts of brass and feet of clay.

The triumph and the vanity,
The rapture of the strife110—
The earthquake voice of Victory,
To thee the breath of life—
The sword, the sceptre, and that sway
Which man seemed made but to obey,
Wherewith renown was rife—
All quelled!—Dark Spirit! what must be
The madness of thy memory!

The Desolator desolate!
The victor overthrown!
The Arbiter of others' fate
A Suppliant for his own!
Is it some yet imperial hope
That with such change can calmly cope,
Or dread of death alone?
To die a prince, or live a slave—
Thy choice is most ignobly brave!

He who of old would rend the oak111
Dreamed not of the rebound;
Chained by the trunk he vainly broke—
Alone—how looked he round!
Thou, in the sternness of thy strength,
An equal deed hast done at length,
And darker fate hast found:
He fell, the forest prowlers' prey;
But thou must eat thy heart away!

The Roman,112 when his burning heart
Was slaked with blood of Rome,
Threw down the dagger—dared depart
In savage grandeur, home:
He dared depart, in utter scorn
Of men that such a yoke had borne,
Yet left him such a doom!
His only glory was that hour
Of self-upheld abandoned power.

The Spaniard,113 when the lust of sway
Had lost its quickening spell,
Cast crowns for rosaries away,
An empire for a cell;
A strict accountant of his beads,
A subtle disputant on creeds,
His dotage trifled well:
Yet better had he neither known
A bigot's shrine, nor despot's throne.

But thou—from thy reluctant hand
The thunderbolt is wrung;
Too late thou leav'st the high command
To which thy weakness clung;
All Evil Spirit as thou art,
It is enough to grieve the heart
To see thine own unstrung;
To think that God's fair world hath been
The footstool of a thing so mean!

And Earth hath spilt her blood for him,
Who thus can hoard his own!
And Monarchs bowed the trembling limb,
And thanked him for a throne!
Fair Freedom! we may hold thee dear,
When thus thy mightiest foes their fear
In humblest guise have shown.
Oh! ne'er may tyrant leave behind
A brighter name to lure mankind!

Thine evil deeds are writ in gore,
Nor written thus in vain—
Thy triumphs tell of fame no more,
Or deepen every stain:
If thou hadst died, as honor dies,
Some new Napoleon might arise,
To shame the world again;
But who would soar the solar height,
To set in such a starless night?

Weighed in the balance, hero dust
Is vile as vulgar clay;
Thy scales, Mortality! are just
To all that pass away;
But yet methought the living great
Some higher sparks should animate,
To dazzle and dismay:
Nor deemed Contempt could thus make mirth
Of these, the Conquerors of the earth.

And she, proud Austria's mournful flower,
Thy still imperial bride,
How bears her breast the torturing hour?
Still clings she to thy side?
Must she too bend, must she too share
Thy late repentance, long despair,
Thou throneless Homicide?
If still she loves thee, hoard that gem—
'Tis worth thy vanished diadem!

Then haste thee to thy sullen Isle,
And gaze upon the sea;
That element may meet thy smile—
It ne'er was ruled by thee!
Or trace with thine all idle hand,
In loitering mood upon the sand,
That Earth is now as free!
That Corinth's pedagogue114 hath now
Transferred his byword to thy brow.

Thou Timour! in his captive's cage,
What thoughts will there be thine,
While brooding in thy prisoned rage?
But one—"The world was mine!"
Unless, like him of Babylon,
All sense is with thy sceptre gone,
Life will not long confine
That spirit poured so widely forth—
So long obeyed—so little worth!

THE BATTLE OF WATERLOO

From 'Childe Harold's Pilgrimage'

There was a sound of revelry by night,
And Belgium's capital had gathered then
Her beauty and her chivalry, and bright
The lamps shone o'er fair women and brave men;
A thousand hearts beat happily; and when
Music arose with its voluptuous swell,
Soft eyes looked love to eyes which spake again,
And all went merry as a marriage-bell;
But hush! hark! a deep sound strikes like a rising knell!

Did ye not hear it?—No; 'twas but the wind,
Or the car rattling o'er the stony street;
On with the dance! let joy be unconfined;
No sleep till morn, when Youth and Pleasure meet
To chase the glowing Hours with flying feet.
But hark! that heavy sound breaks in once more,
As if the clouds its echo would repeat,
And nearer, clearer, deadlier than before!
Arm! arm! it is—it is—the cannon's opening roar!

Within a windowed niche of that high hall
Sat Brunswick's fated chieftain; he did hear
That sound the first amidst the festival,
And caught its tone with Death's prophetic ear;
And when they smiled because he deemed it near,
His heart more truly knew that peal too well,
Which stretched his father on a bloody bier,
And roused the vengeance blood alone could quell:
He rushed into the field, and foremost fighting, fell.

Ah! then and there was hurrying to and fro,
And gathering tears, and tremblings of distress,
And cheeks all pale, which but an hour ago
Blushed at the praise of their own loveliness:
And there were sudden partings, such as press
The life from out young hearts; and choking sighs,
Which ne'er might be repeated: who could guess
If ever more should meet those mutual eyes,
Since upon night so sweet such awful morn could rise!

And there was mounting in hot haste: the steed,
The mustering squadron, and the clattering car,
Went pouring forward with impetuous speed,
And swiftly forming in the ranks of war;
And the deep thunder peal on peal afar;
And near, the beat of the alarming drum
Roused up the soldier ere the morning star;
While thronged the citizens with terror dumb,
Or whispering with white lips—"The foe! They come! they come!"

And wild and high the "Cameron's gathering" rose!
The war-note of Lochiel, which Albyn's hills
Have heard, and heard, too, have her Saxon foes:
How in the noon of night that pibroch thrills
Savage and shrill! But with the breath which fills
Their mountain pipe, so fill the mountaineers
With the fierce native daring which instills
The stirring memory of a thousand years,
And Evan's, Donald's fame rings in each clansman's ears!

And Ardennes waves above them her green leaves,
Dewy with nature's teardrops, as they pass,
Grieving, if aught inanimate e'er grieves,
Over the unreturning brave—alas!
Ere evening to be trodden like the grass
Which now beneath them, but above shall grow
In its next verdure, when this fiery mass
Of living valor, rolling on the foe,
And burning with high hope, shall molder cold and low.

Last noon beheld them full of lusty life,
Last eve in Beauty's circle proudly gay,
The midnight brought the signal-sound of strife,
The morn the marshaling in arms—the day
Battle's magnificently stern array!
The thunder-clouds close o'er it, which when rent,
The earth is covered thick with other clay,
Which her own clay shall cover, heaped and pent,
Rider and horse—friend, foe—in one red burial blent!

MAZEPPA'S RIDE

From 'Mazeppa'

The last of human sounds which rose,
As I was darted from my foes,
Was the wild shout of savage laughter,
Which on the wind came roaring after
A moment from that rabble rout:
With sudden wrath I wrenched my head,
And snapped the cord which to the mane
Had bound my neck in lieu of rein,
And, writhing half my form about,
Howled back my curse; but 'midst the tread,
The thunder of my courser's speed,
Perchance they did not hear nor heed;
It vexes me—for I would fain
Have paid their insult back again.
I paid it well in after days:
There is not of that castle gate,
Its drawbridge and portcullis weight,
Stone, bar, moat, bridge, or barrier left;
Nor of its fields a blade of grass,
Save what grows on a ridge of wall,
Where stood the hearthstone of the hall;
And many a time ye there might pass,
Nor dream that e'er that fortress was:
I saw its turrets in a blaze,
Their crackling battlements all cleft,
And the hot lead pour down like rain
From off the scorched and blackening roof,
Whose thickness was not vengeance-proof.
They little thought, that day of pain
When, launched as on the lightning's flash,
They bade me to destruction dash,
That one day I should come again,
With twice five thousand horse, to thank
The Count for his uncourteous ride.
They played me then a bitter prank,
When, with the wild horse for my guide,
They bound me to his foaming flank:
At length I played them one as frank—
For time at last sets all things even—
And if we do but watch the hour,
There never yet was human power
Which could evade, if unforgiven,
The patient search and vigil long
Of him who treasures up a wrong.

. . . . . . . . . . . . . . . . .

We rustled through the leaves like wind,
Left shrubs, and trees, and wolves behind.
By night I heard them on the track,
Their troop came hard upon our back,
With their long gallop, which can tire
The hound's deep hate and hunter's fire:
Where'er we flew they followed on,
Nor left us with the morning sun;
Behind I saw them, scarce a rood,
At daybreak winding through the wood,
And through the night had heard their feet
Their stealing, rustling step repeat.
Oh! how I wished for spear or sword,
At least to die amidst the horde,
And perish—if it must be so—
At bay, destroying many a foe.
When first my courser's race begun,
I wished the goal already won;
But now I doubted strength and speed.
Vain doubt! his swift and savage breed
Had nerved him like the mountain roe;
Not faster falls the blinding snow
Which whelms the peasant near the door
Whose threshold he shall cross no more,
Bewildered with the dazzling blast,
Than through the forest-paths he passed—
Untired, untamed, and worse than wild;
All furious as a favored child
Balked of its wish; or fiercer still—
A woman piqued—who has her will.

. . . . . . . . . . . . . . . . .

Onward we went—but slack and slow:
His savage force at length o'erspent,
The drooping courser, faint and low,
All feebly foaming went....
At length, while reeling on our way,
Methought I heard a courser neigh,
From out yon tuft of blackening firs.
Is it the wind those branches stirs?
No, no! from out the forest prance
A trampling troop; I see them come!
In one vast squadron they advance!
I strove to cry—my lips were dumb.
The steeds rush on in plunging pride;
But where are they the reins to guide?
A thousand horse—and none to ride!
With flowing tail, and flying mane,
Wide nostrils, never stretched by pain,
Mouths bloodless to the bit or rein,
And feet that iron never shod,
And flanks unscarred by spur or rod,
A thousand horse, the wild, the free,
Like waves that follow o'er the sea,
Came thickly thundering on,
As if our faint approach to meet;
The sight re-nerved my courser's feet;
A moment staggering, feebly fleet,
A moment, with a faint low neigh,
He answered, and then fell;
With gasps and glazing eyes he lay,
And reeking limbs immovable—
His first and last career is done!

THE IRISH AVATÀR

Ere the Daughter of Brunswick is cold in her grave,
And her ashes still float to their home o'er the tide,
Lo! George the triumphant speeds over the wave,
To the long-cherished Isle which he loved like his—bride.

True, the great of her bright and brief era are gone,
The rainbow-like epoch where Freedom could pause
For the few little years, out of centuries won,
Which betrayed not, or crushed not, or wept not her cause.

True, the chains of the Catholic clank o'er his rags;
The castle still stands, and the senate's no more;
And the famine which dwelt on her freedomless crags
Is extending its steps to her desolate shore.

To her desolate shore—where the emigrant stands
For a moment to gaze ere he flies from his hearth;
Tears fall on his chain, though it drops from his hands,
For the dungeon he quits is the place of his birth.

But he comes! the Messiah of royalty comes!
Like a goodly leviathan rolled from the waves!
Then receive him as best such an advent becomes,
With a legion of cooks, and an army of slaves!

He comes in the promise and bloom of threescore,
To perform in the pageant the sovereign's part—
But long live the shamrock which shadows him o'er!
Could the green in his hat be transferred to his heart!

Could that long-withered spot but be verdant again,
And a new spring of noble affections arise—
Then might Freedom forgive thee this dance in thy chain,
And this shout of thy slavery which saddens the skies.

Is it madness or meanness which clings to thee now?
Were he God—as he is but the commonest clay,
With scarce fewer wrinkles than sins on his brow—
Such servile devotion might shame him away.

Ay, roar in his train! let thine orators lash
Their fanciful spirits to pamper his pride;
Not thus did thy Grattan indignantly flash
His soul o'er the freedom implored and denied.

Ever glorious Grattan! the best of the good!
So simple in heart, so sublime in the rest!
With all which Demosthenes wanted, endued,
And his rival or victor in all he possessed.

Ere Tully arose in the zenith of Rome,
Though unequaled, preceded, the task was begun;
But Grattan sprung up like a god from the tomb
Of ages, the first, last, the savior, the one!

With the skill of an Orpheus to soften the brute;
With the fire of Prometheus to kindle mankind;
Even Tyranny, listening, sate melted or mute,
And corruption shrunk scorched from the glance of his mind.

But back to our theme! Back to despots and slaves!
Feasts furnished by Famine! rejoicings by Pain!
True Freedom but welcomes, while slavery still raves,
When a week's Saturnalia hath loosened her chain.

Let the poor squalid splendor thy wreck can afford
(As the bankrupt's profusion his ruin would hide)
Gild over the palace. Lo! Erin, thy lord!
Kiss his foot with thy blessing, his blessings denied!

Or if freedom past hope be extorted at last,
If the idol of brass find his feet are of clay,
Must what terror or policy wring forth be classed
With what monarchs ne'er give, but as wolves yield their prey?

Each brute hath its nature; a king's is to reign,—
To reign! in that word see, ye ages, comprised
The cause of the curses all annals contain,
From Cæsar the dreaded to George the despised!

Wear, Fingal, thy trapping! O'Connell, proclaim
His accomplishments! His!!! and thy country convince
Half an age's contempt was an error of fame,
And that "Hal is the rascalliest, sweetest young prince!"

Will thy yard of blue riband, poor Fingal, recall
The fetters from millions of Catholic limbs?
Or has it not bound thee the fastest of all
The slaves, who now hail their betrayer with hymns?

Ay! "Build him a dwelling!" let each give his mite!
Till like Babel the new royal dome hath arisen!
Let thy beggars and Helots their pittance unite—
And a palace bestow for a poor-house and prison!

Spread—spread for Vitellius the royal repast,
Till the gluttonous despot be stuffed to the gorge!
And the roar of his drunkards proclaim him at last
The Fourth of the fools and oppressors called "George"!

Let the tables be loaded with feasts till they groan!
Till they groan like thy people, through ages of woe!
Let the wine flow around the old Bacchanal's throne,
Like their blood which has flowed, and which yet has to flow.

But let not his name be thine idol alone—
On his right hand behold a Sejanus appears!
Thine own Castlereagh! let him still be thine own!
A wretch never named but with curses and jeers!

Till now, when the isle which should blush for his birth,
Deep, deep as the gore which he shed on her soil,
Seems proud of the reptile which crawled from her earth,
And for murder repays him with shouts and a smile!

Without one single ray of her genius, without
The fancy, the manhood, the fire of her race—
The miscreant who well might plunge Erin in doubt
If she ever gave birth to a being so base.

If she did—let her long-boasted proverb be hushed,
Which proclaims that from Erin no reptile can spring:
See the cold-blooded serpent, with venom full flushed,
Still warming its folds in the breast of a King!

Shout, drink, feast, and flatter! O Erin, how low
Wert thou sunk by misfortune and tyranny, till
Thy welcome of tyrants hath plunged thee below
The depth of thy deep in a deeper gulf still!

My voice, though but humble, was raised for thy right:
My vote, as a freeman's, still voted thee free;
This hand, though but feeble, would arm in thy fight,
And this heart, though outworn, had a throb still for thee!

Yes, I loved thee and thine, though thou art not my land;
I have known noble hearts and great souls in thy sons,
And I wept with the world o'er the patriot band
Who are gone, but I weep them no longer as once.

For happy are they now reposing afar,—
Thy Grattan, thy Curran, thy Sheridan, all
Who for years were the chiefs in the eloquent war,
And redeemed, if they have not retarded, thy fall.

Yes, happy are they in their cold English graves!
Their shades cannot start to thy shouts of to-day,—
Nor the steps of enslavers and chain-kissing slaves
Be stamped in the turf o'er their fetterless clay.

Till now I had envied thy sons and their shore,
Though their virtues were hunted, their liberties fled;
There was something so warm and sublime in the core
Of an Irishman's heart, that I envy—thy dead.

Or if aught in my bosom can quench for an hour
My contempt for a nation so servile, though sore.
Which though trod like the worm will not turn upon power,
'Tis the glory of Grattan, and genius of Moore!

THE DREAM

I

Our life is twofold: sleep hath its own world,
A boundary between the things misnamed
Death and existence; sleep hath its own world,
And a wide realm of wild reality;
And dreams in their development have breath,
And tears, and tortures, and the touch of joy;
They leave a weight upon our waking thoughts,
They take a weight from off our waking toils,
They do divide our being; they become
A portion of ourselves as of our time,
And look like heralds of eternity;
They pass like spirits of the past,—they speak
Like sibyls of the future; they have power—
The tyranny of pleasure and of pain;
They make us what we were not—what they will,
And make us with the vision that's gone by,
The dread of vanished shadows.—Are they so?
Is not the past all shadow? What are they?
Creations of the mind?—The mind can make
Substance, and people planets of its own
With beings brighter than have been, and give
A breath to forms which can outlive all flesh.
I would recall a vision which I dreamed
Perchance in sleep—for in itself a thought,
A slumbering thought, is capable of years,
And curdles a long life into one hour.

II

I saw two beings in the hues of youth
Standing upon a hill, a gentle hill,
Green and of mild declivity, the last
As 'twere the cape of a long ridge of such,
Save that there was no sea to lave its base,
But a most living landscape, and the wave
Of woods and corn-fields, and the abodes of men
Scattered at intervals, and wreathing smoke
Arising from such rustic roofs;—the hill
Was crowned with a peculiar diadem
Of trees, in circular array, so fixed,
Not by the sport of nature, but of man:
These two, a maiden and a youth, were there
Gazing—the one on all that was beneath
Fair as herself—but the boy gazed on her;
And both were young, and one was beautiful;
And both were young, yet not alike in youth.
As the sweet moon on the horizon's verge,
The maid was on the eve of womanhood;
The boy had fewer summers, but his heart
Had far outgrown his years, and to his eye
There was but one beloved face on earth,
And that was shining on him; he had looked
Upon it till it could not pass away;
He had no breath, no being, but in hers;
She was his voice; he did not speak to her,
But trembled on her words; she was his sight,
For his eye followed hers, and saw with hers,
Which colored all his objects;—he had ceased
To live within himself; she was his life,
The ocean to the river of his thoughts,
Which terminated all: upon a tone,
A touch of hers, his blood would ebb and flow,
And his cheek change tempestuously—his heart
Unknowing of its cause of agony.
But she in these fond feelings had no share:
Her sighs were not for him; to her he was
Even as a brother—but no more: 'twas much,
For brotherless she was, save in the name
Her infant friendship had bestowed on him;
Herself the solitary scion left
Of a time-honored race.—It was a name
Which pleased him, and yet pleased him not—and why?
Time taught him a deep answer—when she loved
Another; even now she loved another,
And on the summit of that hill she stood
Looking afar if yet her lover's steed
Kept pace with her expectancy, and flew.

III

A change came o'er the spirit of my dream.
There was an ancient mansion, and before
Its walls there was a steed caparisoned.
Within an antique oratory stood
The boy of whom I spake;—he was alone,
And pale, and pacing to and fro; anon
He sat him down, and seized a pen, and traced
Words which I could not guess of: then he leaned
His bowed head on his hands, and shook as 'twere
With a convulsion—then arose again,
And with his teeth and quivering hands did tear
What he had written, but he shed no tears.
And he did calm himself, and fix his brow
Into a kind of quiet: as he paused,
The lady of his love re-entered there;
She was serene and smiling then, and yet
She knew she was by him beloved,—she knew,
For quickly comes such knowledge, that his heart
Was darkened with her shadow, and she saw
That he was wretched; but she saw not all.
He rose, and with a cold and gentle grasp
He took her hand; a moment o'er his face
A tablet of unutterable thoughts
Was traced, and then it faded as it came;
He dropped the hand he held, and with slow steps
Retired, but not as bidding her adieu,
For they did part with mutual smiles; he passed
From out the massy gate of that old hall,
And mounting on his steed he went his way,
And ne'er repassed that hoary threshold more.

IV

A change came o'er the spirit of my dream.
The boy was sprung to manhood: in the wilds
Of fiery climes he made himself a home,
And his soul drank their sunbeams: he was girt
With strange and dusky aspects; he was not
Himself like what he had been; on the sea
And on the shore he was a wanderer.
There was a mass of many images
Crowded like waves upon me, but he was
A part of all; and in the last he lay
Reposing from the noontide sultriness,
Couched among fallen columns, in the shade
Of ruined walls that had survived the names
Of those who reared them; by his sleeping side
Stood camels grazing, and some goodly steeds
Were fastened near a fountain; and a man
Clad in a flowing garb did watch the while,
While many of his tribe slumbered around:
And they were canopied by the blue sky,
So cloudless, clear, and purely beautiful,
That God alone was to be seen in Heaven.

V

A change came o'er the spirit of my dream.
The lady of his love was wed with one
Who did not love her better: in her home,
A thousand leagues from his,—her native home,
She dwelt, begirt with growing infancy,
Daughters and sons of beauty,—but behold!
Upon her face there was the tint of grief,
The settled shadow of an inward strife,
And an unquiet drooping of the eye,
As if its lid were charged with unshed tears.
What could her grief be?—she had all she loved,
And he who had so loved her was not there
To trouble with bad hopes, or evil wish,
Or ill-repressed affliction, her pure thoughts.
What could her grief be?—she had loved him not,
Nor given him cause to deem himself beloved,
Nor could he be a part of that which preyed
Upon her mind—a spectre of the past.

VI

A change came o'er the spirit of my dream.
The wanderer was returned.—I saw him stand
Before an altar with a gentle bride;
Her face was fair, but was not that which made
The star-light of his boyhood;—as he stood
Even at the altar, o'er his brow there came
The self-same aspect, and the quivering shock
That in the antique oratory shook
His bosom in its solitude; and then—
As in that hour—a moment o'er his face
The tablet of unutterable thoughts
Was traced—and then it faded as it came,
And he stood calm and quiet, and he spoke
The fitting vows, but heard not his own words,
And all things reeled around him; he could see
Not that which was, nor that which should have been—
But the old mansion, and the accustomed hall,
And the remembered chambers, and the place,
The day, the hour, the sunshine and the shade,
All things pertaining to that place and hour,
And her who was his destiny came back,
And thrust themselves between him and the light:
What business had they there at such a time?

VII

A change came o'er the spirit of my dream.
The lady of his love—oh! she was changed
As by the sickness of the soul; her mind
Had wandered from its dwelling, and her eyes,
They had not their own lustre, but the look
Which is not of the earth; she was become
The queen of a fantastic realm; her thoughts
Were combinations of disjointed things;
And forms impalpable and unperceived
Of others' sight, familiar were to hers.
And this the world calls frenzy: but the wise
Have a far deeper madness, and the glance
Of melancholy is a fearful gift;
What is it but the telescope of truth?
Which strips the distance of its phantasies,
And brings life near in utter nakedness,
Making the cold reality too real!

VIII

A change came o'er the spirit of my dream.
The wanderer was alone as heretofore;
The beings which surrounded him were gone,
Or were at war with him; he was a mark
For blight and desolation, compassed round
With hatred and contention; pain was mixed
In all which was served up to him, until,
Like to the Pontic monarch of old days,
He fed on poisons, and they had no power,
But were a kind of nutriment; he lived
Through that which had been death to many men
And made him friends of mountains: with the stars
And the quick spirit of the universe
He held his dialogues; and they did teach
To him the magic of their mysteries;
To him the book of night was opened wide,
And voices from the deep abyss revealed
A marvel and a secret—Be it so.

IX

My dream was past; it had no further change.
It was of a strange order, that the doom
Of these two creatures should be thus traced out
Almost like a reality—the one
To end in madness—both in misery.

SHE WALKS IN BEAUTY

From 'Hebrew Melodies'

She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that's best of dark and bright
Meet in her aspect and her eyes:
Thus mellowed to that tender light
Which heaven to gaudy day denies.

One shade the more, one ray the less,
Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o'er her face;
Where thoughts serenely sweet express
How pure, how dear, their dwelling-place.

And on that cheek, and o'er that brow,
So soft, so calm, yet eloquent,
The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent!

THE DESTRUCTION OF SENNACHERIB

The Assyrian came down like the wolf on the fold,
And his cohorts were gleaming in purple and gold;
And the sheen of their spears was like stars on the sea,
When the blue wave rolls nightly on deep Galilee.

Like the leaves of the forest when Summer is green,
That host with their banners at sunset were seen;
Like the leaves of the forest when Autumn hath blown,
That host on the morrow lay withered and strown.

For the Angel of Death spread his wings on the blast,
And breathed in the face of the foe as he passed;
And the eyes of the sleepers waxed deadly and chill,
And their hearts but once heaved, and forever grew still!

And there lay the steed with his nostril all wide,
But through it there rolled not the breath of his pride:
And the foam of his gasping lay white on the turf,
And cold as the spray of the rock-beating surf.

And there lay the rider distorted and pale,
With the dew on his brow and the rust on his mail;
And the tents were all silent, the banners alone,
The lances unlifted, the trumpets unblown.

And the widows of Ashur are loud in their wail,
And the idols are broke in the temple of Baal;
And the might of the Gentile, unsmote by the sword,
Hath melted like snow in the glance of the Lord!

FROM 'THE PRISONER OF CHILLON'

My hair is gray, but not with years.
Nor grew it white
In a single night,
As men's have grown from sudden fears;
My limbs are bowed, though not with toil,
But rusted with a vile repose,
For they have been a dungeon's spoil,
And mine has been the fate of those
To whom the goodly earth and air
Are banned and barred—forbidden fare:
But this was for my father's faith
I suffered chains and courted death;
That father perished at the stake
For tenets he would not forsake;
And for the same his lineal race
In darkness found a dwelling-place;
We were seven who now are one,
Six in youth, and one in age,
Finished as they had begun,
Proud of persecution's rage;
One in fire, and two in field,
Their belief with blood have sealed;
Dying as their father died,
For the God their foes denied;
Three were in a dungeon cast,
Of whom this wreck is left the last.

There are seven pillars of Gothic mold
In Chillon's dungeons deep and old;
There are seven columns, massy and gray,
Dim with a dull imprisoned ray,
A sunbeam which hath lost its way,
And through the crevice and the cleft
Of the thick wall is fallen and left;
Creeping o'er the floor so damp,
Like a marsh's meteor lamp:
And in each pillar there is a ring,
And in each ring there is a chain;
That iron is a cankering thing,
For in these limbs its teeth remain,
With marks that will not wear away,
Till I have done with this new day,
Which now is painful to these eyes,
Which have not seen the sun so rise
For years—I cannot count them o'er;
I lost their long and heavy score
When my last brother drooped and died,
And I lay living by his side....

Lake Leman lies by Chillon's walls:
A thousand feet in depth below,
Its massy waters meet and flow;
Thus much the fathom-line was sent
From Chillon's snow-white battlement,
Which round about the wave enthralls:
A double dungeon wall and wave
Have made—and like a living grave
Below the surface of the lake
The dark vault lies wherein we lay;
We heard it ripple night and day;
Sounding o'er our heads it knocked;
And I have felt the winter's spray
Wash through the bars when winds were high
And wanton in the happy sky;
And then the very rock hath rocked,
And I have felt it shake unshocked,
Because I could have smiled to see
The death that would have set me free.

PROMETHEUS

I

Titan! to whose immortal eyes
The sufferings of mortality,
Seen in their sad reality,
Were not as things that gods despise:
What was thy pity's recompense?
A silent suffering, and intense:
The rock, the vulture, and the chain,
All that the proud can feel of pain,
The agony they do not show,
The suffocating sense of woe,
Which speaks but in its loneliness,
And then is jealous lest the sky
Should have a listener, nor will sigh
Until its voice is echoless.

II

Titan! to thee the strife was given
Between the suffering and the will,
Which torture where they cannot kill;
And the inexorable Heaven,
And the deaf tyranny of Fate,
The ruling principle of Hate,
Which for its pleasure doth create
The things it may annihilate,
Refused thee even the boon to die;
The wretched gift eternity
Was thine—and thou hast borne it well.
All that the Thunderer wrung from thee
Was but the menace which flung back
On him the torments of thy rack;
The fate thou didst so well foresee,
But would not to appease him tell;
And in thy Silence was his Sentence,
And in his Soul a vain repentance,
And evil dread so ill dissembled
That in his hand the lightnings trembled.

III

Thy Godlike crime was to be kind,
To render with thy precepts less
The sum of human wretchedness,
And strengthen Man with his own mind;
But baffled as thou wert from high,
Still in thy patient energy,
In the endurance and repulse
Of thine impenetrable Spirit,
Which Earth and Heaven could not convulse,
A mighty lesson we inherit:
Thou art a symbol and a sign
To Mortals of their fate and force;
Like thee, Man is in part divine,
A troubled stream from a pure source;
And Man in portions can foresee
His own funereal destiny;
His wretchedness and his resistance,
And his sad unallied existence:
To which his Spirit may oppose
Itself—and equal to all woes,
And a firm will, and a deep sense,
Which even in torture can descry
Its own concentred recompense,
Triumphant where it dares defy,
And making Death a Victory.

A SUMMING-UP

From 'Childe Harold's Pilgrimage'

I have not loved the world, nor the world me;
I have not flattered its rank breath, nor bowed
To its idolatries a patient knee,—
Nor coined my cheek to smiles,—nor cried aloud
In worship of an echo: in the crowd
They could not deem me one of such; I stood
Among them, but not of them, in a shroud
Of thoughts which were not their thoughts, and still could,
Had I not filed my mind, which thus itself subdued.

I have not loved the world, nor the world me,—
But let us part fair foes. I do believe,
Though I have found them not, that there may be
Words which are things,—hopes which will not deceive,
And virtues which are merciful, nor weave
Snares for the failing: I would also deem
O'er others' griefs that some sincerely grieve;
That two, or one, are almost what they seem,
That goodness is no name, and happiness no dream.

ON THIS DAY I COMPLETE MY THIRTY-SIXTH YEAR

Missolonghi, January 22d, 1824.

'Tis time this heart should be unmoved,
Since others it hath ceased to move:
Yet, though I cannot be beloved,
Still let me love!

My days are in the yellow leaf;
The flowers and fruits of love are gone:
The worm, the canker, and the grief
Are mine alone!

The fire that on my bosom preys
Is lone as some volcanic isle;
No torch is kindled at its blaze—
A funeral pile.

The hope, the fear, the jealous care,
The exalted portion of the pain
And power of love, I cannot share,
But wear the chain.

But 'tis not thus, and 'tis not here,
Such thoughts should shake my soul—nor now,
Where glory decks the hero's bier,
Or binds his brow.

The sword, the banner, and the field,
Glory and Greece, around me see!
The Spartan, borne upon his shield,
Was not more free.

Awake! (not Greece—she is awake!)
Awake, my spirit! Think through whom
Thy life-blood tracks its parent lake,
And then strike home!

Tread those reviving passions down,
Unworthy manhood!—unto thee
Indifferent should the smile or frown
Of beauty be.

If thou regrett'st thy youth, why live?
The land of honorable death
Is here:—up to the field, and give
Away thy breath!

