Kitty Alone: A Story of Three Fires (vol. 3 of 3)
Date: 2017-06-13T00:00:00+00:00
Keywords: English fiction -- 19th century

The Project Gutenberg eBook of Kitty Alone: A Story of Three Fires (vol. 3 of 3)

This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Kitty Alone: A Story of Three Fires (vol. 3 of 3)

Author: S. Baring-Gould

Release date: June 13, 2017 [eBook #54901]
Most recently updated: October 23, 2024

Language: English

Credits: Produced by KD Weeks, David Edwards and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive)

*** START OF THE PROJECT GUTENBERG EBOOK KITTY ALONE: A STORY OF THREE FIRES (VOL. 3 OF 3) ***

Transcriber’s Note:

Minor errors, attributable to the printer, have been corrected. Please see the transcriber’s note at the end of this text for details regarding the handling of any textual issues encountered during its preparation.

The cover image has been enhanced to include the volume number and, as amended, is added to the public domain.

KITTY ALONE

MORRISON AND GIBB, PRINTERS, EDINBURGH

KITTY ALONE

A STORY OF THREE FIRES

BY
S. BARING GOULD
AUTHOR OF
“IN THE ROAR OF THE SEA” “THE QUEEN OF LOVE”
“MEHALAH” “CHEAP JACK ZITA” ETC. ETC.

In Three Volumes

Vol. III

METHUEN & CO.

36 ESSEX STREET, W.C.

LONDON

1894

CONTENTS OF VOL. II

CHAP. | | PAGE
XXXVII. | THE ANSWER OF CAIN | 7
XXXVIII. | WANTED AT LAST | 16
XXXIX. | ONE FOR THEE AND TWO FOR ME | 25
XL. | A GREAT FEAR | 35
XLI. | TAKING SHAPE | 45
XLII. | AN UGLY HINT | 54
XLIII. | MUCH CRY AND A LITTLE WOOL | 64
XLIV. | PUDDICOMBE IN F | 74
XLV. | DAYLIGHT | 82
XLVI. | A TRIUMPH | 91
XLVII. | PARTED | 100
XLVIII. | A SHADOW-SHAPE | 110
XLIX. | FLAGRANTE DELICTO | 118
L. | THE THIRD FIRE | 128
LI. | THE PASS’N’S PRESCRIPTION | 137
LII. | IN COURT | 145
LIII. | JASON’S STORY | 156
LIV. | CON AFFETTUOSO CAPRIZIO | 165

KITTY ALONE

CHAPTER XXXVII
THE ANSWER OF CAIN

The accommodation of the little inn was not extensive, so Pasco had to be put into the same room with the lawyer, and Kitty slept with the innkeeper’s daughter.

Pasco would have greatly preferred a room to himself. He was in a condition of unrest. As it was not possible for him to return to Coombe Cellars that night, he was in ferment of mind, uncertain whether it were advisable that he should return there that week, whether he should not go with Mr. Squire to Tavistock to make provision for the burial of his uncle, and to see after his estate. He had added crime to crime to save his credit as a man of substance, and all had been in vain. The succession to his uncle’s estate supplied him with what he required. Why had not the old man died a day earlier? Why, but that fate had impelled him into crime only then to mock him. If fate could play such malicious tricks with him, might it not pursue its grim joke further, lift the veil, disclose what he had done, and just as the property of his relative came to him, just as the money from the insurance company was due–strike him down, drive him into penal servitude, if not send him to the gallows? He tossed on his bed; he could not sleep.

At one moment he resolved to go with the solicitor to Tavistock, and remain there till the funeral, or till he received news of what had taken place at home. But a devouring desire to know what had happened, what was the extent of his crime, to know whether Jason had escaped, whether the fire had been put out, what his wife thought, what was the general opinion relative to the fire,–all this drew him homewards.

Moreover, his sprained ankle and arm were painful, and he could lie on one side only. In the night he put out his hand for his coat, drew it to him, and groped for the box of lucifer matches. He desired to light a candle, rise, and bind a wet towel round his foot.

But the box was missing.

Alarmed, he started from bed and explored the pockets of his trousers and of his waistcoat, and then again went through all those of his coat, but in vain. He had lost the box.

Here was fresh cause for uneasiness. Where had he lost it? Surely not at Coombe Cellars. With a sigh of relief, he recalled having struck a light in the linhay in Miller Ash’s field, and that it had excited the interest of Kate. He had then slipped it back into his pocket, as he believed. In all likelihood it had fallen out when he was thrown from the cart on the moor.

Towards morning he dropped into broken sleep, from which he started every few moments in terror, imagining that a constable was laying hold of him, or that he saw Jason Quarm leaping upon him enveloped in flames.

When he woke, he saw the lawyer dressing himself and shaving. His face was lathered about chin and neck and upper lip. He turned towards Pepperill and said, “You are a nice fellow to have as a comrade in a bedroom.”

“Am I? Well, I daresay I am,” answered Pasco, always prepared for a recognition of his merits.

“I was speaking ironically, man,” said Mr. Squire. “By George! how you did toss and tumble in the night. If I had had an uneasy conscience, you would have kept me awake. What was the matter with you?”

“With me? Nothing. I never slept sounder.”

“Then you must give your wife bad nights at home. I thought it might have been your spill.”

“Oh yes, to be sure it was that. I suffered in my arm and foot; and look, I’m all black and yellow this morning. I shall go back at once to Coombe Cellars.”

“You will? Why, man alive, we want you at Tavistock. There is your poor uncle’s funeral, you know, to see to. I say, if we are to travel together, you won’t cry over-much, will you? I love tears, but in moderation.”

“I must return to the Cellars, if only for an hour. I wish to tell Zerah’that’s my wife’our piece of good fortune’I mean, our sad bereavement. And I must put together my black clothes and get my hat.”

“If it must be, it must. I wish you had been communicated with earlier.”

“Earlier? Was that possible?”

“Of course it was; the old gentleman died two days ago.”

“Two days ago? Why, to-day is Wednesday.”

“Well, his decease took place at five in the morning of Monday.”

“Why did you not tell me at once?” almost shrieked Pasco, swinging from his bed, and then collapsing on his crippled foot.

“Bless you, man, it was not my place to do so. I knew nothing of you; the housekeeper was the person he trusted. I came to know of it, as I managed your uncle’s affairs. When I inquired about relatives, then I heard of you, or rather got your address, and came off. You see, as he died on Monday, it won’t do for you to be away long. The housekeeper has instructions, and is a sensible woman, but you are the proper person to be on the spot.”

“Is she honest? Will she make away with things?”

Mr. Squire shrugged his shoulders.

“I will run to Coombe; we will go in the chaise, and return to Tavistock directly I have been there. Kitty shall be driven by the boy to Brimpts in my trap.”

Pasco would not have his niece at Coombe for some time if he could help it.

As soon as he was dressed he was impatient to be off. He hurried breakfast, and hardly ate anything himself. He gave instructions that Kate was to be sent on at once, and was not content till he had seen her off. He had not deemed it prudent to warn her again not to speak of his return to the Cellars after leaving Coombe. To do so might excite her suspicions. Besides, she would be at Brimpts, where there was no one interested in the affairs of Coombe’no one who belonged to it. It would suffice to caution her when she came back to the Cellars, and that return he would delay on one excuse or another.

