Rhymes of the Rockies
Author: Unknown
Date: 2016-08-30T00:00:00+00:00
Keywords: Rocky Mountains -- Poetry

The Project Gutenberg eBook of Rhymes of the Rockies

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Rhymes of the Rockies

Creator: James W. Whilt

Release date: August 31, 2016 [eBook #52951]

Language: English

Other information and formats: www.gutenberg.org/ebooks/52951

Credits: Produced by Al Haines

*** START OF THE PROJECT GUTENBERG EBOOK RHYMES OF THE ROCKIES ***

Title page

RHYMES
of the

ROCKIES

BY

JAMES W. WHILT

SECOND EDITION

COPYRIGHT, 1922
BY
JAMES W. WHILT
JERRY G. MASEK

W. B. CONKEY COMPANY
CHICAGO
THE HAMMOND PRESS

Printed in the United States of America

PREFACE

Having spent the major part of my life in the Rocky Mountains as timber cruiser, packer, trapper and guide, I have learned to love their beauty and grandeur; enjoy their solitude and feel that they are a part of me.

It is there one can breathe the air of the Great Out Doors and gaze on mountains and glaciers whose never ending chain stretches into space and to listen to the waterfall's laughter. Where the denizens of the wild roam unmolested as they did for ages past, when man first came to this Virgin Paradise. Where camp-fires still glow at eventide,—their smoke wreaths adding incense to the freshness of the air.

While my words cannot express even in one detail the beauty as I see it, I truly and sincerely hope these few humble rhymes will paint in your mind a mental picture that time itself may impair but not erase.

With these thoughts ever vividly before me, I dedicate this book to the Rocky Mountains and their "wonder child"—the Glacier National Park.

JAMES W. WHILT.

Eureka, Montana
May 25, 1922

CONTENTS

Adventurer's Luck
Au Revoir
Cabin of Mystery, The
Call of Nature, The
Chinook Wind, The
Ed Enders' Grave
Indian Trails
Lark Song, The
Memory's Camp-Fire
Moonlight
My Blanket-Roll
My Dream
My Garden
My Jewels
My Request
My Rhymes
Old Frying Pan, The
Pack Train, The
Pale Horse, The
Passing of the Range
Place Where I Was Born, The
Rainy Day, The
Rainstorm, The
Silent Voices of the Night
Snowstorm, The
Springtime
Streamlet, The
To the Robin
Trapper's Story, The
Trapper's Trail, The
When the Leaves Commence to Fall
Winter

RHYMES OF THE ROCKIES

MY RHYMES

THE TRAPPER'S TRAIL

Only a scar on a sapling

That is almost overgrown;

A withered snag far up the stream

Where the ax marks still are shown.

This tells 'tis the trail of a trapper

Made many years ago,

So I take up the trail and follow,

And I care not where I go.

I follow the trail through the foothills,

To me 'tis as plain as a road,

For I've spent many years in the forest

And know me the trappers' code.

And I read as I follow this trapper,

That whoever trapped this line

Was a tried and true knight of the hills,

And I call him a friend of mine.

I knew where to look for his lynx sets,

And I found them, every one;

I found where he'd slept in his lean-to

When his day's long hike was done.

Then the trail led far up the mountain

Where the spruce grew dark and tall;

And there were his sets for the martin,

Using the old dead-fall:

For the traps were too heavy to carry

So far up that mountain's deep snow;

Then the trail dipped over the summit

And into the basin below.

Then my mind began to ponder

On this unknown friend of mine,

Who had sought the peace of the forest

And the whisp'rings of the pine.

Perhaps 'twas fate that led him

To seek a trapper's trade;

Perchance 'twas his love for the silence,

For a trapper is born—not made.

It takes men with hearts of iron

Who dare to face the wild;

Men with the hearts of warriors bold,

And the faith of an innocent child.

At last I came to his cabin,

Now mouldering to decay,

And there on some poles in a corner

The bones of the trapper lay;

His rusted gun beside him,

Reclined upon a log,

And there on a moulded deer-skin

Were the bones of his faithful dog.

Pals they had lived together

And pals together had died;

Let us hope they're still pals together,

Across on the other side.

MY GARDEN

I have seen many beautiful gardens,

Gardens that were tended with care,

With roses, violets and tulips,—

They each have their fragrance so rare.

But the garden most lovely to me

Is one where few men have trod;

'Tis a meadow high up in the mountains,

And I call it the Garden of God.

Fenced in by mighty rock-walls

And forests of evergreen pine,

There is no one else to claim it,

So I call this garden mine.

There are hair-bells, oh! so dainty

Suspended on thread-life stem,

And the blossoms full of mountain dew

Makes each a perfect gem.