Seek out—less often sought than found—
A soldier's grave, for thee the best;
Then look around, and choose thy ground,
And take thy rest.

FERNAN CABALLERO

(CECILIA BÖHL DE FABER)

(1796-1877)

England, France, and Spain have each produced within this century a woman of genius, taking rank among the very first writers of their respective countries. Fernan Caballero, without possessing the breadth of intellect or the scholarship of George Eliot, or the artistic sense of George Sand, is yet worthy to be named with these two great novelists for the place she holds in Spanish literature. Interesting parallels might be drawn between them, aside from the curious coincidence that each chose a masculine pen-name to conceal her sex, and to gain the ear of a generation suspicious of feminine achievements. Each portrayed both the life of the gentleman and that of the rustic, and each is at her best in her homelier portraitures.

Unlike her illustrious compeers, Fernan Caballero did not grow up amid the scenes she drew. In the scanty records of her life it does not appear whether, like George Sand, she had first to get rid of a rebellious self before she could produce those objective masterpieces of description, where the individuality of the writer disappears in her realization of the lives and thoughts of a class alien to her own. Her inner life cannot be reconstructed from her stories: her outward life can be told in a few words. She was born December 25th, 1796, in Morges, Switzerland, the daughter of Juan Nicholas Böhl de Faber, a German merchant in Cadiz, who had married a Spanish lady of noble family. A cultivated man he was, greatly interested in the past of Spain, and had published a collection of old Castilian ballads. From him Cecilia derived her love of Spanish folk-lore. Her earliest years were spent going from place to place with her parents, now Spain, now Paris, now Germany. From six to sixteen she was at school in Hamburg. Joining her family in Cadiz, she was married at the age of seventeen. Left a widow within a short time, she married after five years the wealthy Marquis de Arco-Hermaso. His palace in Seville became a social centre, for his young wife, beautiful, witty, and accomplished, was a born leader of society. She now had to the full the opportunity of studying those types of Spanish ladies and gentlemen whose gay, inconsequent chatter she has so brilliantly reproduced in her novels dealing with high life. The Marquis died in 1835, and after two years she again married, this time the lawyer De Arrom. Losing his own money and hers, he went as Spanish consul to Australia, where he died in 1863. She remained behind, retired to the country, and turned to literature. From 1857 to 1866 she lived in the Alcazar in Seville, as governess to the royal children of Spain. She died April 7th, 1877, in Seville,—somewhat solitary, for a new life of ideas flowing into Spain, and opposing her intense conservatism, isolated her from companionship.

Fernan Caballero began to publish when past fifty, attained instant success, and never again reached the high level of her first book. 'La Gaviota' (The Sea-Gull) appeared in 1849 in the pages of a Madrid daily paper, and at once made its author famous. 'The Family of Alvoreda,' an earlier story, was published after her first success. Washington Irving, who saw the manuscript of this, encouraged her to go on. Her novels were fully translated, and she soon had a European reputation. Her work may be divided into three classes: novels of social life in Seville, such as 'Elia' and 'Clemencia'; novels of Andalusian peasant life, as 'The Family of Alvoreda' ('La Gaviota' uniting both); and a number of short stories pointing a moral or embodying a proverb. She published besides, in 1859, the first collection of Spanish fairy tales.

Fernan Caballero created the modern Spanish novel. For two hundred years after Cervantes there are few names of note in prose fiction. French taste dominated Spanish literature, and poor imitations of the French satisfied the reading public. A foreigner by birth and a cosmopolitan by education, the clever new-comer cried out against this foreign influence, and set herself to bring the national characteristics to the front. She belonged to the old Spanish school, with its Catholicism, its prejudices, its reverence for the old, its hatred of new ideas and modern improvements. She painted thus Old Spain with a master's brush. But she especially loved Andalusia, that most poetic province of her country, with its deep-blue luminous sky, its luxuriant vegetation, its light-hearted, witty populace, and she wrote of them with rare insight and exquisite tenderness. Tasked with having idealized them, she replied:—"Many years of unremitting study, pursued con amore, justify me in assuring those who find fault with my portrayal of popular life that they are less acquainted with them than I am." And in another place she says:—"It is amongst the people that we find the poetry of Spain and of her chronicles. Their faith, their character, their sentiment, all bear the seal of originality and of romance. Their language may be compared to a garland of flowers. The Andalusian peasant is elegant in his bearing, in his dress, in his language, and in his ideas."

Her stories lose immensely in the translation, for it is almost impossible to reproduce in another tongue the racy native speech, with its constant play on words, its wealth of epigrammatic proverbs, its snatches of ballad or song interwoven into the common talk of the day. The Andalusian peasant has an inexhaustible store of bits of poetry, coplas, that fit into every occurrence of his daily life. Fernan Caballero gathered up these flowers of speech as they fell from the lips of the common man, and wove them into her tales. Besides their pictures of Andalusian rural life, these stories reveal a wealth of popular songs, ballads, legends, and fairy tales, invaluable alike to the student of manners and of folk-lore. She has little constructive skill, but much genius for detail. As a painter of manners and of nature she is unrivaled. In a few bold strokes she brings a whole village before our eyes. Nor is the brute creation forgotten. In her sympathy for animals she shows her foreign extraction, the true Spaniard having little compassion for his beasts. She inveighs against the national sport, the bull-fight; against the cruel treatment of domestic animals. Her work is always fresh and interesting, full of humor and of pathos. A close observer and a realist, she never dwells on the unlovely, is never unhealthy or sentimental. Her name is a household word in Spain, where a foremost critic wrote of 'La Gaviota':—"This is the dawn of a beautiful day, the first bloom of a poetic crown that will encircle the head of a Spanish Walter Scott."

Perhaps the best summary of her work is given in her own words, where she says:—

"In composing this light work we did not intend to write a novel, but strove to give an exact and true idea of Spain, of the manners of its people, of their character, of their habits. We desired to sketch the home life of the people in the higher and lower classes, to depict their language, their faith, their traditions, their legends. What we have sought above all is to paint after nature, and with the most scrupulous exactitude, the objects and persons brought forward. Therefore our readers will seek in vain amid our actors for accomplished heroes or consummate villains, such as are found in the romances of chivalry or in melodramas. Our ambition has been to give as true an idea as possible of Spain and the Spaniards. We have tried to dissipate those monstrous prejudices transmitted and preserved like Egyptian mummies from generation to generation. It seemed to us that the best means of attaining this end was to replace with pictures traced by a Spanish pen those false sketches sprung from the pens of strangers."

THE BULL-FIGHT

From 'La Gaviota'

When after dinner Stein and his wife arrived at the place assigned for the bull-fight, they found it already filled with people. A brief and sustained animation preceded the fête. This immense rendezvous, where were gathered together all the population of the city and its environs; this agitation, like to that of the blood which in the paroxysms of a violent passion rushes to the heart; this feverish expectation, this frantic excitement,—kept, however, within the limits of order; these exclamations, petulant without insolence; this deep anxiety which gives a quivering to pleasure: all this together formed a species of moral magnetism; one must succumb to its force or hasten to fly from it.

Stein, struck with vertigo, and his heart wrung, would have chosen flight: his timidity kept him where he was. He saw in all eyes which were turned on him the glowing of joy and happiness; he dared not appear singular. Twelve thousand persons were assembled in this place; the rich were thrown in the shade, and the varied colors of the costumes of the Andalusian people were reflected in the rays of the sun.

Soon the arena was cleared.

Then came forward the picadores, mounted on their unfortunate horses, who with head lowered and sorrowful eyes seemed to be—and were in reality—victims marching to the sacrifice.

THE BULL-FIGHT.

Photogravure from a painting by Alexander Wagner.

Stein, at the appearance of these poor animals, felt himself change to a painful compassion; a species of disgust which he already experienced. The provinces of the peninsula which he had traversed hitherto were devastated by the civil war, and he had had no opportunity of seeing these fêtes, so grand, so national, and so popular, where were united to the brilliant Moorish strategy the ferocious intrepidity of the Gothic race. But he had often heard these spectacles spoken of, and he knew that the merit of a fight is generally estimated by the number of horses that are slain. His pity was excited towards these poor animals, which, after having rendered great services to their masters,—after having conferred on them triumph, and perhaps saved their lives,—had for their recompense, when age and the excess of work had exhausted their strength, an atrocious death which by a refinement of cruelty they were obliged themselves to seek. Instinct made them seek this death; some resisted, while others, more resigned or more feeble, went docilely before them to abridge their agony. The sufferings of these unfortunate animals touched the hardest heart; but the amateurs had neither eyes, attention, nor interest, except for the bull. They were under a real fascination, which communicated itself to most of the strangers who came to Spain, and principally for this barbarous amusement. Besides, it must be avowed—and we avow it with grief—that compassion for animals is, in Spain, particularly among the men, a sentiment more theoretical than practical. Among the lower classes it does not exist at all.

The three picadores saluted the president of the fête, preceded by the banderilleros and the chulos, splendidly dressed, and carrying the capas of bright and brilliant colors. The matadores and their substitutes commanded all these combatants, and wore the most luxurious costumes.

"Pepe Vera! here is Pepe Vera!" cried all the spectators. "The scholar of Montés! Brave boy! What a jovial fellow! how well he is made! what elegance and vivacity in all his person! how firm his look! what a calm eye!"

"Do you know," said a young man seated near to Stein, "what is the lesson Montés gives to his scholars? He pushes them, their arms crossed, close to the bull, and says to them, 'Do not fear the bull—brave the bull!'"

Pepe Vera descended into the arena. His costume was of cherry-colored satin, with shoulder-knots and silver embroidery in profusion. From the little pockets of his vest stuck out the points of orange-colored scarfs. A waistcoat of rich tissue of silver and a pretty little cap of velvet completed his coquettish and charming costume of majo.

After having saluted the authorities with much ease and grace, he went like the other combatants to take his accustomed place. The three picadores also went to their posts, at equal distance from each other, near to the barrier. There was then a profound, an imposing silence. One might have said that this crowd, lately so noisy, had suddenly lost the faculty of breathing.

The alcalde gave the signal, the clarions sounded, and as if the trumpet of the Last Judgment had been heard, all the spectators arose with most perfect ensemble; and suddenly was seen opened the large door of the toril, placed opposite to the box occupied by the authorities. A bull whose hide was red precipitated himself into the arena, and was assailed by a universal explosion of cheers, of cries, of abuse, and of praise. At this terrible noise the bull, affrighted, stopped short, raised his head; his eyes were inflamed, and seemed to demand if all these provocations were addressed to him; to him, the athletic and powerful, who until now had been generous towards man, and who had always shown favor towards him as to a feeble and weak enemy. He surveyed the ground, turning his menacing head on all sides—he still hesitated: the cheers, shrill and penetrating, became more and more shrill and frequent. Then with a quickness which neither his weight nor his bulk foretold, he sprang towards the picador, who planted a lance in his withers. The bull felt a sharp pain, and soon drew back. It was one of those animals which in the language of bull-fighting are called "boyantes," that is to say, undecided and wavering; whence he did not persist in his first attack, but assailed the second picador. This one was not so well prepared as the first, and the thrust of his lance was neither so correct nor so firm; he wounded the animal without being able to arrest his advance. The horns of the bull were buried in the body of the horse, who fell to the ground. A cry of fright was raised on all sides, and the chulos surrounded this horrible group; but the ferocious animal had seized his prey, and would not allow himself to be distracted from his vengeance. In this moment of terror, the cries of the multitude were united in one immense clamor, which would have filled the city with fright if it had not come from the place of the bull-fight. The danger became more frightful as it was prolonged.

The bull tenaciously attacked the horse, who was overwhelmed with his weight and with his convulsive movements, while the unfortunate picador was crushed beneath these two enormous masses. Then was seen to approach, light as a bird with brilliant plumage, tranquil as a child who goes to gather flowers, calm and smiling at the same time, a young man, covered with silver embroidery and sparkling like a star. He approached in the rear of the bull; and this young man of delicate frame, and of appearance so distinguished, took in both hands the tail of the terrible animal, and drew it towards him. The bull, surprised, turned furiously and precipitated himself on his adversary, who without a movement of his shoulder, and stepping backward, avoided the first shock by a half-wheel to the right.

The bull attacked him anew; the young man escaped a second time by another half-wheel to the left, continuing to manage him until he reached the barrier. There he disappeared from the eyes of the astonished animal, and from the anxious gaze of the public, who in the intoxication of their enthusiasm filled the air with their frantic applause; for we are always ardently impressed when we see man play with death, and brave it with so much coolness.

"See now if he has not well followed the lesson of Montés! See if Pepe Vera knows how to act with the bull!" said the young man seated near to them, who was hoarse from crying out.

The Duke at this moment fixed his attention on Marisalada. Since the arrival of this young woman at the capital of Andalusia, it was the first time that he had remarked any emotion on this cold and disdainful countenance. Until now he had never seen her animated. The rude organization of Marisalada was too vulgar to receive the exquisite sentiment of admiration. There was in her character too much indifference and pride to permit her to be taken by surprise. She was astonished at nothing, interested in nothing. To excite her, be it ever so little, to soften some part of this hard metal, it was necessary to employ fire and to use the hammer.

Stein was pale. "My lord Duke," he said, with an air full of sweetness and of conviction, "is it possible that this diverts you?"

"No," replied the Duke; "it does not divert, it interests me."

During this brief dialogue they had raised up the horse. The poor animal could not stand on his legs; his intestines protruded and bespattered the ground. The picador was also raised up; he was removed between the arms of the chulos. Furious against the bull, and led on by a blind temerity, he would at all hazards remount his horse and return to the attack, in spite of the dizziness produced by his fall. It was impossible to dissuade him; they saw him indeed replace the saddle upon the poor victim, into the bruised flanks of which he dug his spurs.

"My lord Duke," said Stein, "I may perhaps appear to you ridiculous, but I do not wish to remain at this spectacle. Maria, shall we depart?"

"No," replied Maria, whose soul seemed to be concentrated in her eyes. "Am I a little miss? and are you afraid that by accident I may faint?"

"In such case," said Stein, "I will come back and take you when the course is finished." And he departed.

The bull had disposed of a sufficiently good number of horses. The unfortunate courser which we have mentioned was taken away—rather drawn than led by the bridle to the door, by which he made his retreat. The others, which had not the strength again to stand up, lay stretched out in the convulsions of agony; sometimes they stretched out their heads as though impelled by terror. At these last signs of life the bull returned to the charge, wounding anew with plunges of his horns the bruised members of his victims. Then, his forehead and horns all bloody, he walked around the circus affecting an air of provocation and defiance: at times he proudly raised his head towards the amphitheatre, where the cries did not cease to be heard; sometimes it was towards the brilliant chulos who passed before him like meteors, planting their banderillos in his body. Often from a cage, or from a netting hidden in the ornaments of a banderillero, came out birds, which joyously took up their flight. The first inventor of this strange and singular contrast could not certainly have had the intention to symbolize innocence without defense, rising above the horrors and ferocious passions here below, in its happy flight towards heaven. That would be, without doubt, one of those poetic ideas which are born spontaneously in the hard and cruel heart of the Spanish plebeian, as we see in Andalusia the mignonette plant really flourish between stones and the mortar of a balcony.

At the signal given by the president of the course, the clarions again sounded. There was a moment of truce in this bloody wrestling, and it created a perfect silence.

Then Pepe Vera, holding in his left hand a sword and a red-hooded cloak, advanced near to the box of the alcalde. Arrived opposite, he stopped and saluted, to demand permission to slay the bull.

Pepe Vera perceived the presence of the Duke, whose taste for the bull-fight was well known; he had also remarked the woman who was seated at his side, because this woman, to whom the Duke frequently spoke, never took her eyes off the matador.

He directed his steps towards the Duke, and taking off his cap, said, "Brindo (I offer the honor of the bull) to you, my lord, and to the royal person who is near you."

At these words, casting his cap on the ground with an inimitable abandon, he returned to his post.

The chulos regarded him attentively, all ready to execute his orders. The matador chose the spot which suited him the best, and indicated it to his quadrilla.

"Here!" he cried out to them.

The chulos ran towards the bull and excited him, and in pursuing them met Pepe Vera, face to face, who had awaited his approach with a firm step. It was the solemn moment of the whole fight. A profound silence succeeded to the noisy tumult, and to the warm excitement which until then had been exhibited towards the matador.

The bull, on seeing this feeble enemy, who had laughed at his fury, stopped as if he wished to reflect. He feared, without doubt, that he would escape him a second time.

Whoever had entered into the circus at this moment would sooner believe he was assisting in a solemn religious assembly, than in a public amusement, so great was the silence.

The two adversaries regarded each other reciprocally.

Pepe Vera raised his left hand: the bull sprang on him. Making only a light movement, the matador let him pass by his side, returned and put himself on guard. When the animal turned upon him the man directed his sword towards the extremity of the shoulder, so that the bull, continuing his advance, powerfully aided the steel to penetrate completely into his body.

It was done! He fell lifeless at the feet of his vanquisher.

To describe the general burst of cries and bravos which broke forth from every part of this vast arena, would be a thing absolutely impossible. Those who are accustomed to be present at these spectacles alone can form an idea of it. At the same time were heard the strains of the military bands.

Pepe Vera tranquilly traversed the arena in the midst of these frantic testimonials of passionate admiration and of this unanimous ovation, saluting with his sword right and left in token of his acknowledgments. This triumph, which might have excited the envy of a Roman emperor, in him did not excite the least surprise—the least pride. He then went to salute the ayuntamiento; then the Duke and the "royal" young lady.

The Duke then secretly handed to Maria a purse full of gold, and she enveloped it in her handkerchief and cast it into the arena.

Pepe Vera again renewed his thanks, and the glance of his black eyes met those of the Gaviota. In describing the meeting of these looks, a classic writer said that it wounded these two hearts as profoundly as Pepe Vera wounded the bull.

We who have not the temerity to ally ourselves to this severe and intolerant school, we simply say that these two natures were made to understand each other—to sympathize. They in fact did understand and sympathize.

It is true to say that Pepe had done admirably.

All that he had promised in a situation where he placed himself between life and death had been executed with an address, an ease, a dexterity, and a grace, which had not been baffled for an instant.

For such a task it is necessary to have an energetic temperament and a daring courage, joined to a certain degree of self-possession, which alone can command twenty-four thousand eyes which observe, and twenty-four thousand hands which applaud.

IN THE HOME CIRCLE

From 'La Gaviota'

A month after the scenes we have described, Marisalada was more sensible, and did not show the least desire to return to her father's. Stein was completely re-established; his good-natured character, his modest inclinations, his natural sympathies, attached him every day more to the peaceful habits of the simple and generous persons among whom he dwelt. He felt relieved from his former discouragements, and his mind was invigorated; he was cordially resigned to his present existence, and to the men with whom he associated.

One afternoon, Stein, leaning against an angle of the convent which faced the sea, admired the grand spectacle which the opening of the winter season presented to his view. Above his head floated a triple bed of sombre clouds, forced along by the impetuous wind. Those lower down, black and heavy, seemed like the cupola of an ancient cathedral in ruins, threatening at each instant to sink down. When reduced to water they fell to the ground. There was visible the second bed, less sombre and lighter, defying the wind which chased them, and which separating at intervals sought other clouds, more coquettish and more vaporous, which they hurried into space, as if they feared to soil their white robes by coming in contact with their companions.

"Are you a sponge, Don Frederico, so to like to receive all the water which falls from heaven?" demanded José, the shepherd of Stein. "Let us enter; the roofs are made expressly for such nights as these. My sheep would give much to shelter themselves under some tiles."

Stein and the shepherd entered, and found the family assembled around the hearth.

At the left of the chimney, Dolores, seated on a low chair, held her infant; who, turning his back to his mother, supported himself on the arm which encircled him like the balustrade of a balcony; he moved about incessantly his little legs and his small bare arms, laughing and uttering joyous cries addressed to his brother Anis. This brother, gravely seated opposite the fire on the edge of an empty earthen pan, remained stiff and motionless, fearing that losing his equilibrium he would be tossed into the said earthen pan—an accident which his mother had predicted.

Maria was sewing at the right side of the chimney; her granddaughters had for seats dry aloe leaves,—excellent seats, light, solid, and sure. Nearly under the drapery of the chimney-piece slept the hairy Palomo and a cat, the grave Morrongo,—tolerated from necessity, but remaining by common consent at a respectful distance from each other.

In the middle of this group there was a little low table, on which burned a lamp of four jets; close to the table the Brother Gabriel was seated, making baskets of the palm-tree; Momo was engaged in repairing the harness of the good "Swallow" (the ass); and Manuel, cutting up tobacco. On the fire was conspicuous a stew-pan full of Malaga potatoes, white wine, honey, cinnamon, and cloves. The humble family waited with impatience till the perfumed stew should be sufficiently cooked.

"Come on! Come on!" cried Maria, when she saw her guest and the shepherd enter. "What are you doing outside in weather like this? 'Tis said a hurricane has come to destroy the world. Don Frederico, here, here! come near the fire. Do you know that the invalid has supped like a princess, and that at present she sleeps like a queen! Her cure progresses well—is it not so, Don Frederico?"

"Her recovery surpasses my hopes."

"My soups!" added Maria with pride.

"And the ass's milk," said Brother Gabriel quietly.

"There is no doubt," replied Stein; "and she ought to continue to take it."

"I oppose it not," said Maria, "because ass's milk is like the turnip—if it does no good it does no harm."

"Ah! how pleasant it is here!" said Stein, caressing the children. "If one could only live in the enjoyment of the present, without thought of the future!"

"Yes, yes, Don Frederico," joyfully cried Manuel, "'Media vida es la candela; pan y vino, la otra media.'" (Half of life is the candle; bread and wine are the other half.)

"And what necessity have you to dream of the future?" asked Maria. "Will the morrow make us the more love to-day? Let us occupy ourselves with to-day, so as not to render painful the day to come."

"Man is a traveler," replied Stein; "he must follow his route."

"Certainly," replied Maria, "man is a traveler; but if he arrives in a quarter where he finds himself well off, he would say, 'We are well here; put up our tents.'"

"If you wish us to lose our evening by talking of traveling," said Dolores, "we will believe that we have offended you, or that you are not pleased here."

"Who speaks of traveling in the middle of December?" demanded Manuel. "Goodness of heaven! Do you not see what disasters there are every day on the sea?—hear the singing of the wind! Will you embark in this weather, as you were embarked in the war of Navarre? for as then, you would come out mortified and ruined."

"Besides," added Maria, "the invalid is not yet entirely cured."

"Ah! there," said Dolores, besieged by the children, "if you will not call off these creatures, the potatoes will not be cooked until the Last Judgment."

The grandmother rolled the spinning-wheel to the corner, and called the little infants to her.

"We will not go," they replied with one voice, "if you will not tell us a story."

"Come, I will tell you one," said the good old woman. The children approached. Anis took up his position on the empty earthen pot, and the grandma commenced a story to amuse the little children.

She had hardly finished the relation of this story when a great noise was heard. The dog rose up, pointed his ears, and put himself on the defensive. The cat bristled her hair and prepared to fly. But the succeeding laugh very soon was frightful: it was Anis, who fell asleep during the recital of his grandmother. It happened that the prophecy of his mother was fulfilled as to his falling into the earthen pan, where all his little person disappeared except his legs, which stuck out like plants of a new species. His mother, rendered impatient, seized with one hand the collar of his vest, raised him out of this depth, and despite his resistance held him suspended in the air for some time—in the style represented in those card dancing-jacks, which move arms and legs when you pull the thread which holds them.

As his mother scolded him, and everybody laughed at him, Anis, who had a brave spirit,—a thing natural in an infant,—burst out into a groan which had nothing of timidity in it.

"Don't weep, Anis," said Paca, "and I will give you two chestnuts that I have in my pocket."

"True?" demanded Anis.

Paca took out the two chestnuts, and gave them to him. Instead of tears, they saw promptly shine with joy the two rows of white teeth of the young boy.

"Brother Gabriel," said Maria, "did you not speak to me of a pain in your eyes? Why do you work this evening?"

"I said truly," answered brother Gabriel; "but Don Frederico gave me a remedy which cured me."

"Don Frederico must know many remedies, but he does not know that one which never misses its effect," said the shepherd.

"If you know it, have the kindness to tell me," replied Stein.

"I am unable to tell you," replied the shepherd. "I know that it exists, and that is all."

"Who knows it then?" demanded Stein.

"The swallows," said José.

"The swallows?"

"Yes, sir. It is an herb which is called 'pito-real,' which nobody sees or knows except the swallows: when their little ones lose their sight the parents rub their eyes with the pito-real, and cure them. This herb has also the virtue to cut iron—everything it touches."

"What absurdities this José swallows without chewing, like a real shark!" interrupted Manuel, laughing. "Don Frederico, do you comprehend what he said and believes as an article of faith? He believes and says that snakes never die."

"No, they never die," replied the shepherd. "When they see death coming they escape from their skin, and run away. With age they become serpents; little by little they are covered with scales and wings: they become dragons, and return to the desert. But you, Manuel, you do not wish to believe anything. Do you deny also that the lizard is the enemy of the woman, and the friend of man? If you do not believe it, ask then of Miguel."

"He knows it?"

"Without doubt, by experience."

"Whence did he learn it?" demanded Stein.

"He was sleeping in the field," replied José. "A snake glided near him. A lizard, which was in the furrow, saw it coming, and presented himself to defend Miguel. The lizard, which was of large form, fought with the snake. But Miguel not awaking, the lizard pressed his tail against the nose of the sleeper, and ran off as if his paws were on fire. The lizard is a good little beast, who has good desires; he never sleeps in the sun without descending the wall to kiss the earth."

When the conversation commenced on the subject of swallows, Paca said to Anis, who was seated among his sisters, with his legs crossed like a Grand Turk in miniature, "Anis, do you know what the swallows say?"

"I? No. They have never spoken to me."

"Attend then: they say—" the little girl imitated the chirping of swallows, and began to sing with volubility:—

"To eat and to drink!
And to loan when you may;
But 'tis madness to think
This loan to repay.
Flee, flee, pretty swallow, the season demands,
Fly swift on the wing, and reach other lands."

"Is it for that they are sold?"

"For that," affirmed his sister.

During this time Dolores, carrying her infant in one hand, with the other spread the table, served the potatoes, and distributed to each one his part. The children ate from her plate, and Stein remarked that she did not even touch the dish she had prepared with so much care.

"You do not eat, Dolores?" he said to her.

"Do you not know the saying," she replied laughing, "'He who has children at his side will never die of indigestion,' Don Frederico? What they eat nourishes me."

Momo, who found himself beside this group, drew away his plate, so that his brothers would not have the temptation to ask him for its contents. His father, who remarked it, said to him:—

"Don't be avaricious; it is a shameful vice: be not avaricious; avarice is an abject vice. Know that one day an avaricious man fell into the river. A peasant who saw it, ran to pull him out; he stretched out his arm, and cried to him, 'Give me your hand!' What had he to give? A miser—give! Before giving him anything he allowed himself to be swept down by the current. By chance he floated near to a fisherman: 'Take my hand!' he said to him. As it was a question of taking, our man was willing, and he escaped danger."

"It is not such wit you should relate to your son, Manuel," said Maria. "You ought to set before him, for example, the bad rich man, who would give to the unfortunate neither a morsel of bread nor a glass of water. 'God grant,' answered the beggar to him, 'that all that you touch changes to this silver which you so hold to.' The wish of the beggar was realized. All that the miser had in his house was changed into metals as hard as his heart. Tormented by hunger and thirst, he went into the country, and having perceived a fountain of pure water, clear as crystal, he approached with longing to taste it; but the moment his lips touched it the water was turned to silver. He would take an orange and the orange was changed to gold. He thus died in a frenzy of rage and fury, cursing what he had desired."

Manuel, the strongest minded man in the assembly, bowed down his head.

"Manuel," his mother said to him, "you imagine that we ought not to believe but what is a fundamental article, and that credulity is common only to the imbecile. You are mistaken: men of good sense are credulous."

"But, my mother, between belief and doubt there is a medium."

"And why," replied the good old woman, "laugh at faith, which is the first of all virtues? How will it appear to you if I say to you, 'I have given birth to you, I have educated you, I have guided your earliest steps—I have fulfilled my obligations!' Is the love of a mother nothing but an obligation? What say you?"

"I would reply that you are not a good mother."

"Well, my son, apply that to what we were speaking of: he who does not believe except from obligation, and only for that, cannot cease to believe without being a renegade, a bad Christian; as I would be a bad mother if I loved you only from obligation."

"Brother Gabriel," interrupted Dolores, "why will you not taste my potatoes?"

"It is a fast-day," replied Brother Gabriel.

"Nonsense! There is no longer convent, nor rules, nor fasts," cavalierly said Manuel, to induce the poor old man to participate in the general repast. "Besides, you have accomplished sixty years: put away these scruples, and you will not be damned for having eaten our potatoes."

"Pardon me," replied Brother Gabriel, "but I ought to fast as formerly, inasmuch as the Father Prior has not given me a dispensation."

"Well done, Brother Gabriel!" added Maria; "Manuel shall not be the demon tempter with his rebellious spirit, to incite you to gormandize."

Upon this, the good old woman rose up and locked up in a closet the plate which Dolores had served to the monk.

"I will keep it here for you until to-morrow morning, Brother Gabriel."

Supper finished, the men, whose habit was always to keep their hats on in the house, uncovered, and Maria said grace.

GEORGE W. CABLE

(1844-)

Perhaps the first intimation given to the world of a literary and artistic awakening in the Southern States of America after the Civil War, was the appearance in Scribner's Magazine of a series of short stories, written by an unknown and hitherto untried hand, and afterward collected and republished in 'Old Creole Days.' This was long before the vogue of the short story, and that the publication of these tales was regarded as a literary event in those days is sufficient testimony to their power.

George W. Cable

They were fresh, full of color and poetic feeling—romantic with the romance that abounds in the life they portrayed, redolent of indigenous perfumes,—magnolia, lemon, orange, and myrtle, mingled with French exotics of the boudoir,—interpretive in these qualities, through a fine perception, of a social condition resulting from the transplanting to a semi-tropical soil of a conservative, wealthy, and aristocratic French community. Herein lay much of their most inviting charm; but more than this, they were racy with twinkling humor, tender with a melting pathos, and intensely dramatic.

An intermixture of races with strong caste prejudices, and a time of revolution and change, present eminently the condition and the moment for the romance. And when added to this, he finds to his hand an almost tropical setting, and so picturesque a confusion of liquid tongues as exists in the old Franco-Spanish-Afro-Italian-American city of New Orleans, there would seem to be nothing left to be desired as "material." The artist who seized instinctively this opportunity was born at New Orleans on October 12th, 1844, of colonial Virginia stock on the one side, and New England on the other. His early life was full of vicissitudes, and he was over thirty before he discovered story-telling to be his true vocation. From that time he has diligently followed it, having published three novels, 'The Grandissimes,' 'Dr. Sevier,' 'Bonaventure,' and 'John March, Southerner,' besides another volume of short stories.