When Pasco seated himself in the chaise beside the solicitor, an expression of satisfaction came over his face. He was returning to Coombe as a man of consequence, and in good society. How the villagers would stare to see him in a carriage drawn by post-horses. An April weather reigned in his heart, now darkening with apprehension, then brightening with pride and self-satisfaction.

Ever and anon the ghastly figure of his brother-in-law in the sack, burning, rose before his mind’s eye, but he put it from him.

As the chaise entered Ashburton, Pepperill said to his companion’“Will you accommodate me with a sum of money till I come in for my inheritance?”

“With the greatest pleasure, but I have not much loose cash about me.”

“You have your cheque-book. The circumstances are these’I owe money for wool to a fellow named Coaker, and gave him a bill’unfortunately, I could not meet it, the bank returned it, only a few days ago, and this has made me very angry. I should like to show the bank and Coaker that I am not the moneyless chap that they choose to consider me.”

“I shall be happy to assist you. Let us go to the bank at once; I’ll settle that little matter with them. Shall I do it for you?”

“I shall be obliged, but I think I must go also.”

It was possible that the tidings of what had taken place might have reached Ashburton’possible, though hardly probable.

His uneasiness was relieved when he entered the bank. No allusion was made to any fire. The banker was profuse in his apologies. He could not help himself. There were certain rules in his affairs that he was bound to follow. He had no doubt it was an oversight of Mr. Pepperill not to pay in the sum required, but a man so full of business as he was reputed to be was liable to such slips of memory. The banker knew Mr. Squire by reputation, was quite sure all was as it should be. He would at once communicate with Coaker’indeed, Coaker was sure to be in Ashburton that day, and let him have the money of the bill.

For some distance Pasco held up his head, and talked boastfully. He had taught that banker what he really was. Everyone else knew he was a man of his word and a man of substance. The solicitor was glad of this change in his companion’s mood, and talked chirpily.

But the change in Pepperill’s manner did not last long. As he neared Newton, he leaned back in the carriage. He did not desire to be recognised and saluted with the news of the fire. The chaise drew up for the horses to be watered at the inn which had been rebuilt after a fire.

“Will you have a drop of something?” asked the solicitor. “I shall descend for a minute. I suppose we have not got far to go now?”

He left the chaise, and left the door open. Pasco closed it, and being affected with sneezing, opened his pocket-handkerchief and buried his face in the napkin, as the landlord came to the door.

He did not lower the kerchief, he listened from behind it to the host conversing with Mr. Squire.

“Fine morning, sir’come from far?”

“No, nothing very great to-day. Off the moor and through Ashburton.”

“Going on to Teignmouth, sir?”

“No, only to a place called Coombe.”

“Coombe-in-Teignhead? You haven’t many miles more. Nice place. Just heard there has been a fire there.”

“Indeed. Insured?”

“Can’t say, sir. My little place was burnt down. A tramp slept in the tallat over the pigs and set it ablaze with his pipe. Happily, I was insured, and now I have a very respectable house over my head. What will you please to take, sir?”

“Some rum and milk, I think.”

Then Mr. Squire and the landlord went within, and Pasco lowered his kerchief. He wished he had heard more’that the man had entered into particulars, and yet he dared not inquire.

Presently the lawyer stepped into the carriage. The host attended him, and in shutting the door, caught sight of Pasco.

“Halloo!” he exclaimed. “Mr. Pepperill, have you heard the news?”

“News’what news?”

“Why, rather bad for you. There’s been a terrible fire at your place.”

“The house?”

“I really don’t know particulars. They say it’s been dreadful. I’m sorry to have to say it, but I hope there’s no lives lost, and that you are insured.”

“Drive on!” shouted Pasco to the postilion. “Drive on’lose no time. There is a fire at my house.”

The horses whirled away, and Pasco no longer disguised his nervousness. It was natural that he should be uneasy.

“You needn’t trouble yourself,” said Mr. Squire. “If lives had been lost you would have heard, and if you are insured to full value, well”’

On reaching the summit of the hill whence Coombe was visible, a sickly scented smoke was wafted into the carriage windows.

“By George, I can smell it!” exclaimed the solicitor. “It is a sort of concentrated essence of burnt wool.”

“Then my stores are gone!” cried Pepperill. “And all the fleeces for which I have just borrowed two hundred pounds of you to pay’all lost. I’m a ruined man.”

“Not a bit,” answered the lawyer. “You are insured.”

The postilion needed no urging; he cracked his whip, and the horses flew down hill, the chaise rattled through the village, past the church and the inn, whence the host came out to see whether a distinguished guest was coming, and drew up at the entrance to the paddock before the Cellars.

A crowd of villagers, men, women, and children, was assembled round the wreck of the storehouse, from which volumes of smoke still ascended. Every now and then stones and bricks exploded, and the children shouted or screamed if a hot cinder flew out and fell near them.

Pasco burst out of the carriage and rushed towards his house, pushed his way through the assembled crowd, and ran to his door.

There stood Zerah, ghastly in her pallor, her usually well-ordered hair dishevelled, with clenched hands held to her breast, a look of despair in her face. Directly she saw her husband, she shrank from him, and when he put out his hands to her, she thrust him away, with an expression of horror.

“I will not be touched by you,” she said hoarsely. “Where is Jason?”

“Jason? Am I his keeper?”

“The answer of Cain,” retorted Zerah. “This is your doing. I knew it would come, when you insured. And you have destroyed my brother also. O my God! my God! Would that I had never seen this day!”

CHAPTER XXXVIII
WANTED AT LAST

Pasco thrust his wife within and shut the door behind. Zerah had returned early in the morning, and had found that her husband and Kate were away, and the house locked, whilst the stores were in conflagration. Half the parish was present. The fire had broken out some time after nightfall’at least, it had been observed about nine o’clock by a boy connected with the mill, who ran to the alehouse and roused the village orchestra, which was practising there, and in ten minutes nearly everyone in the little place was at the Cellars. The fire was pouring in dense sheets of flame out of the windows. It had apparently begun below, the wool above dropped into it as the rafters and boards gave way. Nothing could be done to arrest it, but precautions were adopted to prevent the fire communicating with a little rick of straw that Pepperill had for litter near the stables. The flames and smoke were carried inland, and no apprehensions were entertained of the house becoming ignited.

Much comment was made on the absence of Pasco, his wife, and niece. But that which excited most uneasiness was the presence of Jason Quarm’s cart and donkey in the yard. If they were at the Cellars, then Jason could not be far distant. Was it possible that, finding the house locked up, and his relatives absent, he had made his way into the store-shed and perished there? This was the question hotly debated.

When Mrs. Pepperill arrived from the other side of the river, and saw the conflagration, and heard that there was a probability that her brother had fallen a victim, she was driven frantic with terror and grief. In her mind connecting her husband with the occurrence, she charged him with the firing of the stores and with the death of her brother.

Pepperill endeavoured to pacify her. He protested his innocence; he declared that he had left the house soon after herself, and by entreaty, remonstrance, and threat urged Zerah to hold her tongue and not recklessly put him in peril by rousing against him suspicion which was without grounds.