And such tiny lady-slippers,

The kind the Fairies wear,—

Me-thinks 'tis a sacred garden,

There is such sweet incense there.

There the bear-grass plumes are waving

In the cool and fragrant breeze,

And the wood's orchestra is playing

Close by in the tall larch trees.

The partridges' drum is beating

On a log so very near,

And shy violets are peeping,—

Me-thinks they came up to hear.

'Tis then I often wonder

As I gaze on this garden so fair,

How many a blossom's growing

To be wasted upon the air.

But I see that the beautiful flowers

That bloom on this mountain so high,

Are far too sacred for us below

And are beloved by those in the sky.

So I fain would pluck one blossom,

From this sacred garden so sweet,

But I leave them in all their beauty

To bloom at the Maker's feet.

ADVENTURER'S LUCK

Did you ever go a-trapping
Where you knew the fur was plenty,
Where a year ago you could have
Made a bunch of "jack"?
Next fall you got in early,
Built your cabin in a hurry,—
Then didn't even find a weasel track?

Did you ever go prospecting
Where the gold was found in millions,
And even every musher
Had made a pile of wealth?
And you worked just like a beaver
Cause you felt you couldn't leave 'er,
And all you got was badly broken health?

Did you ever go a-fishing
When the weather,—it was perfect!
And you gathered up your tackle
And had it fixed just right:
And you whipped the streams and bait-fished
And maybe swore a little,
And then you never even got a bite?

Did you ever go a-hunting
When the woods were damp and gloomy,
Where everything was stillness
And everywhere a trail,
And you traveled over ridges,
Through the hollows, round the ledges
And then you never even glimpsed a tail?

But such is luck I find it,
And the fellow who stays by it
Will at last succeed and win the day:
Be he trapper, or prospector,
Be he fisherman, or hunter,
I have always found it
That it's pluck that wins the day.

THE LARK SONG

This morn at dawn I woke,

The rain beat its tattoo,

And through the dewy, fragrant air

A lark's song whistled through:

And while he sang his song so true,

Then sang my soul's refrain;

"Oh! may my heart, like yours, dear bird,

Sing ever through the rain."

And when the sky of life seems grey,

The sun itself seems very dark,

And all ahead is black despair,

I bethink me of the lark.

And always have I found this fact;

However low the clouds may drop—

The sun is always shining clear

Upon the highest mountain top:

So we should look away beyond

The things upon this world below,

And sing our praises unto Him

Who makes the rain and snow:

And ever as I travel on

Upon this life's uncertain road,

I meet with fellows every day

Who carry just as big a load.

No matter if the sky is dark,

Or if it rains the whole day long,

God's messenger from out the sky

Is pouring forth his little song.

THE TRAPPER'S STORY

The trapper sat in his cabin

With grizzled beard and hair,

Yet straight as any soldier's

Were his massive shoulders square.

Eyes as clear as a mountain spring

That could pierce you at a glance,

Sharp as a pointed arrow

Or Indian warrior's lance.

"Pard, will you kindly tell me

Why you seek the hills,

Why you love the solitude

The lakes and crystal rills?

I don't want to be inquisitive,

Or pry into your life,

But;—did you ever have a sweetheart,

Did you ever have a wife?"

The trapper turned his eyes on me,

'Twas with a friendly smile:—

"Yes, Pal, I had a sweetheart,

Also a wife and child.

We had a little cabin,

With plenty to wear and eat;

We were richer far than any king,

'Twas love so pure and sweet.

And Oh! how she loved the forest,

And how she would sing all day;

Happier far than the spotted fawns

That on yonder hillside play.

Then she told me the news one evening,

That made me feel so proud;

A child was soon to crown our joy;

Say;—I walked along a cloud!

Now, Pard, I can't explain to you,—

How am I going to tell

Of the joy within our cabin

That we both had loved so well?

But God loves the best and purest,—

Say, my eyes are growing dim—

He took her up to Heaven

Along with Little Jim!

So now I seek the forest

For I know her Spirit is here,

For very often on the trail

I feel her presence near.

And as long as the Creator

Will let me cruise around,

It will always be the woods for me,

I think them sacred ground."

TO THE ROBIN

Dear little, sweet little robin

Dressed in nice grey coat

With your warm red sweater about you

Drawn close around your throat.

With your bright pink stockings,

That you keep so clean;

Don't you ever stain them

In the grass so green?

Eyes so dark and beautiful,

Bright as they can be,

Can spy a worm upon the ground,

And you high in a tree.

And the songs you sing me!

I remember every note,

All so sweet and silver pure,

Warbled from your throat.

When you sing at break of dawn

Heralding the day,

Tell of hearts so young and true

With your sweetest lay.

Then again at eventide

When the sun is low

You sing your sweetest lullaby

Crooning, soft and low.