That having received his impressions in the period of transition and ferment following the upheaval of 1861-1865, with the resulting exaggerations and distortions of a normal social condition, he chose to lay his scenes a half-century earlier, proclaims him still more the artist; who would thus gain a freer play of fancy and a surer perspective, and who, saturated with his subject, is not afraid to trust his imagination to interpret it.

That he saw with open sympathetic eyes and a loving heart, he who runs may read in any chance page that a casual opening of his books will reveal. That the people whom he has so affectionately depicted have not loved him in return, is perhaps only a corroboration of his own words when he wrote, in his charming tale 'Belles Demoiselles Plantation,' "The Creoles never forgive a public mention." That they are tender of heart, sympathetic, and generous in their own social and domestic relations, Mr. Cable's readers cannot fail to know. But the caste line has ever been a dangerous boundary—a live wire charged with a deadly if invisible fluid—and he is a brave man who dares lay his hand upon it.

More than this, the old-time Creole was an aristocrat who chose to live behind a battened door, as does his descendant to-day. His privacy, so long undisturbed, has come to be his prerogative. Witness this spirit in the protest of the inimitable Jean-ah Poquelin—the hero giving his name to one of the most dramatic stories ever penned—when he presents himself before the American governor of Louisiana to declare that he will not have his privacy invaded by a proposed street to pass his door:—"I want you tell Monsieur le President, strit—can't—pass—at—me—'ouse." The Creoles of Mr. Cable's generation are as jealous of their retirement as was the brave old man Poquelin; and to have it invaded by a young American who not only threw their pictures upon his canvas, but standing behind it, reproduced their eccentricities of speech for applauding Northern audiences, was a crime unforgivable in their moral code.

Added to this, Mr. Cable stands accused of giving the impression that the Louisiana Creole is a person of African taint; but are there not many refutations of this charge in the internal evidence of his work? As for instance where in 'The Grandissimes' he writes, "His whole appearance was a dazzling contradiction of the notion that a Creole is a person of mixed blood"; and again when he alludes to "the slave dialect," is the implication not unequivocal that this differed from the speech of the drawing-room? It is true that he found many of his studies in the Quadroon population, who spoke a patois that was partly French; but such was the "slave dialect" of the man of color who came into his English through a French strain, or perhaps only through a generation of close French environment.

A civilization that is as protective in its conservatism as are the ten-foot walls of brick with which its people surround their luxurious dwellings may be counted on to resent portrayal at short range, even though it were unequivocally eulogistic. That Mr. Cable is a most conscientious artist, and that he has been absolutely true to the letter as he saw it, there can be no question; but whether his technical excellences are always broadly representative or not is not so certain. That the writer who has so amply proven his own joy in the wealth of his material, should have been beguiled by its picturesqueness into a partisanship for the class making a special appeal, is not surprising. But truth in art is largely a matter of selection; and if Mr. Cable has sinned in the gleaning, it was undoubtedly because of visual limitation, rather than a conscious discrimination.

In 'The Grandissimes,' his most ambitious work, we have an important contribution to representative literature. In the pleasant guise of his fascinating fiction he has essayed the history of a civilization, and in many respects the result is a great book. That such a work should attain its highest merit in impartial truth when taken as a whole, goes without saying.

The dramatic story of Bras Coupé is true as belonging to the time and the situation. So is that of Palmyrea the Octoroon, or of Honoré Grandissime's "f. m. c." the half-brother, or of the pitiful voudou woman Clemence, the wretched old marchande de calas. Had he produced nothing more than his first small volume of seven tales, he would have made for himself an honored place in literature.

As a collection, these stories are unrivaled for pictorial power and dramatic form, and are so nearly of equal merit that any one would be as representative in the popular mind as the one which is given here.

"POSSON JONE'"

From 'Old Creole Days': copyrighted 1879, 1881, 1883, by Charles Scribner's Sons

To Jules St. Ange—elegant little heathen—there yet remained at manhood a remembrance of having been to school, and of having been taught by a stony-headed Capuchin that the world is round—for example, like a cheese. This round world is a cheese to be eaten through, and Jules had nibbled quite into his cheese-world already at twenty-two.

He realized this, as he idled about one Sunday morning where the intersection of Royal and Conti Streets some seventy years ago formed a central corner of New Orleans. Yes, yes, the trouble was he had been wasteful and honest. He discussed the matter with that faithful friend and confidant, Baptiste, his yellow body-servant. They concluded that, papa's patience and tante's pin-money having been gnawed away quite to the rind, there were left open only these few easily enumerated resorts:—to go to work—they shuddered; to join Major Innerarity's filibustering expedition; or else—why not?—to try some games of confidence. At twenty-two one must begin to be something. Nothing else tempted; could that avail? One could but try. It is noble to try; and besides, they were hungry. If one could "make the friendship" of some person from the country, for instance, with money,—not expert at cards or dice, but as one would say, willing to learn,—one might find cause to say some "Hail Marys."

The sun broke through a clearing sky, and Baptiste pronounced it good for luck. There had been a hurricane in the night. The weed-grown tile-roofs were still dripping, and from lofty brick and low adobe walls a rising steam responded to the summer sunlight. Up-street, and across the Rue du Canal, one could get glimpses of the gardens in Faubourg Ste.-Marie standing in silent wretchedness, so many tearful Lucretias, tattered victims of the storm. Short remnants of the wind now and then came down the narrow street in erratic puffs, heavily laden with odors of broken boughs and torn flowers, skimmed the little pools of rain-water in the deep ruts of the unpaved street, and suddenly went away to nothing, like a juggler's butterflies or a young man's money.

It was very picturesque, the Rue Royale. The rich and poor met together. The locksmith's swinging key creaked next door to the bank; across the way, crouching mendicant-like in the shadow of a great importing house, was the mud laboratory of the mender of broken combs. Light balconies overhung the rows of showy shops and stores open for trade this Sunday morning, and pretty Latin faces of the higher class glanced over their savagely pronged railings upon the passers below. At some windows hung lace curtains, flannel duds at some, and at others only the scraping and sighing one-hinged shutter groaning toward Paris after its neglectful master.

M. St.-Ange stood looking up and down the street for nearly an hour. But few ladies, only the inveterate mass-goers, were out. About the entrance of the frequent café's the masculine gentility stood leaning on canes, with which now one and now another beckoned to Jules, some even adding pantomimic hints of the social cup.

M. St.-Ange remarked to his servant without turning his head that somehow he felt sure he should soon return those bons that the mulatto had lent him.

"What will you do with them?"

"Me!" said Baptiste, quickly; "I will go and see the bull-fight in the Place Congo."

"There is to be a bull-fight? But where is M. Cayetano?"

"Ah, got all his affairs wet in the tornado. Instead of his circus, they are to have a bull-fight—not an ordinary bull-fight with sick horses, but a buffalo-and-tiger fight. I would not miss it—"

Two or three persons ran to the opposite corner, and commenced striking at something with their canes. Others followed. Can M. St.-Ange and servant, who hasten forward—can the Creoles, Cubans, Spaniards, San Domingo refugees, and other loungers—can they hope it is a fight? They hurry forward. Is a man in a fit? The crowd pours in from the side-streets. Have they killed a so-long snake? Bareheaded shopmen leave their wives, who stand upon chairs. The crowd huddles and packs. Those on the outside make little leaps into the air, trying to be tall.

"What is the matter?"

"Have they caught a real live rat?"

"Who is hurt?" asks some one in English.

"Personne," replies a shopkeeper; "a man's hat blow' in the gutter; but he has it now. Jules pick' it. See, that is the man, head and shoulders on top the res'."

"He in the homespun?" asks a second shopkeeper. "Humph! an Américain—a West-Floridian; bah!"

"But wait; 'st! he is speaking; listen!"

"To who is he speak—?"

"Sh-sh-sh! to Jules."

"Jules who?"

"Silence, you! To Jules St.-Ange, what howe me a bill since long time. Sh-sh-sh!"

Then the voice was heard.

Its owner was a man of giant stature, with a slight stoop in his shoulders, as if he was making a constant good-natured attempt to accommodate himself to ordinary doors and ceilings. His bones were those of an ox. His face was marked more by weather than age, and his narrow brow was bald and smooth. He had instantaneously formed an opinion of Jules St.-Ange, and the multitude of words, most of them lingual curiosities, with which he was rasping the wide-open ears of his listeners, signified, in short, that as sure as his name was Parson Jones, the little Creole was a "plum gentleman."

M. St.-Ange bowed and smiled, and was about to call attention, by both gesture and speech, to a singular object on top of the still uncovered head, when the nervous motion of the Américain anticipated him, as, throwing up an immense hand, he drew down a large roll of bank-notes. The crowd laughed, the West-Floridian joining, and began to disperse.

"Why, that money belongs to Smyrny Church," said the giant.

"You are very dengerous to make your money expose like that, Misty Posson Jone'," said St.-Ange, counting it with his eyes.

The countryman gave a start and smile of surprise.

"How d'dyou know my name was Jones?" he asked; but, without pausing for the Creole's answer, furnished in his reckless way some further specimens of West-Floridian English; and the conciseness with which he presented full intelligence of his home, family, calling, lodging-house, and present and future plans, might have passed for consummate art, had it not been the most run-wild nature. "And I've done been to Mobile, you know, on business for Bethesdy Church. It's the on'yest time I ever been from home; now you wouldn't of believed that, would you? But I admire to have saw you, that's so. You've got to come and eat with me. Me and my boy ain't been fed yit. What might one call yo' name? Jools? Come on, Jools. Come on, Colossus. That's my niggah—his name's Colossus of Rhodes. Is that yo' yallah boy, Jools? Fetch him along, Colossus. It seems like a special providence.—Jools, do you believe in a special providence?"

Jules said he did.

The new-made friends moved briskly off, followed by Baptiste and a short square old negro, very black and grotesque, who had introduced himself to the mulatto with many glittering and cavernous smiles as "d'body-servant of d'Rev'n' Mr. Jones."

Both pairs enlivened their walk with conversation. Parson Jones descanted upon the doctrine he had mentioned, as illustrated in the perplexities of cotton-growing, and concluded that there would always be "a special providence again' cotton untell folks quits a-pressin' of it and haulin' of it on Sundays!"

"Je dis," said St.-Ange, in response, "I thing you is juz right. I believe, me, strong-strong in the improvidence, yes. You know my papa he hown a sugah-plantation, you know. 'Jules, me son,' he say one time to me, 'I goin' to make one baril sugah to fedge the moze high price in New Orleans.' Well, he take his bez baril sugah—I nevah see a so careful man like me papa always to make a so beautiful sugah et sirop. 'Jules, go at Father Pierre an' ged this lill pitcher fill with holy-water, an' tell him sen' his tin bucket, and I will make it fill with quitte.' I ged the holy-water; my papa sprinkle it over the baril, an' make one cross on the 'ead of the baril."

"Why, Jools," said Parson Jones, "that didn't do no good."

"Din do no good! Id broughd the so great value! You can strike me dead if thad baril sugah din fedge the more high cost than any other in the city. Parceque, the man what buy that baril sugah he make a mistake of one hundred pound"—falling back—"mais certainlee!"

"And you think that was growin' out of the holy-water?" asked the parson.

"Mais, what could make it else? Id could not be the quitte, because my papa keep the bucket, an' forget to sen' the quitte to Father Pierre."

Parson Jones was disappointed.

"Well, now, Jools, you know, I don't think that was right. I reckon you must be a plum Catholic."

M. St.-Ange shrugged. He would not deny his faith.

"I am a Catholique, mais"—brightening as he hoped to recommend himself anew—"not a good one."

"Well, you know," said Jones—"where's Colossus? Oh! all right. Colossus strayed off a minute in Mobile, and I plum lost him for two days. Here's the place; come in. Colossus and this boy can go to the kitchen.—Now, Colossus, what air you a-beckonin' at me faw?"

He let his servant draw him aside and address him in a whisper.

"Oh, go 'way!" said the parson with a jerk. "Who's goin' to throw me? What? Speak louder. Why, Colossus, you shayn't talk so, saw. 'Pon my soul, you're the mightiest fool I ever taken up with. Jest you go down that alley-way with this yalla boy, and don't show yo' face untell yo' called!"

The negro begged; the master wrathily insisted.

"Colossus, will you do ez I tell you, or shell I hev' to strike you, saw?"

"Oh Mahs Jimmy, I—I's gwine; but—" he ventured nearer—"don't on no account drink nothin', Mahs Jimmy."

Such was the negro's earnestness that he put one foot in the gutter, and fell heavily against his master. The parson threw him off angrily.

"Thar, now! Why, Colossus, you must of been dosted with sumthin'; yo' plum crazy.—Humph, come on, Jools, let's eat! Humph! to tell me that, when I never taken a drop, exceptin' for chills, in my life—which he knows so as well as me!"

The two masters began to ascend a stair.

"Mais, he is a sassy; I would sell him, me," said the young Creole.

"No, I wouldn't do that," replied the parson; "though there is people in Bethesdy who says he is a rascal. He's a powerful smart fool. Why, that boy's got money, Jools; more money than religion, I reckon. I'm shore he fallen into mighty bad company—" they passed beyond earshot.

Baptiste and Colossus, instead of going to the tavern kitchen, passed to the next door and entered the dark rear corner of a low grocery, where, the law notwithstanding, liquor was covertly sold to slaves. There, in the quiet company of Baptiste and the grocer, the colloquial powers of Colossus, which were simply prodigious, began very soon to show themselves.

"For whilst," said he, "Mahs Jimmy has eddication, you know—whilst he has eddication, I has 'scretion. He has eddication and I has 'scretion, an' so we gits along."

He drew a black bottle down the counter, and, laying half his length upon the damp board, continued:—

"As a p'inciple I discredits de imbimin' of awjus liquors. De imbimin' of awjus liquors, de wiolution of de Sabbaf, de playin' of de fiddle, and de usin' of bywords, dey is de fo' sins of de conscience, an' if any man sin de fo' sins of de conscience, de debble done sharp his fork fo' dat man.—Ain't dat so, boss?"

The grocer was sure it was so.

"Neberdeless, mind you—" here the orator brimmed his glass from the bottle and swallowed the contents with a dry eye—"mind you, a roytious man, sech as ministers of de gospel and dere body-sarvants, can take a leetle for de weak stomach."

But the fascinations of Colossus's eloquence must not mislead us; this is the story of a true Christian; to wit, Parson Jones.

The parson and his new friend ate. But the coffee M. St.-Ange declared he could not touch: it was too wretchedly bad. At the French Market, near by, there was some noble coffee. This, however, would have to be bought, and Parson Jones had scruples.

"You see, Jools, every man has his conscience to guide him, which it does so in—"

"Oh, yes!" cried St.-Ange, "conscien'; thad is the bez, Posson Jone'. Certainlee! I am a Catholique, you is a schismatique: you thing it is wrong to dring some coffee—well, then, it is wrong; you thing it is wrong to make the sugah to ged the so large price—well, then, it is wrong; I thing it is right—well, then, it is right: it is all 'abit; c'est tout. What a man thing is right, is right; 'tis all 'abit. A man muz nod go again' his conscien'. My faith! do you thing I would go again' my conscien'? Mais allons, led us go and ged some coffee."

"Jools."

"W'at?"

"Jools, it ain't the drinkin' of coffee, but the buyin' of it on a Sabbath. You must really excuse me, Jools, it's again' conscience, you know."

"Ah!" said St.-Ange, "c'est very true. For you it would be a sin, mais for me it is only 'abit. Rilligion is a very strange; I know a man one time, he thing it was wrong to go to cock-fight Sunday evening. I thing it is all 'abit. Mais, come, Posson Jone'; I have got one friend, Miguel; led us go at his house and ged some coffee. Come; Miguel have no familie; only him and Joe—always like to see friend; allons, led us come yonder."

"Why, Jools, my dear friend, you know," said the shamefaced parson, "I never visit on Sundays."

"Never w'at?" asked the astounded Creole.

"No," said Jones, smiling awkwardly.

"Never visite?"

"Exceptin' sometimes amongst church-members," said Parson Jones.

"Mais," said the seductive St.-Ange, "Miguel and Joe is church-member'—certainlee! They love to talk about rilligion. Come at Miguel and talk about some rilligion. I am nearly expire for me coffee."

Parson Jones took his hat from beneath his chair and rose up.

"Jools," said the weak giant, "I ought to be in church right now."

"Mais, the church is right yonder at Miguel', yes. Ah!" continued St.-Ange, as they descended the stairs, "I thing every man muz have the rilligion he like the bez—me, I like the Catholique rilligion the bez—for me it is the bez. Every man will sure go to heaven if he like his rilligion the bez."

"Jools," said the West-Floridian, laying his great hand tenderly upon the Creole's shoulder, as they stepped out upon the banquette, "do you think you have any shore hopes of heaven?"

"Yass!" replied St.-Ange; "I am sure-sure. I thing everybody will go to heaven. I thing you will go, et I thing Miguel will go, et Joe—everybody, I thing—mais, hof course, not if they not have been christen'. Even I thing some niggers will go."

"Jools," said the parson, stopping in his walk—"Jools, I don't want to lose my niggah."

"You will not loose him. With Baptiste he cannot ged loose."

But Colossus's master was not reassured. "Now," said he, still tarrying, "this is jest the way; had I of gone to church—"

"Posson Jone'—" said Jules.

"What?"

"I tell you. We goin' to church!"

"Will you?" asked Jones, joyously.

"Allons, come along," said Jules, taking his elbow.

They walked down the Rue Chartres, passed several corners, and by-and-by turned into a cross-street. The parson stopped an instant as they were turning, and looked back up the street.

"W'at you lookin'?" asked his companion.

"I thought I saw Colossus," answered the parson, with an anxious face; "I reckon 'twa'nt him, though." And they went on.

The street they now entered was a very quiet one. The eye of any chance passer would have been at once drawn to a broad, heavy, white brick edifice on the lower side of the way, with a flag-pole standing out like a bowsprit from one of its great windows, and a pair of lamps hanging before a large closed entrance. It was a theatre, honeycombed with gambling-dens. At this morning hour all was still, and the only sign of life was a knot of little barefoot girls gathered within its narrow shade, and each carrying an infant relative. Into this place the parson and M. St.-Ange entered, the little nurses jumping up from the sills to let them pass in.

A half-hour may have passed. At the end of that time the whole juvenile company were laying alternate eyes and ears to the chinks, to gather what they could of an interesting quarrel going on within.

"I did not, saw! I given you no cause of offense, saw! It's not so, saw! Mister Jools simply mistaken the house,—thinkin' it was a Sabbath-school! No such thing, saw; I ain't bound to bet! Yes, I kin git out! Yes, without bettin'! I hev a right to my opinion; I reckon I'm a white man, saw! No, saw! I on'y said I didn't think you could get the game on them cards. 'Sno such thing, saw! I do not know how to play! I wouldn't hev a rascal's money ef I should win it! Shoot ef you dare! You can kill me, but you cayn't scare me! No, I shayn't bet! I'll die first! Yes, saw; Mr. Jools can bet for me if he admires to; I ain't his mostah."

Here the speaker seemed to direct his words to St.-Ange.

"Saw, I don't understand you, saw. I never said I'd loan you money to bet for me. I didn't suspicion this from you, saw. No, I won't take any more lemonade; it's the most notorious stuff I ever drank, saw!"

M. St.-Ange's replies were in falsetto and not without effect; for presently the parson's indignation and anger began to melt. "Don't ask me, Jools, I can't help you. It's no use; it's a matter of conscience with me, Jools."

"Mais oui! 'tis a matt' of conscien' wid me, the same."

"But, Jools, the money's none o' mine, nohow; it belongs to Smyrny, you know."

"If I could make jus' one bet," said the persuasive St.-Ange, "I would leave this place, fas'-fas', yes. If I had thing—mais I did not soupspicion this from you, Posson Jone'—"

"Don't, Jools, don't!"

"No, Posson Jone'!"

"You're bound to win?" said the parson, wavering.

"Mais certainement! But it is not to win that I want; 'tis me conscien'—me honor!"

"Well, Jools, I hope I'm not a-doin' no wrong. I'll loan you some of this money if you say you'll come right out 'thout takin' your winnin's."

All was still. The peeping children could see the parson as he lifted his hand to his breast-pocket. There it paused a moment in bewilderment, then plunged to the bottom. It came back empty, and fell lifelessly at his side. His head dropped upon his breast, his eyes were for a moment closed, his broad palms were lifted and pressed against his forehead, a tremor seized him, and he fell all in a lump to the floor. The children ran off with their infant-loads, leaving Jules St.-Ange swearing by all his deceased relatives, first to Miguel and Joe, and then to the lifted parson, that he did not know what had become of the money "except if" the black man had got it.

In the rear of ancient New Orleans, beyond the sites of the old rampart, a trio of Spanish forts, where the town has since sprung up and grown old, green with all the luxuriance of the wild Creole summer, lay the Congo Plains. Here stretched the canvas of the historic Cayetano, who Sunday after Sunday sowed the sawdust for his circus-ring.

But to-day the great showman had fallen short of his printed promise. The hurricane had come by night, and with one fell swash had made an irretrievable sop of everything. The circus trailed away its bedraggled magnificence, and the ring was cleared for the bull.

Then the sun seemed to come out and work for the people. "See," said the Spaniards, looking up at the glorious sky with its great white fleets drawn off upon the horizon, "see—heaven smiles upon the bull-fight!"

In the high upper seats of the rude amphitheatre sat the gayly decked wives and daughters of the Gascons, from the métairies along the Ridge, and the chattering Spanish women of the Market, their shining hair unbonneted to the sun. Next below were their husbands and lovers in Sunday blouses, milkmen, butchers, bakers, black-bearded fishermen, Sicilian fruiterers, swarthy Portuguese sailors in little woolen caps, and strangers of the graver sort; mariners of England, Germany, and Holland. The lowest seats were full of trappers, smugglers, Canadian voyageurs, drinking and singing; Américains, too—more's the shame—from the upper rivers—who will not keep their seats—who ply the bottle, and who will get home by-and-by and tell how wicked Sodom is; broad-brimmed, silver-braided Mexicans too, with their copper cheeks and bat's eyes, and their tinkling spurred heels. Yonder in that quieter section are the quadroon women in their black lace shawls—and there is Baptiste; and below them are the turbaned black women, and there is—but he vanishes—Colossus.

The afternoon is advancing, yet the sport, though loudly demanded, does not begin. The Américains grow derisive and find pastime in gibes and raillery. They mock the various Latins with their national inflections, and answer their scowls with laughter. Some of the more aggressive shout pretty French greetings to the women of Gascony, and one bargeman, amid peals of applause, stands on a seat and hurls a kiss to the quadroons. The marines of England, Germany, and Holland, as spectators, like the fun, while the Spaniards look black and cast defiant imprecations upon their persecutors. Some Gascons, with timely caution, pick their women out and depart, running a terrible fire of gallantries.

In hope of truce, a new call is raised for the bull: "The bull! the bull!—hush!"

In a tier near the ground a man is standing and calling—standing head and shoulders above the rest—calling in the Américaine tongue. Another man, big and red, named Joe, and a handsome little Creole in elegant dress and full of laughter, wish to stop him, but the flatboatmen, ha-ha-ing and cheering, will not suffer it. Ah, through some shameful knavery of the men into whose hands he has fallen, he is drunk! Even the women can see that; and now he throws his arms wildly and raises his voice until the whole great circle hears it. He is preaching!

Ah! kind Lord, for a special providence now! The men of his own nation—men from the land of the open English Bible and temperance cup and song—are cheering him on to mad disgrace. And now another call for the appointed sport is drowned by the flatboatmen singing the ancient tune of 'Mear.' You can hear the words—

"Old Grimes is dead, that good old soul—"

from ribald lips and throats turned brazen with laughter, from singers who toss their hats aloft and roll in their seats; the chorus swells to the accompaniment of a thousand brogans—

"He used to wear an old gray coat
All buttoned down before."

A ribboned man in the arena is trying to be heard, and the Latins raise one mighty cry for silence. The big red man gets a hand over the parson's mouth, and the ribboned man seizes his moment.

"They have been endeavoring for hours," he says, "to draw the terrible animals from their dens, but such is their strength and fierceness, that—"

His voice is drowned. Enough has been heard to warrant the inference that the beasts cannot be whipped out of the storm-drenched cages to which menagerie-life and long starvation have attached them, and from the roar of indignation the man of ribbons flies. The noise increases. Men are standing up by hundreds, and women are imploring to be let out of the turmoil. All at once, like the bursting of a dam, the whole mass pours down into the ring. They sweep across the arena and over the showman's barriers. Miguel gets a frightful trampling. Who cares for gates or doors? They tear the beasts' houses bar from bar, and, laying hold of the gaunt buffalo, drag him forth by feet, ears, and tail; and in the midst of the mêlée, still head and shoulders above all, wilder, with the cup of the wicked, than any beast, is the man of God from the Florida parishes!

In his arms he bore—and all the people shouted at once when they saw it—the tiger. He had lifted it high up with its back to his breast, his arms clasped under its shoulders; the wretched brute had curled up caterpillar-wise, with its long tail against its belly, and through its filed teeth grinned a fixed and impotent wrath. And Parson Jones was shouting:—

"The tiger and the buffler shell lay down together! You dah to say they shayn't and I'll comb you with this varmint from head to foot! The tiger and the buffler shell lay down together. They shell! Now, you, Joe! Behold! I am here to see it done. The lion and the buffler shell lay down together!"

Mouthing these words again and again, the parson forced his way through the surge in the wake of the buffalo. This creature the Latins had secured by a lariat over his head, and were dragging across the old rampart and into a street of the city.

The Northern races were trying to prevent, and there was pommeling and knocking down, cursing and knife-drawing, until Jules St.-Ange was quite carried away with the fun, laughed, clapped his hands, and swore with delight, and ever kept close to the gallant parson.

Joe, contrariwise, counted all this child's-play an interruption. He had come to find Colossus and the money. In an unlucky moment he made bold to lay hold of the parson, but a piece of the broken barriers in the hands of a flatboatman felled him to the sod, the terrible crowd swept over him, the lariat was cut, and the giant parson hurled the tiger upon the buffalo's back. In another instant both brutes were dead at the hands of the mob; Jones was lifted from his feet, and prating of Scripture and the millennium, of Paul at Ephesus and Daniel in the "buffler's" den, was borne aloft upon the shoulders of the huzzaing Américains. Half an hour later he was sleeping heavily on the floor of a cell in the calaboza.

When Parson Jones awoke, a bell was somewhere tolling for midnight. Somebody was at the door of his cell with a key. The lock grated, the door swung, the turnkey looked in and stepped back, and a ray of moonlight fell upon M. Jules St.-Ange. The prisoner sat upon the empty shackles and ring-bolt in the centre of the floor.

"Misty Posson Jone'," said the visitor, softly.

"O Jools!"

"Mais, w'at de matter, Posson Jone'?"

"My sins, Jools, my sins!"

"Ah, Posson Jone', is that something to cry, because a man get sometime a litt' bit intoxicate? Mais, if a man keep all the time intoxicate, I think that is again' the conscien'."

"Jools, Jools, your eyes is darkened—oh! Jools, where's my pore old niggah?"

"Posson Jone', never min'; he is wid Baptiste."

"Where?"

"I don' know w'ere—mais he is wid Baptiste. Baptiste is a beautiful to take care of somebody."

"Is he as good as you, Jools?" asked Parson Jones, sincerely.

Jules was slightly staggered.

"You know, Posson Jone', you know, a nigger cannot be good as a w'ite man—mais Baptiste is a good nigger."

The parson moaned and dropped his chin into his hands.

"I was to of left for home to-morrow, sun-up, on the Isabella schooner. Pore Smyrny!" He deeply sighed.

"Posson Jone'," said Jules, leaning against the wall and smiling, "I swear you is the moz funny man I ever see. If I was you I would say, me, 'Ah! 'ow I am lucky! the money I los', it was not mine, anyhow!' My faith! shall a man make hisse'f to be the more sorry because the money he los' is not his? Me, I would say, 'It is a specious providence.'

"Ah! Misty Posson Jone'," he continued, "you make a so droll sermon ad the bull-ring. Ha! ha! I swear I thing you can make money to preach thad sermon many time ad the theatre St. Philippe. Hah! you is the moz brave dat I never see, mais ad the same time the moz rilligious man. Where I'm goin' to fin' one priest to make like dat? Mais, why you can't cheer up an' be 'appy? Me, if I should be miserabl' like that I would kill meself."

The countryman only shook his head.

"Bien, Posson Jone', I have the so good news for you."

The prisoner looked up with eager inquiry.

"Las' evening when they lock' you, I come right off at M. De Blanc's house to get you let out of de calaboose; M. De Blanc he is the judge. So soon I was entering—'Ah! Jules, me boy, juz the man to make complete the game!' Posson Jone', it was a specious providence! I win in t'ree hours more dan six hundred dollah! Look." He produced a mass of bank-notes, bons, and due-bills.

"And you got the pass?" asked the parson, regarding the money with a sadness incomprehensible to Jules.

"It is here; it take the effect so soon the daylight."

"Jools, my friend, your kindness is in vain."

The Creole's face became a perfect blank.

"Because," said the parson, "for two reasons: firstly, I have broken the laws, and ought to stand the penalty; and secondly—you must really excuse me, Jools, you know, but the pass has been got onfairly, I'm afeerd. You told the judge I was innocent; and in neither case it don't become a Christian (which I hope I can still say I am one) to 'do evil that good may come.' I muss stay."

M. St.-Ange stood up aghast, and for a moment speechless, at this exhibition of moral heroism; but an artifice was presently hit upon. "Mais, Posson Jone'!"—in his old falsetto—"de order—you cannot read it, it is in French—compel you to go hout, sir!"

"Is that so?" cried the parson, bounding up with radiant face—"is that so, Jools?"

The young man nodded, smiling; but though he smiled, the fountain of his tenderness was opened. He made the sign of the cross as the parson knelt in prayer, and even whispered "Hail Mary," etc., quite through, twice over.

Morning broke in summer glory upon a cluster of villas behind the city, nestled under live-oaks and magnolias on the banks of a deep bayou, and known as Suburb St. Jean.

With the first beam came the West-Floridian and the Creole out upon the bank below the village. Upon the parson's arm hung a pair of antique saddle-bags. Baptiste limped wearily behind; both his eyes were encircled with broad blue rings, and one cheek-bone bore the official impress of every knuckle of Colossus's left hand. The "beautiful to take care of somebody" had lost his charge. At mention of the negro he became wild, and half in English, half in the "gumbo" dialect, said murderous things. Intimidated by Jules to calmness, he became able to speak confidently on one point; he could, would, and did swear that Colossus had gone home to the Florida parishes; he was almost certain; in fact, he thought so.