As to Jason, he knew nothing about him. He had probably left his trap at the Cellars and crossed the water on some business of his own. He would return shortly. The fact of his cart and ass being there was not sufficient to cause alarm for his safety. If anything transpired more grave, Pasco would be the first to take the necessary steps to investigate what had become of him. Meanwhile, let Zerah moderate her transports and listen to the news he had to tell. He must leave her, and that immediately, to go with the lawyer to Tavistock, and make provision for his uncle’s interment and for securing his property.

Pepperill was unable to get away as soon as he wished. He was forced to show himself among the crowd, to give expression to consternation, to answer questions as to his surmises about the origin of the fire, to explain how he had left the place before it broke out, and to offer suggestions as to the whereabouts of Quarm. He scouted the idea of his brother-in-law having been burnt in the stores; he said he suspected the fellow Redmore of having set fire to his buildings. Redmore was at large still; he, Pasco, had given him occasion of resentment by sending the workmen at Brimpts in pursuit of him. The man was a bitter hater and revengeful, as was proved by his having burned the stack of Farmer Pooke. What more likely than that he had paid off his grudge against himself’Pepperill’in like manner?

As soon as ever Pasco was able to disengage himself from the crowd, he re-entered the chaise and departed with the lawyer, glad to escape the scene. When the chaise had got outside Coombe, he leaned back with a puff of relief and said, “That is now well over.”

“I should hardly say that,” observed the lawyer, “till you have the insurance money clinking in your pocket. Now look here, Mr. Pepperill; it may be you will have a hitch about the same. If so, apply to me.”

Among those looking on upon the mass of glowing, spluttering combustible material was the rector, with his hands behind him, and his hat at the back of his head. He was touched on the arm, and, turning, saw the pretty face of Rose Ash looking entreatingly towards him.

“What is it, my child?”

“Please, sir, do you think anything dreadful has happened to Kitty’s father?”

The rector paused before he answered. Then he said leisurely, “I do not know what reply to make. I saw him last night about seven. I was at my garden-gate when he drove by, and we exchanged salutations.”

“The neddy is in the stable here, and there is his cart,” said Rose.

“He may have crossed the water.”

“But, sir, Mrs. Pepperill had the boat.”

“True’is there no other?”

“Yes; the old boat. I did not think of that. I’ll run and see if her be in place.”

Rose left, and returned shortly, discouraged, and said’

“The old boat be moored to the landing-stage as well as the new boat. And, sir, I do not think he could have got across the water after seven by any boat. The tide was out. By nine, when it was flowing, the people were running about here because of the fire.”

“I will go and see Mrs. Pepperill.”

“May I come with you, sir? Kitty is my very dear friend.”

“Kitty?’I thought she had no friends?”

“It is only quite lately we have become friends. I would do anything for her. I am not happy. I think she ought to know what has taken place, and yet I wouldn’t frighten and make her miserable without reason. That is why I so much wish to know what is really thought about poor Mr. Quarm. It would be too dreadful if he had come by his end here, and it will break Kitty’s heart.”

“You shall come with me, certainly, Rose.”

On entering the house, they found Mrs. Pepperill moving restlessly about the kitchen. Her mood had gone through a change since the visit of her husband. The wildness of her first terror and grief had passed away, and given place to great nervous unrest. She had smoothed her hair as well as she could with her trembling fingers; her lips quivered, her eye was unsteady, and she could not remain in one posture or in one place for more than half a minute.

She had hitherto appeared a hard, iron-natured woman without sympathy, but now the shock had completely broken her down. She had rushed to the conclusion that her husband had deliberately set fire to his warehouse, and without scruple had sacrificed her brother. The horror of the death Jason had undergone, and the greater horror to her of the thought that this was the callous act of her own husband, had shaken the woman out of all her self-restraint and rigidity of nerve. She was morally as well as physically broken down. A woman stern, uncompromising, strictly honest and upright, harsh and unpitying in her severity, she found herself involved in a terrible crime that touched her in the most sensitive part. It was the conceit mingled with stupidity in Pasco, his recklessness in speculation, and his obstinacy in refusing to listen to her voice, which had hardened and embittered the woman.

Something he had said, something in his manner, had led her to fear he contemplated an escape from his difficulties by dishonest means, and it was to avert the necessity of his having recourse to these that she had produced her little store, the savings of many years. When she returned from Teignmouth to find that her husband, notwithstanding, had carried out his purpose, and in doing so had swept her own brother out of his path’then all her fortitude gave way.

After the first paroxysm of resentment and despair had passed, she felt the need of using self-control, and of concealing what she thought, of endeavouring to avert suspicion from falling on Pasco. Now also, for the first time in her life, did this stern woman crave for sympathy, and her heart turned at once instinctively to the girl she had disregarded and despised. Dimly she had perceived, though she had never allowed it to herself, that there was a something in her niece of a strong, noble, and superior nature to her own. And in this moment of terrible prostration of her self-respect and weakness of nerve, her heart cried out with almost ravenous impatience for Kate. To Kitty alone could she speak her mind, in Kitty’s breast alone find sympathy.

When, therefore, the door opened and the rector entered with a girl at his side, her eyes, dazzled by the sunlight behind them, unable to distinguish at the moment through the haze of tears that formed and dried in her eyes, she cried out hoarsely’

“It is Kitty! I want you, Kitty!”

“I am not Kitty,” said Rose. “I am only her dear friend. If you want Kitty, I will fetch her.”

“I do want her. I must have her,” said Zerah vehemently. “I have no one. My brother is dead, my husband is gone. My Kitty’where is she? I do not know if it is true that she is on the moor. She may be burning yonder, along wi’ her father.”

The woman threw herself into the settle, and burst into a convulsion of tears.

Mr. Fielding spoke words intended to console her. She must not rush to a conclusion so dreadful without sufficient cause; it was possible enough that in the course of the day something might transpire which would give them reason to believe that Mr. Quarm was safe. Then, to divert her mind from this point to one less distressing, as he thought, he inquired whether she had any idea as to how the fire had originated.

He could hardly have asked a question more calculated to agitate her. Zerah sprang from the settle, walked hurriedly about the room, hiding her eyes with her hand, and crying’

“I know nothing. I cannot think. I want Kitty.”

Then Mr. Fielding put forth his arm, stayed her, and said’

“Mrs. Pepperill, remember, however dear to you your brother may be, he must be dearer to Kitty, as he is her father. You are advanced in life, have had your losses and sorrows, and have acquired a certain power to sustain a loss and command sorrow, but Kitty’s is a fresh young heart, that has never known the cutting blows to which yours has been subjected. Spare her what may be unnecessary. Let us wait over to-day, and if nothing happens to relieve our minds of the terrible fear that clouds them, we will send to Dart-meet for the child. Indeed, she must be brought here’if our fears receive confirmation. All I ask is, spare her what, please God, is an unnecessary agony.”

Then Rose Ash came up close to the bewildered woman.

“Mrs. Pepperill, I will go after Kitty, I promise you, if you will wait over to-day. I am Kitty’s friend, as I was once the friend of your Wilmot, and if you will suffer me, I will remain in the house with you, to relieve you, all day, and do what work you desire.”

“No, no!” gasped Zerah; “I must be alone. I will have no one here but Kitty.”

“You consent to the delay?”

The woman did not refuse; she shook herself free from Rose and the rector, retreated to the window, and cast herself on the bench in it, and cried and moaned in her hands held over her face.