Then it starts me thinking

Of the One above

Who put you here to sing to us

Telling of His love.

THE PLACE WHERE I WAS BORN

There's a little old log cabin,

And its walls have fallen down,

Snow has broken down its rafters,

Not one log that's left is sound.

The brush obscures the doorway,

Everything looks so forlorn,

'Tis the little old log cabin,

The place where I was born—

Briers o'errun the pathway

Which leads to the crystal spring,

That cradled the tiny brooklet

Where the oriole used to sing.

The hills are fields and pastures

Where I roamed when but a child;

It was all unbroken forest,

And it stretched out far and wild.

The meadows ran in wavelets,

When the wind so wild and free

Blew o'er their level surface

Like a green and billowy sea.

There was childhood's shout and laughter

Within that cabin small;

But to me it was a palace,

With wide and stately hall.

Our pleasures there were sweeter

Than a rose without a thorn,

In that little old log cabin,—

The place where I was born.

Oh!—the little old log cabin!

Where the air was sweet and cool,

Where our school-house was the forest,

And we went to Nature's school;

Could I but re-trace my footsteps

Over life's uncertain road,

Could I go back to that cabin,

Lighter far would be my load.

MY JEWELS

The jewels of life are many,

But the jewel most sacred to me

And the one that I prize the highest,

Is the jewel of memory.

My jewel of love that I cherished,

And cared for day by day,

Faded just like a flower

And finally passed away.

My jewel of hope lost its lustre.

It sparkles for me no more,

Yet it tells me that I will meet her,

Across on the other shore.

My jewel of faith was the smallest,

Yet it's growing year by year,

And as I gaze upon it,

I can feel some presence near.

When I am alone in the twilight,

And weary with cares of the day,

I look out upon the meadows,

Where the fire-flies are at play,—

And I open this cherished casket,

Where I keep these jewels rare,

And when I gaze upon them

My troubles pass into the air.

I like to look up at the stars

That sparkle up above,

And wonder if she is up there,

The one that I fondly love.

Then this jewel I call memory,

So crystal-clear and deep,

I clasp to my breast and hold it,

Till at last I fall asleep.

THE RAINSTORM

Here in the deep tangled forest

All is quiet and still,

While far to the west the thunder,

Re-echoes from hill to hill.

And the lightning's flash, ever vivid,

In great gashes knives the air;

The rain comes down in torrents,

A deluge everywhere!

Bathing the heat-sick flowers

That they may bloom once more;

Painting the grass a greener hue,

That grows by our cabin door;

Making the pastures fresher,

For the cows and shepherd's herds,

Making the pools by the road-side,—

Bath tubs for the birds.

Then the thunder peals louder and louder,

Firing its shrapnel of rain.

The clouds charge after each other,

And the drouth is defeated again.

Then through a rent in the clouds

The sun's searchlight casts its ray,

And the Rain-God looks over the valley

And sees the result of the fray.

And as He sees his conquest,

His victory's flag is unfurled,

In a beautiful colored rainbow,—

He is telling all of the world,

What a victory was his, what a triumph!

It's flashed down the milky way,

Then the sentinel stars dot the heavens,

And the dew-drops sound taps for the day.

MY BLANKET-ROLL

A warm old friend is my blanket-roll

We've been pals for many a year;

And when I look back at the days gone by

I almost drop a tear.

A warmer friend I never had

Than you! old roll of a bed,

And after I've sung all your praises I can,

Not half enough has been said.

You were a friend in summer heat,

A friend in winter's snow;

And whenever the wanderlust seized me,

You were always ready to go.

From the sunny South to the Hudson Bay

Or the land of the Western Sea;

Then to Alaska's frozen shores

You have traveled along with me.

Now you're getting worn, and your tarp is torn,

You have stood too much hard weather;

But I am the same, and it seems a shame,

Yet,—we are growing old together!

You're a good old friend, I will say again,

And you, I will not discard.

And as long as the Lord will let me roam

I will keep you for my pard.

But some day I'll cross to the other side,

Where we all some day must go;

Where there is no wind, or no more rain,

And unheard of is the snow;

And when I take that last long trip

To that eternal goal;

My dying wish is to snuggle up

In you,—my blanket-roll.

THE CHINOOK WIND

There's a soft warm breeze upon the air,

'Tis moaning soft and low,

'Tis cold and chill upon the hill,

Yet it's melting all the snow.

The Indians all tell us,

That many moons gone by

Right here within the mountains,

The North wind it did cry.

The Chinook wind made answer,

And said, "I'm not afraid,"

And then there raged a battle,

For a beautiful Indian Maid.

The Chinook wind was the victor,

The North wind went away,

But the Maiden fair had died of despair,

And deep in her grave she lay.

