The Project Gutenberg eBook of Franz Schubert : The Story of the Boy Who Wrote Beautiful Songs

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Franz Schubert : The Story of the Boy Who Wrote Beautiful Songs

Author: Thomas Tapper

Release date: January 25, 2011 [eBook #35070]

Most recently updated: January 7, 2021

Language: English

Other information and formats: www.gutenberg.org/ebooks/35070

Credits: Produced by Juliet Sutherland, Ernest Schaal, and the

Online Distributed Proofreading Team at https://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK FRANZ SCHUBERT : THE STORY OF THE BOY WHO WROTE BEAUTIFUL SONGS ***

HOW TO USE THIS BOOK

THIS book is one of a series known as the CHILD'S OWN BOOK OF GREAT MUSICIANS, written by Thomas Tapper, author of "Pictures from the Lives of the Great Composers for Children," "Music Talks with Children," "First Studies in Music Biography," and others.

The sheet of illustrations included herewith is to be cut apart by the child, and each illustration is to be inserted in its proper place throughout the book, pasted in the space containing the same number as will be found under each picture on the sheet. It is not necessary to cover the entire back of a picture with paste. Put it only on the corners and place neatly within the lines you will find printed around each space. Use photographic paste, if possible.

After this play-work is completed there will be found at the back of the book blank pages upon which the child is to write his own story of the great musician, based upon the facts and questions found on the previous pages.

The book is then to be sewed by the child through the center with the cord found in the enclosed envelope. The book thus becomes the child's own book.

This series will be found not only to furnish a pleasing and interesting task for the children, but will teach them the main facts with regard to the life of each of the great musicians—an educational feature worth while.

This series of the Child's Own Book of Great Musicians includes at present a book on each of the following:

Bach

Grieg

Mozart

Beethoven

Handel

Nevin

Brahms

Haydn

Schubert

Chopin

Liszt

Schumann

Dvořák

MacDowell

Tschaikowsky

Foster

Mendelssohn

Verdi

Wagner

Printed in U. S. A.

Franz Schubert

The Story of the Boy Who Wrote

Beautiful Songs

This Book was made by

Philadelphia

Theodore Presser Co.

1712 Chestnut Str.

Copyright, 1916, by THEO. PRESSER CO.

Printed in the U.S.A.

BORN

DIED

The Story of the Boy Who Wrote

Beautiful Songs.

One might say of Schubert that he was born with a spring of melody in his heart and a song on his lips.

Can anyone make a melody more lovely than this?

FROM SCHUBERT'S SONG "TROUT." Listen

Play it or have someone play it to you.

Is it not worth remembering all one's life?

Schubert composed many kinds of music, but his songs are most loved by everybody.

They are sung all over the world.

And just because he never let a song come from his lips that did not first come from his heart.

Is not this a jolly one?

FROM SCHUBERT'S SONG "WANDERING." Listen

Schubert's full name was FRANZ PETER SCHUBERT.

He was born in Vienna, in a very simple house that looks quite old-fashioned.

Over the doorway there is a bust of Schubert, a few inches high.

And a sign on the house says: Franz Schubert's Birthplace.

FRANZ SCHUBERT'S BIRTHPLACE.

Dates are easy to remember if we write them. So you must ask your teacher when Schubert was born and put in the date in the next sentence.

Franz Schubert was born in.........

At that time the great American authors Washington Irving, James Fenimore Cooper, and William Cullen Bryant were all boys.

IRVING.

COOPER.

BRYANT.

You may not know so much about them now, but some day they will be quite as good friends as any you will ever make.

Even though these boys were a little older than Franz Schubert, let us always think of them together.

Then, of course, we should think of Schubert together with the composers who lived when he did.

Here are some whose names you can remember very easily.

VON WEBER.

ROSSINI.

CZERNY.

DONIZETTI.

Czerny was born in the year 1794, and wrote many studies for the piano.

How much older was he than Franz Schubert?

Von Weber wrote operas and conducted them himself. He was born eleven years before Schubert.

Rossini was an Italian composer of operas, born in 1792, five years before Schubert. Schubert's life was so short, however, that Rossini lived forty years longer than the great song writer.

Donizetti was an Italian opera composer. One of his well-known operas was Lucia di Lammermoor. He was born in 1797, just as Schubert was.

Franz's father was a schoolmaster, and so was Franz himself for three years.

He taught the little children of Vienna their A-B-C's, and how to do sums. Of course, he helped them to learn to read.

Sometimes we find it quite hard to take one piano lesson or violin lesson a week.

But from the time when Franz Schubert was a very little boy he had lessons every week for violin, voice, and piano.

A little later he began to study harmony with a very famous man who knew Mozart. His name was ANTONIO SALIERI.

ANTONIO SALIERI.

With so many lessons and with school work just as we have it, Franz must have been a very busy boy.

He was quite poor and often very hungry; but in spite of that he was always good natured and full of fun.

At eleven years of age he became a singer in the chapel of the Emperor. It was here that Salieri was director.

Franz sang in the choir until he was nearly seventeen. Then he became a schoolmaster, because, of course, he had to earn his living.

Wherever he was Franz was thinking music and composing it. Once he wrote a song called The Serenade at a table outside an inn.

An artist has made a picture of this.

SCHUBERT WRITING "THE SERENADE."