When Rose proposed to Mrs. Pepperill that she should go to Brimpts to fetch Kate, a scheme had formed itself in her brain. She would ask Jan Pooke to drive her. At the time of our story two-wheeled conveyances, gigs, buggies, tax-carts, were kept only by the well-to-do, and there were but three in all Coombe’the parson’s trap, and those of Pasco Pepperill and yeoman Pooke. Her own father, the miller, though a man of substance, had not taken the step of providing himself with a trap; to have done so would have been esteemed in the parish an assertion of wealth and importance that would have provoked animadversion, and might have hurt his trade. The miller is ever regarded with mistrust. His fist is said to be too much in the meal-sack, and had he dared to start a two-wheeled conveyance, it would at once have been declared that it was maintained, as well as purchased, at the expense of those who sent their corn to be ground at his mill.

But now that Rose considered her scheme at leisure, it did not smile on her as at first. At the moment she proposed it, the prospect of a long drive by Jan’s side, of union in sympathy for Kitty, had promised something. Now that she reviewed her plan, she foresaw that it might be disastrous. Kate, when she heard the tidings of the fire and the news of the disappearance of her father, would be thrown into great distress, and a distressed damsel is proverbially irresistible to a swain. It might undo all that Kate had done, make Jan more enamoured than ever, and he as a comforter might gain what he had failed to win when he approached as a lover. Rose was a good-hearted, if a somewhat wayward girl. She desired to do a kind thing to Kitty, but not at such a cost to herself.

She turned the matter over in her head, and finally reached a compromise. She would ask Jan to drive her to Brimpts so as to fetch Kate, but lay the injunction on him, for Kitty’s sake, not to say a word relative to the loss of her father. Grieved Kate would be to hear of the burning of the storehouse, but not heart-broken. The consumption of so much coal would not extort tears. A sorrowful girl is only interesting’a heart-broken one is irresistible.

XXXIX
ONE FOR THEE AND TWO FOR ME

Rose and Ja by side in the trap that belonged to the Pookes. In his good-nature and readiness to do whatever was kind, Jan had promptly acceded to Rose’s request that he should help her to bring Kitty home. It was not right, she said, that the child should be left on the moor, when her father was dead, and her aunt in despair.

“You know, Jan,” she said, pressing against the driver’s side, and speaking low and confidentially, “I am dear Kitty’s very, very best friend,’I may say, her only real friend,’and have to fight her battles like a Turk.”

“I did not know that,” observed Jan in surprise, ill-disguised, for his mind ran to the incidents of the Ashburton fair.

“You boys don’t know everything. I love Kitty dearly, and I believe she loves me. We have no secrets from each other, and now that she is in trouble, my heart flies out to she, and I want to be with her, and break the news to her very, very gently.”

“I thought”’began Jan, then paused.

Rose looked up in his dull, kindly face, and said roguishly, “Oh, Jan, a penny for your thoughts. No, really; I will give half a crown’a thought with you must be so precious, because so rare.”

A little nettled, Jan said, “I thought this, Rose: from your treatment of Kate the other day at the fair, that you were her enemy rather than her friend.”

“That is because you are an old buffle-head. Of course we are bosom friends, but I’m full of fun, and we tease one another’we girls’just as kids gambol. You are so heavy and solemn and dull, you don’t understand our gambols. You are like a great ox looking on at kids and lambs, and wondering what it all means when they frisk, and you take it for solemn earnest.”

“But about the quarrel at the stall’the kerchief?”

“That was play.”

“And the workbox that Noah knocked from under her arm? Was that play?”

“Purely. Jan, I had a much better workbox which I wanted to give Kate, and you went and spoiled my purpose by giving her that trumpery affair. I am not ashamed to own it. I told Noah to strike it from under her arm, that I might give her the box I had put aside for her.”

“And she has it?”

“Yes; oh dear, yes!’of course she has it.”

Jan shook his head; he was puzzled, but supposed all was right’supposed, because he was too straightforward and good-hearted to mistrust the girl who spoke so frankly, with great eyes looking him full in the face, and smiling. Impudence is more convincing than innocence.

Then Rose said, “How good you are, Jan’how tremendously good! Really, it is a privilege to live in the same parish, and drive in the same buggy beside so excellent a Christian.”

“What are you at now?” was Jan’s outspoken response.

“I mean what I say, Jan. Considering how you’ve been treated, I declare that by your conduct you do a lot more good to me than any number of sermons.”

“How so? You are making game of me.”

“Not a bit; I’m serious. How is it you show your goodness? Why, by driving me to Brimpts.”

“Oh, I have nothing else to do, and I like a drive.”

“With me?’or perhaps I just spoil the pleasure,” Rose asked, with a roguish look out of the corners of her eyes.

The young yeoman was unaccustomed to making gallant speeches, and he let slip the opportunity thus adroitly offered him. Rose curled her lip, as he replied’

“It is always pleasanter to have someone to talk to than to be alone, especially for a long drive.”

“But it is so good, so very good of you to fetch her.”

“Why should I be such a churl as not to go when asked?”

“After what has occurred, you know. What a fellow you are! In the orchard, you know.”

Pooke turned blood-red. A fly was tickling him; he raised the butt-end of his whip and rubbed his nose with it.

“Get along, Tucker!” he shouted. Tucker was the horse.

“I hope I shall profit better from your example than I have from all the parson’s sermons,” pursued Rose.

“What are you at?” asked Pooke uneasily, conscious that some ulterior end was in his companion’s view, as she thus lavished encomiums on him, and then dug into his nerves a needlepoint of sharp remark.

“What am I at? Oh, Jan! nothing at all, but sitting here with my hands in my lap, so happy to have a drive’and in such excellent company’company so good.”

“I don’t understand what you mean.”

“It is not every man would lend his cart, nay, drive himself, to do a favour to a girl who had treated him outrageously.”

“When did you treat me so?”

“I’oh, Jan’not I! I could not have done that. A thousand times no”’ Rose spoke in pretty agitation, and fluttered at his side. “I mean Kitty.”

“Kitty? Get along, Tucker!’it’s no use your trying to scratch yourself with your hind hoof, and run at the same time.” He addressed the horse, which was executing awkward gymnastics. “Excuse me, Rose; I must dismount. There is a briar stinging Tucker.”

Jan drew up, descended, and slapped with his open hand where a horse-fly was engaged sucking blood. The fly was too wide awake to be killed; it rose, and sailed away. Then young Pooke mounted again.

“Get along, Tucker!” he said, and applied the whip.

“I mean,” pursued Rose, as if there had ensued no interruption. “I mean, after you had been treated so shamefully.”

“I didn’t know it.”

“Really, Jan! Everyone knows that Kitty refused you. It is the village talk, and everyone says it was scandalous.”

“Drat it! there is that fly again at Tucker.”

“Oh, if you can think of nothing but Tucker, I’ll be silent.”

“Don’t be cross, Rose, I must consider Tucker, as I am driver. There might be accidents.”

“Not for the world. Of course you must consider Tucker, and poor little I must be content to come into your mind in the loops and gaps not took up by the horse and the gadfly.”

“What do you suppose Tucker cost father?” asked Pooke, clumsily endeavouring to change the topic.

“I really don’t know.”

“Eight pounds, and he is worth twenty. That was a piece of luck for father.”