So every year his voice we hear,

Calling so soft and sweet,

Searching the grave of the one he would save,

Melting the snow at our feet.

'Tis the lover's wind, so the Indians say,

And his heart is ever sad,

But they welcome his coming, every one,

For the North wind is gone and they're glad.

THE PALE HORSE

When I saddle the pale horse, to take my last ride,

To the home ranch, over the Great Divide,
Will I find the trail blazed all the way,
A place to camp, at the close of day?

Will the trail be smooth, and the weather fair?

(For no one has ever come back from there)
But the good book says, if we shoot square,
"Have no fear of the trails over there!"

An unseen hand guides the pale horse straight,

O'er the summit height, to the home ranch gate,

Where we all must meet the Boss Supreme,

And all will be one pleasant dream.

No herding of dogies on frost night,

Or wild stampede in the morning's light.

No cinching of saddles, or shipping of steers.

No sorrow or trouble or bitter tears.

But the sun will shine, and cool breezes blow,

Over a range ever free from snow;
And for those who lived as He who died
To save us riders—that Great Divide

Will be only a foothill, so very low;

That on its summit sweet flowers do grow,

And the trail itself will be smooth all the way,

With a place to camp at the close of day.

When at last I reach that Home Ranch gate,
Peter will say, "You sure shot straight,"
And the gate will open for me, I know,

Saying, "Pull off your saddle, and let him go!"

THE SNOWSTORM

The snow has started falling,

'Tis falling o'er mountain and plain,

The trees bend under their burden,

Shake free, and are draped again.

While I sit here safe in my cabin

Where all is cozy and warm,

I can peer into the future,

And view the woods after the storm.

I can see the deer seeking the low-lands,

In search of their daily food,

I can see the hunter's eyes glisten,

For he knows that the tracking is good.

The lion dogs leap in their kennels,

There is barking and wagging of tails,

The hunter examines his snow-shoes,

And dreams of "kills" and of trails.

The bear trails lead far up the mountain

Where the cliffs are rugged and steep,

And there is some cave in the ledges,

They're beginning their winter's sleep.

They will sleep till the wild geese awaken them,

As they take their Northern flight,

Then again they will seek the hill-sides

Where the sun shines clear and bright.

Now the wild geese honk as they leave us,

Followed close by wind-driven snow;

They are telling all of us trappers,

But, of course, all us trappers know

That whenever the wild geese go homing,

It is time that our traps are set;—

Snow, I have been waiting for you!

You are a welcome visitor—you bet.

SILENT VOICES OF THE NIGHT

When the shades of evening gather,

And night's curtain's dropping low,

And the stars they dot the heavens

With their candles, all aglow;—

Then to me there come the voices

On each cool and fragrant breeze,

Stealing in from every quarter,

Creeping through among the trees.

And these voices, ever silent,

Scarcely heard, their steps so light;

Yet, to me are ever welcome;

Silent voices of the night.

When within the noisy city,

With its surging, busy crowd,

The voices keep a-calling,

And they seem to call so loud.

I can hear them pleading, coaxing,

And to me they call so plain,

And they have the self-same message,

"Yes, we want you back again."

Voices of my little camp-fire,

Voices of the woods and hills,

Voices from the snow-capped mountains,

Voices from the crystal-rills;

And I ever hear them calling,

'Till I feel like taking flight,

Back to where the voices whisper,—

Silent voices of the night.

Oh! those voices, how I love them!

Whether near or far away,

And they ask me not to leave them,

"Won't you please come back and stay?"

"Come and we will try to please you,"

Calling from their wildwood home,

"Yes, my loved ones, I am coming,

And from you no more will roam."

THE PACK TRAIN

Did you hear that far off tinkle

In the canyon far below?

Listen! can't you hear it?

It is ringing very slow.

'Tis the bell upon the lead-mare,

As she's winding up the trail,

Guiding all the other horses,

Hitched to one another's tail.

They are headed for the camps,

Where they've lately made a find;

And the pack trains are all busy

Carrying grubstake to the mine.

Every horse is heavy loaded;

Ask me how that I can tell?

That is easy for the packer,

'Tis the tinkle of the bell.

Away back in the eighties

When they made the Wild Horse strike;—

We were in there with a pack train,

Me and old Pack Saddle Mike.

Mike could throw more knots and hitches

Than an expert sailor's crew,

Was a wizard with a lash-rope,

Knew what every horse could do.

Well, we packed for them there miners,

'Till the weather got so cold

It would freeze the lash-ropes solid,

And 'twas hard to make them hold;

It was hard to cinch a saddle,

Harder still to cinch a pack,

But the cold we never heeded;

We were making piles of "jack."