There was a clicking of pulleys as the three appeared upon the bayou's margin, and Baptiste pointed out, in the deep shadow of a great oak, the Isabella, moored among the bulrushes, and just spreading her sails for departure. Moving down to where she lay, the parson and his friend paused on the bank, loath to say farewell.

"O Jools!" said the parson, "supposin' Colossus ain't gone home! O Jools, if you'll look him out for me, I'll never forget you—I'll never forget you, nohow, Jools. No, Jools, I never will believe he taken that money. Yes, I know all niggahs will steal"—he set foot upon the gang-plank—"but Colossus wouldn't steal from me. Good-by."

"Misty Posson Jone'," said St.-Ange, putting his hand on the parson's arm with genuine affection, "hol' on. You see dis money—w'at I win las' night? Well, I win' it by a specious providence, ain't it?"

"There's no tellin'," said the humbled Jones. "Providence

'Moves in a mysterious way
His wonders to perform.'"

"Ah!" cried the Creole, "c'est very true. I ged this money in the mysterieuze way. Mais, if I keep dis money, you know where it goin' be to-night?"

"I really can't say," replied the parson.

"Goin' to de dev'," said the sweetly smiling young man.

The schooner-captain, leaning against the shrouds, and even Baptiste, laughed outright.

"O Jools, you mustn't!"

"Well, den, w'at I shall do wid it?"

"Anything!" answered the parson; "better donate it away to some poor man—"

"Ah! Misty Posson Jone', dat is w'at I want. You los' five hondred dollar'—'twas me fault."

"No, it wa'n't, Jools."

"Mais, it was!"

"No!"

"It was me fault! I swear it was me fault! Mais, here is five hundred dollar'; I wish you shall take it. Here! I don't got no use for money.—Oh my faith! Posson Jone', you must not begin to cry some more."

Parson Jones was choked with tears. When he found voice he said:—

"O Jools, Jools, Jools! my pore, noble, dear, misguidened friend! ef you hed of hed a Christian raisin'! May the Lord show you your errors better'n I kin, and bless you for your good intentions—oh, no! I cayn't touch that money with a ten-foot pole; it wa'n't rightly got; you must really excuse me, my dear friend, but I cayn't touch it."

St.-Ange was petrified.

"Good-by, dear Jools," continued the parson. "I'm in the Lord's haynds, and he's very merciful, which I hope and trust you'll find it out. Good-by!"—the schooner swung slowly off before the breeze—"good-by!"

St.-Ange roused himself. "Posson Jone'! make me hany'ow dis promise: you never, never, never will come back to New Orleans."

"Ah, Jools, the Lord willin', I'll never leave home again!"

"All right!" cried the Creole; "I thing he's willin'. Adieu, Posson Jone'. My faith'! you are the so fighting an' moz rilligious man as I never saw! Adieu! Adieu!"

Baptiste uttered a cry and presently ran by his master toward the schooner, his hands full of clods.

St.-Ange looked just in time to see the sable form of Colossus of Rhodes emerge from the vessel's hold, and the pastor of Smyrna and Bethesda seize him in his embrace.

"O Colossus! you outlandish old nigger! Thank the Lord! Thank the Lord!"

The little Creole almost wept. He ran down the tow-path, laughing and swearing, and making confused allusion to the entire personnel and furniture of the lower regions.

By odd fortune, at the moment that St.-Ange further demonstrated his delight by tripping his mulatto into a bog, the schooner came brushing along the reedy bank with a graceful curve, the sails flapped, and the crew fell to poling her slowly along.

Parson Jones was on the deck, kneeling once more in prayer. His hat had fallen before him; behind him knelt his slave. In thundering tones he was confessing himself "a plum fool," from whom "the conceit had been jolted out," and who had been made to see that even his "nigger had the longest head of the two."

Colossus clasped his hands and groaned.

The parson prayed for a contrite heart.

"Oh, yes!" cried Colossus.

The master acknowledged countless mercies.

"Dat's so!" cried the slave.

The master prayed that they might still be "piled on."

"Glory!" cried the black man, clapping his hands; "pile on!"

"An' now," continued the parson, "bring this pore, back-slidin' jackace of a parson and this pore ole fool nigger back to thar home in peace!"

"Pray fo' de money!" called Colossus.

But the parson prayed for Jules.

"Pray fo' de money!" repeated the negro.

"And oh, give thy servant back that there lost money!"

Colossus rose stealthily, and tiptoed by his still shouting master. St.-Ange, the captain, the crew, gazed in silent wonder at the strategist. Pausing but an instant over the master's hat to grin an acknowledgment of his beholders' speechless interest, he softly placed in it the faithfully mourned and honestly prayed-for Smyrna fund; then, saluted by the gesticulative, silent applause of St.-Ange and the schooner-men, he resumed his first attitude behind his roaring master.

"Amen!" cried Colossus, meaning to bring him to a close.

"Onworthy though I be—" cried Jones.

"Amen!" reiterated the negro.

"A-a-amen!" said Parson Jones.

He rose to his feet, and, stooping to take up his hat, beheld the well-known roll. As one stunned, he gazed for a moment upon his slave, who still knelt with clasped hands and rolling eyeballs; but when he became aware of the laughter and cheers that greeted him from both deck and shore, he lifted eyes and hands to heaven, and cried like the veriest babe. And when he looked at the roll again, and hugged and kissed it, St.-Ange tried to raise a second shout, but choked, and the crew fell to their poles.

And now up runs Baptiste, covered with slime, and prepares to cast his projectiles. The first one fell wide of the mark; the schooner swung round into a long reach of water, where the breeze was in her favor; another shout of laughter drowned the maledictions of the muddy man; the sails filled; Colossus of Rhodes, smiling and bowing as hero of the moment, ducked as the main boom swept round, and the schooner, leaning slightly to the pleasant influence, rustled a moment over the bulrushes, and then sped far away down the rippling bayou.

M. Jules St.-Ange stood long, gazing at the receding vessel as it now disappeared, now reappeared beyond the tops of the high undergrowth; but when an arm of the forest hid it finally from sight, he turned townward, followed by that fagged-out spaniel his servant, saying as he turned, "Baptiste?"

"Miché?"

"You know w'at I goin' do wid dis money?"

"Non, m'sieur."

"Well, you can strike me dead if I don't goin' to pay hall my debts! Allons!"

He began a merry little song to the effect that his sweetheart was a wine-bottle, and master and man, leaving care behind, returned to the picturesque Rue Royale. The ways of Providence are indeed strange. In all Parson Jones's after-life, amid the many painful reminiscences of his visit to the City of the Plain, the sweet knowledge was withheld from him that by the light of the Christian virtue that shone from him even in his great fall, Jules St.-Ange arose, and went to his father an honest man.

CAIUS JULIUS CÆSAR

(100-44 b.c.)

BY J. H. WESTCOTT

"Truly a wonderful man was Caius Julius Cæsar," says Captain Miles Standish. Truly wonderful he was on each of his many sides: as soldier, statesman, orator, and author, all of the first rank—and a respectable critic, man of science and poet besides.

As a writer of Latin prose, and as an orator, he was second to Cicero alone in the age that is called the Ciceronian; and no third is to be named with these two. Yet among his contemporaries his literary power was an insignificant title to fame, compared with his overwhelming military and political genius. Here he stood alone, unrivaled, the most successful conqueror and civilizer of all history, the founder of the most majestic political fabric the world has ever seen. There have been other generals, statesmen, authors, as great as Cæsar; but the extraordinary combination of powers in this one man goes very far toward making good the claim that he was the most remarkable man in history.

He was born 100 b.c., a member of the great Julian gens, which claimed descent from Æneas and Venus, the glories of which are celebrated in Vergil's immortal epic. Thus the future leader of the turbulent democracy, and the future despot who was to humble the nobles of Rome, was by birth an aristocrat of bluest blood. His life might easily have come to an untimely end in the days of Sulla's bloody ascendency, for he was connected by marriage with Marius and Cinna. Sulla was persuaded to spare him, but clearly saw, even then, that "in Cæsar there were many Mariuses."

All young Romans of rank were expected to go through a term of at least nominal military service. Cæsar's apprenticeship was in Asia Minor in 80 b.c. He distinguished himself at the storming of Mytilene, and afterwards served in Cilicia. He began his political and oratorical career by the prosecution of Cornelius Dolabella, one of the nobility, on a charge of extortion. About 75 b.c. he was continuing his studies at Rhodes, then a famous school of eloquence. Obtaining the quæstorship in 67 b.c., he was assigned to duty in the province of Further Spain. Two years later he became ædile. At the age of thirty-seven he was elected pontifex maximus over two powerful competitors. Entirely without religious belief, as far as we can judge, he recognized the importance of this portion of the civil order, and mastered the intricate lore of the established ceremonial. In this office, which he held for life, he busied himself with a Digest of the Auspices and wrote an essay on Divination.

After filling the prætorship in 62 b.c., he obtained, as proprætor, the governorship of his old province of Further Spain, which he was destined to visit twice in later years as conqueror in civil war. His military success at this time against the native tribes was such as to entitle him to the honor of a triumph. This he was obliged to forego in order to stand at once for the consulship, which office he held for the year 59 b.c. He had previously entered into a private agreement with Pompey and Crassus, known as the First Triumvirate. Cæsar had always presented himself as the friend of the people; Pompey was the most famous man of the time, covered with military laurels, and regarded, though not with perfect confidence, as the champion of the Senatorial party. Crassus, a man of ordinary ability, was valuable to the other two on account of his enormous wealth. These three men agreed to unite their interests and their influence. In accordance with this arrangement Cæsar obtained the consulship, and then the command for five years, afterward extended to ten, of the provinces of Gaul and Illyricum. It was while proconsul of Gaul in the years 58-50 b.c. that he subjugated and organized "All Gaul," which was far greater in extent than the country which is now France; increased his own political and material resources; and above all formed an army, the most highly trained and efficient the world had yet seen, entirely faithful to himself, by means of which he was able in the years 49-46 b.c. to defeat all his political antagonists and to gain absolute power over the State.

He held the consulship again in 48 and 46 b.c., and was consul without a colleague in 45 and 44 b.c., as well as dictator with authority to remodel the Constitution. While his far-reaching plans of organization and improvement were incomplete, and when he was about to start upon a war against the Parthians on the eastern frontier of the empire, he was murdered March 15th, 44 b.c., by a band of conspirators headed by Brutus and Cassius.

For purposes of a literary judgment of Cæsar we have of his own works in complete or nearly complete form his military memoirs only. His specifically literary works have all perished. A few sentences from his speeches, a few of his letters, a few wise or witty sayings, an anecdote or two scattered about in the pages of other authors, and six lines of hexameter verse, containing a critical estimate of the dramatist Terence, are all that remain as specimens of what is probably forever lost to us.

JULIUS CÆSAR.

An enumeration of his works, so far as their titles are known, is the best evidence of his versatility. A bit of criticism here and there shows the estimation in which Cæsar the writer and orator was held by his countrymen and contemporaries. Besides the military memoirs and the works spoken of above in connection with his pontificate, we may mention, as of a semi-official character, his astronomical treatise On the Stars (De Astris), published in connection with his reform of the calendar, when dictator, shortly before the end of his life.

Cicero alludes to a collection of witty sayings (Apophthegms) made by Cæsar, with evident satisfaction at the latter's ability to distinguish the real and the false Ciceronian bons mots.

Like most Roman gentlemen, Cæsar wrote in youth several poems, of which Tacitus grimly says that they were not better than Cicero's. This list includes a tragedy, 'Œdipus,' 'Laudes Herculis' (the Praises of Hercules), and a metrical account of a journey into Spain (Iter).

A grammatical treatise in two books (De Analogia), dedicated to Cicero, to the latter's immense gratification, was written on one of the numerous swift journeys from Italy to headquarters in Gaul. Passages from it are quoted by several subsequent writers, and an anecdote preserved by Aulus Gellius in his Noctes Atticæ I. 10. 4, wherein a young man is warned by Cæsar to avoid unusual and far-fetched language "like a rock," is supposed to be very characteristic of his general attitude in matters of literary taste. The 'Anticatones' were a couple of political pamphlets ridiculing Cato, the idol of the republicans. This was small business for Cæsar, but Cato had taken rather a mean advantage by his dramatic suicide at Utica, and deprived Cæsar of the "pleasure of pardoning him."

Of Cæsar's orations we have none but the most insignificant fragments—our judgment of them must be based on the testimony of ancient critics. Quintilian speaks in the same paragraph (Quintilian X. 1, 114) of the "wonderful elegance of his language" and of the "force" which made it "seem that he spoke with the same spirit with which he fought." Cicero's phrase "magnifica et generosa" (Cicero, Brutus, 261), and Fronto's "facultas dicendi imperatoria" (Fronto, Ep. p. 123), indicate "some kind of severe magnificence."

Collections of his letters were extant in the second century, but nothing now remains except a few brief notes to Cicero, copied by the latter in his correspondence with Atticus. This loss is perhaps the one most to be regretted. Letters reveal their author's personality better than more formal species of composition, and Cæsar was almost the last real letter-writer, the last who used in its perfection the polished, cultivated, conversational language, the Sermo urbanus.

But after all, we possess the most important of his writings, the Commentaries on the Gallic and Civil Wars. The first may be considered as a formal report to the Senate and the public on the conduct of his Gallic campaigns; the latter, as primarily intended for a defense of his constitutional position in the Civil War.

They are memoirs, half way between private notes and formal history. Cicero says that while their author "desired to give others the material out of which to create a history, he may perhaps have done a kindness to conceited writers who wish to trick them out with meretricious graces" (to "crimp with curling-irons"), "but he has deterred all men of sound taste from ever touching them. For in history a pure and brilliant conciseness of style is the highest attainable beauty." "They are worthy of all praise, for they are simple, straightforward and elegant, with all rhetorical ornament stripped from them as a garment is stripped." (Cicero, Brutus, 262.)

The seven books of the Gallic War are each the account of a year's campaigning. They were written apparently in winter quarters. When Cæsar entered on the administration of his province it was threatened with invasion. The Romans had never lost their dread of the northern barbarians, nor forgotten the capture of Rome three centuries before. Only a generation back, Marius had become the national hero by destroying the invading hordes of Cimbri and Teutones. Cæsar purposed to make the barbarians tremble at the Roman name. This first book of the Commentaries tells how he raised an army in haste, with which he outmarched, outmanœuvred and defeated the Helvetian nation. This people, urged by pressure behind and encouragement in front, had determined to leave its old home in the Alpine valleys and to settle in the fairer regions of southeastern France. Surprised and dismayed by Cæsar's terrific reception of their supposed invincible host, they had to choose between utter destruction and a tame return, with sadly diminished numbers, to their old abodes. Nor was this all the work of the first year. Ariovistus, a German king, also invited by a Gallic tribe, and relying on the terror of his nation's name, came to establish himself and his people on the Gallic side of the Rhine. He too was astonished at the tone with which Cæsar ordered him to depart, but soon found himself forced to return far more quickly than he had come.

Having thus vindicated the Roman claim to the frontiers of Gaul against other invaders, the proconsul devoted his second summer to the subjugation of the Belgæ, the most warlike and the most remote of the Gauls. The second book tells how this was accomplished. There was one moment when the conqueror's career came near ending prematurely. One of the Belgian tribes, the valiant Nervii, surprised and nearly defeated the Roman army. But steady discipline and the dauntless courage of the commander, never so great as in moments of mortal peril, saved the day, and the Nervii are immortalized as the people who nearly destroyed Cæsar.

These unprecedented successes all round the eastern and northern frontiers thoroughly established Roman prestige and strengthened Rome's supremacy over the central Gauls, who were already her allies, at least in name. But much yet remained to do. The work was but fairly begun. The third book tells of the conquest of the western tribes. The most interesting episode is the creation of a fleet and the naval victory over the Veneti on the far-away coast of Brittany. In the fourth year Cæsar crossed the Rhine, after building a wonderful wooden bridge in ten days, carried fire and sword among the Germans on the further bank, and returned to his side of the river, destroying the bridge behind him. Modern schoolboys wish he had never built it. Later in the season he made an expedition into Britain. This was followed in the fifth year by an invasion of the island in greater force. To people of our race this portion of the Commentaries is especially interesting. The southern part of the country was overrun, the Thames was crossed some miles above London, and several victories were gained, but no organized conquest was attempted. That remained for the age of Claudius and later emperors.

During the ensuing winter, on account of the scarcity of provisions, the Roman troops had to be quartered in separate detachments at long distances. One of these was treacherously destroyed by the Gauls, and the others were saved only by the extraordinary quickness with which Cæsar marched to their relief on hearing of their imminent danger. The chief part in this rising had been taken by the Eburones, led by their king Ambiorix. A large part of the sixth book is occupied with the recital of Cæsar's vengeance upon these people and their abettors, and with the vain pursuit of Ambiorix. The remainder contains an elaborate contrast of the manners and customs of the Gauls and Germans, which forms an important source for the history of the primitive institutions of these nations. The seventh book is the thrilling tale of the formidable rising of all the Gauls against their conquerors, under the leadership of Vercingetorix, an Arvernian chief. This man was a real hero,—brave, patriotic, resourceful, perhaps the only worthy antagonist that Cæsar ever met. This war strained to the utmost Cæsar's abilities and the disciplined valor of his legions. The Gauls nearly succeeded in undoing all the work of six years, in destroying the Roman army and in throwing off the Roman yoke. In this campaign, more conspicuously than ever before, Cæsar's success was due to the unexampled rapidity of his movements. So perfect had become the training of his troops and their confidence in his ability to win under all circumstances, that after a campaign of incredible exertions they triumphed over the countless hosts of their gallant foes, and in the next two years the last embers of Gaulish independence were finally stamped out. In all his later wars, Cæsar never had anything to fear from Gaul. As we read the story of Avaricum, of Gergovia, of Alesia, our sympathy goes out to the brave barbarians who were fighting for liberty—but we have to remember that though the cause of freedom failed, the cause of civilization triumphed. The eighth book, containing the account of the next two years, 51 and 50 b.c., was written by one of Cæsar's officers, Aulus Hirtius.

The first book of the Civil War begins with the year 49 b.c., where the struggle between Cæsar and the Senatorial party opens with his crossing of the Rubicon, attended by the advanced guard of his legions. Pompey proved a broken reed to those who leaned upon him, and Cæsar's conquest of the Italian peninsula was little else than a triumphal progress through the country. The enemy retired to the eastern shore of the Adriatic to muster the forces of the East on the side of the aristocracy, leaving Cæsar in possession of the capital and of the machinery of government. The latter part of the book contains the account of the campaign against Pompey's lieutenants in Spain, which was won almost without bloodshed, by masterly strategy, and which ended with the complete possession of the peninsula. The second book describes the capture of Marseilles after a long siege, and the tragic defeat and death of Curio, a brave but rash young officer sent by Cæsar to secure the African province. In the third book (48 b.c.) we have the story of the campaign against Pompey; first the audacious blockade for months of Pompey's greatly superior forces near Dyrrachium on the Illyrian coast; and when that failed, of the long march into Thessaly, where Pompey was at last forced into battle, against his judgment, by his own officers, on the fatal plains of Pharsalia; of the annihilation of the Senatorial army; of Pompey's flight to Egypt; of his treacherous murder there; of Cæsar's pursuit. The books on the Alexandrian, the African, and the Spanish wars, which continue the narrative down to Cæsar's final victory at Munda in southern Spain, are by other and inferior hands. The question of their authorship has been the subject of much controversy and conjecture.

Under this modest title of 'Commentaries,' in the guise of a simple narrative of events, Cæsar puts forth at once an inimitable history and a masterly apology. The author speaks of himself in the third person, tells of the circumstances of each situation in a quiet moderate way, which carries with it the conviction on the reader's part of his entire truthfulness, accuracy, and candor. We are persuaded that the Cæsar about whom he tells could not have acted otherwise than he did. In short, he exercises the same spell over our minds that he cast over the hearts of men twenty centuries ago.

There is nothing that so fascinates and enchains the imagination of men as power in another man. This man could captivate a woman by his sweetness or tame an angry mob of soldiers with a word; could mold the passions of a corrupt democracy or exterminate a nation in a day; could organize an empire or polish an epigram. His strength was terrible. But all this immense power was marvelously balanced and under perfect control. Nothing was too small for his delicate tact. Nothing that he did was so difficult but we feel he could have done more. Usually his means seemed inadequate to his ends. But it was Cæsar who used them.

The Commentaries show us this man at his work. They show him as an organizer of armies and alliances, a wily diplomatist, an intrepid soldier, an efficient administrator, a strategist of inspired audacity, a tactician of endless resources, an engineer of infinite inventiveness, an unerring judge of men. But he never boasts, except in speeches to hearten discouraged troops. He does not vilify or underrate his enemies.

His soldiers trusted him implicitly; there was no limit to their zeal. They found in him a generous appreciation of their deeds. Many a soldier and centurion has received immortality at his hands as the guerdon of valor. He describes a victory of Labienus with as much satisfaction as if it had been his own, and praises another lieutenant for his prudent self-restraint when tempted by a prospect of success. And he tells with hearty admiration of the devoted Gauls who sacrificed their lives one after another in a post of danger at Avaricum. Even in the Civil War no officers deserted him except Labienus and two Gaulish chiefs.

It was difficult to deceive him. His analysis of other men's motives is as merciless as it is passionless. He makes us disapprove the course of his antagonists with the same moderate but convincing statement with which he recommends his own. Few men can have had as few illusions as he. One would scarcely care to possess such an insight into the hearts of others. He seems to feel little warmth of indignation, and never indulges in invective. But woe to those who stood in the way of the accomplishment of his objects. Dreadful was the punishment of those who revolted after making peace. Still, even his vengeance seems dictated by policy rather than by passion. He is charged with awful cruelty because he slew a million men and sold another million into slavery. But he did not enjoy human suffering. These were simply necessary incidents in the execution of his plans. It is hard to see how European civilization could have proceeded without the conquest of Gaul, and it is surely better to make a conquest complete, rapid, overpowering, that the work may have to be done but once.

It is hard not to judge men by the standards of our own age. The ancients rarely felt an international humanity, and in his own time "Cæsar's clemency" was proverbial. As he was always careful not to waste in useless fighting the lives of his soldiers, so he was always true to his own precept, "Spare the citizens." The way in which he repeatedly forgave his enemies when they were in his power was an example to many a Christian conqueror. The best of his antagonists showed themselves bloodthirsty in word or act; and most of them, not excepting Cicero, were basely ungrateful for his forbearance. His treatment of Cicero was certainly most handsome—our knowledge of it is derived mainly from Cicero's letters. Perhaps this magnanimity was dashed with a tinge of kindly contempt for his fellow-citizens; but whatever its motives, it was certainly wise and benign at the beginning of the new era he was inaugurating. He was no vulgar destroyer, and did not desire to ruin in order to rule.

He is charged with ambition, the sin by which the angels fell. It is not for us to fathom the depths of his mighty mind. Let us admit the charge. But it was not an ignoble ambition. Let us say that he was so ambitious that he laid the foundations of the Roman Empire and of modern France; that his services to civilization and his plans for humanity were so broad that patriots were driven to murder him.

Some of Cæsar's eulogists have claimed for him a moral greatness corresponding to his transcendent mental power. This is mistaken zeal. He may stand as the supreme representative of the race in the way of practical executive intellect. It is poor praise to put him into another order of men, with Plato or with Paul. Their greatness was of another kind. We cannot speak of degrees. He is the exponent of creative force in political history—not of speculative or ethical power.

Moreover, with all his originality of conception and power of execution, Cæsar lacked that kind of imagination which makes the true poet, the real creative artist in literature. Thus we observe the entire absence of the pictorial element in his writings. There is no trace of his ever being affected by the spectacular incidents of warfare nor by the grandeur of the natural scenes through which he passed. The reason may be that his intellect was absorbed in the contemplation of men and motives, of means and ends. We cannot conceive of his ever having been carried out of himself by the rapture of inspiration. Such clearness of mental perception is naturally accompanied by a certain coolness of temperament. A man of superlative greatness must live more or less alone among his fellows. With his immense grasp of the relations of things in the world, Cæsar cannot have failed to regard men to some extent as the counters in a great game—himself the player. So he used men, finding them instruments—efficient and zealous, often—of his far-reaching plans. He was just in rewarding their services—more than just: he was generous and kind. But he did not have real associates, real friends; therefore it is not surprising that he met with so little gratitude. Even his diction shows this independence, this isolation. It would be difficult to find an author of any nation in a cultivated age so free from the influence of the language of his predecessors. Cæsar was unique among the great Roman writers in having been born at the capital. Appropriately he is the incarnation of the specifically Roman spirit in literature, as Cicero was the embodiment of the Italian, the Hellenic, the cosmopolitan spirit.

Toward the close of Cæsar's career there are some signs of weariness observable—a certain loss of serenity, a suspicion of vanity, a dimming of his penetrating vision into the men about him. The only wonder is that mind and body had not succumbed long before to the prodigious strain put upon them. Perhaps it is well that he died when he did, hardly past his prime. So he went to his setting, like the other "weary Titan," leaving behind him a brightness which lasted all through the night of the Dark Ages. Cæsar died, but the imperial idea of which he was the first embodiment has proved the central force of European political history even down to our time.

Such is the man who speaks to us from his pages still. He was a man who did things rather than a man who said things. Yet who could speak so well? His mastery of language was perfect, but in the same way as his mastery of other instruments. Style with him was a means rather than an end. He had the training which others of his kind enjoyed. Every Roman noble had to learn oratory. But Cæsar wrote and spoke with a faultless taste and a distinction that no training could impart. So we find in his style a beauty which does not depend upon ornament, but upon perfect proportion; a diction plain and severe almost to baldness; absolute temperateness of expression. The descriptions are spirited, but never made so by strained rhetoric; the speeches are brief, manly, business-like; the arguments calm and convincing; always and everywhere the language of a strong man well inside the limits of his power.

The chief ancient authorities for the life of Cæsar, besides his own works, are Suetonius in Latin, Plutarch and Appian in Greek. Among modern works of which he is made the subject may be mentioned 'Jules César,' by Napoleon III. (Paris, 1865); continued by Colonel Stoffel, with an Atlas; 'Cæsar, a Sketch,' by J. A. Froude (London, 1886); 'Cæsar,' by A. Trollope (London, 1870); 'Cæsar,' by T. A. Dodge, U.S.A. (Boston, 1893).

THE DEFEAT OF ARIOVISTUS AND THE GERMANS

From 'The Gallic Wars'

When he had proceeded three days' journey, word was brought to him that Ariovistus was hastening with all his forces to seize on Vesontio,115 which is the largest town of the Sequani, and had advanced three days' journey from his territories. Cæsar thought that he ought to take the greatest precautions lest this should happen, for there was in that town a most ample supply of everything which was serviceable for war; and so fortified was it by the nature of the ground as to afford a great facility for protracting the war, inasmuch as the river Doubs almost surrounds the whole town, as though it were traced round with a pair of compasses. A mountain of great height shuts in the remaining space, which is not more than six hundred feet, where the river leaves a gap in such a manner that the roots of that mountain extend to the river's bank on either side. A wall thrown around it makes a citadel of this mountain, and connects it with the town. Hither Cæsar hastens by forced marches by night and day, and after having seized the town, stations a garrison there.

Whilst he is tarrying a few days at Vesontio, on account of corn and provisions; from the inquiries of our men and the reports of the Gauls and traders (who asserted that the Germans were men of huge stature, of incredible valor and practice in arms,—that ofttimes they, on encountering them, could not bear even their countenance and the fierceness of their eyes), so great a panic on a sudden seized the whole army, as to discompose the minds and spirits of all in no slight degree. This first arose from the tribunes of the soldiers, the prefects and the rest, who, having followed Cæsar from the city [Rome] from motives of friendship, had no great experience in military affairs. And alleging, some of them one reason, some another, which they said made it necessary for them to depart, they requested that by his consent they might be allowed to withdraw; some, influenced by shame, stayed behind in order that they might avoid the suspicion of cowardice. These could neither compose their countenance, nor even sometimes check their tears: but hidden in their tents, either bewailed their fate or deplored with their comrades the general danger. Wills were sealed universally throughout the whole camp. By the expressions and cowardice of these men, even those who possessed great experience in the camp, both soldiers and centurions, and those [the decurions] who were in command of the cavalry, were gradually disconcerted. Such of them as wished to be considered less alarmed said that they did not dread the enemy, but feared the narrowness of the roads and the vastness of the forests which lay between them and Ariovistus, or else that the supplies could not be brought up readily enough. Some even declared to Cæsar that when he gave orders for the camp to be moved and the troops to advance, the soldiers would not be obedient to the command nor advance, in consequence of their fear.

When Cæsar observed these things, having called a council, and summoned to it the centurions of all the companies, he severely reprimanded them, "particularly for supposing that it belonged to them to inquire or conjecture either in what direction they were marching or with what object. That Ariovistus during his [Cæsar's] consulship had most anxiously sought after the friendship of the Roman people; why should any one judge that he would so rashly depart from his duty? He for his part was persuaded that when his demands were known and the fairness of the terms considered, he would reject neither his nor the Roman people's favor. But even if, driven on by rage and madness, he should make war upon them, what after all were they afraid of?—or why should they despair either of their own valor or of his zeal? Of that enemy a trial had been made within our fathers' recollection, when on the defeat of the Cimbri and Teutones by Caius Marius, the army was regarded as having deserved no less praise than their commander himself. It had been made lately too in Italy, during the rebellion of the slaves, whom, however, the experience and training which they had received from us assisted in some respect. From which a judgment might be formed of the advantages which resolution carries with it,—inasmuch as those whom for some time they had groundlessly dreaded when unarmed, they had afterwards vanquished when well armed and flushed with success. In short, that these were the same men whom the Helvetii, in frequent encounters, not only in their own territories, but also in theirs [the German], have generally vanquished, and yet cannot have been a match for our army. If the unsuccessful battle and flight of the Gauls disquieted any, these, if they made inquiries, might discover that when the Gauls had been tired out by the long duration of the war, Ariovistus, after he had many months kept himself in his camp and in the marshes, and had given no opportunity for an engagement, fell suddenly upon them, by this time despairing of a battle and scattered in all directions; and was victorious more through stratagem and cunning than valor. But though there had been room for such stratagem against savage and unskilled men, not even Ariovistus himself expected that thereby our armies could be entrapped. That those who ascribed their fear to a pretense about the deficiency of supplies and the narrowness of the roads acted presumptuously, as they seemed either to distrust their general's discharge of his duty or to dictate to him. That these things were his concern; that the Sequani, the Leuci, and the Lingones were to furnish the corn; and that it was already ripe in the fields; that as to the road, they would soon be able to judge for themselves. As to its being reported that the soldiers would not be obedient to command, or advance, he was not at all disturbed at that; for he knew that in the case of all those whose army had not been obedient to command, either upon some mismanagement of an affair fortune had deserted them, or that upon some crime being discovered covetousness had been clearly proved against them. His integrity had been seen throughout his whole life, his good fortune in the war with the Helvetii. That he would therefore instantly set about what he had intended to put off till a more distant day, and would break up his camp the next night in the fourth watch, that he might ascertain as soon as possible whether a sense of honor and duty, or whether fear, had more influence with them. But that if no one else should follow, yet he would go with only the tenth legion, of which he had no misgivings, and it should be his prætorian cohort."—This legion Cæsar had both greatly favored, and in it, on account of its valor, placed the greatest confidence.