“Luck comes to those who desarve it,” said Rose. “I am not surprised at you and your family being prosperous in all you undertake. There’s no knowing, Jan,”’she spoke solemnly,’“you may feel low and discouraged at being, so to speak, kicked over the orchard hedge by Kate, but it may be a blessing in disguise, who can tell? but Providence may have in view someone for you much better suited’much in every way, than Kitty.”

“Drat it! there is that fly again.”

“Mr. Puddicombe’what a good soul he is!’has been about the place spreading the news.”

“What news?”

“About Kitty and the schoolmaster.”

“Kitty and the schoolmaster?” echoed Pooke. His brows went up, his jaw dropped, and his cheek became mottled.

“Haven’t you heard? Why, poor dear Jan, she went helter-skelter away from the orchard where she had trampled on you to fling herself into the arms of Mr. Thingamy-jig. I cannot tell his name’I mean the new schoolmaster.”

“How do you know?”

“Of course I know. Mr. Puddicombe is brimming with the news. They went like a pair of turtle-doves cooing and billing to Mr. Puddicombe, and he has nearly run his legs down to stumps since. The schoolmaster”’

“But I don’t mean about the schoolmaster.” Pooke spoke with a tremble in his voice.

“Oh! about that affair, that comical affair in the orchard? Half the village, I reckon, was out behind the hedges looking and listening. There was Betsy Baker, and there was Jenny Jones, and that sprig of a chap, Tommy Croft’I won’t be sure they heard, but I fancy so’anyhow, everyone has been talking of it, and pitying you that you were made ridiculous; and then to go off, right on end, and accept a schoolmaster.” In a tone of infinite contempt, Rose added, “A schoolmaster! It takes ten tailors to make a man, and ten schoolmasters to make a tailor; Puddicombe excepted’that was a man, and was so highly respected, he knew how to make himself looked up to, and folk forgave him his profession for his own sake. But this new whipper-snapper! And to be rejected for him!”

Jan Pooke writhed. He had not heard the news of Kate’s engagement. Somehow it had been kept from, or had not reached, him. The fire had distracted men’s and women’s thoughts from the affairs of Kate, Bramber, and himself. His colour changed, and he flushed purple. He shared the prejudice entertained by farmers and labourers’by all who were semi-educated and wholly uneducated’for the man of culture that was striving to enlighten dull minds and wake torpid intelligences. Parsons and schoolmasters are in the same category. The heavy soul resents being raised to spiritual life, and the heavy mind resents being wakened to intellectual life. It ever will be so, and it ever has been so. A man going along a road found a sodden toper lying in a ditch. He tried to pull him out. “Leave alone!” roared the drunken man. “I likes it, I enjoys it. I’ll knock you down if you don’t let me lie in my ditch. There are effets there, and slugs there, and frogs and toads; get along your own way and leave me where I am.”

Pooke and Rose Ash had imbibed the views of their parents and companions, and the prevailing atmosphere in a country parish. They had not risen above it, and their ideas took colour from it.

“It was scandalous conduct, was it not, Jan?” asked Rose. “If I were you, I wouldn’t stand it, not half an hour.”

“But what can I do?”

“What’? do’? Oh, lots!”

“I can do lots. I do not see it. If Kitty chooses”’His lips quivered, and he gulped down something.

“If Kitty chooses a beggarly schoolmaster instead of you, you must not let the neighbours see you are crestfallen. It will never do in coming out of church for everyone to point at you and say, ‘Poor chap! There he goes, Jan Pooke, whom Kitty Alone would not have; and here comes Mr. Thingamy-jig, whom she prefers so highly, looking like the cock of the walk.’ It would be very shaming, Jan, and I don’t think your dear father would like it terrible much.”

“I can do nothing,” said Jan, looking wistfully at the horse’s ears: “if Kitty likes Mr. Bramber, and don’t care for me.”

“And if the story of the silver peninks gets about?”

“Don’t, Rose!” His face expressed pain.

“I don’t wish to hurt you, I wish you well, Jan, you know. I was anxious that you should not be the laughing-stock of Coombe and the neighbourhood. That would be too dreadful. I have such a regard for you. Mind you, I love dear Kitty, but I cannot blind my eyes that her has made a mistake’a happy mistake for you, because, dear, good girl as she is, I do not think that she could ha’ made you happy.”

“Why not?”

“She would have been eternally axin’ questions which you could never answer.”

“There is something in that.”

“She’d have been wanting to take you to the bottoms of wells, you know, so as to see the stars by day. You would not like that, Jan?”

“No’there is something in that.”

“And to make you read that stupid book’Wordsworth, her calls it’in the evening, whilst she knitted. You couldn’t have stood that, Jan?”

“Horrible!’I should ha’ died.”

“Then you may rejoice that Providence has ordained that she should go after the schoolmaster. Now you must look out and see what step you can take to recover the respect of the parish.”

“How can I do that?”

“Oh, there be more fishes in the sea than come out of it, I reckon.”

Jan remained in meditation, speechless. Rose pressed close to his side.

“Have you no room?” he asked.

“Oh, ’tisn’t that altogether; my feelings overcame me. I do so, so pity you, you dear, poor Jan.”

Presently, as he continued silent, she said, “If I were you, when shortly you meet Kitty, and when she will be in my place at your side, and I ride behind, I would not look like an apple that has gone under the rollers, nor hang my ears like a whipped dog, but laugh and joke and whistle and be jolly, you know.”

“That don’t seem right, with her father burned to death.”

“She knows nothing of that, and is to know nothing of it from us. The proper person to tell her is Mrs. Pepperill. So mind, Jan, not a word about Mr. Quarm. Understand, not a word. So look cheerful and whistle.”

“What shall I whistle? Jackson’s ‘Tee-dum’?”

“Of course not, something lively. The ‘Green Bushes.’”

“Why the ‘Green Bushes’?”

“Oh, silly Jan!” Then she began to sing’

“’The old lover arrived, the maiden was gone;
He sighed very deeply, he stood all alone,
“She is on with another, before off with me,
So adieu ye green bushes for ever!” said he.‘

“Green bushes’that is the orchard, Jan, where grow the silver peninks.”

“Drat that fly!” exclaimed Jan, flicking with his whip. “Her’s at it again.”

CHAPTER XL
A GREAT FEAR

Kate was among the felled timber at Brimpts, skipping about the logs, stooping, then rising again, and withal singing merrily, when Jan and Rose, having put up the horse at Dart-meet, came up the valley to join her.

The peeled trunks lay white as bones on the surface of the moor, and a fresh and stimulating odour was exhaled from them. The bark was piled up in stacks at intervals. The whortleberry was flowering in the spring sun. The heather was still dead. Horns of ferns, brown, and curled like pastoral staves, stood up between the trunks.

After the first greetings had been exchanged, Rose asked Kitty, “What in the world are you doing here’bobbing about? In search of long cripples (vipers)?”

“No; I do not want them. I have started some basking in the hot sun, but they slip away at once and do no harm. I am counting the rings on the trees.”

“What for?”

“To learn their age.”

“Who cares how old the trees are?”

“I do; and thus one can find out in what years the trees grew fast, and which summers were wet and cold.”

“Really, Kitty, you are going silly.”

“It is interesting,” pursued Kate; “and then, Rose, I do not altogether believe in the rings telling the age truly. I think the oaks are much older than they pretend to be.”

“Like old maids?” suggested Rose.