We left camp one frosty morning,

Started for our winter range;

Two hard days to reach the summit,

Then the weather took a change,

Hurled the snow into our faces,

Cut our eyes like broken glass,

And we had to stop the horses,

While the snow fell thick and fast.

For two days we held the horses

On that mountain in the snow,

While the mercury was flirting

Close to forty or more below.

Well, we had to shoot the horses,

Better far that, than let them die,

Made us snow-shoes from the saddles

And climbed o'er the summit high.

When at last we reached the ranches,

Almost dead from wind and snow;

Mike took down with the pneumonia,

And the next day had to go.

While he lay upon his pillow,

All his body racked with pain,

He'd keep talking of his horses,

Calling each one by its name.

Then he called me to his bedside,

And he said, "I'm going to ride,

And I know I'll find the horses

Over on the other side."

MOONLIGHT

When the moon has climbed the heavens,

And the sun has gone to rest,

And the evening shadows gather,

That's the time I love the best.

Seated by our little camp-fire,

In the forest dark and tall,

With the silence all around us,

Save the roar of water-fall—

Then the deer steal in the meadows,

Velvet shod, so still are they,

While among the waving grass-tops

Spotted fawns are there at play.

Then to me there comes a memory,

Of the days, now past and gone,

When my life was just in blossom,

I was young and life was dawn.

When I roamed the virgin forest,

Just as free as birds that fly,

With the moonbeams for a candle,

And my cover was the sky.

Still the moon shines just as brightly,

And the stars are just as clear,

But I see I'm growing older

Like the ending of the year.

Frost is gathering on my temple,

Soon my hair will be like snow,

But His will we all must follow

And some day we all must go.

Yet, I'm ever, ever hoping

That upon those shores of gold,

We will have the self-same moonlight

As we had in the days of old.

MY DREAM

I dreamed of a beautiful forest

That lies back in the hills,

With lakes of crystal clearness

And such noisy mountain rills.

Where there are no trails of trappers,

Where the game unchallenged roam—

Could I only find that forest,

That's the place I'd call my home.

There were beaver, lynx and marten,

Elk so stately, and so tall,

And such sunlit open hillsides,

And such lovely water-fall.

There was deep grass in the meadows,

There were breezes, sweet and cool,

There were trout, so lazy, swimming

In each clear and crystal pool.

There the birds were singing sweetly

Their sweet, yet plaintive song,

That told me of God's great wonders

There among their happy throng.

There were deer-trails, without number,

Bear-tracks everywhere were seen,

And the squirrels were never silent

In those forests dark and green.

There the wild ducks they were nesting,

There the loon called on the pond,

There the snow-caps rose to sky-line

In the distance far beyond.

Then I was suddenly wakened,

Grabbed by the shoulder so hard,

"Roll out now, breakfast is ready!"

It was Jack, my "bunkie" and "pard."

THE OLD FRYING PAN

You may talk of your broilers, both single and double,

Your roasters and toasters, they're all lots of trouble;

But when out in the hills, just find if you can,

Any kind of a dish like the old frying pan.

Over a campfire you don't need a stove,
Out in the hills, the place we all love,
Such hotcakes they never were tasted by man,
With many the thanks to the old frying pan.

When the trout are all fried to a rich golden brown,

I know old epicures would look, with a frown

At the meal set before me; dispute it who can,

With naught for a plate but the old frying pan.

With the venison cooked, the potatoes all fried,

Bannocks like bed-quilts, with coffee beside,

You could eat till you busted, dispute it who can;

Was dish e'er invented like the old frying pan?

Many a miner, in the good days of old,

Way back in the foothills a-searching for gold

Deep in some creek-bed, for the rich yellow sand,

Has panned out a grub-stake with the old frying pan.

There's been cattle rustlers, when in a great hurry

Used no other iron, but why should they worry,

For many and many and many the brand,

That has been blotched out with an old frying pan.

So your praises I'll shout, both far, wide and high,

That you're the best dish, till the day that I die;

Why, there's many a woman "cleaned up" on her man

With no other club but the old frying pan.

THE RAINY DAY

The hills are smothered in a fog,

The sky is somber-grey,

The rain is coming in a mist,

A cheerless rainy day.

To me the trees are weeping,

With their branches drooping low,

Their tears are steady falling,

With heavy drops, yet slow.

The birds they all are silent,

And not one sweet silvery note,

Re-echoes through the forest,

From our feathered songster's throat.

Not one thing to break the silence,

Save the rain-drops as they fall,

As I watch the clouds roll onward,

Or climb the mountain wall.

And somehow I feel so happy,

Though the world seems full of pain,

So I let my gaze go farther,

When the sun will shine again.

The trees and flowers and grasses,

They will all the fresher seem,

And the laughter will be louder

From the rippling mountain stream.