Once Schubert was seen by his boyhood friends busily writing a new song. So quick did he write that the ink was hardly dry on one sheet before the next one was done. He was writing the music to a beautiful fairy poem by the great German poet Goethe. The poem is called The Erl-King, and tells how the fairy Erl-King chases a father who is rushing on horseback with his dying child in his arms. Finally, just as the father reaches his courtyard the child dies. It is a beautiful song sung by the greatest singers.

Goethe, the great poet, is not known to have met Schubert. He paid little attention to his music.

Here is his picture.

JOHANN WOLFGANG GOETHE.

Sometime you will learn about Joseph Haydn, who died in Vienna when little Franz was twelve years old. Papa Haydn, as he was called, was music master in a famous family called the Esterhazys.

Let us put a picture of Joseph Haydn here just to remember that he was an old man of seventy-seven when little Franz was a boy of twelve.

JOSEPH HAYDN.

Well, Franz Schubert also lived for a time with the Esterhazy family. He was piano teacher to the children of Count Johann. Franz was then twenty-one years old.

In what year was he twenty-one?

A good friend of Schubert's was Michael Vogl. He was a famous singer, who did all he could to make Schubert's songs known.

They took little vacation trips together and were good companions. When you read more about this singer's friendship for Franz Schubert you will like him for being so kind to one who had very little pleasure in life.

He looks like a good friend even in a picture—do you not think so?

SCHUBERT ACCOMPANYING VOGL AS HE SINGS.

Once when Schubert and Vogl were enjoying a vacation tour in the mountains, Franz read Scott's Lady of the Lake, which was printed in the year 1810, when Schubert was thirteen years old.

Schubert set some of this poem to music. A fact you will remember when you read it in school.

Perhaps you could remember at the same time that Scott was a little older than Schubert and just one year younger than Beethoven.

Beethoven lived in Vienna at that time and Schubert with two friends went to see him. Beethoven was very deaf, and those who met him had to write down what they wanted to say with a large pencil, such as is used by carpenters. Schubert was so modest and nervous upon meeting the great master that he could not even write his replies.

Here is the picture of the way Beethoven looked as he walked down the street in those days:

BEETHOVEN IN VIENNA.

Once when Schubert was very ill a friend sent him some books to read. They were The Last of the Mohicans, The Spy, The Pilot, and The Pioneer.

Now these books were written by the American author, whose name you must find for yourself.

SCHUBERT'S WORK ROOM.

See what a simple work room Schubert had. Here are his Clavier and chair and a few books.

Schubert had music in his mind and soul all the time. It is said that one of his favorite walks was down by a mill, where he was inspired to write some beautiful songs.

SCHUBERT BY THE MILL IN THE WOODS.

This is the way that Franz Schubert wrote his name.

FACTS ABOUT FRANZ PETER SCHUBERT.

When you have read this page and the next make a story about Schubert's life. Write it in your own words. When you are quite sure you cannot improve it, copy it on pages 14, 15, and 16.

1. Schubert was born in Vienna.

2. His birthday was January 31, 1797.

3. He died in Vienna in 1828.

4. When Schubert was born Beethoven was twenty-seven years old.

5. Schubert was a schoolmaster.

6. He had his first music lessons from his father, who was also a schoolmaster and who played the violin.

7. His brother taught him to play the piano, and he studied singing so as to join the Emperor's Choir.

8. Then he studied harmony with a famous man named Salieri.

9. When Franz was thirteen he composed two piano pieces, at fourteen he wrote two songs, and when he was sixteen he wrote a symphony.

10. When he was eighteen Franz wrote more than a hundred songs.

11. He composed The Erl-King when he was nineteen.

12. In all, Schubert wrote over six hundred songs, lots of piano pieces, nine symphonies, and many other compositions.

13. What other composer also wrote nine symphonies? Perhaps you may not know this; if not, ask your teacher.

14. Schubert made many good friends.

15. With them and his music he found all his happiness.

16. Once when he was very ill he read some books by an American author. Do you remember the author's name?

17. Do you remember the name of any one of the books?

18. One of Schubert's most beautiful symphonies was called The Unfinished, because he did not live to complete it.

TEN QUESTIONS ABOUT SCHUBERT.

1. Where was Schubert born?

2. When was Schubert born?

3. Name two American authors who were boys when Schubert was born.

4. Name two composers who lived at the same time.

5. What was the father of Franz Schubert?

6. Who taught Schubert harmony?

7. Give the name of a famous song by Schubert.

8. What famous musician died in Vienna when Schubert was twelve years old?

9. Who was the noted singer who helped to make Schubert's songs famous?

10. When did Schubert die?

THE STORY OF FRANZ PETER SCHUBERT

Written by.......................................

On date..........................................

Transcriber's Notes:

On page 7, "WOLFANG" was replaced with "WOLFGANG"

*** END OF THE PROJECT GUTENBERG EBOOK FRANZ SCHUBERT : THE STORY OF THE BOY WHO WROTE BEAUTIFUL SONGS ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

[Pg 3]

[Pg 4]

[Pg 5]

[Pg 6]

[Pg 7]

[Pg 8]

[Pg 9]

[Pg 10]

[Pg 11]

[Pg 12]

[Pg 13]

[Pg 14]

THE FULL PROJECT GUTENBERG™ LICENSE