“Yes, Rose; after a certain age they cease to grow’cease to swell, they just live on as they were, or go back in their hearts, then they make no rings. The rings tell you for how many years they went on expanding, but say nothing about those when they were at a standstill. Then, look here: the rings are on one side much thicker than on the other, and that is because of a cold and stormy wind. They thicken their bark against the wind, just as I might put on a shawl.”

“Oh,’by the way’touching a shawl”’

But Kate was too eager and interested in her subject to bear interruption.

“I have the oddest and most wonderful thing to show you, Rose. You do not care about the rings, but this you will be truly pleased to see.”

“What is that?”

“Follow me.”

Kate skipped among the prostrate oaks till she reached one large trunk. As she skipped, she sang merrily’

“’All in the wood there grew a fine tree.‘”

“What song is that, Kate?” asked Rose.

“It is one that the head woodcutter taught me.

’All in the wood there grew a fine tree,
The finest tree that ever you might see,
And the green leaves flourished around.‘

All on this tree there grew a fine bough, and all on this bough there grew a fine twig. Then it goes on to tell how on this twig there was a fine nest, and how in this nest there was a fine bird, the finest bird that ever you did see; and on this bird there grew a fine feather, and out of the feather was made a fine bed, and on this fine bed was laid a fine babe, and out of the babe there grew a fine man, and the man put an acorn into the earth, and out of the acorn there grew a fine tree, and the tree was of the acorn, and the acorn of the man, and the man was from the babe, and the babe was on the bed, and the bed was of the feather, and the feather of the bird, and the bird was in the nest, and the nest was on the twig, and the twig was on the bough, and the bough was on the tree, and the tree was in the wood.

’And the green leaves flourished around’around’around,

And the green leaves flourished around.‘”

“What nonsense, Kate!”

“It is not nonsense. There is a great deal in it. The song goes on without an end, always the same; just as at the end of the psalm, ’As it was in the beginning, is now, and ever shall be.‘ See!’this is what I have to show you.”

She pointed to some lettering that ran round the white peeled trunk, brown as coffee; somewhat large and strained the characters seemed, and Rose was not able to decipher them, but she said’

“However came letters to be there, under the bark?”

“That is the great curiosity,” answered Kate. “Someone cut them in the bark with his knife when the tree was young, two hundred years ago. The tree has grown big since then, and has healed up its wounds, but still bears the scars; and it has drawn its bark round it, and for years upon years has hidden what was written from the eyes of man. Only now that the dear old oak is hewn down, and the bark stripped away, is the writing revealed which was cut on it two hundred years ago.”

“What are the words?”

“Listen’I have spelled them out.

’O Tree defying Time
Witness bear
That two loving Hearts
1643
Did meet here.‘

Is not this wonderful? The tree was trusted, and it has fulfilled its trust, and would have done so till it died. Two hundred years ago, two young lovers met here, and the youth cut this on the bark. Two hundred years after, it gives up its witness. If it had not been cut down, two hundred years hence it would have done the same.”

Rose looked at Jan, and took his hand and sighed.

“Jan, let us sit down on this tree. This touches me; does it not you, Jan?”

“What’your hand?”

“No, silly; I mean this about the lovers.”

Then Kate began to sing’

“‘All in the wood there grew a fine tree,
The finest tree that ever you did see,
And the green leaves flourished around.’”

Then Kate said, clapping her hands’

“Is there not a great deal in that song of the tree in the wood? I suppose in paradise that Adam stood by the tree of life and felt happy when he held Eve by the hand and looked into her eyes. If he could have written, he would have cut these same words in the bark of the tree of life. And years went by, and it was always and ever the same story: the young grew old, and then others came in their places, and loving hearts met, and again and again in an endless whirl, and an ever-returning tide, and a perpetual circling of the stars in heaven, and the new flowers coming after the old have died’‘As it was in the beginning, is now, and ever shall be.’”

Then Jan started up, drew his hand from Rose, and said’

“We have come for you, Kitty. As soon as the horse has had a feed, we must be off.”

“Is there such a terrible hurry?” asked Rose with a tone of reproach in her voice.

“We have no time to lose.”

“Lose, Jan?”

“To waste, I mean.”

“Waste, Jan?”

“I mean’bother it!’we must be off as soon as the horse is a bit rested. We have a long journey to take, up and down, and little trotting ground. We have come for Kitty. You must return with us,” looking at Kate. “There has been something”’

“Let me speak,” interrupted Rose, afraid lest Pooke should let out too much. “Kitty, your uncle and aunt have met with a great loss. The stores have been burnt, and Mrs. Zerah does nothing but sob and cry after you.”

“Auntie cry for me?”

“Yes. She will not be at rest till you return.”

“I’ll go at once,” said Kate, flushing with pleasure. “When did this happen?”

“Tuesday night.”

“That is the night we came here. Is my father at the Cellars?”

“I have not seen him. Now, Jan”’Pooke was about to speak. Rose stopped his mouth. “Leave me to speak. You are a blunderer.”

“But I know he passed us going to Coombe,” said Kate.

“Passed you’where?”

“On the hill. We were in the linhay.”

Rose held out a shawl.

“Kitty, is this yours?”

“Yes; it is. I lost it on my way here. Where did you find it?”

“In the linhay in Furze Park. I went there with our cow, Buttercup. The calf is taken from her. There I found it.”

“We turned into the field, and I remained a long time in the linhay,” said Kate.

“And your uncle?”

“Oh, he went back to the Cellars.”

“What, by the road?”

“No; by the waterside. I was tired, and the time was long, or I thought it was; so I folded my shawl to keep the prickles from my head,’there is so much furze there,’and I lay down and slept.”

“I found this also,” said Rose, extending a match-box. “I don’t understand what it is.”

“It is a lucifer-box. My uncle had it. He pulled a match across something, and it blazed up. I suppose he dropped it in the linhay, also, whilst getting the horse and cart out.”

“What! you had horse and cart there?”

“Yes.”

“And your uncle went back to the Cellars?”

“Yes; just before. Indeed, as we turned into the field, I heard my father go by; I heard him speak to Neddy. He always talks to the donkey as he goes along.”

“You did not speak to your father?”

“No. Uncle was impatient, and father was rattling along at a fine pace, and you know from that place it is all down hill to Coombe.”

“Your uncle returned to the Cellars after that; you are quite sure of it?”

“Yes; certain. He told me he had forgotten to lock up.”

“Why did he not go by the road?”

“I cannot tell’perhaps he thought the other way shortest.”

“It is not that. Was he long away?”

“I cannot tell. I fell asleep. Have you not anything to tell me of father? I know he went to Coombe.”

“I have told you’I have not seen him.”

“Where can he be?”

Neither answered that question.

Even into Jan’s dull brain there penetrated an idea that some mystery connected with Pasco Pepperill was involved’that it was singular that he, his wife, and niece should have all left the Cellars before the fire broke out, and that Pasco should have returned there secretly after having left. He said nothing. If he tried to think, his thoughts became entangled, and he saw nothing clearly. An uneasy feeling pervaded him, which he was unable to explain to himself.

During the first part of the journey back to the Cellars, Kate talked. She sat beside Jan Pooke. Rose was behind, keeping a ready ear to hear what was said, and interfere should she deem it expedient.

“Where can my father be?” asked Kitty.