The birds will sing far sweeter

Than they did in days gone by,

The air will be the fresher,

And of bluer tint the sky.

We all do love the sunshine,

We love the moonlight, too,

We also love the twilight,

And the falling of the dew;

But I never growl or grumble,

Only this I wish to say;—

That this world would be a desert

Without you, oh! Rainy Day!

THE STREAMLET

Tell me little streamlet,

As you onward flow;

Why in such a hurry,

Whither do you go?

The stream slowed up a moment

Within the alder's shade;

"I go to join my brothers,

And of us are rivers made.

We water the hills and meadows,

We turn the mills' great wheel,

We carry logs to the mill-dam,

Where they're cut by teeth of steel.

We furnish power for the motor

That pulls the railroad train;

And after they have used our power,

It is given back again.

So you see we enjoy working,

That's why we laugh all day,

For when one's heart is in one's work,

Why! work is greatest play!

And growing broader and deeper,

We carry ships on our breasts,

'Till at last we reach the ocean,

And there we have time to rest."

ED ENDERS' GRAVE

When old Ed Enders first took ill,
'Twas first a fever and then a chill,
His respiration was very weak,
Throat so clogged he could scarcely speak.

The doctors prescribed all kinds of dope
And hotwater bottles, but had no hope.
Then old Bill Wallace and old Hank Lee,
And old Dad Lyons got on a spree;

And when half full old Bill did cry,
And says, "Old Ed is about to die.
I ain't no doctor, I can't shoot pills,
I've never prescribed for no one's ills

But I do believe we can pull Ed through,

If you all will help me;—I mean you two.

If old Ed dies, just stop and think,

He will never buy us another drink!

He has the money in that there claim,

If we let him die it will be a shame.

Old Ed is a feller no one can ride,

He will always take the other side.

If you say no, why he'll say 'yes'

Just to be contrary up to the last.

So now we'll try old Ed to save,—

A committee of three to pick his grave.

As we can't agree where to make his bed,

We will have to leave it to poor old Ed."

"It will work," says Dad, with a tear in his eye,

"And I for one am ready to try."

Then up spoke Hank, "This ain't no joke,

Fill up the glasses and then we'll smoke."

So the three went down to Old Ed's room,

Faces as solemn as any tomb.

Old Ed says, "Boys, I'm on my way!"

Bill says, "You'll never see the day,

And as we were idle, and time to save,

We've been picking a place to dig your grave.

Now Hank wants to plant you in the shade,

Where the trail climbs up that steepest grade,

For you hunted the shade when the sun was hot,

And the land is worthless in that there spot.

But Dad wants you laid on that sunny slope,

There's a hole all ready in that old stope.

You hunted the sun when the weather was cold,

And he wants you planted in that old hole.

But I says, 'Boys, it is my wish,
To plant him where he liked to fish;
For he always fished at the same old hole,
Too lazy to walk and carry his pole.'

Now Ed, we as a committee of three,

Will leave it to you, we can't agree."

Old Ed looked up from his bed of pain,

Looked at them over and over again.

What he said to them won't do to tell,
At least he said, "You can go to hell!
You won't find the likes wherever you roam,

Rake the hot place over with a fine-tooth comb.

Such a bunch as you,—right here I swear,

Pick what you damn please, I won't be there."

Now listen, dear folks, I am here to tell,

In just three days old Ed got well.

SPRINGTIME

When sun begins to melt the snow

And the birds commence to sing,

And the days are getting longer,

Then we know 'tis surely spring.

It is then you get a fever,

But your temp'ture does not raise,

It's a kind of lazy feeling

On those balmy warm spring days.

And it starts your mind to working,

While your thoughts commence to stray,

To the hills and lakes and rivers,

And green woodlands far away.

And it makes you feel so drowsy

That you long to go to sleep,

Out beneath some tall green pine tree,

Where the shadows cool and deep

Just seem to be a-calling,

While the stream beneath the hill

Is chuckling with glad laughter,

And I seem to hear it still.

'Tis then memory breaks its halter

And stampedes and starts to go,

Till it stops in childhood's pasture

In the days of long ago;

Where the birds were all a-singing,

Songs so rare and pure and sweet,

Squirrel's chatter in the tree-tops,—

Flowers blooming at your feet.

Then the city seems a prison,

While brick walls like prison bars,

Seem to reach clear up to heaven,

Till they mingle with the stars.

Still I do not call a doctor,

For he cannot ease, I know,

Any longings for the wildwood

Of the days of long ago.

THE CALL OF NATURE

My traps are getting rusty

Here upon my cabin wall;

The leaves are turning golden,

'Tis already early fall.

My snow-shoes need repairing,

And so does my canoe;

My dogs are begging, coaxing,

And there's just one thing to do.