Upon the delivery of this speech, the minds of all were changed in a surprising manner, and the highest ardor and eagerness for prosecuting the war were engendered; and the tenth legion was the first to return thanks to him, through their military tribunes, for his having expressed this most favorable opinion of them; and assured him that they were quite ready to prosecute the war. Then the other legions endeavored, through their military tribunes and the centurions of the principal companies, to excuse themselves to Cæsar, saying that they had never either doubted or feared, or supposed that the determination of the conduct of the war was theirs and not their general's. Having accepted their excuse, and having had the road carefully reconnoitred by Divitiacus, because in him of all others he had the greatest faith, he found that by a circuitous route of more than fifty miles he might lead his army through open parts; he then set out in the fourth watch, as he had said he would. On the seventh day, as he did not discontinue his march, he was informed by scouts that the forces of Ariovistus were only four-and-twenty miles distant from ours.

Upon being apprised of Cæsar's arrival, Ariovistus sends ambassadors to him, saying that what he had before requested as to a conference might now, as far as his permission went, take place, since he [Cæsar] had approached nearer; and he considered that he might now do it without danger. Cæsar did not reject the proposal, and began to think that he was now returning to a rational state of mind, as he voluntarily proffered that which he had previously refused to him when he requested it; and was in great hopes that, in consideration of his own and the Roman people's great favors towards him, the issue would be that he would desist from his obstinacy upon his demands being made known. The fifth day after that was appointed as the day of conference. Meanwhile, as ambassadors were being often sent to and fro between them, Ariovistus demanded that Cæsar should not bring any foot-soldier with him to the conference, saying that "he was afraid of being ensnared by him through treachery; that both should come accompanied by cavalry; that he would not come on any other condition." Cæsar, as he neither wished that the conference should, by an excuse thrown in the way, be set aside, nor durst trust his life to the cavalry of the Gauls, decided that it would be most expedient to take away from the Gallic cavalry all their horses, and thereon to mount the legionary soldiers of the tenth legion, in which he placed the greatest confidence; in order that he might have a body-guard as trustworthy as possible, should there be any need for action. And when this was done, one of the soldiers of the tenth legion said, not without a touch of humor, "that Cæsar did more for them than he had promised: he had promised to have the tenth legion in place of his prætorian cohort; but he now converted them into horse."

There was a large plain, and in it a mound of earth of considerable size. This spot was at nearly an equal distance from both camps. Thither, as had been appointed, they came for the conference. Cæsar stationed the legion which he had brought with him on horseback, two hundred paces from this mound. The cavalry of Ariovistus also took their stand at an equal distance. Ariovistus then demanded that they should confer on horseback, and that, besides themselves, they should bring with them ten men each to the conference. When they were come to the place, Cæsar, in the opening of his speech, detailed his own and the Senate's favors towards him [Ariovistus], "in that he had been styled king, in that he had been styled friend, by the Senate,—in that very considerable presents had been sent him; which circumstance he informed him had both fallen to the lot of few, and had usually been bestowed in consideration of important personal services; that he, although he had neither an introduction, nor a just ground for the request, had obtained these honors through the kindness and munificence of himself [Cæsar] and the Senate. He informed him, too, how old and how just were the grounds of connection that existed between themselves [the Romans] and the Ædui, what decrees of the Senate had been passed in their favor, and how frequent and how honorable; how from time immemorial the Ædui had held the supremacy of the whole of Gaul; even, said Cæsar, before they had sought our friendship; that it was the custom of the Roman people to desire not only that its allies and friends should lose none of their property, but be advanced in influence, dignity, and honor: who then could endure that what they had brought with them to the friendship of the Roman people should be torn from them?" He then made the same demands which he had commissioned the ambassadors to make, that Ariovistus should not make war either upon the Ædui or their allies; that he should restore the hostages; that if he could not send back to their country any part of the Germans, he should at all events suffer none of them any more to cross the Rhine.

Ariovistus replied briefly to the demands of Cæsar, but expatiated largely on his own virtues: "that he had crossed the Rhine not of his own accord, but on being invited and sent for by the Gauls; that he had not left home and kindred without great expectations and great rewards; that he had settlements in Gaul, granted by the Gauls themselves; that the hostages had been given by their own good-will; that he took by right of war the tribute which conquerors are accustomed to impose on the conquered; that he had not made war upon the Gauls, but the Gauls upon him; that all the States of Gaul came to attack him, and had encamped against him; that all their forces had been routed and beaten by him in a single battle; that if they chose to make a second trial, he was ready to encounter them again; but if they chose to enjoy peace, it was unfair to refuse the tribute which of their own free-will they had paid up to that time. That the friendship of the Roman people ought to prove to him an ornament and a safeguard, not a detriment; and that he sought it with that expectation. But if through the Roman people the tribute was to be discontinued, and those who surrendered to be seduced from him, he would renounce the friendship of the Roman people no less heartily than he had sought it. As to his leading over a host of Germans into Gaul, that he was doing this with a view of securing himself, not of assaulting Gaul: that there was evidence of this, in that he did not come without being invited, and in that he did not make war, but merely warded it off. That he had come into Gaul before the Roman people. That never before this time did a Roman army go beyond the frontiers of the province of Gaul. What, said he, does Cæsar desire?—why come into his [Ariovistus's] domains?—that this was his province of Gaul, just as that is ours. As it ought not to be pardoned in him if he were to make an attack upon our territories, so likewise that we were unjust to obstruct him in his prerogative. As for Cæsar's saying that the Ædui had been styled 'brethren' by the Senate, he was not so uncivilized nor so ignorant of affairs as not to know that the Ædui in the very last war with the Allobroges had neither rendered assistance to the Romans nor received any from the Roman people in the struggles which the Ædui had been maintaining with him and with the Sequani. He must feel suspicious that Cæsar, though feigning friendship as the reason for his keeping an army in Gaul, was keeping it with the view of crushing him. And that unless he depart and withdraw his army from these parts, he shall regard him not as a friend, but as a foe; and that even if he should put him to death, he should do what would please many of the nobles and leading men of the Roman people; he had assurance of that from themselves through their messengers, and could purchase the favor and the friendship of them all by his [Cæsar's] death. But if he would depart and resign to him the free possession of Gaul, he would recompense him with a great reward, and would bring to a close whatever wars he wished to be carried on, without any trouble or risk to him."

Many things were stated by Cæsar to the following effect:—"That he could not waive the business, and that neither his nor the Roman people's practice would suffer him to abandon most meritorious allies; nor did he deem that Gaul belonged to Ariovistus rather than to the Roman people; that the Arverni116 and the Ruteni117 had been subdued in war by Quintus Fabius Maximus, and that the Roman people had pardoned them and had not reduced them into a province or imposed a tribute upon them. And if the most ancient period was to be regarded, then was the sovereignty of the Roman people in Gaul most just: if the decree of the Senate was to be observed, then ought Gaul to be free, which they [the Romans] had conquered in war, and had permitted to enjoy its own laws."

While these things were being transacted in the conference, it was announced to Cæsar that the cavalry of Ariovistus were approaching nearer the mound, and were riding up to our men and casting stones and weapons at them. Cæsar made an end of his speech and betook himself to his men; and commanded them that they should by no means return a weapon upon the enemy. For though he saw that an engagement with the cavalry would be without any danger to his chosen legion, yet he did not think proper to engage, lest after the enemy were routed it might be said that they had been ensnared by him under the sanction of a conference. When it was spread abroad among the common soldiery with what haughtiness Ariovistus had behaved at the conference, and how he had ordered the Romans to quit Gaul, and how his cavalry had made an attack upon our men, and how this had broken off the conference, a much greater alacrity and eagerness for battle was infused into our army.

Two days after, Ariovistus sends ambassadors to Cæsar to state that "he wished to treat with him about those things which had been begun to be treated of between them, but had not been concluded"; and to beg that "he would either again appoint a day for a conference, or if he were not willing to do that, that he would send one of his officers as an ambassador to him." There did not appear to Cæsar any good reason for holding a conference; and the more so as the day before, the Germans could not be restrained from casting weapons at our men. He thought he should not without great danger send to him as ambassador one of his Roman officers, and should expose him to savage men. It seemed therefore most proper to send to him C. Valerius Procillus, the son of C. Valerius Caburus, a young man of the highest courage and accomplishments (whose father had been presented with the freedom of the city by C. Valerius Flaccus), both on account of his fidelity and on account of his knowledge of the Gallic language,—which Ariovistus, by long practice, now spoke fluently,—and because in his case the Germans would have no motive for committing violence;118 and for his colleague, M. Mettius, who had shared the hospitality of Ariovistus. He commissioned them to learn what Ariovistus had to say, and to report to him. But when Ariovistus saw them before him in his camp, he cried out in the presence of his army, "Why were they come to him? was it for the purpose of acting as spies?" He stopped them when attempting to speak, and cast them into chains.

The same day he moved his camp forward and pitched under a hill six miles from Cæsar's camp. The day following he led his forces past Cæsar's camp, and encamped two miles beyond him; with this design—that he might cut off Cæsar from the corn and provisions which might be conveyed to him from the Sequani and the Ædui. For five successive days from that day Cæsar drew out his forces before the camp and put them in battle order, that if Ariovistus should be willing to engage in battle, an opportunity might not be wanting to him. Ariovistus all this time kept his army in camp, but engaged daily in cavalry skirmishes. The method of battle in which the Germans had practiced themselves was this: There were six thousand horse, and as many very active and courageous foot, one of whom each of the horse selected out of the whole army for his own protection. By these men they were constantly accompanied in their engagements; to these the horse retired; these on any emergency rushed forward; if any one, upon receiving a very severe wound, had fallen from his horse, they stood around him; if it was necessary to advance farther than usual or to retreat more rapidly, so great, from practice, was their swiftness, that supported by the manes of the horses they could keep pace with their speed.

Perceiving that Ariovistus kept himself in camp, Cæsar, that he might not any longer be cut off from provisions, chose a convenient position for a camp beyond that place in which the Germans had encamped, at about six hundred paces from them, and having drawn up his army in three lines, marched to that place. He ordered the first and second lines to be under arms; the third to fortify the camp. This place was distant from the enemy about six hundred paces, as has been stated. Thither Ariovistus sent light troops, about sixteen thousand men in number, with all his cavalry; which forces were to intimidate our men and hinder them in their fortification. Cæsar nevertheless, as he had before arranged, ordered two lines to drive off the enemy; the third to execute the work. The camp being fortified, he left there two legions and a portion of the auxiliaries, and led back the other four legions into the larger camp.

The next day, according to his custom, Cæsar led out his forces from both camps, and having advanced a little from the larger one, drew up his line of battle, and gave the enemy an opportunity of fighting. When he found that they did not even then come out from their intrenchments, he led back his army into camp about noon. Then at last Ariovistus sent part of his forces to attack the lesser camp. The battle was vigorously maintained on both sides till the evening. At sunset, after many wounds had been inflicted and received, Ariovistus led back his forces into camp. When Cæsar inquired of his prisoners wherefore Ariovistus did not come to an engagement, he discovered this to be the reason—that among the Germans it was the custom for their matrons to pronounce from lots and divination whether it were expedient that the battle should be engaged in or not; that they had said that "it was not the will of heaven that the Germans should conquer, if they engaged in battle before the new moon."

The day following, Cæsar left what seemed sufficient as a guard for both camps; and then drew up all the auxiliaries in sight of the enemy, before the lesser camp, because he was not very powerful in the number of legionary soldiers, considering the number of the enemy; that thereby he might make use of his auxiliaries for appearance. He himself, having drawn up his army in three lines, advanced to the camp of the enemy. Then at last of necessity the Germans drew their forces out of camp and disposed them canton by canton, at equal distances, the Harudes, Marcomanni, Tribocci, Vangiones, Nemetes, Sedusii, Suevi; and surrounded their whole army with their chariots and wagons, that no hope might be left in flight. On these they placed their women, who, with disheveled hair and in tears, entreated the soldiers, as they went forward to battle, not to deliver them into slavery to the Romans.

Cæsar appointed over each legion a lieutenant and a quæstor, that every one might have them as witnesses of his valor. He himself began the battle at the head of the right wing, because he had observed that part of the enemy to be the least strong. Accordingly our men, upon the signal being given, vigorously made an attack upon the enemy, and the enemy so suddenly and rapidly rushed forward that there was no time for casting the javelins at them. Throwing aside, therefore, their javelins, they fought with swords hand to hand. But the Germans, according to their custom, rapidly forming a phalanx, sustained the attack of our swords. There were found very many of our soldiers who leaped upon the phalanx, and with their hands tore away the shields and wounded the enemy from above. Although the army of the enemy was routed on the left wing and put to flight, they still pressed heavily on our men from the right wing, by the great number of their troops. On observing this, P. Crassus the Younger, who commanded the cavalry,—as he was more disengaged than those who were employed in the fight,—sent the third line as a relief to our men who were in distress.

Thereupon the engagement was renewed, and all the enemy turned their backs, nor did they cease to flee until they arrived at the river Rhine, about fifty miles from that place. There some few, either relying on their strength, endeavored to swim over, or finding boats procured their safety. Among the latter was Ariovistus, who, meeting with a small vessel tied to the bank, escaped in it: our horse pursued and slew all the rest of them. Ariovistus had two wives, one a Suevan by nation, whom he had brought with him from home; the other a Norican, the sister of King Vocion, whom he had married in Gaul, she having been sent thither for that purpose by her brother. Both perished in that flight. Of their two daughters, one was slain, the other captured. C. Valerius Procillus, as he was being dragged by his guards in the flight, bound with a triple chain, fell into the hands of Cæsar himself, as he was pursuing the enemy with his cavalry. This circumstance indeed afforded Cæsar no less pleasure than the victory itself; because he saw a man of the first rank in the province of Gaul, his intimate acquaintance and friend, rescued from the hand of the enemy and restored to him, and that fortune had not diminished aught of the joy and exultation of that day by his destruction. He [Procillus] said that in his own presence the lots had been thrice consulted respecting him, whether he should immediately be put to death by fire or be reserved for another time: that by the favor of the lots he was uninjured. M. Mettius also was found and brought back to him [Cæsar].

This battle having been reported beyond the Rhine, the Suevi, who had come to the banks of that river, began to return home; when the Ubii,119 who dwelt nearest to the Rhine, pursuing them while much alarmed, slew a great number of them. Cæsar, having concluded two very important wars in one campaign, conducted his army into winter quarters among the Sequani a little earlier than the season of the year required. He appointed Labienus over the winter quarters, and set out in person for hither Gaul to hold the assizes.

ON THE MANNERS AND CUSTOMS OF ANCIENT GAULS AND GERMANS

From 'The Gallic Wars'

Since we have come to this place, it does not appear to be foreign to our subject to lay before the reader an account of the manners of Gaul and Germany, and wherein these nations differ from each other. In Gaul there are factions not only in all the States, and in all the cantons and their divisions, but almost in each family; and of these factions those are the leaders who are considered according to their judgment to possess the greatest influence, upon whose will and determination the management of all affairs and measures depends. And that seems to have been instituted in ancient times with this view, that no one of the common people should be in want of support against one more powerful; for none of those leaders suffers his party to be oppressed and defrauded, and if he do otherwise, he has no influence among his party. This same policy exists throughout the whole of Gaul; for all the States are divided into two factions.

When Cæsar arrived in Gaul, the Ædui were the leaders of one faction, the Sequani of the other. Since the latter were less powerful by themselves, inasmuch as the chief influence was from of old among the Ædui, and their dependencies were great, they had united to themselves the Germans and Ariovistus, and had brought them over to their party by great sacrifices and promises. And having fought several successful battles and slain all the nobility of the Ædui, they had so far surpassed them in power that they brought over from the Ædui to themselves a large portion of their dependants, and received from them the sons of their leading men as hostages, and compelled them to swear in their public character that they would enter into no design against them; and held a portion of the neighboring land, seized on by force, and possessed the sovereignty of the whole of Gaul. Divitiacus, urged by this necessity, had proceeded to Rome to the Senate for the purpose of entreating assistance, and had returned without accomplishing his object. A change of affairs ensued on the arrival of Cæsar: the hostages were returned to the Ædui, their old dependencies restored, and new ones acquired through Cæsar (because those who had attached themselves to their alliance saw that they enjoyed a better state and a milder government); their other interests, their influence, their reputation were likewise increased, and in consequence the Sequani lost the sovereignty. The Remi succeeded to their place, and as it was perceived that they equaled the Ædui in favor with Cæsar, those who on account of their old animosities could by no means coalesce with the Ædui, consigned themselves in clientship to the Remi. The latter carefully protected them. Thus they possessed both a new and suddenly acquired influence. Affairs were then in that position, that the Ædui were considered by far the leading people, and the Remi held the second post of honor.

Throughout all Gaul there are two orders of those men who are of any rank and dignity: for the commonalty is held almost in the condition of slaves, and dares to undertake nothing of itself and is admitted to no deliberation. The greater part, when they are pressed either by debt, or the large amount of their tributes, or the oppression of the more powerful, give themselves up in vassalage to the nobles, who possess over them the same rights, without exception, as masters over their slaves. But of these two orders, one is that of the Druids, the other that of the knights. The former are engaged in things sacred, conduct the public and the private sacrifices, and interpret all matters of religion. To these a large number of the young men resort for the purpose of instruction, and they [the Druids] are in great honor among them. For they determine respecting almost all controversies, public and private; and if any crime has been perpetrated, if murder has been committed, if there be any dispute about an inheritance, if any about boundaries, these same persons decide it; they decree rewards and punishments; if any one, either in a private or public capacity, has not submitted to their decision, they interdict him from the sacrifices. This among them is the most heavy punishment. Those who have been thus interdicted are esteemed in the number of the impious and criminal: all shun them, and avoid their society and conversation, lest they receive some evil from their contact; nor is justice administered to them when seeking it, nor is any dignity bestowed on them. Over all these Druids one presides, who possesses supreme authority among them. Upon his death, if any individual among the rest is pre-eminent in dignity, he succeeds; but if there are many equal, the election is made by the suffrages of the Druids; sometimes they even contend for the presidency with arms. These assemble at a fixed period of the year in a consecrated place in the territories of the Carnutes, which is reckoned the central region of the whole of Gaul. Hither all who have disputes assemble from every part and submit to their decrees and determinations. This institution is supposed to have been devised in Britain, and to have been brought over from it into Gaul; and now those who desire to gain a more accurate knowledge of that system generally proceed thither for the purpose of studying it.

The Druids do not go to war, nor pay tribute together with the rest; they have an exemption from military service and a dispensation in all matters. Induced by such great advantages, many embrace this profession of their own accord, and many are sent to it by their parents and relations. They are said there to learn by heart a great number of verses; accordingly some remain in the course of training twenty years. Nor do they regard it lawful to commit these to writing, though in almost all other matters, in their public and private transactions, they use Greek characters. That practice they seem to me to have adopted for two reasons: because they neither desire their doctrines to be divulged among the mass of the people, nor those who learn, to devote themselves the less to the efforts of memory, relying on writing; since it generally occurs to most men that in their dependence on writing they relax their diligence in learning thoroughly, and their employment of the memory. They wish to inculcate this as one of their leading tenets: that souls do not become extinct, but pass after death from one body to another; and they think that men by this tenet are in a great degree excited to valor, the fear of death being disregarded. They likewise discuss and impart to the youth many things respecting the stars and their motion; respecting the extent of the world and of our earth; respecting the nature of things; respecting the power and the majesty of the immortal gods.

The other order is that of the knights. These, when there is occasion and any war occurs (which before Cæsar's arrival was for the most part wont to happen every year, as either they on their part were inflicting injuries or repelling those which others inflicted on them), are all engaged in war. And those of them most distinguished by birth and resources have the greatest number of vassals and dependants about them. They acknowledge this sort of influence and power only.

The nation of all the Gauls is extremely devoted to superstitious rites; and on that account they who are troubled with unusually severe diseases, and they who are engaged in battles and dangers, either sacrifice men as victims, or vow that they will sacrifice them, and employ the Druids as the performers of those sacrifices; because they think that unless the life of a man be offered for the life of a man, the mind of the immortal gods cannot be rendered propitious, and they have sacrifices of that kind ordained for national purposes. Others have figures of vast size, the limbs of which formed of osiers they fill with living men, which being set on fire, the men perish enveloped in the flames. They consider that the oblation of such as have been taken in theft, or in robbery, or any other offense, is more acceptable to the immortal gods; but when a supply of that class is wanting, they have recourse to the oblation of even the innocent.

They worship as their divinity Mercury in particular, and have many images of him, and regard him as the inventor of all arts; they consider him the guide of their journeys and marches, and believe him to have very great influence over the acquisition of gain and mercantile transactions. Next to him they worship Apollo, and Mars, and Jupiter, and Minerva; respecting these deities they have for the most part the same belief as other nations: that Apollo averts diseases, that Minerva imparts the invention of manufactures, that Jupiter possesses the sovereignty of the heavenly powers; that Mars presides over wars. To him, when they have determined to engage in battle, they commonly vow those things which they shall take in war. When they have conquered, they sacrifice whatever captured animals may have survived the conflict, and collect the other things into one place. In many States you may see piles of these things heaped up in their consecrated spots; nor does it often happen that any one, disregarding the sanctity of the case, dares either to secrete in his house things captured, or take away those deposited; and the most severe punishment, with torture, has been established for such a deed.

All the Gauls assert that they are descended from the god Dis, and say that this tradition has been handed down by the Druids. For that reason they compute the divisions of every season, not by the number of days, but of nights; they keep birthdays and the beginnings of months and years in such an order that the day follows the night. Among the other usages of their life, they differ in this from almost all other nations; that they do not permit their children to approach them openly until they are grown up so as to be able to bear the service of war; and they regard it as indecorous for a son of boyish age to stand in public in the presence of his father.

Whatever sums of money the husbands have received in the name of dowry from their wives, making an estimate of it, they add the same amount out of their own estates. An account is kept of all this money conjointly, and the profits are laid by; whichever of them shall have survived the other, to that one the portion of both reverts, together with the profits of the previous time. Husbands have power of life and death over their wives as well as over their children: and when the father of a family born in a more than commonly distinguished rank has died, his relations assemble, and if the circumstances of his death are suspicious, hold an investigation upon the wives in the manner adopted towards slaves; and if proof be obtained, put them to severe torture and kill them. Their funerals, considering the state of civilization among the Gauls, are magnificent and costly; and they cast into the fire all things, including living creatures, which they suppose to have been dear to them when alive; and a little before this period, slaves and dependants who were ascertained to have been beloved by them were, after the regular funeral rites were completed, burnt together with them.

Those States which are considered to conduct their commonwealth more judiciously have it ordained by their laws, that if any person shall have heard by rumor and report from his neighbors anything concerning the commonwealth, he shall convey it to the magistrate and not impart it to any other; because it has been discovered that inconsiderate and inexperienced men were often alarmed by false reports and driven to some rash act, or else took hasty measures in affairs of the highest importance. The magistrates conceal those things which require to be kept unknown; and they disclose to the people whatever they determine to be expedient. It is not lawful to speak of the commonwealth except in council.

The Germans differ much from these usages, for they have neither Druids to preside over sacred offices nor do they pay great regard to sacrifices. They rank in the number of the gods those alone whom they behold, and by whose instrumentality they are obviously benefited,—namely, the sun, fire, and the moon; they have not heard of the other deities even by report. Their whole life is occupied in hunting and in the pursuits of the military art; from childhood they devote themselves to fatigue and hardships. Those who have remained chaste for the longest time receive the greatest commendation among their people; they think that by this the growth is promoted, by this the physical powers are increased and the sinews are strengthened. And to have had knowledge of a woman before the twentieth year they reckon among the most disgraceful acts; of which matter there is no concealment, because they bathe promiscuously in the rivers and only use skins or small cloaks of deer's hides, a large portion of the body being in consequence naked.

They do not pay much attention to agriculture, and a large portion of their food consists in milk, cheese, and flesh; nor has any one a fixed quantity of land or his own individual limits; but the magistrates and the leading men each year apportion to the tribes and families who have united together, as much land as, and in the place in which, they think proper, and the year after compel them to remove elsewhere. For this enactment they advance many reasons—lest seduced by long-continued custom, they may exchange their ardor in the waging of war for agriculture; lest they may be anxious to acquire extensive estates, and the more powerful drive the weaker from their possessions; lest they construct their houses with too great a desire to avoid cold and heat; lest the desire of wealth spring up, from which cause divisions and discords arise; and that they may keep the common people in a contented state of mind, when each sees his own means placed on an equality with [those of] the most powerful.

It is the greatest glory to the several States to have as wide deserts as possible around them, their frontiers having been laid waste. They consider this the real evidence of their prowess, that their neighbors shall be driven out of their lands and abandon them, and that no one dare settle near them; at the same time they think that they shall be on that account the more secure, because they have removed the apprehension of a sudden incursion. When a State either repels war waged against it or wages it against another, magistrates are chosen to preside over that war with such authority that they have power of life and death. In peace there is no common magistrate, but the chiefs of provinces and cantons administer justice and determine controversies among their own people. Robberies which are committed beyond the boundaries of each State bear no infamy, and they avow that these are committed for the purpose of disciplining their youth and of preventing sloth. And when any of their chiefs has said in an assembly that "he will be their leader; let those who are willing to follow, give in their names," they who approve of both the enterprise and the man arise and promise their assistance and are applauded by the people; such of them as have not followed him are accounted in the number of deserters and traitors, and confidence in all matters is afterwards refused them.

To injure guests they regard as impious; they defend from wrong those who have come to them for any purpose whatever, and esteem them inviolable; to them the houses of all are open and maintenance is freely supplied.

And there was formerly a time when the Gauls excelled the Germans in prowess, and waged war on them offensively, and on account of the great number of their people and the insufficiency of their land, sent colonies over the Rhine. Accordingly, the Volcæ Tectosăges seized on those parts of Germany which are the most fruitful and lie around the Hercynian forest (which I perceive was known by report to Eratosthenes and some other Greeks, and which they call Orcynia), and settled there. Which nation to this time retains its position in those settlements, and has a very high character for justice and military merit: now also they continue in the same scarcity, indigence, hardihood, as the Germans, and use the same food and dress; but their proximity to the Province and knowledge of commodities from countries beyond the sea supplies to the Gauls many things tending to luxury as well as civilization. Accustomed by degrees to be overmatched and worsted in many engagements, they do not even compare themselves to the Germans in prowess.

The breadth of this Hercynian forest which has been referred to above is, to a quick traveler, a journey of nine days. For it cannot be otherwise computed, nor are they acquainted with the measures of roads. It begins at the frontiers of the Helvetii, Nemetes, and Rauraci, and extends in a right line along the river Danube to the territories of the Daci and the Anartes; it bends thence to the left in a different direction from the river, and owing to its extent, touches the confines of many nations; nor is there any person belonging to this part of Germany who says that he either has gone to the extremity of that forest, though he had advanced a journey of sixty days, or has heard in what place it begins. It is certain that many kinds of wild beast are produced in it which have not been seen in other parts; of which the following are such as differ principally from other animals and appear worthy of being committed to record.

There is an ox of the shape of a stag, between whose ears a horn rises from the middle of the forehead, higher and straighter than those horns which are known to us. From the top of this, branches, like palms, stretch out a considerable distance. The shape of the female and of the male is the same; the appearance and the size of the horns is the same.

There are also animals which are called elks. The shape of these, and the varied color of their skins, is much like roes, but in size they surpass them a little and are destitute of horns, and have legs without joints and ligatures; nor do they lie down for the purpose of rest, nor if they have been thrown down by any accident, can they raise or lift themselves up. Trees serve as beds to them; they lean themselves against them, and thus reclining only slightly, they take their rest; when the huntsmen have discovered from the footsteps of these animals whither they are accustomed to betake themselves, they either undermine all the trees at the roots, or cut into them so far that the upper part of the trees may appear to be left standing. When they have leant upon them, according to their habit, they knock down by their weight the unsupported trees, and fall down themselves along with them.

There is a third kind, consisting of those animals which are called uri. These are a little below the elephant in size, and of the appearance, color, and shape of a bull. Their strength and speed are extraordinary; they spare neither man nor wild beast which they have espied. These the Germans take with much pains in pits and kill them. The young men harden themselves with this exercise, and practice themselves in this kind of hunting, and those who have slain the greatest number of them, having produced the horns in public to serve as evidence, receive great praise. But not even when taken very young can they be rendered familiar to men and tamed. The size, shape, and appearance of their horns differ much from the horns of our oxen. These they [the Gauls] anxiously seek after, and bind at the tips with silver, and use as cups at their most sumptuous entertainments.

THE TWO LIEUTENANTS

From 'The Gallic Wars'

In that legion there were two very brave men, centurions, who were now approaching the first ranks,—T. Pulfio and L. Varenus. These used to have continual disputes between them which of them should be preferred, and every year used to contend for promotion with the utmost animosity. When the fight was going on most vigorously before the fortifications, Pulfio, one of them, says: "Why do you hesitate, Varenus? or what better opportunity of signalizing your valor do you seek? This very day shall decide our disputes." When he had uttered these words, he proceeds beyond the fortifications, and rushes on that part of the enemy which appeared the thickest. Nor does Varenus remain within the rampart, but respecting the high opinion of all, follows close after. Then, when an inconsiderable space intervened, Pulfio throws his javelin at the enemy, and pierces one of the multitude who was running up, and while the latter was wounded and slain, the enemy cover him with their shields, and all throw their weapons at the other and afford him no opportunity of retreating. The shield of Pulfio is pierced and a javelin is fastened in his belt. This circumstance turns aside his scabbard and obstructs his right hand when attempting to draw his sword: the enemy crowd around him when thus embarrassed. His rival runs up to him and succors him in this emergency. Immediately the whole host turn from Pulfio to him, supposing the other to be pierced through by the javelin. Varenus rushes on briskly with his sword and carries on the combat hand to hand; and having slain one man, for a short time drove back the rest: while he urges on too eagerly, slipping into a hollow, he fell. To him in his turn, when surrounded, Pulfio brings relief; and both, having slain a great number, retreat into the fortifications amidst the highest applause. Fortune so dealt with both in this rivalry and conflict, that the one competitor was a succor and a safeguard to the other; nor could it be determined which of the two appeared worthy of being preferred to the other.

EPIGRAM ON TERENTIUS

[This sole fragment of literary criticism from the Dictator's hand is preserved in the Suetonian life of Terence. Two of Cæsar's brief but masterly letters to Cicero will be quoted under the latter name.]