As no answer was given to her query, she said further’

“It is very strange, and I cannot understand how he is not there. He must have been at Coombe just before the fire broke out. I know he passed along the road. Where are the donkey and cart?”

“They are at the Cellars,” answered Jan.

“Then my father must be there. He cannot be far off. He cannot get about easily, as he is so lame.”

“I suppose he must be somewhere,” was the wise observation of Pooke.

“Hasn’t my aunt seen him?”

“No, Kitty.”

“Nor anyone.”

Jan hesitated, and presently said’

“I did hear something about the parson having spoke with her, but I don’t know the rights of it.”

“He must be there. He cannot be far off. We shall see him when we arrive. I daresay he had some business that took him off; but if he heard of the fire, he would come back at once. He will be a loser by it as well as my uncle.”

“Folk say there will be no loss, as Mr. Pepperill insured so terrible heavy. They do tell that he has insured for two thousand pounds, and that only about fifty pounds worth of goods is burnt.”

Kate shrank together. Rose touched Pooke significantly to hold his tongue.

After that Kitty remained very silent. A feeling of unrest took possession of her, even of alarm, at some impending catastrophe. That her uncle had been in difficulty she knew. That he was in want of money to pay for the timber before he could realise on it, and to meet his dishonoured bill for the wool, she knew. A chill ran through her veins.

After a long period of silence Rose said to her’

“Kitty, is it true that you and the schoolmaster went to old Mr. Puddicombe about being engaged?”

“Yes,” answered the girl addressed.

“He took it as a mark of proper respect?”

“Yes.”

“Jan, dear,” said Rose, touching Pooke, “as soon as we get to Coombe, you and I will go and call on Mr. Puddicombe. It will please him. He was the first who heard about your engagement, Kitty?”

“Not quite that’we told Mr. Fielding.”

“Oh, the parson! But everyone respects Mr. Puddicombe so much, that I think Jan and I will go to him first. You know, Kitty, we have settled it between us’I mean, Jan and I’on our way to Brimpts, and Mr. Puddicombe ought to know.”

CHAPTER XLI
TAKING SHAPE

It was evening when Kate was driven up to the Cellars, yet not so dark but that she could see the donkey in the paddock, and dark enough to make the glow of the still smoking heap visible, here and there, in red seams and yellow sparks.

“There is Neddy,” exclaimed Kate. “My father must be here.”

As she was descending from the cart, she said, “Why, he may have crossed the Teign in the boat.”

“No, Kitty,” answered Jan; “I don’t think that.”

“Why not?”

Pooke was afraid of answering lest he should involve himself; and Rose had jumped down at the mill, and so was not there to prevent him from committing an error.

Before entering the house, in her anxiety about her father, Kate ran to the mooring-place of the boats, and came back in some exultation to Jan. “I said so. He has crossed. The old boat is gone.”

“It was there yesterday. It was there all the night of the fire and next day. It has been taken since,” answered Pooke.

Kate was downcast. She held out her hand to Jan, took her little bundle, and entered the house. Her aunt had not come out to meet her. That she had not expected. No one in that house had shown her graciousness and desire for her presence, and she had ceased to expect it.

When she entered, it was with a hesitating foot. She thought that Rose, out of good nature and desire to please, had represented her aunt as more desirous to have her than she really was. Having never met with affection on the part of Zerah, hardly with recognition of her services, she did not anticipate a complete change in demeanour. She was surprised to find that her aunt had not lighted a candle.

She called to her, when Zerah replied, with a cry that thrilled Kate to her heart’s core, “Is that my Kitty? My child come back to me?”

In another moment aunt and niece were locked in each other’s arms, and sobbing out their hearts,’Kate, through joy, dashed with dread of evil; Zerah, through joy at seeing her niece again, a joy that sprang out of despair.

A singular relation now developed itself between them. After a very short while, Kitty perceived that there was something on her aunt’s mind, that Zerah was weighed down with a sense of some calamity far exceeding that of the loss of so many tons of coal and so many fleeces of wool. The woman was suddenly become timid and apprehensive. It gave her pain to speak of what had taken place, and she avoided by every kind of subterfuge expressing an opinion as to the cause of the fire, and as to the extent of the damage done. She had for some years faced the prospect of financial ruin, and if this had come upon her, Kate was sure she would have met it, not indeed with equanimity, but with sullen assurance that it was inevitable, and have prepared herself to accept the new position of poverty.

But that which occupied and disorganised the heart of Zerah was something else, something more tearful. Kate saw that she shrank not only from allusion to the fire, but from inquiries as to the fate of her brother, and whenever Jason was named or referred to, the woman caught her niece to her bosom and covered her with kisses, wept, trembled, but said nothing.

Mrs. Pepperill took Kate from her little attic-room to share her bed during the absence of Pasco, and the girl found that the trouble which weighed on her aunt during the day haunted and tortured her during the night. Zerah slept little, tossed in her bed; and if she slept, broke into moans and exclamations.

Meanwhile, Kitty did not rest from making inquiries relative to her father. She visited the rector, and ascertained from his lips that he had seen and exchanged words with Jason Quarm on the evening of the fire, in fact, only an hour or two before the fire must have broken out.

But where was her father? The old boat was gone, that was true; but it was in its place on the morning after the fire, as well as all that night. It had been taken later; and there was, perhaps, not much to marvel at in this, when the Cellars were crowded with all conditions of sightseers and mischief-doers pervading the precincts. Dishonest men might have taken advantage of the confusion to purloin the boat, or mischievous boys to have loosed the cable and let her drift with the tide where it chose to sweep her.

Inevitably Kate became aware of the opinion prevailing in the village, that her father was burned to death in the storehouse, and it was hard for her to come to any other conclusion. She went to Mrs. Redmore to inquire whether he had been to his old cottage, but the timid, not very bright woman nervously denied any knowledge of him.

Her distress was very great, but she sought to conceal it from her aunt, who wanted nothing to augment her own trouble.

Hitherto the fire had smouldered on in the ruins, but it became less, and though the charred masses still gave out gusts of heat, there was no more smoke rising from them, only a quivering of the air above the ashes.

The fire was naturally the main topic of conversation in the neighbourhood. Minds as well as tongues were exercised. Comments were made on the absence of Pasco, which were rendered hardly more favourable by the knowledge that he had gone to a funeral. He knew nothing of his uncle’s illness and death when he started. Why had he sent his wife away? Why had he carried his niece back to Dartmoor, from which she had been recently brought?

Incautious exclamations of Zerah, when first made aware of the fire and of her brother’s disappearance, together with her reticence since, were discussed.

Prowlers came round the house, peering into this part, then another. An agent from the insurance office suddenly presented himself, listened to and noted down the various rumours in circulation, and threw out a hint that his office would consider before it paid the sum for which the storehouse and its contents were inscribed.

The rector called on Mrs. Pepperill, and without appearing to intrude on her troubles, endeavoured to gain from her something which might elucidate the mystery of Quarm’s disappearance. Her mouth remained shut, and her eyes scrutinised him with suspicion.