I'll have to quit this cruising,

And a-looking over land,

And lay aside my compass,

They can get another man.

For a section-line can't hold me,

I despise a "bearing" tree,

When I hear the wild geese honking,

And I know they're calling me.

I'll go back into the mountains,

Back of Uncle Sam's survey,

Where the only line's a trap-line,

And I'm going there to stay;

Where the only trails are game-trails,

Where the moose unchallenged roam,

There I'll build for me a cabin

And I'll call that cabin "home."

In the wildest, greenest forest,

That no man has come to spoil,

With his sawmills and his railroads,

And his many slaves of toil—

Where the streams are not polluted,

Stopped by dams of mine or mill,

Where everything is Nature's

And the rush of life is still.

So I'll send my resignation,

And I know the Boss will say,

"Won't you stay until the winter,

And of course, we'll raise your pay."

But no salary can hold me,

I have heard that line before;—

So here's good-bye to cruising

From today for evermore.

MY REQUEST

When I leave this old dreary world

To cross to the Great Unknown;

Don't bury me in a costly tomb

Or raise a shaft of stone—

But lay me on some hill-side,

Mid the forest that I love;

Where the wild flowers bloom around me

And the eagle soars above:

With an ancient ledge above me,

One that is all moss-grown;

These words inscribed upon it,

"He is one of Nature's own.

One who loved the forest,

One who loved the hills,

Although his soul has taken flight,

His foot-steps echo still."

MEMORY'S CAMP-FIRE

Come with me to the forest tall,

And spend a few of autumn days,

And study nature at first hand,

Learn how they lived in early days.

Take up your pack and rod and gun,

And once again to seek the wild,

Leave all your sorrows far behind,

And be as carefree as a child.

Then memory's camp-fire kindle bright

And as you feel its friendly blaze,

Just let your mind go back o'er time

To happy scenes of early days.

When you yourself were but a child

That roamed at will the woodland o'er;

Oh! how your heart did exultant leap

Always new country to explore.

Then take your gun from memory's rack

Which for many moons has forgotten hung

And see if you again can sing,

The songs that for years, you've left unsung.

Then tell some tale of early days

Of when you hunted in the glade,

Or when you caught the bear asleep,

Or lured the trout from the alder shade.

And as each spark arises high

From this camp-fire's golden light,

The moon will shed its yellow rays

On distant snow-caps clear and bright.

And should these lines make you recall

Some happy days 'neath skies so fair,

To me this little camp-fire smoke

Will be sweet incense on the air.

INDIAN TRAILS

Creeping along the mountain,

Or winding along the stream,

Each year growing dimmer and dimmer,

Then fading away like a dream—

Almost impossible to follow,

Still in the days long ago,

These trails were the only highways

And whither did they go?

Some lead deep in the forest

Where they hunted the deer and bear,

Where they dried the meat for food

And skins made them clothes to wear.

While some lead to lakes and rivers

Where the loon and wild geese call,

To rice-fields in late October

When the snow commenced to fall,—

While some climbed high on the mountain

Where the huckleberries grew,

And ripened upon the sunny slopes,

Sweetened by mountain dew,—

Others found way to the border tribes

Where the war-whoops loud and shrill,

Echoed along the cliffs and crags,—

Me-thinks I can hear them still.

Now only a scar on some tree remains

Of the trails of the long ago,

The summer comes, the fall appears,

With winter's frost and snow.

And as each season passes,

Leaves dimmer every trace,

I can see the trails a-passing,

The same as the Indian race.

WINTER

Winter has descended o'er mountain and hill,

His mantle of snow has spread;

The grass and flowers are withered and brown,

The leaves on the bushes are dead.

The streams all are silent in icy embrace,

They are held in his bondage so strong:

Not even one faint murmur is heard,

Where they laughed so loud and so long.

The trees are draped in a mantle of snow,

That clings to their boughs like a shroud,

And the mountains cold and still and white

Appear like a light fleecy cloud.

The cattle have come from their good summer range,

The sheep have all entered the fold,

Winter, they know, is starting its slumber,

And the wind is so searching and cold.

The logs in the fire-place crackle and glow—

Our cabin's all cozy and warm,

The dogs are a-sleeping,—content as can be,

So why worry o'er winter's storm.

PASSING OF THE RANGE

Today as I gaze o'er the prairie

That stretches away into space,

I look back only a few short years

At the change that's taken place.

When I was one of the cowboys,

All our time was spent on the range;

Now I don't see even one rider,—

'Tis then I feel lonesome and strange.

No trail-herds with plaintive lowing,

No shouting, or singing to steers,

No sound of horses mad galloping,—

It almost moves me to tears.