You, moreover, although you are but the half of Menander,
Lover of diction pure, with the first have a place—and with reason.
Would that vigor as well to your gentle writing were added.
So your comic force would in equal glory have rivaled
Even the Greeks themselves, though now you ignobly are vanquished.
Truly I sorrow and grieve that you lack this only, O Terence!

THOMAS HENRY HALL CAINE

(1853-)

Thomas Henry Hall Caine was born on the Isle of Man, of Manx and Cambrian parentage. He began his career as an architect in Liverpool, and made frequent contributions to the Builder and Building News. Acquiring a taste for literary work, he secured an engagement on the Liverpool Mercury, and shortly afterward formed an intimate friendship with Dante Gabriel Rossetti which was of incalculable benefit to the young writer, then twenty-five years of age. At eighteen he had already published a poem "of the mystical sort" under a pseudonym, and two years later he received £10 for writing the autobiography of some one else.

Hall Caine

About 1880 Caine settled in London, living with Rossetti until the poet's death in 1882. The same year he produced 'Recollections of Rossetti' and 'Sonnets of Three Centuries,' which were followed by 'Cobwebs of Criticism' and a 'Life of Coleridge.' In 1885 he published his first novel, 'The Shadow of a Crime,' which was successful. Speaking of the pains he took in the writing of this story, the author says: "Shall I ever forget the agonies of the first efforts?... It took me nearly a fortnight to start that novel, sweating drops as of blood at every fresh attempt." The first half was written at least four times; and when the book was finished, more than half of it was destroyed so that a fresh suggestion might be worked in. This wonderful capacity for taking infinite pains has remained one of the chief characteristics of this novelist. In 1886 Mr. Caine brought out 'A Son of Hagar,' and this was followed by 'The Deemster' (1887), afterwards dramatized under the title of 'Ben-Ma'-Chree'; 'The Bondman' (1890); 'The Scapegoat' (1891); 'The Last Confession,' 'Cap'n Davy's Honeymoon' (1892); and 'The Manxman' (1894). The last story has achieved the widest popularity, its theme being the unselfishness of a great love. He has also written a history of his native island.

Mr. Caine visited Russia in 1892 in behalf of the persecuted Jews, and in 1895 traveled in the United States and Canada, where he represented the Society of Authors, and obtained important international copyright concessions from the Dominion Parliament. He makes his principal home at Greeba Castle on the Isle of Man, where he is greatly endeared to the natives.

PETE QUILLIAM'S FIRST-BORN

From 'The Manxman': copyrighted 1894, by D. Appleton and Company

Pete went up to Sulby like an avalanche, shouting his greetings to everybody on the way. But when he got near to the "Fairy" he wiped his steaming forehead and held his panting breath, and pretended not to have heard the news.

"How's the poor girl now?" he said in a meek voice, trying to look powerfully miserable, and playing his part splendidly for thirty seconds.

Then the women made eyes at each other and looked wondrous knowing, and nodded sideways at Pete, and clucked and chuckled, saying, "Look at him,—he doesn't know anything, does he?"—"Coorse not, woman—these men creatures are no use for nothing."

"Out of a man's way," cried Pete with a roar, and he made a rush for the stairs.

Nancy blocked him at the foot of them with both hands on his shoulders. "You'll be quiet, then," she whispered. "You were always a rasonable man, Pete, and she's wonderful wake—promise you'll be quiet."

"I'll be like a mouse," said Pete, and he wiped off his long sea-boots and crept on tiptoe into the room. There she lay with the morning light on her, and a face as white as the quilt that she was plucking with her long fingers.

"Thank God for a living mother and a living child," said Pete in a broken gurgle, and then he drew down the bedclothes a very little, and there too was the child on the pillow of her other arm.

Then, do what he would to be quiet, he could not help but make a shout.

"He's there! Yes, he is! He is, though! Joy! Joy!"

The women were down on him like a flock of geese. "Out of this, sir, if you can't behave better."

"Excuse me, ladies," said Pete humbly, "I'm not in the habit of babies. A bit excited, you see, Mistress Nancy, ma'am. Couldn't help putting a bull of a roar out, not being used of the like." Then, turning back to the bed, "Aw, Kitty, the beauty it is, though! And the big! As big as my fist already. And the fat! It's as fat as a bluebottle. And the straight! Well, not so very straight neither, but the complexion at him now! Give him to me, Kitty! give him to me, the young rascal. Let me have a hould of him anyway."

"Him, indeed! Listen to the man," said Nancy.

"It's a girl, Pete," said Grannie, lifting the child out of the bed.

"A girl, is it?" said Pete doubtfully. "Well," he said, with a wag of the head, "thank God for a girl." Then, with another and more resolute wag, "Yes, thank God for a living mother and a living child, if it is a girl," and he stretched out his arms to take the baby.

"Aisy, now, Pete—aisy," said Grannie, holding it out to him.

"Is it aisy broke they are, Grannie?" said Pete. A good spirit looked out of his great boyish face. "Come to your ould daddie, you lil sandpiper. Gough bless me, Kitty, the weight of him, though! This child's a quarter of a hundred, if he's an ounce. He is, I'll go bail he is. Look at him! Guy heng, Grannie, did ye ever see the like, now! It's abs'lute perfection. Kitty, I couldn't have had a better one if I'd chiced it. Where's that Tom Hommy now? The bleating little billygoat, he was bragging outrageous about his new baby—saying he wouldn't part with it for two of the best cows in his cow-house. This'll floor him, I'm thinking. What's that you're saying, Mistress Nancy, ma'am? No good for nothing, am I? You were right, Grannie. 'It'll be all joy soon,' you were saying, and haven't we the child to show for it? I put on my stocking inside out on Monday, ma'am. 'I'm in luck,' says I, and so I was. Look at that, now! He's shaking his lil fist at his father. He is, though. This child knows me. Aw, you're clever, Nancy, but—no nonsense at all, Mistress Nancy, ma'am. Nothing will persuade me but this child knows me."

"Do you hear the man?" said Nancy. "He and he, and he and he! It's a girl, I'm telling you; a girl—a girl—a girl."

"Well, well, a girl, then—a girl we'll make it," said Pete, with determined resignation.

"He's deceaved," said Grannie. "It was a boy he was wanting, poor fellow!"

But Pete scoffed at the idea. "A boy? Never! No, no—a girl for your life. I'm all for girls myself, eh, Kitty? Always was, and now I've got two of them."

The child began to cry, and Grannie took it back and rocked it, face downwards, across her knees.

"Goodness me, the voice at him!" said Pete. "It's a skipper he's born for—a harbor-master, anyway."

The child slept, and Grannie put it on the pillow turned lengthwise at Kate's side.

"Quiet as a Jenny Wren, now," said Pete. "Look at the bogh smiling in his sleep. Just like a baby mermaid on the egg of a dogfish. But where's the ould man at all? Has he seen it? We must have it in the papers. The Times? Yes, and the 'Tiser too. 'The beloved wife of Mr. Capt'n Peter Quilliam, of a boy—a girl,' I mane. Aw, the wonder there'll be all the island over—everybody getting to know. Newspapers are like women—ter'ble bad for keeping sacrets. What'll Philip say?"...

There was a low moaning from the bed.

"Air! Give me air! open the door!" Kate gasped.

"The room is getting too hot for her," said Grannie.

"Come, there's one too many of us here," said Nancy. "Out of it," and she swept Pete from the bedroom with her apron as if he had been a drove of ducks.

Pete glanced backward from the door, and a cloak that was hanging on the inside of it brushed his face.

"God bless her!" he said in a low tone. "God bless and reward her for going through this for me!"

Then he touched the cloak with his lips and disappeared. A moment later his curly black poll came stealing round the door-jamb, half-way down, like the head of a big boy.

"Nancy," in a whisper, "put the tongs over the cradle; it's a pity to tempt the fairies. And, Grannie, I wouldn't lave it alone to go out to the cow-house—the lil people are shocking bad for changing."

PEDRO CALDERON

(1600-1681)

BY MAURICE FRANCIS EGAN

The reputation of Pedro Calderon de la Barca has suffered in the minds of English-speaking people from the injudicious comparisons of critics, as well as from lack of knowledge of his works. To put Calderon, a master of invention, beside Shakespeare, the master of character, and to show by analogies that the author of 'Othello' was far superior to the writer of 'The Physician of His Own Honor,' is unjust to Calderon; and it is as futile as are the ecstasies of Schultze to the coldness of Sismondi. Schultze compares Dante with him, and the French critics have only recently forgiven him for being less classical in form than Corneille, who in 'Le Cid' gave them all the Spanish poetry they wanted! Fortunately the student of Calderon need not take opinions. Good editions of Calderon are easily attainable. The best known are Heil's (Leipzig, 1827), and that by Harzenbusch (Madrid, 1848). The first edition, with forewords by Vera Tassis de Villareal, appeared at Madrid (nine volumes) in 1682-91. Commentaries and translations are numerous in German and in English; the translations by Denis Florence MacCarthy are the most satisfactory, Edward Fitzgerald's being too paraphrastic. Dean Trench added much to our knowledge of Calderon's best work; George Ticknor in the 'History of Spanish Literature,' and George Henry Lewes in 'The Spanish Drama,' left us clear estimates of Lope de Vega's great successor. Shelley's scenes from 'El Mágico Prodigioso' are superb.

No analyses can do justice to the dramas, or to the religious plays, called "autos," of Calderon. They must be read; and thanks to the late Mr. MacCarthy's sympathy and zeal, the finest are easily attainable. As he left seventy-three autos and one hundred and eight dramas, it is lucky that the work of sifting the best from the mass of varying merit has been carefully done. Mr. Ticknor mentions the fact that Calderon collaborated with other authors in the writing of fourteen other plays.

Calderon was not "the Spanish Shakespeare." "The Spanish Ben Jonson" would be a happier title, if one feels obliged to compare everything with something else. But Calderon is as far above Ben Jonson in splendor of imagery as he is below Shakespeare in his knowledge of the heart, and in that vitality which makes Hamlet and Orlando, Lady Macbeth and Perdita, men and women of all time. They live; Calderon's people, like Ben Jonson's, move. There is a resemblance between the autos of Calderon and the masques of Jonson. Jonson's are lyrical; Calderon's less lyrical than splendid, ethical, grandiose. They were both court poets; they both made court spectacles; they both assisted in the decay of the drama; they reflected the tastes of their time; but Calderon is the more noble, the more splendid in imagination, the more intense in his devotion to nature in all her moods. If one wanted to carry the habit of comparison into music, Mozart might well represent the spirit of Calderon. M. Philarète Chasles is right when he says that 'El Mágico Prodigioso' should be presented in a cathedral. Calderon's genius had the cast of the soldier and the priest, and he was both soldier and priest. His comedias and autos are of Spain, Spanish. To know Calderon is to know the mind of the Spain of the seventeenth century; to know Cervantes is to know its heart.

The Church had opposed the secularization of the drama, at the end of the fifteenth century, for two reasons. The dramatic spectacle fostered for religious purposes had become, until Lope de Vega rescued it, a medium for that "naturalism" which some of us fancy to be a discovery of M. Zola and M. Catulle Mendès; it had escaped from the control of the Church and had become a mere diversion. Calderon was the one man who could unite the spirit of religion to the form of the drama which the secular renaissance imperiously demanded. He knew the philosophy of Aristotle and the theology of the 'Summa' of St. Thomas as well as any cleric in Spain, though he did not take orders until late in life; and in those religious spectacles called autos sacramentales he showed this knowledge wonderfully. His last auto was unfinished when he died, on May 25th, 1681,—sixty-five years after the death of Shakespeare,—and Don Melchior de Leon completed it, probably in time for the feast of Corpus Christi.

CALDERON.

The auto was an elaboration of the older miracle-play, and a spectacle as much in keeping with the temper of the Spanish court and people as Shakespeare's 'Midsummer Night's Dream' or Ben Jonson's 'Fortunate Isles' was in accord with the tastes of the English. And Calderon, of all Spanish poets, best pleased his people. He was the favorite poet of the court under Philip IV., and director of the theatre in the palace of the Buen Retiro. The skill in the art of construction which he had begun to acquire when he wrote 'The Devotion of the Cross' at the age of nineteen, was turned to stage management at the age of thirty-five, when he produced his gorgeous pageant of 'Circe' on the pond of the Buen Retiro. How elaborate this spectacle was, the directions for the prelude of the greater splendor to come will show. They read in this way:—

"In the midst of this island will be situated a very lofty mountain of rugged ascent, with precipices and caverns, surrounded by a thick and darksome wood of tall trees, some of which will be seen to exhibit the appearance of the human form, covered with a rough bark, from the heads and arms of which will issue green boughs and branches, having suspended from them various trophies of war and of the chase: the theatre during the opening of the scene being scantily lit with concealed lights; and to make a beginning of the festival, a murmuring and a rippling noise of water having been heard, a great and magnificent car will be seen to advance along the pond, plated over with silver, and drawn by two monstrous fishes, from whose mouth will continually issue great jets of water, the light of the theatre increasing according as they advance; and on the summit of it will be seen seated in great pomp and majesty the goddess Aqua, from whose head and curious vesture will issue an infinite abundance of little conduits of water; and at the same time will be seen another great supply flowing from an urn which the goddess will hold reversed, and which, filled with a variety of fishes leaping and playing in the torrent as it descends and gliding over all the car, will fall into the pond."

This 'Circe' was allegorical and mythological; it was one of those soulless shows which marked the transition of the Spanish drama from maturity to decay. It is gone and forgotten with thousands of its kind. Calderon will be remembered not as the director of such vain pomps, but as the author of the sublime and tender 'Wonderful Magician,' the weird 'Purgatory of St. Patrick,' 'The Constant Prince,' 'The Secret in Words,' and 'The Physician of His Own Honor.' The scrupulous student of the Spanish drama will demand more; but for him who would love Calderon without making a deep study of his works, these are sufficiently characteristic of his genius at its highest. The reader in search of wider vistas should add to these 'Los Encantos de la Culpa' (The Sorceries of Sin), and 'The Great Theatre of the World,' the theme of which is that of Jacques's famous speech in 'As You Like It':—

"En el teatro del mundo
Todos son representados."

("All the world's a stage,
And all the men and women merely players.")

On the principal feasts of the Church autos were played in the streets, generally in front of some great house. Giants and grotesque figures called tarascas gamboled about; and the auto, which was more like our operas than any other composition of the Spanish stage, was begun by a loa, written or sung. After this came the play, then an amusing interlude, followed by music and sometimes by a dance of gipsies.

Calderon boldly mingles pagan gods and Christ's mysteries in these autos, which are essentially of his time and his people. But the mixture is not so shocking as it is with the lesser poet, the Portuguese Camoens. Whether Calderon depicts 'The True God Pan,' 'Love the Greatest Enchantment,' or 'The Sheaves of Ruth,' he is forceful, dramatic, and even at times he has the awful gravity of Dante. His view of life and his philosophy are the view of life and the philosophy of Dante. To many of us, these simple and original productions of the Spanish temperament and genius may lack what we call "human interest." Let us remember that they represented truthfully the faith and the hope, the spiritual knowledge of a nation, as well as the personal and national view of that knowledge. In the Spain of Calderon, the personal view was the national view.

Calderon was born on January 17th, 1600,—according to his own statement quoted by his friend Vera Tassis,—at Madrid, of noble parents. He was partly educated at the University of Salamanca. Like Cervantes and Garcilaso, he served in the army. The great Lope, in 1630, acknowledged him as a poet and his friend. Later, his transition from the army to the priesthood made little change in his views of time and eternity.

On May 25th, 1881, occurred the second centenary of his death, and the civilized world—whose theatre owes more to Calderon than it has ever acknowledged—celebrated with Spain the anniversary at Madrid, where as he said,—

"Spain's proud heart swelleth."

The selections have been chosen from Shelley's 'Scenes,' and from Mr. MacCarthy's translation of 'The Secret in Words.' 'The Secret in Words' is light comedy of intricate plot. Fabio is an example of the attendant gracioso, half servant, half confidant, who appears often in the Spanish drama. The Spanish playwright did not confine himself to one form of verse; and Mr. MacCarthy, in his adequate translation, has followed the various forms of Calderon, only not attempting the assonant vowel, so hard to escape in Spanish, and still harder to reproduce in English. These selections give no impression of the amazing invention of Calderon. This can only be appreciated through reading 'The Constant Prince,' 'The Physician of His Own Honor,' or a comedy like 'The Secret in Words.'

THE LOVERS

From 'The Secret in Words'

[Flerida, the Duchess of Parma, is in love with her secretary Frederick. He loves her lady, Laura. Both Frederick and Laura are trying to keep their secret from the Duchess.]

Frederick—

Has Flerida questioned you
Aught about my love?

Fabio—

No, surely;
But I have made up my mind
That you are the prince of dunces,
Not to understand her wish.

Frederick—

Said she something, then, about me?

Fabio—

Ay, enough.

Frederick—

Thou liest, knave!
Wouldst thou make me think her beauty,
Proud and gentle though it be,
Which might soar e'en like the heron
To the sovereign sun itself,
Could descend with coward pinions
At a lowly falcon's call?

Fabio—

Well, my lord, just make the trial
For a day or two; pretend
That you love her, and—

Frederick—

Supposing
That there were the slightest ground
For this false, malicious fancy
You have formed, there's not a chink
In my heart where it might enter,—
Since a love, if not more blest.
Far more equal than the other
Holds entire possession there.

Fabio—

Then you never loved this woman
At one time?

Frederick—

No!

Fabio—

Then avow—

Frederick—

What?

Fabio—

That you were very lazy.

Frederick—

That is falsehood, and not love.

Fabio—

The more the merrier!

Frederick—

In two places
How could one man love?

Fabio—

Why, thus:—
Near the town of Ratisbon
Two conspicuous hamlets lay,—
One of them called Ageré,
The other called Mascárandón.
These two villages one priest,
An humble man of God, 'tis stated,
Served; and therefore celebrated
Mass in each on every feast.
And so one day it came to pass,
A native of Mascárandón
Who to Ageré had gone
About the middle of the mass,
Heard the priest in solemn tone
Say, as he the Preface read,
"Gratias ageré," but said
Nothing of Mascárandón.
To the priest this worthy made
His angry plaint without delay:
"You give best thanks for Ageré,
As if your tithes we had not paid!"
When this sapient reason reached
The noble Mascárandónese,
They stopped their hopeless pastor's fees,
Nor paid for what he prayed or preached;
He asked his sacristan the cause,
Who told him wherefore and because.
From that day forth when he would sing
The Preface, he took care t'intone,
Not in a smothered or weak way,
"Tibi semper et ubique
Gratias—Mascárandón!"
If from love,—that god so blind,—
Two parishes thou holdest, you
Are bound to gratify the two;
And after a few days you'll find,
If you do so, soon upon
You and me will fall good things,
When your Lordship sweetly sings
Flerída et Mascárandón.

Frederick—

Think you I have heard your folly?

Fabio—

If you listened, why not so?

Frederick—

No: my mind can only know
Its one call of melancholy.

Fabio—

Since you stick to Ageré
And reject Mascárandón,
Every hope, I fear, is gone,
That love his generous dues will pay.

Translation of Denis Florence MacCarthy.

CYPRIAN'S BARGAIN

From 'The Wonderful Magician'

[The Demon, angered by Cyprian's victory in defending the existence of God, swears vengeance. He resolves that Cyprian shall lose his soul for Justina, who rejects his love. Cyprian says:—]

So bitter is the life I live,
That, hear me hell, I now would give
To thy most detested spirit
My soul forever to inherit,
To suffer punishment and pine,
So this woman may be mine.

| [The Demon accepts his soul and hastens to Justina.

Justina—

'Tis that enamored nightingale
Who gives me the reply:
He ever tells the same soft tale
Of passion and of constancy
To his mate, who, rapt and fond,
Listening sits, a bough beyond.

Be silent, Nightingale!—No more
Make me think, in hearing thee
Thus tenderly thy love deplore,
If a bird can feel his so,
What a man would feel for me.
And, voluptuous vine, O thou
Who seekest most when least pursuing,—
To the trunk thou interlacest
Art the verdure which embracest
And the weight which is its ruin,—
No more, with green embraces, vine,
Make me think on what thou lovest;
For while thou thus thy boughs entwine,
I fear lest thou shouldst teach me, sophist,
How arms might be entangled too.
Light-enchanted sunflower, thou
Who gazest ever true and tender
On the sun's revolving splendor,
Follow not his faithless glance
With thy faded countenance,
Nor teach my beating heart to fear
If leaves can mourn without a tear,
How eyes must weep! O Nightingale,
Cease from thy enamored tale,—
Leafy vine, unwreath thy bower,
Restless sunflower, cease to move—
Or tell me all, what poisonous power
Ye use against me—

All—

Love! love! love!

Justina—

It cannot be!—Whom have I ever loved?
Trophies of my oblivion and disdain,
Floro and Lelio did I not reject?
And Cyprian?—

| [She becomes troubled at the name of Cyprian.

Did I not requite him
With such severity that he has fled
Where none has ever heard of him again?—
Alas! I now begin to fear that this
May be the occasion whence desire grows bold,
As if there were no danger. From the moment
That I pronounced to my own listening heart,
"Cyprian is absent, O miserable me!"
I know not what I feel!

| [More calmly.

It must be pity,
To think that such a man, whom all the world
Admired, should be forgot by all the world,
And I the cause.

| [She again becomes troubled.

And yet if it were pity,
Floro and Lelio might have equal share,
For they are both imprisoned for my sake.

| [Calmly.

Alas! what reasonings are these? It is
Enough I pity him, and that in vain,
Without this ceremonious subtlety,
And woe is me! I know not where to find him now,
Even should I seek him through this wide world!

| Enter Demon.

Demon—

Follow, and I will lead thee where he is.

Justina—

And who art thou, who hast found entrance hither
Into my chamber through the doors and locks?
Art thou a monstrous shadow which my madness
Has formed in the idle air?

Demon—

No. I am one
Called by the thought which tyrannizes thee
From his eternal dwelling—who this day
Is pledged to bear thee unto Cyprian.

Justina—

So shall thy promise fail. This agony
Of passion which afflicts my heart and soul
May sweep imagination in its storm,—
The will is firm.

Demon—

Already half is done
In the imagination of an act.
The sin incurred, the pleasure then remains:
Let not the will stop half-way on the road.

Justina—

I will not be discouraged, nor despair,
Although I thought it, and although 'tis true
That thought is but a prelude to the deed:
Thought is not in my power, but action is:
I will not move my foot to follow thee!

Demon—

But a far mightier wisdom than thine own
Exerts itself within thee, with such power
Compelling thee to that which it inclines
That it shall force thy step; how wilt thou then
Resist, Justina?

Justina—

By my free will.

Demon—

I
Must force thy will.

Justina—

It is invincible;
It were not free if thou hadst power upon it.

| [He draws, but cannot move her.

Demon—

Come, where a pleasure waits thee.

Justina—

It were bought
Too dear.

Demon—

'Twill soothe thy heart to softest peace.

Justina—

'Tis dread captivity.

Demon—

'Tis joy, 'tis glory.

Justina—

'Tis shame, 'tis torment, 'tis despair.

Demon—

But how
Canst thou defend thyself from that or me,
If my power drags thee onward?

Justina—

My defense
Consists in God.

| [He vainly endeavors to force her, and at last releases her.

Demon—

Woman, thou hast subdued me
Only by not owning thyself subdued.
But since thou thus findest defense in God,
I will assume a feignèd form, and thus
Make thee a victim of my baffled rage.
For I will mask a spirit in thy form
Who will betray thy name to infamy,
And doubly shall I triumph in thy loss,
First by dishonoring thee, and then by turning
False pleasure to true ignominy.

| [Exit

Justina—

I
Appeal to Heaven against thee; so that Heaven
May scatter thy delusions, and the blot
Upon my fame vanish in idle thought,
Even as flame dies in the envious air,
And as the flow'ret wanes at morning frost,
And thou shouldst never—But alas! to whom
Do I still speak?—Did not a man but now
Stand here before me?—No, I am alone,
And yet I saw him. Is he gone so quickly?
Or can the heated mind engender shapes
From its own fear? Some terrible and strange
Peril is near. Lisander! father! lord!
Livia!—

| Enter Lisander and Livia.

Lisander—

O my daughter! what?

Livia—

What?

Justina—

Saw you
A man go forth from my apartment now?—
I scarce sustain myself!

Lisander—

A man here!

Justina—

Have you not seen him?

Livia—

No, lady.

Justina—

I saw him.

Lisander—

'Tis impossible; the doors
Which led to this apartment were all locked.

Livia [aside]—

I dare say it was Moscon whom she saw,
For he was locked up in my room.

Lisander—

It must
Have been some image of thy phantasy.
Such melancholy as thou feedest is
Skillful in forming such in the vain air
Out of the motes and atoms of the day.

Livia—

My master's in the right.

Justina—

Oh, would it were
Delusion; but I fear some greater ill.
I feel as if out of my bleeding bosom
My heart was torn in fragments; ay,
Some mortal spell is wrought against my frame.
So potent was the charm, that had not God
Shielded my humble innocence from wrong,
I should have sought my sorrow and my shame
With willing steps. Livia, quick, bring my cloak,
For I must seek refuge from these extremes
Even in the temple of the highest God
Which secretly the faithful worship.

Livia—

Here.

Justina

[putting on her cloak]—In this, as in a shroud of snow, may I
Quench the consuming fire in which I burn,
Wasting away!

Lisander—

And I will go with thee!

Livia [aside]—

When I once see them safe out of the house,
I shall breathe freely.

Justina—

So do I confide
In thy just favor, Heaven!

Lisander—

Let us go.

Justina—

Thine is the cause, great God! Turn, for my sake
And for thine own, mercifully to me!

Translation of Shelley.

DREAMS AND REALITIES

From 'Such Stuff as Dreams are Made Of,' Edward Fitzgerald's version of 'La Vida Es Sueno'

[The scene is a tower. Clotaldo is persuading Segismund that his experiences have not been real, but dreams, and discusses the possible relation of existence to a state of dreaming. The play itself is based on the familiar motif of which Christopher Sly furnishes a ready example.]

Clotaldo—

Princes and princesses and counselors,
Fluster'd to right and left—my life made at—
But that was nothing—
Even the white-hair'd, venerable King
Seized on—Indeed, you made wild work of it;
And so discover'd in your outward action,
Flinging your arms about you in your sleep,
Grinding your teeth—and, as I now remember,
Woke mouthing out judgment and execution,
On those about you.

Segismund—

Ay, I did indeed.

Clotaldo—

Ev'n your eyes stare wild; your hair stands up—
Your pulses throb and flutter, reeling still
Under the storm of such a dream—

Segismund—

A dream!
That seem'd as swearable reality
As what I wake in now.

Clotaldo—

Ay—wondrous how
Imagination in a sleeping brain
Out of the uncontingent senses draws
Sensations strong as from the real touch;
That we not only laugh aloud, and drench
With tears our pillow; but in the agony
Of some imaginary conflict, fight
And struggle—ev'n as you did; some, 'tis thought.
Under the dreamt-of stroke of death have died.

Segismund—

And what so very strange, too—in that world
Where place as well as people all was strange,
Ev'n I almost as strange unto myself,
You only, you, Clotaldo—you, as much
And palpably yourself as now you are,
Came in this very garb you ever wore;
By such a token of the past, you said,
To assure me of that seeming present.

Clotaldo—

Ay?

Segismund—

Ay; and even told me of the very stars
You tell me hereof—how in spite of them,
I was enlarged to all that glory.

Clotaldo—

Ay,
By the false spirits' nice contrivance, thus
A little truth oft leavens all the false,
The better to delude us.

Segismund—

For you know
'Tis nothing but a dream?

Clotaldo—

Nay, you yourself
Know best how lately you awoke from that
You know you went to sleep on.—
Why, have you never dreamt the like before?

Segismund—

Never, to such reality.

Clotaldo—

Such dreams
Are oftentimes the sleeping exhalations
Of that ambition that lies smoldering
Under the ashes of the lowest fortune:
By which, when reason slumbers, or has lost
The reins of sensible comparison,
We fly at something higher than we are—
Scarce ever dive to lower—to be kings
Or conquerors, crown'd with laurel or with gold;
Nay, mounting heav'n itself on eagle wings,—
Which, by the way, now that I think of it,
May furnish us the key to this high flight—
That royal Eagle we were watching, and
Talking of as you went to sleep last night.

Segismund—

Last night? Last night?

Clotaldo—

Ay; do you not remember
Envying his immunity of flight,
As, rising from his throne of rock, he sail'd
Above the mountains far into the west,
That burned about him, while with poising wings
He darkled in it as a burning brand
Is seen to smolder in the fire it feeds?

Segismund—

Last night—last night—Oh, what a day was that
Between that last night and this sad to-day!

Clotaldo—

And yet perhaps
Only some few dark moments, into which
Imagination, once lit up within
And unconditional of time and space,
Can pour infinities.

Segismund—

And I remember
How the old man they call'd the King, who wore
The crown of gold about his silver hair,
And a mysterious girdle round his waist,
Just when my rage was roaring at its height,
And after which it all was dark again,
Bade me beware lest all should be a dream.

Clotaldo—

Ay—there another specialty of dreams,
That once the dreamer 'gins to dream he dreams,
His foot is on the very verge of waking.

Segismund—

Would that it had been on the verge of death
That knows no waking—
Lifting me up to glory, to fall back,
Stunned, crippled—wretcheder than ev'n before.

Clotaldo—

Yet not so glorious, Segismund, if you
Your visionary honor wore so ill
As to work murder and revenge on those
Who meant you well.

Segismund—

Who meant me!—me! their Prince,
Chain'd like a felon—

Clotaldo—

Stay, stay—Not so fast.
You dream'd the Prince, remember.

Segismund—

Then in dream
Revenged it only.

Clotaldo—

True. But as they say
Dreams are rough copies of the waking soul
Yet uncorrected of the higher Will,
So that men sometimes in their dream confess
An unsuspected or forgotten self;
One must beware to check—ay, if one may,
Stifle ere born, such passion in ourselves
As makes, we see, such havoc with our sleep,
And ill reacts upon the waking day.
And, by the by, for one test, Segismund,
Between such swearable realities—
Since dreaming, madness, passion, are akin
In missing each that salutary rein
Of reason, and the guiding will of man:
One test, I think, of waking sanity
Shall be that conscious power of self-control
To curb all passion, but much, most of all,
That evil and vindictive, that ill squares
With human, and with holy canon less,
Which bids us pardon ev'n our enemies,
And much more those who, out of no ill-will,
Mistakenly have taken up the rod
Which Heaven, they think, has put into their hands.

Segismund—

I think I soon shall have to try again—
Sleep has not yet done with me.

Clotaldo—

Such a sleep!
Take my advice—'tis early yet—the sun
Scarce up above the mountain; go within,
And if the night deceived you, try anew
With morning; morning dreams they say come true.