For then we rode stirrup to stirrup,

While the jingle of spurs played a tune;

Oh! could I go back to the round-up

For a day at the cow-camp in June.

When the grass was so green on the prairie,

With the cattle all sleek and so fat,

Each rider all dressed for hard riding,

With high heels and chaps and wide hat.

Each with his string of horses,

Some broken and others half wild,

The wilder the better he liked them,

Happy and carefree as a child;—

Wild as the steers that they wrangled,

Hardy as the bronchos they rode,

Ready to take others' troubles,

Or carry another one's load.

Those were the real days I tell you—

Night-herding by light of the stars;

Three weeks drive to the stockyards

Where we loaded the steers in the cars.

Then when the loading was finished

And the cattle were on their way,

The Boss called the bunch together

And gave us our season's pay.

We were just like a bunch of children,

And many an old-timer like me

Recalls being served in his saddle,

When on a periodical spree.

Now, cattle are held in pastures,

They no longer roam wild and free,—

And the cowboys are gone forever,

Leaving only a memory.

And as each one crosses the border

That is over the Great Divide,

I hope the bunk-house is ample

And none will be left outside.

THE CABIN OF MYSTERY

No trail leads to this cabin,

Not even a blaze on a tree,

Hidden beneath the tall dark firs

Is this cabin of mystery.

No one knew its builder

Or when this cabin was made,

Not one of the oldest trappers

Can explain or give any aid.

The stove still stands in the corner,

The table all neat and clean

And the cupboard still holds its grubstake

As fine as ever was seen.

But there are no traps or stretchers

So no trapper was he,

No prospector's pick or shovel,—

All adds to the mystery.

No name upon the door-jamb,

No initials cut in the wall,

No calendar hangs by the window,

Just silence and mystery—that's all.

But the hills hold many a secret,

That the trails and streams never tell,

We can only guess at the answer

And perhaps it's just as well.

Now as I gaze at this cabin,—

Brush almost obscuring the door,—

Many moons have you guarded the secret,

Keep guard for as many more.

But perhaps when we cross the border

And step aboard death's train,

The secrets of hills and mountains,

To us will then be plain.

WHEN THE LEAVES COMMENCE TO FALL

When the days commence to shorten

And the nights are getting long,

And we miss the flies and skeeters

And the song birds' sweetest song,—

To some the summer's passing,

Leaves the world a darker hue,

But to me it makes it brighter,

Just the same as if 'twas new.

As I say, some people hate it,

But I love it best of all;

When the nights are getting frosty

And the leaves commence to fall.

You get up in the morning

And the air is crisp and cold,

The hills have on their war paint,

Crimson, orange, brown and gold;

And to me they have a message

That I can't forget at all,

When the nights are getting frosty

And the leaves commence to fall.

I can easily foresee

That I cannot tarry long,

So I at once get busy,

And my heart is full of song;

As I look my snow-shoes over,

And patch up my canoe;

As happy as a little boy

Whose red-top boots are new.

And I work both late and early

And don't want to stop at all,

When the nights are getting frosty

And the leaves commence to fall.

Now the north wind is a-blowing

But, then little do I care,

For I know a little cabin

Holds all my grubstake there.

And that very self-same cabin

Is dearer to me than all,

When the nights are getting frosty

And the leaves commence to fall.

And so I will soon be starting

To where the deer on meadows play,

And the wondrous Northern lights

Make the forest light as day.

Back to the lakes and rivers,

As straight as a laden bee,

Back to the forest primeval,

That's where I long to be!

Trapping on creeks and marshes,

Back where the bull-moose call.

When the nights are getting frosty

And the leaves commence to fall.

AU REVOIR

Now here's my pack of trail-told rhymes,
Written by me at varying times;
Some when the flowers were fresh with bloom
And the air was fragrant with sweet perfume.

And others when forests were dark and drear,

And the meadows all were brown and sear;

The trees were leafless that the wind moaned through,

And frost in the morning replaced the dew.

And some when the snow through his mantle deep

Had told the flowers to go to sleep;
And ever as I took my pen in hand
To picture God's wonders so noble and grand,

I felt if I was able to even phase
One thing correctly, I would sing His praise
To the long trail's end where e'er I tramp,
Till I drop my pack at the last home camp.

And so dear friends, when you gaze on these lines,

Should they take you back to some former times

When you, yourself, were a knight of the hills,

And these lines cause your heart some thrills;

And cause you to say, "He's a friend of mine,

He's a son of Nature, at Nature's shrine!"

Then the world will be sweet as the new mown hay,

Or the blossoms that bloom in the month of May.

*** END OF THIS PROJECT GUTENBERG EBOOK RHYMES OF THE ROCKIES ***

*** END OF THE PROJECT GUTENBERG EBOOK RHYMES OF THE ROCKIES ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.