Segismund—

Oh, rather pray for me a sleep so fast
As shall obliterate dream and waking too.

| [Exit into the tower.

Clotaldo—

So sleep; sleep fast: and sleep away those two
Night-potions, and the waking dream between,
Which dream thou must believe; and if to see
Again, poor Segismund! that dream must be.—
And yet—and yet—in these our ghostly lives,
Half night, half day, half sleeping, half awake,
How if our waking life, like that of sleep,
Be all a dream in that eternal life
To which we wake not till we sleep in death?
How if, I say, the senses we now trust
For date of sensible comparison,—
Ay, ev'n the Reason's self that dates with them,
Should be in essence of intensity
Hereafter so transcended, and awoke
To a perceptive subtlety so keen
As to confess themselves befool'd before,
In all that now they will avouch for most?
One man—like this—but only so much longer
As life is longer than a summer's day,
Believed himself a king upon his throne,
And play'd at hazard with his fellows' lives,
Who cheaply dream'd away their lives to him.
The sailor dream'd of tossing on the flood:
The soldier of his laurels grown in blood:
The lover of the beauty that he knew
Must yet dissolve to dusty residue:
The merchant and the miser of his bags
Of finger'd gold; the beggar of his rags:
And all this stage of earth on which we seem
Such busy actors, and the parts we play'd
Substantial as the shadow of a shade,
And Dreaming but a dream within a dream!

THE DREAM CALLED LIFE

Segismund's Speech Closing the 'Vida Es Sueno': Fitzgerald's Version

A dream it was in which I found myself,
And you that hail me now, then hailed me king,
In a brave palace that was all my own,
Within, and all without it, mine; until,
Drunk with excess of majesty and pride,
Methought I towered so high and swelled so wide
That of myself I burst the glittering bubble
Which my ambition had about me blown,
And all again was darkness. Such a dream
As this, in which I may be walking now;
Dispensing solemn justice to you shadows,
Who make believe to listen: but anon,
Kings, princes, captains, warriors, plume and steel,
Ay, even with all your airy theatre,
May flit into the air you seem to rend
With acclamations, leaving me to wake
In the dark tower; or dreaming that I wake
From this, that waking is; or this and that
Both waking or both dreaming;—such a doubt
Confounds and clouds our mortal life about.
But whether wake or dreaming, this I know,—
How dreamwise human glories come and go;
Whose momentary tenure not to break,
Walking as one who knows he soon may wake,
So fairly carry the full cup, so well
Disordered insolence and passion quell,
That there be nothing after to upbraid
Dreamer or doer in the part he played;
Whether to-morrow's dawn shall break the spell,
Or the last trumpet of the eternal Day,
When dreaming with the night shall pass away.

JOHN CALDWELL CALHOUN

(1782-1850)

BY W. P. TRENT

John C. Calhoun's importance as a statesman has naturally stood in the way of his recognition as a writer, and in like manner his reputation as an orator has overshadowed his just claims to be considered our most original political thinker. The six volumes of his collected works, which unfortunately do not embrace his still inaccessible private correspondence, are certainly not exhilarating or attractive reading; but they are unique in the literature of America, if not of the world, as models of passionless logical analysis. Whether passionless logical analysis is ever an essential quality of true literature, is a matter on which opinions will differ; but until the question is settled in the negative, Calhoun's claims to be considered a writer of marked force and originality cannot be ignored. It is true that circumstances have invalidated much of his political teaching, and that it was always negative and destructive rather than positive and constructive; it is true also that much of the interest attaching to his works is historical rather than literary in character: but when all allowances are made, it will be found that the 'Disquisition on Government' must still be regarded as the most remarkable political treatise our country has produced, and that the position of its author as the head of a school of political thought is commanding, and in a way unassailable.

The precise character of Calhoun's political philosophy, the keynote of which was the necessity and means of defending the rights of minorities, cannot be understood without a brief glance at his political career. His birth in 1782 just after the Revolution, and in South Carolina, gave him the opportunity to share in the victory that the West and the far South won over the Virginians, headed by Madison. His training at Yale gave a nationalistic bias to his early career, and determined that search for the via media between consolidation and anarchy which resulted in the doctrine of nullification. His service in Congress and as Secretary of War under Monroe gave him a practical training in affairs that was not without influence in qualifying his tendency to indulge in doctrinaire speculation. His service as Vice-President afforded the leisure and his break with Jackson the occasion, for his close study of the Constitution, to discover how the South might preserve slavery and yet continue in the Union. Finally, his position as a non-aristocratic leader of a body of aristocrats, and his Scotch-Irish birth and training, gave a peculiar strenuousness to his support of slavery, which is of course the corner-stone of his political philosophy; and determined his reliance upon logic rather than upon an appeal to the passions as the best means of inculcating his teaching and of establishing his policy. His political treatises, 'A Discourse on Government' and 'On the Constitution and Government of the United States,' written just before his death in 1850; his pamphlets like the 'South Carolina Exposition' and the 'Address to the People of South Carolina'; and the great speeches delivered in the Senate from 1832 to the end of his term, especially those in which he defended against Webster the doctrine of nullification, could have emanated only from an up-country South-Carolinian who had inherited the mantle of Jefferson, and had sat at the feet of John Taylor of Carolina and of John Randolph of Roanoke. Calhoun was, then, the logical outcome of his environment and his training; he was the fearless and honest representative of his people and section; and he was the master from whom rash disciples like Jefferson Davis broke away, when they found that logical analysis of the Constitution was a poor prop for slavery against the rising tide of civilization.

As a thinker Calhoun is remarkable for great powers of analysis and exposition. As a writer he is chiefly noted for the even dignity and general serviceableness of his style. He writes well, but rather like a logician than like an inspired orator. He has not the stateliness of Webster, and is devoid of the power of arousing enthusiasm. The splendor of Burke's imagination is utterly beyond him, as is also the epigrammatic brilliance of John Randolph,—from whom, however, he took not a few lessons in constitutional interpretation. Indeed, it must be confessed that for all his clearness and subtlety of intellect as a thinker, Calhoun is as a writer distinctly heavy. In this as in many other respects he reminds us of the Romans, to whom he was continually referring. Like them he is conspicuous for strength of practical intellect; like them he is lacking in sublimity, charm, and nobility. It follows then that Calhoun will rarely be resorted to as a model of eloquence, but that he will continue to be read both on account of the substantial additions he made to political philosophy, and of the interesting exposition he gave of theories and ideas once potent in the nation's history.

J. C. CALHOUN.

Notwithstanding the bitterness of accusation brought against him, he was not a traitor nor a man given over to selfish ambition, as Dr. von Holst, his most competent biographer and critic, has clearly shown. Calhoun believed both in slavery and in the Union, and tried to maintain a balance between the two, because he thought that only in this way could his section maintain its prestige or even its existence. He failed, as any other man would have done; and we find him, like Cassandra, a prophet whom we cannot love. But he did prophesy truly as to the fate of the South; and in the course of his strenuous labors to divert the ruin he saw impending, he gave to the world the most masterly analysis of the rights of the minority and of the best methods of securing them that has yet come from the pen of a publicist.

REMARKS ON THE RIGHT OF PETITION

Delivered in the Senate, February 13th, 1840

Mr. Calhoun said he rose to express the pleasure he felt at the evidence which the remarks of the Senator from Kentucky furnished, of the progress of truth on the subject of abolition. He had spoken with strong approbation of the principle laid down in a recent pamphlet, that two races of different character and origin could not coexist in the same country without the subordination of the one to the other. He was gratified to hear the Senator give assent to so important a principle in application to the condition of the South. He had himself, several years since, stated the same in more specific terms: that it was impossible for two races, so dissimilar in every respect as the European and African that inhabit the southern portion of this Union, to exist together in nearly equal numbers in any other relation than that which existed there. He also added that experience had shown that they could so exist in peace and happiness there, certainly to the great benefit of the inferior race; and that to destroy it was to doom the latter to destruction. But he uttered these important truths then in vain, as far as the side to which the Senator belongs is concerned.

He trusted the progress of truth would not, however, stop at the point to which it has arrived with the Senator, and that it will make some progress in regard to what is called the right of petition. Never was a right so much mystified and magnified. To listen to the discussion, here and elsewhere, you would suppose it to be the most essential and important right: so far from it, he undertook to aver that under our free and popular system it was among the least of all our political rights. It had been superseded in a great degree by the far higher right of general suffrage, and by the practice, now so common, of instruction. There could be no local grievance but what could be reached by these, except it might be the grievance affecting a minority, which could be no more redressed by petition than by them. The truth is, that the right of petition could scarcely be said to be the right of a freeman. It belongs to despotic governments more properly, and might be said to be the last right of slaves. Who ever heard of petition in the free States of antiquity? We had borrowed our notions in regard to it from our British ancestors, with whom it had a value for their imperfect representation far greater than it has with us; and it is owing to that that it has a place at all in our Constitution. The truth is, that the right has been so far superseded in a political point of view, that it has ceased to be what the Constitution contemplated it to be,—a shield to protect against wrongs; and has been perverted into a sword to attack the rights of others—to cause a grievance instead of the means of redressing grievances, as in the case of abolition petitions. The Senator from Ohio [Mr. Tappan] has viewed this subject in its proper light, and has taken a truly patriotic and constitutional stand in refusing to present these firebrands, for which I heartily thank him in the name of my State. Had the Senator from Kentucky followed the example, he would have rendered inestimable service to the country....

It is useless to attempt concealment. The presentation of these incendiary petitions is itself an infraction of the Constitution. All acknowledge—the Senator himself—that the property which they are presented to destroy is guaranteed by the Constitution. Now I ask: If we have the right under the Constitution to hold the property (which none question), have we not also the right to hold it under the same sacred instrument in peace and quiet? Is it not a direct infraction then of the Constitution, to present petitions here in the common council of the Union, and to us, the agents appointed to carry its provisions into effect and to guard the rights it secures, the professed aim of which is to destroy the property guaranteed by the instrument? There can be but one answer to these questions on the part of those who present such petitions: that the right of such petition is higher and more sacred than the Constitution and our oaths to preserve and to defend it. To such monstrous results does the doctrine lead.

Sir, I understand this whole question. The great mass of both parties to the North are opposed to abolition: the Democrats almost exclusively; the Whigs less so. Very few are to be found in the ranks of the former; but many in those of the latter. The only importance that the abolitionists have is to be found in the fact that their weight may be felt in elections; and this is no small advantage. The one party is unwilling to lose their weight, but at the same time unwilling to be blended with them on the main question; and hence is made this false, absurd, unconstitutional, and dangerous collateral issue on the right of petition. Here is the whole secret. They are willing to play the political game at our hazard, and that of the Constitution and the Union, for the sake of victory at the elections. But to show still more clearly how little foundation there is in the character of our government for the extravagant importance attached to this right, I ask the Senator what is the true relation between the government and the people, according to our American conception? Which is principal and which agent? which the master and which the servant? which the sovereign and which the subject? There can be no answer. We are but the agents—the servants. We are not the sovereign. The sovereignty resides in the people of the States. How little applicable, then, is this boasted right of petition, under our system, to political questions? Who ever heard of the principal petitioning his agent—of the master, his servant—or of the sovereign, his subject? The very essence of a petition implies a request from an inferior to a superior. It is not in fact a natural growth of our system. It was copied from the British Bill of Rights, and grew up among a people whose representation was very imperfect, and where the sovereignty of the people was not recognized at all. And yet even there, this right so much insisted on here as being boundless as space, was restricted from the beginning by the very men who adopted it in the British system, in the very manner which has been done in the other branch, this session; and to an extent far beyond. The two Houses of Parliament have again and again passed resolutions against receiving petitions even to repeal taxes; and this, those who formed our Constitution well knew, and yet adopted the provision almost identically contained in the British Bill of Rights, without guarding against the practice under it. Is not the conclusion irresistible, that they did not deem it inconsistent with the right of "the citizens peaceably to assemble and petition for a redress of grievance," as secured in the Constitution? The thing is clear. It is time that the truth should be known, and this cant about petition, not to redress the grievances of the petitioners, but to create a grievance elsewhere, be put down....

I know this question to the bottom. I have viewed it under every possible aspect. There is no safety but in prompt, determined, and uncompromising defense of our rights—to meet the danger on the frontier. There all rights are strongest, and more especially this. The moral is like the physical world. Nature has incrusted the exterior of all organic life, for its safety. Let that be broken through, and it is all weakness within. So in the moral and political world. It is on the extreme limits of right that all wrong and encroachments are the most sensibly felt and easily resisted. I have acted on this principle throughout in this great contest. I took my lessons from the patriots of the Revolution. They met wrong promptly, and defended right against the first encroachment. To sit here and hear ourselves and constituents, and their rights and institutions (essential to their safety), assailed from day to day—denounced by every epithet calculated to degrade and render us odious; and to meet all this in silence,—or still worse, to reason with the foul slanderers,—would eventually destroy every feeling of pride and dignity, and sink us in feelings to the condition of the slaves they would emancipate. And this the Senator advises us to do. Adopt it, and the two houses would be converted into halls to debate our rights to our property, and whether, in holding it, we were not thieves, robbers, and kidnappers; and we are to submit to this in order to quiet the North! I tell the Senator that our Union, and our high moral tone of feeling on this subject at the South, are infinitely more important to us than any possible effect that his course could have at the North; and that if we could have the weakness to adopt his advice, it would even fail to effect the object intended.

It is proper to speak out. If this question is left to itself, unresisted by us, it cannot but terminate fatally to us. Our safety and honor are in the opposite direction—to take the highest ground, and maintain it resolutely. The North will always take position below us, be ours high or low. They will yield all that we will and something more. If we go for rejection, they will at first insist on receiving, on the ground of respect for petition. If we yield that point and receive petitions, they will go for reference, on the ground that it is absurd to receive and not to act—as it truly is. If we go for that, they will insist on reporting and discussing; and if that, the next step will be to make concession—to yield the point of abolition in this District; and so on till the whole process is consummated, each succeeding step proving more easy than its predecessor. The reason is obvious. The abolitionists understand their game. They throw their votes to the party most disposed to favor them. Now, sir, in the hot contest of party in the Northern section, on which the ascendency in their several States and the general government may depend, all the passions are roused to the greatest height in the violent struggle, and aid sought in every quarter. They would forget us in the heat of battle; yes, the success of the election, for the time, would be more important than our safety; unless we by our determined stand on our rights cause our weight to be felt, and satisfy both parties that they have nothing to gain by courting those who aim at our destruction. As far as this government is concerned, that is our only remedy. If we yield that, if we lower our stand to permit partisans to woo the aid of those who are striking at our interests, we shall commence a descent in which there is no stopping-place short of total abolition, and with it our destruction.

A word in answer to the Senator from Massachusetts [Mr. Webster]. He attempted to show that the right of petition was peculiar to free governments. So far is the assertion from being true, that it is more appropriately the right of despotic governments; and the more so, the more absolute and austere. So far from being peculiar or congenial to free popular States, it degenerates under them, necessarily, into an instrument, not of redress for the grievances of the petitioners, but as has been remarked, of assault on the rights of others, as in this case. That I am right in making the assertion, I put it to the Senator—Have we not a right under the Constitution to our property in our slaves? Would it not be a violation of the Constitution to divest us of that right? Have we not a right to enjoy, under the Constitution, peaceably and quietly, our acknowledged rights guaranteed by it, without annoyance? The Senator assents. He does but justice to his candor and intelligence. Now I ask him, how can he assent to receive petitions whose object is to annoy and disturb our right, and of course in direct infraction of the Constitution?

The Senator from Ohio [Mr. Tappan], in refusing to present these incendiary and unconstitutional petitions, has adopted a course truly constitutional and patriotic, and in my opinion, the only one that is so. I deeply regret that it has not been followed by the Senator from Kentucky in the present instance. Nothing short of it can put a stop to the mischief, and do justice to one-half of the States of the Union. If adopted by others, we shall soon hear no more of abolition. The responsibility of keeping alive this agitation must rest on those who may refuse to follow so noble an example.

STATE RIGHTS

From the 'Speech on the Admission of Michigan,' 1837

It has perhaps been too much my habit to look more to the future and less to the present than is wise; but such is the constitution of my mind that when I see before me the indications of causes calculated to effect important changes in our political condition, I am led irresistibly to trace them to their sources and follow them out in their consequences. Language has been held in this discussion which is clearly revolutionary in its character and tendency, and which warns us of the approach of the period when the struggle will be between the conservatives and the destructives. I understood the Senator from Pennsylvania [Mr. Buchanan] as holding language countenancing the principle that the will of a mere numerical majority is paramount to the authority of law and constitution. He did not indeed announce distinctly this principle, but it might fairly be inferred from what he said; for he told us the people of a State where the constitution gives the same weight to a smaller as to a greater number, might take the remedy into their own hands; meaning, as I understood him, that a mere majority might at their pleasure subvert the constitution and government of a State,—which he seemed to think was the essence of democracy. Our little State has a constitution that could not stand a day against such doctrines, and yet we glory in it as the best in the Union. It is a constitution which respects all the great interests of the State, giving to each a separate and distinct voice in the management of its political affairs, by means of which the feebler interests are protected against the preponderance of the stronger. We call our State a Republic—a Commonwealth, not a Democracy; and let me tell the Senator, it is a far more popular government than if it had been based on the simple principle of the numerical majority. It takes more voices to put the machine of government in motion than in those that the Senator would consider more popular. It represents all the interests of the State,—and is in fact the government of the people in the true sense of the term, and not that of the mere majority, or the dominant interests.

I am not familiar with the constitution of Maryland, to which the Senator alluded, and cannot therefore speak of its structure with confidence; but I believe it to be somewhat similar in its character to our own. That it is a government not without its excellence, we need no better proof than the fact that though within the shadow of Executive influence, it has nobly and successfully resisted all the seductions by which a corrupt and artful Administration, with almost boundless patronage, has attempted to seduce her into its ranks.

Looking then to the approaching struggle, I take my stand immovably. I am a conservative in its broadest and fullest sense, and such I shall ever remain, unless indeed the government shall become so corrupt and disordered that nothing short of revolution can reform it. I solemnly believe that our political system is, in its purity, not only the best that ever was formed, but the best possible that can be devised for us. It is the only one by which free States, so populous and wealthy, and occupying so vast an extent of territory, can preserve their liberty. Thus thinking, I cannot hope for a better. Having no hope of a better, I am a conservative; and because I am a conservative, I am a State Rights man. I believe that in the rights of the States are to be found the only effectual means of checking the overaction of this government; to resist its tendency to concentrate all power here, and to prevent a departure from the Constitution; or in case of one, to restore the government to its original simplicity and purity. State interposition, or to express it more fully, the right of a State to interpose her sovereign voice, as one of the parties to our constitutional compact, against the encroachments of this government, is the only means of sufficient potency to effect all this; and I am therefore its advocate. I rejoiced to hear the Senators from North Carolina [Mr. Brown], and from Pennsylvania [Mr. Buchanan], do us the justice to distinguish between nullification and the anarchical and revolutionary movements in Maryland and Pennsylvania. I know they did not intend it as a compliment; but I regard it as the highest. They are right. Day and night are not more different—more unlike in everything. They are unlike in their principles, their objects, and their consequences.

I shall not stop to make good this assertion, as I might easily do. The occasion does not call for it. As a conservative and a State Rights man, or if you will have it, a nullifier, I have resisted and shall resist all encroachments on the Constitution—whether of this Government on the rights of the States, or the opposite:—whether of the Executive on Congress, or Congress on the Executive. My creed is to hold both governments, and all the departments of each, to their proper sphere, and to maintain the authority of the laws and the Constitution against all revolutionary movements. I believe the means which our system furnishes to preserve itself are ample, if fairly understood and applied; and I shall resort to them, however corrupt and disordered the times, so long as there is hope of reforming the government. The result is in the hands of the Disposer of events. It is my part to do my duty. Yet while I thus openly avow myself a conservative, God forbid I should ever deny the glorious right of rebellion and revolution. Should corruption and oppression become intolerable, and not otherwise be thrown off—if liberty must perish or the government be overthrown, I would not hesitate, at the hazard of life, to resort to revolution, and to tear down a corrupt government that could neither be reformed nor borne by freemen. But I trust in God things will never come to that pass. I trust never to see such fearful times; for fearful indeed they would be, if they should ever befall us. It is the last remedy, and not to be thought of till common-sense and the voice of mankind would justify the resort.

Before I resume my seat, I feel called on to make a few brief remarks on a doctrine of fearful import which has been broached in the course of this debate: the right to repeal laws granting bank charters, and of course of railroads, turnpikes, and joint-stock companies. It is a doctrine of fearful import, and calculated to do infinite mischief. There are countless millions vested in such stocks, and it is a description of property of the most delicate character. To touch it is almost to destroy it. But while I enter my protest against all such doctrines, I have been greatly alarmed with the thoughtless precipitancy (not to use a stronger phrase) with which the most extensive and dangerous privileges have been granted of late. It can end in no good, and I fear may be the cause of convulsions hereafter. We already feel the effects on the currency, which no one competent of judging can fail to see is in an unsound condition. I must say (for truth compels me) I have ever distrusted the banking system, at least in its present form, both in this country and Great Britain. It will not stand the test of time; but I trust that all shocks or sudden revolutions may be avoided, and that it may gradually give way before some sounder and better regulated system of credit which the growing intelligence of the age may devise. That a better may be substituted I cannot doubt; but of what it shall consist, and how it shall finally supersede the present uncertain and fluctuating currency, time alone can determine. All that I can see is, that the present must, one day or another, come to an end or be greatly modified—if that indeed can save it from an entire overthrow. It has within itself the seeds of its own destruction.

ON THE GOVERNMENT OF POLAND

From 'A Disquisition on Government'

It is then a great error to suppose that the government of the concurrent majority is impracticable; or that it rests on a feeble foundation. History furnishes many examples of such governments; and among them one in which the principle was carried to an extreme that would be thought impracticable, had it never existed. I refer to that of Poland. In this it was carried to such an extreme that in the election of her kings, the concurrence or acquiescence of every individual of the nobles and gentry present, in an assembly numbering usually from one hundred and fifty to two hundred thousand, was required to make a choice; thus giving to each individual a veto on his election. So likewise every member of her Diet (the supreme legislative body), consisting of the King, the Senate, bishops and deputies of the nobility and gentry of the palatinates, possessed a veto on all its proceedings; thus making a unanimous vote necessary to enact a law or to adopt any measure whatever. And as if to carry the principle to the utmost extent, the veto of a single member not only defeated the particular bill or measure in question, but prevented all others passed during the session from taking effect. Further the principle could not be carried. It in fact made every individual of the nobility and gentry a distinct element in the organism; or to vary the expression, made him an estate of the kingdom. And yet this government lasted in this form more than two centuries, embracing the period of Poland's greatest power and renown. Twice during its existence she protected Christendom, when in great danger, by defeating the Turks under the walls of Vienna, and permanently arresting thereby the tide of their conquests westward.

It is true her government was finally subverted, and the people subjugated, in consequence of the extreme to which the principle was carried; not however because of its tendency to dissolution from weakness, but from the facility it afforded to powerful and unscrupulous neighbors to control by their intrigues the election of her kings. But the fact that a government in which the principle was carried to the utmost extreme not only existed, but existed for so long a period in great power and splendor, is proof conclusive both of its practicability and its compatibility with the power and permanency of government.

URGING REPEAL OF THE MISSOURI COMPROMISE

From Speech in the Senate, March 4th, 1850

Having now shown what cannot save the Union, I return to the question with which I commenced, How can the Union be saved? There is but one way by which it can with any certainty; and that is by a full and final settlement, on the principle of justice, of all the questions at issue between the two sections. The South asks for justice, simple justice, and less she ought not to take. She has no compromise to offer but the Constitution; and no concession or surrender to make. She has already surrendered so much that she has little left to surrender. Such a settlement would go to the root of the evil and remove all cause of discontent; by satisfying the South, she could remain honorably and safely in the Union, and thereby restore the harmony and fraternal feelings between the sections which existed anterior to the Missouri agitation. Nothing else can with any certainty finally and forever settle the questions at issue, terminate agitation, and save the Union.

But can this be done? Yes, easily; not by the weaker party—for it can of itself do nothing, not even protect itself—but by the stronger. The North has only to will it to accomplish it; to do justice by conceding to the South an equal right in the acquired territory, and to do her duty by causing the stipulations relative to fugitive slaves to be faithfully fulfilled; to cease the agitation of the slave question, and to provide for the insertion of a provision in the Constitution by an amendment which will restore to the South in substance the power she possessed of protecting herself, before the equilibrium between the sections was destroyed by the action of this government. There will be no difficulty in devising such a provision,—one that will protect the South, and which at the same time will improve and strengthen the government instead of impairing and weakening it.

But will the North agree to this? It is for her to answer the question. But I will say she cannot refuse, if she has half the love of the Union which she professes to have; or without justly exposing herself to the charge that her love of power and aggrandizement is far greater than her love of the Union. At all events, the responsibility of saving the Union rests on the North, and not on the South. The South cannot save it by any act of hers, and the North may save it without any sacrifice whatever; unless to do justice, and to perform her duties under the Constitution, should be regarded by her as a sacrifice.

It is time, Senators, that there should be an open and manly avowal on all sides as to what is intended to be done. If the question is not now settled, it is uncertain whether it ever can hereafter be; and we as the representatives of the States of this Union, regarded as governments, should come to a distinct understanding as to our respective views in order to ascertain whether the great questions at issue can be settled or not. If you who represent the stronger portion cannot agree to settle them on the broad principle of justice and duty, say so; and let the States we both represent agree to separate and part in peace. If you are unwilling we should part in peace, tell us so, and we shall know what to do when you reduce the question to submission or resistance. If you remain silent you will compel us to infer by your acts what you intend. In that case California will become the test question. If you admit her, under all the difficulties that oppose her admission, you compel us to infer that you intend to exclude us from the whole of the acquired territories, with the intention of destroying irretrievably the equilibrium between the two sections. We would be blind not to perceive in that case that your real objects are power and aggrandizement; and infatuated not to act accordingly.

I have now, Senators, done my duty in expressing my opinions fully, freely, and candidly, on this solemn occasion. In doing so I have been governed by the motives which have governed me in all the stages of the agitation of the slavery question since its commencement. I have exerted myself during the whole period to arrest it, with the intention of saving the Union if it could be done; and if it could not, to save the section where it has pleased Providence to cast my lot, and which I sincerely believe has justice and the Constitution on its side. Having faithfully done my duty to the best of my ability, both to the Union and my section, throughout this agitation, I shall have the consolation, let what will come, that I am free from all responsibility.

CALLIMACHUS

(Third Century b.c.)

Callimachus, the most learned of poets, was the son of Battus and Mesatme of Cyrene, and a disciple of Hermocrates, who like his more celebrated pupil was a grammarian, or a follower of belles-lettres, says Suidas. It is in this calling that we first hear of Callimachus, when he was a teacher at Alexandria. Here he counted among his pupils Apollonius Rhodius, author of the 'Argonautica,' and Eratosthenes, famous for his wisdom in science, who knew geography and geometry so well that he measured the circumference of the earth. Callimachus was in fact one of those erudite poets and wise men of letters whom the gay Alexandrians who thronged the court of Ptolemy Philadelphus called "The Pleiades." Apollonius Rhodius, Aratus, Theocritus, Lycophron, Nicander, and Homer son of Macro, were the other six. From his circle of clever people, the king, with whom he had become a prime favorite, called him to be chief custodian over the stores of precious books at Alexandria. These libraries, we may recall, were the ones Julius Cæsar partially burned by accident a century later, and Bishop Theophilus and his mob of Christian zealots finished destroying as repositories of paganism some three centuries later still. The collections said to have been destroyed by Caliph Omar when Amru took Alexandria in 640 a.d., on the ground that if they agreed with the Koran they were superfluous and if they contradicted it they were blasphemous, were later ones; but the whole story is discredited by modern scholarship. The world has not ceased mourning for this untold and irreparable loss of the choicest fruits of the human spirit.

Of all these precious manuscripts and parchments, then, Callimachus was made curator about the year b.c. 260. Aulus Gellius computes the time in this wise:—"Four-hundred-ninety years after the founding of Rome, the first Punic war was begun, and not long after, Callimachus, the poet of Cyrene in Alexandria, flourished at the court of King Ptolemy." At this time he must have been already married to the wife of whom Suidas speaks in his 'Lexicon,' a daughter of a Syracusan gentleman.

The number of Callimachus's works, which are reported to have reached eight hundred, testifies to his popularity in the Alexandrian period of Greek literature. It contradicts also the maxim ascribed to him, that "a great book is a great evil." Among the prose works which would have enriched our knowledge of literature and history was his history of Greek literature in one hundred and twenty books, classifying the Greek writers and naming them chronologically. These were the results of his long labors in the libraries. Among them was a book on the Museum and the schools connected with it, with records of illustrious educators and of the books they had written.

It is his poetry that has in the main survived, and yet as Ovid says—calling him Battiades, either from his father's name or from the illustrious founder of his native Cyrene—

"Battiades semper toto cantabitur orbe:
Quamvis ingenio non valet, arte valet."

(Even throughout all lands Battiades's name will be famous;
Though not in genius supreme, yet by his art he excels.)

Quintilian, however, says he was the prince of Greek elegiac poets. Of his elegies we have a few fragments, and also the Latin translation by Catullus of the 'Lock of Berenice.' Berenice, the sister and wife of Ptolemy Euergetes, who succeeded his father Philadelphus in b.c. 245, had sacrificed some of her hair, laying it on the altar of a temple, from which it was subsequently stolen. In his poem, Callimachus as the court poet sang how the gods had taken the tresses and placed them among the stars. The delicate and humorous 'Rape of the Lock' of Alexander Pope is a rather remote repetition of the same fancy.

We have also from Callimachus's hand six hymns to the gods and many epigrams, the latter of which, as will be seen by the quotations given below, are models of their kind. His lyric hymns are, in reality, rather epics in little. They are full of recondite information, overloaded indeed with learning; elegant, nervous, and elaborate, rather than easy-flowing, simple, and warm, like a genuine product of the muse. Many of his epigrams grace the 'Greek Anthology.'

Among the best editions of Callimachus is that of Ernesti (1761). The extant poems and fragments have been in part translated by William Dodd (1755) and H. W. Tytler (1856). His scattered epigrams have incited many to attempt their perfect phrasing.

HYMN TO JUPITER

At Jove's high festival, what song of praise
Shall we his suppliant adorers sing?
To whom may we our pæans rather raise
Than to himself, the great Eternal King,
Who by his nod subdues each earth-born thing;
Whose mighty laws the gods themselves obey?
But whether Crete first saw the Father spring,
Or on Lycæus's mount he burst on day,
My soul is much in doubt, for both that praise essay.

Some say that thou, O Jove, first saw the morn
On Cretan Ida's sacred mountain-side;
Others that thou in Arcady wert born:
Declare, Almighty Father—which have lied?
Cretans were liars ever: in their pride
Have they built up a sepulchre for thee;
As if the King of Gods and men had died,
And borne the lot of frail mortality.
No! thou hast ever been, and art, and aye shalt be.

Thy mother bore thee on Arcadian ground,
Old Goddess Rhea, on a mountain's height;
With bristling bramble-thickets all around
The hallowed spot was curiously dight;
And now no creature under heaven's light,
From lovely woman down to things that creep,
In need of Ilithyia's holy rite,
May dare approach that consecrated steep,
Whose name of Rhea's birth-bed still Arcadians keep.

Fair was the promise of thy childhood's prime,
Almighty Jove! and fairly wert thou reared:
Swift was thy march to manhood: ere thy time
Thy chin was covered by the manly beard;
Though young in age, yet wert thou so revered
For deeds of prowess prematurely done,
That of thy peers or elders none appeared
To claim his birthright;—heaven was all thine own,
Nor dared fell Envy point her arrows at thy throne.

Poets of old do sometimes lack of truth;
For Saturn's ancient kingdom, as they tell,
Into three parts was split, as if forsooth
There were a doubtful choice 'twixt Heaven and Hell
To one not fairly mad;—we know right well
That lots are cast for more equality;
But these against proportion so rebel
That naught can equal her discrepancy;
If one must lie at all—a lie like truth for me!

No chance gave thee the sovranty of heaven;
But to the deeds thy good right hand had done,
And thine own strength and courage, was it given;
These placed thee first, still keep thee on thy throne.
Thou took'st the goodly eagle for thine own,
Through whom to men thy wonders are declared;
To me and mine propitious be they shown!
Through thee by youth's best flower is heaven shared—
Seamen and warriors heed'st thou not, nor e'en the bard:

These be the lesser gods' divided care—
But kings, great Jove, are thine especial dow'r;
They rule the land and sea; they guide the war—
What is too mighty for a monarch's pow'r?
By Vulcan's aid the stalwart armorers show'r
Their sturdy blows—warriors to Mars belong—
And gentle Dian ever loves to pour
New blessings on her favored hunter throng—
While Phœbus aye directs the true-born poet's song.

But monarchs spring from Jove—nor is there aught
So near approaching Jove's celestial height,
As deeds by heav'n-elected monarchs wrought.
Therefore, O Father, kings are thine of right,
And thou hast set them on a noble height
Above their subject cities; and thine eye
Is ever on them, whether they delight
To rule their people in iniquity,
Or by sound government to raise their name on high.

Thou hast bestowed on all kings wealth and power,
But not in equal measure—this we know,
From knowledge of our own great Governor,
Who stands supreme of kings on earth below.
His morning thoughts his nights in actions show;
His less achievements when designed are done
While others squander years in counsels slow;
Not rarely when the mighty seeds are sown,
Are all their air-built hopes by thee, great Jove, o'erthrown.

All hail, Almighty Jove! who givest to men
All good, and wardest off each evil thing.
Oh, who can hymn thy praise? he hath not been,
Nor shall he be, that poet who may sing
In fitting strain thy praises—Father, King,
All hail! thrice hail! we pray to thee, dispense
Virtue and wealth to us, wealth varying—
For virtue's naught, mere virtue's no defense;
Then send us virtue hand in hand with competence.

Translation of Fitzjames T. Price.

EPITAPH

His little son of twelve years old Philippus here has laid,
Nicoteles, on whom so much his father's hopes were stayed

EPIGRAM

(Admired and Paraphrased by Horace)

The hunter in the mountains every roe
And every hare pursues through frost and snow,
Tracking their footsteps. But if some one say,
"See, here's a beast struck down," he turns away.
Such is my love: I chase the flying game,
And pass with coldness the self-offering dame.

EPITAPH ON HERACLEITUS

They told me, Heracleitus, they told me you were dead;
They brought me bitter news to hear, and bitter tears I shed.
I wept, as I remembered how often you and I
Had tired the sun with talking and sent him down the sky.

And now that thou art lying, my dear old Carian guest,
A handful of gray ashes, long, long ago at rest,
Still are thy pleasant voices, thy nightingales, awake;
For Death he taketh all away, but them he cannot take.

Translation of William Johnson.

EPITAPH

Would that swift ships had never been; for so
We ne'er had wept for Sopolis: but he
Dead on the waves now drifts; whilst we must go
Past a void tomb, a mere name's mockery.

Translation of J. A. Symonds.

THE MISANTHROPE

Say, honest Timon, now escaped from light,
Which do you most abhor, or that or night?
"Man, I most hate the gloomy shades below,
And that because in them are more of you."

EPITAPH UPON HIMSELF

Callimachus takes up this part of earth,
A man much famed for poesy and mirth.

Translation of William Dodd.

EPITAPH UPON CLEOMBROTUS

Loud cried Cleombrotus, "Farewell, O Sun!"
Ere, leaping from a wall, he joined the dead.
No act death-meriting had th' Ambraciote done,
But Plato's volume on the soul had read.

CHARLES STUART CALVERLEY

(1831-1884)

No one ever attained greater fame with few, slight, and unserious books than this English author. His name rests upon four volumes only:—'Verses and Translations' (1862); 'Translations into English and Latin' (1866); 'Theocritus Translated into English Verse' (1869); and 'Fly-Leaves' (1872). 'Fly-Leaves' holds a unique place in English literature. It is made up chiefly of parodies, which combine the mocking spirit with clever imitations of the style and affectations of familiar poets. They are witty; they are humorous; they are good-natured; and they are artistic and extraordinarily clever. His satirical banter shown in these verses—most of which are real poems as well as parodies—has been classed as "refined common-sense," and "the exuberant playfulness of a powerful mind and tender and manly nature." It contains also independent literary skits and comiques which are quite equal in merit to the parodies.

Calverley was born at Martley, Worcestershire, December 22d, 1831, the son of the Rev. Henry Blayds, a descendant of an old Yorkshire family named Calverley. In 1852 Mr. Blayds resumed the name of Calverley, which had been dropped at the beginning of the century. Calverley was more famous at Harrow for his marvelous jumping and other athletic feats than for his studies, but even at this period he showed great talent for translating from the classics, and astonished every one by his gifts of memory. A few Latin verses won for him the Balliol scholarship in 1850, and in the next year he received at Oxford the Chancellor's prize for a Latin poem.

In 1852 he went to Cambridge, and shortly after won the Craven scholarship, as well as numerous medals and prizes for his attainments in Greek and Latin. This was the more remarkable inasmuch as he was extremely indolent and very fond of society, preferring to entertain his friends by his witty songs, his charming voice, his clever caricatures—for he had talent with his pencil—and his brilliant conversation, rather than to apply himself to routine work. His comrades used to lock him into a room to make him work, and even then he would outwit them by dashing off a witty parody or a bit of impromptu verse. Among his literary jeux d'esprit was an examination paper on 'Pickwick,' prepared as a Christmas joke in exact imitation of a genuine "exam." The prizes, two first editions of Pickwick, were won by W. W. Skeat, now famous as a philologist, and Walter Besant, known to the public as a novelist.

Calverley remained in Cambridge as tutor and lecturer, and was presently called to the bar. It seemed the irony of fate that the famous athlete should receive an injury while skating which compelled him to abandon his profession, and for seventeen years practically abandon work. He died at Folkestone, on February 17th, 1884.

That he was adored by his friends, and possessed unusual qualities of character as well as mind, may be seen in the memoir published by Walter T. Sendall with the 'Literary Remains' (1885). Apart from his wit, Calverley has a distinct claim to remembrance on account of his remarkable scholarship. His translations from Greek and Latin have won the enthusiastic admiration of specialists and students of the classics. Dr. Gunson, tutor of his college, an accomplished Latinist, declared that he thought Calverley's Horatian verse better than Horace's, being equally poetical, and more distinguished in style. These works not only attest his mastery of ancient languages, but also his acquaintance with the beauty and capacity of English verse, into which he has put a grace of his own. His numerous renderings of Latin into English and English into Latin show his ease and dexterity of both thought and touch, and his translation of Theocritus is considered by authorities to be a masterpiece of literary workmanship.

FROM 'AN EXAMINATION PAPER'

'The Posthumous Papers of the Pickwick Club'

From James Payn's 'Some Literary Recollections' and 'Temple Bar,' 1887

1. Mention any occasion on which it is specified that the Fat Boy was not asleep; and that (1) Mr. Pickwick and (2) Mr. Weller, senr., ran. Deduce from expressions used on one occasion Mr. Pickwick's maximum of speed.

3. Who were Mr. Staple, Goodwin, Mr. Brooks, Villam, Mrs. Bunkin, "old Nobs," "cast-iron head," young Bantam?

4. What operation was performed on Tom Smart's chair? Who little thinks that in which pocket, of what garment, in where, he has left what, entreating him to return to whom, with how many what, and all how big?

6. "Mr. Weller's knowledge of London was extensive and peculiar." Illustrate this by a reference to facts.

8. Give in full Samuel Weller's first compliment to Mary, and his father's critique upon the same young lady. What church was on the valentine that first attracted Mr. Samuel's eye in the shop?

9. Describe the common Profeel-machine.

10. State the component parts of dog's-nose; and simplify the expression "taking a grinder."

11. On finding his principal in the Pound, Mr. Weller and the town-beadle varied directly. Show that the latter was ultimately eliminated, and state the number of rounds in the square which is not described.

12. "Anythink for air and exercise, as the werry old donkey observed ven they voke him up from his death-bed to carry ten gen'lmen to Greenwich in a tax-cart!" Illustrate this by stating any remark recorded in the 'Pickwick Papers' to have been made by a (previously) dumb animal, with the circumstances under which he made it.

18. How did the old lady make a memorandum, and of what, at whist? Show that there were at least three times as many fiddles as harps in Muggleton at the time of the ball at Manor Farm.

20. Write down the chorus to each line of Mr. S. Weller's song, and a sketch of the mottled-faced man's excursus on it. Is there any ground for conjecturing that he (Sam) had more brothers than one?

21. How many lumps of sugar went into the Shepherd's liquor as a rule? and is any exception recorded?

23. "She's a-swelling wisibly." When did this same phenomenon occur again, and what fluid caused the pressure on the body in the latter case?

24. How did Mr. Weller, senr., define the Funds; and what view did he take of Reduced Consols? In what terms is his elastic force described when he assaulted Mr. Stiggins at the meeting? Write down the name of the meeting.

25. προβατογνωμων: a good judge of cattle; hence, a good judge of character! Note on Æsch. Ag.—Illustrate the theory involved by a remark of the parent Weller.

28. Deduce from a remark of Mr. Weller, junr., the price per mile of cabs at the period.

29. What do you know of the hotel next the Ball at Rochester?

30. Who beside Mr. Pickwick is recorded to have worn gaiters?

BALLAD

Imitation of Jean Ingelow

The auld wife sat at her ivied door,
(Butter and eggs and a pound of cheese)
A thing she had frequently done before;
And her spectacles lay on her aproned knees.

The piper he piped on the hill-top high,
(Butter and eggs and a pound of cheese)
Till the cow said "I die," and the goose asked "Why?"
And the dog said nothing, but searched for fleas.

The farmer he strode through the square farmyard;
(Butter and eggs and a pound of cheese)
His last brew of ale was a trifle hard—
The connection of which with the plot one sees.

The farmer's daughter hath frank blue eyes;
(Butter and eggs and a pound of cheese)
She hears the rooks caw in the windy skies,
As she sits at her lattice and shells her peas.

The farmer's daughter hath ripe red lips;
(Butter and eggs and a pound of cheese)
If you try to approach her, away she skips
Over tables and chairs with apparent ease.

The farmer's daughter hath soft brown hair;
(Butter and eggs and a pound of cheese)
And I've met with a ballad, I can't say where,
Which wholly consisted of lines like these.

She sat with her hands 'neath her dimpled cheeks,
(Butter and eggs and a pound of cheese)
And spake not a word. While a lady speaks
There is hope, but she didn't even sneeze.

She sat with her hands 'neath her crimson cheeks;
(Butter and eggs and a pound of cheese)
She gave up mending her father's breeks,
And let the cat roll on her best chemise.

She sat with her hands 'neath her burning cheeks,
(Butter and eggs and a pound of cheese)
And gazed at the piper for thirteen weeks;
Then she followed him out o'er the misty leas.

Her sheep followed her, as their tails did them.
(Butter and eggs and a pound of cheese)
And this song is considered a perfect gem,
And as to the meaning, it's what you please.

LOVERS, AND A REFLECTION

Imitation of Jean Ingelow

In moss-prankt dells which the sunbeams flatter,
(And heaven it knoweth what that may mean;
Meaning, however, is no great matter)
When woods are a-tremble, with rifts atween;

Thro' God's own heather we wonned together,
I and my Willie (O love my love):
I need hardly remark it was glorious weather,
And flitterbats wavered alow, above;

Boats were curtseying, rising, bowing,
(Boats in that climate are so polite,)
And sands were a ribbon of green endowing,
And O the sun-dazzle on bark and bight!

Thro' the rare red heather we danced together,
(O love my Willie!) and smelt for flowers:
I must mention again it was gorgeous weather,
Rhymes are so scarce in this world of ours:—

By rises that flushed with their purple favors,
Thro' becks that brattled o'er grasses sheen,
We walked or waded, we two young shavers,
Thanking our stars we were both so green.

We journeyed in parallels, I and Willie,
In fortunate parallels! Butterflies,
Hid in weltering shadows of daffodilly
Or marjoram, kept making peacock eyes:

Song-birds darted about, some inky
As coal, some snowy, I ween, as curds;
(Or rosy as pinks, or as roses pinky—)
They reek of no eerie To-come, those birds!

But they skim over bents which the mill-stream washes,
Or hang in the lift 'neath a white cloud's hem;
They need no parasols, no goloshes;
And good Mrs. Trimmer she feedeth them.

Then we thrid God's cowslips (as erst his heather)
That endowed the wan grass with their golden blooms;
And snapt (it was perfectly charming weather)—
Our fingers at Fate and her goddess-glooms:

And Willie 'gan sing (O his notes were fluty;
Wafts fluttered them out to the white-winged sea)—
Something made up of rhymes that have done much duty,
Rhymes (better to put it) of "ancientry":

Bowers of flowers encountered showers
In William's carol—(O love my Willie!)
When he bade sorrow borrow from blithe to-morrow
I quite forget what—say a daffodilly.

A nest in a hollow, "with buds to follow,"
I think occurred next in his nimble strain;
And clay that was "kneaden," of course in Eden,—
A rhyme most novel, I do maintain:

Mists, bones, the singer himself, love-stories,
And all at least furlable things got "furled";
Not with any design to conceal their glories,
But simply and solely to rhyme with "world."

Oh, if billows and pillows and hours and flowers,
And all the brave rhymes of an elder day,
Could be furled together, this genial weather,
And carted or carried in wafts away,
Nor ever again trotted out—ay me!
How much fewer volumes of verse there'd be!

VISIONS

From 'Fly-Leaves'

"She was a phantom—" etc.

In lone Glenartney's thickets lies couched the lordly stag,
The dreaming terrier's tail forgets its customary wag;
And plodding plowmen's weary steps insensibly grow quicker,
As broadening casements light them on toward home, or home-brewed liquor.

It is—in brief—the evening: that pure and pleasant time,
When stars break into splendor, and poets into rhyme;
When in the glass of Memory the forms of loved ones shine—
And when, of course, Miss Goodchild is prominent in mine.

Miss Goodchild—Julia Goodchild!—how graciously you smiled
Upon my childish passion once, yourself a fair-haired child:
When I was (no doubt) profiting by Dr. Crabb's instruction,
And sent those streaky lollipops home for your fairy suction.

"She wore" her natural "roses, the night when first we met,"—
Her golden hair was gleaming neath the coercive net:
"Her brow was like the snawdrift," her step was like Queen Mab's,
And gone was instantly the heart of every boy at Crabb's.

The parlor-boarder chasséed tow'rds her on graceful limb;
The onyx decked his bosom—but her smiles were not for him:
With me she danced—till drowsily her eyes "began to blink,"
And I brought raisin wine, and said, "Drink, pretty creature, drink!"

And evermore, when winter comes in his garb of snows,
And the returning schoolboy is told how fast he grows;
Shall I—with that soft hand in mine—enact ideal Lancers,
And dream I hear demure remarks, and make impassioned answers.

I know that never, never may her love for me return—
At night I muse upon the fact with undisguised concern—
But ever shall I bless that day!—I don't bless, as a rule,
The days I spent at "Dr. Crabb's Preparatory School."

And yet we two may meet again,—(Be still, my throbbing heart!)
Now rolling years have weaned us from jam and raspberry-tart.
One night I saw a vision—'twas when musk-roses bloom,
I stood—we stood—upon a rug, in a sumptuous dining-room:

One hand clasped hers—one easily reposed upon my hip—
And "Bless ye!" burst abruptly from Mr. Goodchild's lip:
I raised my brimming eye, and saw in hers an answering gleam—
My heart beat wildly—and I woke, and lo! it was a dream.

CHANGED

I know not why my soul is racked;
Why I ne'er smile, as was my wont
I only know that, as a fact,
I don't.

I used to roam o'er glen and glade,
Buoyant and blithe as other folk,
And not unfrequently I made
A joke.

A minstrel's fire within me burned;
I'd sing, as one whose heart must break,
Lay upon lay—I nearly learned
To shake.

All day I sang; of love and fame,
Of fights our fathers fought of yore,
Until the thing almost became
A bore.

I cannot sing the old songs now!
It is not that I deem them low;
'Tis that I can't remember how
They go.

I could not range the hills till high
Above me stood the summer moon:
And as to dancing, I could fly
As soon.

The sports, to which with boyish glee
I sprang erewhile, attract no more:
Although I am but sixty-three
Or four.

Nay, worse than that, I've seemed of late
To shrink from happy boyhood—boys
Have grown so noisy, and I hate
A noise.

They fright me when the beech is green,
By swarming up its stem for eggs;
They drive their horrid hoops between
My legs.

It's idle to repine, I know;
I'll tell you what I'll do instead:
I'll drink my arrowroot, and go
To bed.

THOUGHTS AT A RAILWAY STATION

'Tis but a box, of modest deal;
Directed to no matter where:
Yet down my cheek the teardrops steal—
Yes, I am blubbering like a seal;
For on it is this mute appeal,
"With care."

I am a stern cold man, and range
Apart: but those vague words "With care"
Wake yearnings in me sweet as strange:
Drawn from my moral Moated Grange,
I feel I rather like the change
Of air.

Hast thou ne'er seen rough pointsmen spy
Some simple English phrase—"With care"
Or "This side uppermost"—and cry
Like children? No? No more have I.
Yet deem not him whose eyes are dry
A bear.

But ah! what treasure hides beneath
That lid so much the worse for wear?
A ring perhaps—a rosy wreath—
A photograph by Vernon Heath—
Some matron's temporary teeth
Or hair!

Perhaps some seaman, in Peru
Or Ind, hath stowed herein a rare
Cargo of birds'-eggs for his Sue;
With many a vow that he'll be true,
And many a hint that she is too—
Too fair.

Perhaps—but wherefore vainly pry
Into the page that's folded there?
I shall be better by-and-by:
The porters, as I sit and sigh,
Pass and repass—I wonder why
They stare!

"FOREVER"

Forever! 'Tis a single word!
Our rude forefathers deemed it two;
Can you imagine so absurd
A view?

Forever! What abysms of woe
The word reveals, what frenzy, what
Despair! For ever (printed so)
Did not.

It looks, ah me! how trite and tame;
It fails to sadden or appall
Or solace—it is not the same
At all.

O thou to whom it first occurred
To solder the disjoined, and dower
Thy native language with a word
Of power:

We bless thee! Whether far or near
Thy dwelling, whether dark or fair
Thy kingly brow, is neither here
Nor there.

But in men's hearts shall be thy throne,
While the great pulse of England beats:
Thou coiner of a word unknown
To Keats!

And nevermore must printer do
As men did long ago; but run
"For" into "ever," bidding two
Be one.

Forever! passion-fraught, it throws
O'er the dim page a gloom, a glamour:
It's sweet, it's strange; and I suppose
It's grammar.

Forever! 'Tis a single word!
And yet our fathers deemed it two:
Nor am I confident they erred;—
Are you?

Full Contents of Smith Letter

Respected and Honored Madam:

Having long and vainly sought an opportunity to convey to you the expression of my sentiments, I now avail myself of the privilege of epistolary communication to acquaint you with the fact that the Emotions, which you have raised in my breast, are those which should point to Connubial Love and Affection rather than to simple Friendship. In short, Madam, I have the Honor to approach you with a Proposal, the acceptance of which will fill me with ecstatic Gratitude, and enable me to extend to you those Protecting Cares, which the Matrimonial Bond makes at once the Duty and the Privilege of him, who would, at no distant date, lead to the Hymeneal Altar one whose charms and virtues should suffice to kindle its Flames, without extraneous Aid

I remain, Dear Madam,
Your Humble Servant and
Ardent Adorer, J. Smith.

(return)

FOOTNOTES:

Sough.

[1]

Stagger.

[2]

Fire, or fireplace.

[3]

By-and-by.

[4]

Careful.

[5]

Inquires.

[6]

News.

[7]

Makes.

[8]

Diligent.

[9]

Dally.

[10]

Half.

[11]

Into the spence, or parlor.

[12]

Gossips.

[13]

Cows.

[14]

Bashful.

[15]

Sheepish.

[16]

Rest.

[17]

Porridge.

[18]

A white-faced cow.

[19]

Wall.

[20]

Chews her cud.

[21]

Saved.

[22]

Cheese.

[23]

Twelvemonth.

[24]

Flax was in flower.

[25]

Gray locks.

[26]

Chooses.

[27]

Increases.

[28]

Pope's 'Windsor Forest.'

[29]

Pope's 'Essay on Man.'

[30]

Spirited fellow.

[31]

Fool.

[32]

Hurrying run.

[33]

The plow-spade.

[34]

An ear of corn in twenty-four sheaves—that is, in a thrave.

[35]

Frail.

[36]

Build.

[37]

Aftermath.

[38]

Bitter.

[39]

Holding.

[40]

Endure.

[41]

Crevice.

[42]

Alone.

[43]

Dust.

[44]

Peeped.

[45]

Shelter.

[46]

Barren.

[47]

Fellows.

[48]

Thirsty.

[49]

Road.

[50]

Ale.

[51]

Gates or openings through a hedge.

[52]

Good-for-nothing fellow.

[53]

Nonsensical.

[54]

Chattering fellow.

[55]

Grain sent to the mill to be ground; i.e., that every time he carried the corn to the mill he sat to drink with the miller.

[56]

Nag that required shoeing.

[57]

Jean Kennedy, a public-house keeper at Kirkoswald.

[58]

Makes me weep.

[59]

Fire.

[60]

Foaming ale.

[61]

Shoemaker.

[62]

Roar.

[63]

Rode carelessly.

[64]

Ghosts, bogies.

[65]

Owls.

[66]

Was smothered.

[67]

Crevice, or hole.

[68]

Twopenny ale.

[69]

Whisky.

[70]

Drink.

[71]

Frothed, mounted.

[72]

A small old coin.

[73]

Window-seat.

[74]

Shaggy dog.

[75]

Made them scream.

[76]

Shake.

[77]

Spell.

[78]

Irons.

[79]

Mouth.

[80]

Stared.

[81]

Caught hold of each other.

[82]

Old hag.

[83]

Reeked with heat.

[84]

Cast off.

[85]

Clothes.

[86]

Tripped.

[87]

Chemise.

[88]

Greasy flannel.

[89]

Manufacturers' term for linen woven in a reed of 1700 divisions.

[90]

Breeches.

[91]

Gallows-worthy.

[92]

Wean.

[93]

A crutch—a stick with a crook.

[94]

Quoted from Allan Ramsay.

[95]

Barley.

[96]

Short shift or shirt.

[97]

Very coarse linen.

[98]

Proud.

[99]

Bought.

[100]

Cower—sink.

[101]

Loses.

[102]

Fuss.

[103]

Hive.

[104]

Unearthly.

[105]

I cannot conceive what made the accurate Niebuhr fall into the strange error that "apparitions are unknown in Arabia." Arabs fear to sleep alone, to enter the bath at night, to pass by cemeteries during dark, and to sit amongst ruins, simply for fear of apparitions. And Arabia, together with Persia, has supplied half the Western World—Southern Europe—with its ghost stories and tales of angels, demons, and fairies. To quote Milton, the land is struck "with superstition as with a planet."

[106]

Zoë mou, sas agapo: "My life, I love you."

[107]

Homer.

[108]

Anacreon.

[109]

"Certaminis gaudia"—the expression of Attila in his harangue to his army, previous to the battle of Châlons.

[110]

Milo of Croton.

[111]

Sulla.

[112]

The Emperor Charles V., who abdicated in 1555.

[113]

Dionysius of Sicily, who, after his fall, kept a school at Corinth.

[114]

Modern Besançon.

[115]

Modern Auvergne.

[116]

Modern Le Roüergue.

[117]

Inasmuch as he was not a Roman, but a Gaul.

[118]

The Ubii were situated on the west side of the Rhine. Cologne is supposed to occupy the site of their capital.

[119]

Transcriber's Note

A number of typographical errors have been corrected and these corrections highlighted. Otherwise, editor's archaic spelling and punctuation style preserved.

Sections in Greek will yield a transliteration when the pointer is moved over them, like προβατογνωμων.

The Frontispiece image is from the scanned image of public domain material from the Google Print project for this text, printed in 1897.

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Table of Contents

LIBRARY OF THE WORLD'S BEST LITERATURE ANCIENT AND MODERN

THE ADVISORY COUNCIL

TABLE OF CONTENTS

- VOL. VII

FULL-PAGE ILLUSTRATIONS

- VOLUME VII

- VIGNETTE PORTRAITS

HENRY CUYLER BUNNER

- TRIOLET
- THE LOVE-LETTERS OF SMITH
- THE WAY TO ARCADY
- CHANT-ROYAL
- ENVOY

JOHN BUNYAN

- THE FIGHT WITH APOLLYON

- THE DELECTABLE MOUNTAINS

- CHRISTIANA AND HER COMPANIONS ENTER THE CELESTIAL CITY

GOTTFRIED AUGUST BÜRGER

- WILLIAM AND HELEN

- THE WIVES OF WEINSBERG

EDMUND BURKE

- FROM THE SPEECH ON 'CONCILIATION WITH AMERICA'

- FROM THE SPEECH ON 'THE NABOB OF ARCOT'S DEBTS'

- FROM THE SPEECH ON 'THE FRENCH REVOLUTION'

FRANCES HODGSON BURNETT

- AT THE PIT

FRANCES BURNEY (MADAME D'ARBLAY)

- EVELINA'S LETTER TO THE REV. MR. VILLARS
- A MAN OF THE TON
- MISS BURNEY'S FRIENDS

ROBERT BURNS

- THE COTTER'S SATURDAY NIGHT
- JOHN ANDERSON, MY JO
- MAN WAS MADE TO MOURN

- GREEN GROW THE RASHES

- CHORUS

- IS THERE FOR HONEST POVERTY
- TO A MOUSE
- TO A MOUNTAIN DAISY
- TAM O' SHANTER
- BRUCE TO HIS MEN AT BANNOCKBURN
- HIGHLAND MARY
- MY HEART'S IN THE HIGHLANDS
- THE BANKS O' DOON

JOHN BURROUGHS

- SHARP EYES

- WAITING

SIR RICHARD F. BURTON

- THE PRETERNATURAL IN FICTION
- A JOURNEY IN DISGUISE
- EN ROUTE

ROBERT BURTON

- CONCLUSIONS AS TO MELANCHOLY
- HORACE BUSHNELL
- WORK AND PLAY
- FROM 'THE AGE OF HOMESPUN'
- THE FOUNDERS
- RELIGIOUS MUSIC

SAMUEL BUTLER

- HUDIBRAS DESCRIBED

LORD BYRON

- MAID OF ATHENS
- TRANSLATION OF A ROMAIC SONG
- GREECE
- THE HELLESPONT AND TROY
- GREECE AND HER HEROES
- THE ISLES OF GREECE
- GREECE AND THE GREEKS BEFORE THE REVOLUTION
- TO ROME
- THE COLISEUM
- CHORUS OF SPIRITS
- VENICE

- ODE TO VENICE

- I
- II
- III
- IV

- THE EAST
- ORIENTAL ROYALTY
- A GRECIAN SUNSET
- AN ITALIAN SUNSET
- TWILIGHT
- AN ALPINE STORM
- THE OCEAN
- THE SHIPWRECK
- LOVE ON THE ISLAND
- THE TWO BUTTERFLIES
- TO HIS SISTER
- ODE TO NAPOLEON
- THE BATTLE OF WATERLOO
- MAZEPPA'S RIDE
- THE IRISH AVATÀR

- THE DREAM

- I
- II
- III
- IV
- V
- VI
- VII
- VIII
- IX

- SHE WALKS IN BEAUTY
- THE DESTRUCTION OF SENNACHERIB
- FROM 'THE PRISONER OF CHILLON'

- PROMETHEUS

- I
- II
- III

- A SUMMING-UP

- ON THIS DAY I COMPLETE MY THIRTY-SIXTH YEAR

FERNAN CABALLERO

- THE BULL-FIGHT

- IN THE HOME CIRCLE

GEORGE W. CABLE

- "POSSON JONE'"

CAIUS JULIUS CÆSAR

- THE DEFEAT OF ARIOVISTUS AND THE GERMANS

- ON THE MANNERS AND CUSTOMS OF ANCIENT GAULS AND GERMANS

- THE TWO LIEUTENANTS

- EPIGRAM ON TERENTIUS

THOMAS HENRY HALL CAINE

- PETE QUILLIAM'S FIRST-BORN

PEDRO CALDERON

- THE LOVERS
- CYPRIAN'S BARGAIN
- DREAMS AND REALITIES
- THE DREAM CALLED LIFE

JOHN CALDWELL CALHOUN

- REMARKS ON THE RIGHT OF PETITION
- STATE RIGHTS
- ON THE GOVERNMENT OF POLAND
- URGING REPEAL OF THE MISSOURI COMPROMISE

CALLIMACHUS

- HYMN TO JUPITER
- EPITAPH
- EPIGRAM
- EPITAPH ON HERACLEITUS
- EPITAPH
- THE MISANTHROPE
- EPITAPH UPON HIMSELF
- EPITAPH UPON CLEOMBROTUS

CHARLES STUART CALVERLEY

- FROM 'AN EXAMINATION PAPER'
- BALLAD
- LOVERS, AND A REFLECTION
- VISIONS
- CHANGED
- THOUGHTS AT A RAILWAY STATION
- "FOREVER"

Full Contents of Smith Letter
FOOTNOTES:
THE FULL PROJECT GUTENBERG™ LICENSE