Mr. Pooke senior was constable, and he considered it his duty to intervene. He owed a grudge, nay, two, to Pasco Pepperill, and this fire was an opportunity for paying it off. He was angry with Pepperill because he had not shown him the deference that Pooke considered his due, and had wrested from him the office of churchwarden. A triumph indeed would it prove were he to be able to make Pepperill amenable to the law. Moreover, Pepperill was uncle to the chit who had dared’positively dared!’to refuse his son. He had not desired the engagement’he had disliked the idea of it’he would have vastly preferred his son’s union with the miller’s daughter. But that Pepperill’s niece’the daughter of that donkey-driver, Jason Quarm’should have the temerity to refuse his son was a fact he could not stomach; it was a spot in his mantle of pride.

When he heard the talk about Pepperill, he considered himself justified’nay, called upon by virtue of his office’to make himself acquainted with all the facts, and, if possible, to get his rival into difficulties. A rival Pepperill was. Pooke regarded himself as a sort of king in Coombe, where his family had held lands for centuries; never, indeed, extending the patrimony; never suing for a grant of arms, but holding on to the paternal acres as yeomen’substantial, self-esteeming, defiant of new-comers.

Pasco was not exactly in this latter category, but he was a man who gave himself great airs, who showed the yeoman no deference, and took a delight in thwarting him, and heading a clique against him at vestry, and generally in the parish.

Pooke listened attentively to all that was said relative to the fire, and prejudice against the man induced him to believe that Pasco had fired his own stores in order to obtain the insurance money; by what means Quarm was made the victim he could not tell. If he could prove Pepperill to be a rascal, it would be great satisfaction, but if he proved him to be a villain guilty of murder, that would be ecstasy.

Without warning given to Mrs. Pepperill, Mr. Pooke made a descent on the Cellars, attended by four of his men armed with shovels and picks. He did not even ask her leave to overturn the ruins and search among the heaps of ash for the remains of the man who, it was surmised, had perished in the fire. With an imperious voice and a consequential air he gave his orders; and when the men were engaged in testing the cinders to find whether they were cool, and might safely be turned over, and in hacking and removing the beams charred and menacing a fall, he betook himself to the outhouse, where was the cart, so as to examine that.

He returned speedily, carrying a bundle fastened in a handkerchief, and this he proceeded to open. It contained a clean shirt, stockings, a razor, and other articles such as a man would be likely to take with him when about to stay abroad a night or two.

“There!” exclaimed Pooke. “I have found at once what no one else saw’indubitable evidence not only that Jason Quarm came here, but that he never left this place. If he is not under these cinders, I ask, where else can he be?”

Kate and her aunt looked out at the door timidly. They knew that Mr. Pooke was constable, and they had no idea of any limit to his authority. He came towards them.

“I must know all about it’the ins and outs; the ups and downs. No blinking with me’no rolling of the matter up in blather. What do you know of Jason Quarm?” He turned to Mrs. Pepperill.

“Nothing at all,” she answered. “I do not even know that he came here.”

“Come here he did,” said Pooke. “Here is the donkey’here the cart’here his bundle of clothes. Now, did he go away?”

“I was not here; I was at Teignmouth. I know nothing,” said Zerah in nervous terror.

“The girl’the girl who had the impudence’to’to refuse my son’she knows something about this! She was with her uncle. Why did he ask Mr. Ash, the miller, to not only date his receipt of a trifle by the day of month, but by the hour of the evening? That is not ordinarily done. And why did he sneak back to the Cellars, after he had got a little way along the road, putting his trap up, and leaving it with the girl? I want to know all that!”

“Here is my uncle; he will answer you himself,” gasped Kitty, perplexed and alarmed at the string of questions, and then relieved to see Pasco arrive.

“What is the meaning of this?” shouted Pepperill, jumping out of a hired conveyance. He was in profound mourning, very new and glossy. “What is this you are doing, Pooke? Where is your authority?”

“I am constable.”

“A constable without a warrant! Off!’leave my ground at once! I’ll communicate with my solicitor, and have a summons taken out against you. My solicitor is not a man to understand jokes’nor am I.”

“You may be in the right for the moment,” said Pooke, becoming purple with vexation at being caught going beyond his powers, and with anger at being sent off, when he had come to the spot with such blare and blaze of authority. “But I’ll tell you what it is, Master Pepperill, there are queer tales abroad about you and this fire, and we want to know, where is Jason Quarm?”

“Quarm?’gone to Portsmouth.”

“To Portsmouth?”

“Of course; we are in treaty with the dockyard for our timber at Brimpts.”

“I don’t believe it! He is burnt!’here!”

“Burnt? Fudge! He said he was going to Portsmouth.”

“He said that? When did you see him?”

“I mean I heard from him to that effect. Now be off! I’ll have no overhauling of my premises! I’ll have no cross-questioning here! I have a solicitor of my own now, and he shall know the reason of everything. Get you gone!’and be blowed!”

CHAPTER XLII
AN UGLY HINT

Talking loudly, laughing noisily, boisterously threatening proceedings against all trespassers, Pasco Pepperill came in at his door.

“For heaven’s sake, what are you doing?” was his first salutation from his wife. “How dare you behave as you do? You’you?”

He saw at once that she believed in his guilt, and designed to caution him against overacting his part.

A great transformation had taken place in Pepperill. Now that he had done the deed, all dread of the consequences seemed to have been swept away; he must assume an innocent part, look people full in the face, and resent suspicion as an insult. The fact that he had come in for a handsome legacy assisted him to shake off the consciousness of guilt. He was now a man worth three or four thousand pounds, and when the assurance was paid he would be worth an additional thousand.

What could be proved against him? Nothing. Suspicion might be entertained, but what was suspicion when it had nothing substantial as a basis?

“Give me a jug of cider,” he commanded, and Zerah hastened to obey. She put a tumbler on the table beside the jug.

Pasco leisurely poured out a glass, and held it up between himself and the light, and was pleased to observe how steady his hand was.

“Zerah! come and look here. There is rope in the liquor’it is turning sour.”

Kate looked fixedly at her uncle’s face. The child was in distress and doubt. Was her father alive, or had he died a death of the worst description? Was he away on his business, carrying out some risky speculation, or did his bones lie resolved to ash in the great cinder-heap that had smouldered on so long, and was but just extinct?

She had not met with anything in her uncle’s character which would justify her in attributing to him so deliberate and desperate a crime as firing his own warehouse, and sacrificing, intentionally or accidentally, the life of his brother-in-law; and yet his wife, who ought to know him best, had arrived at the worst conclusion, and though she said nothing, Kate saw by her manner that she was for ever estranged from her husband, and regarded him as guilty of the crime in its worst form.

Zerah had retained Kitty in her room, and had more than once said to her that after the return of Pasco she would make him occupy Kate’s old attic; she would no longer treat Pasco other than as a stranger. Her reception of him now showed repugnance and restraint; the shrinking of an upright nature from one tainted with dishonesty, and exhibiting restraint from saying all that was felt.

Kate looked on her uncle with his self-satisfied expression, holding the glass between him and the light with a steady hand, concerning his mind about the ropiness of the cider, and in her simple mind, ignorant of evil, direct, with no trickiness or dissimulation in it, she felt vast relief. She could not believe that Pasco had done wrong, nor that he had any misgivings as to the well-being of her father.

She drew a long sigh, and passed her hand across her brow, as though to brush away the cloud that had hung over it and darkened all her thoughts.

In the new confidence established between herself and her aunt, Kate had whispered to her that she was engaged to Walter Bramber, but the news seemed to make as little impression on Zerah as it had on Pasco, and for the same reason, that each mind was engrossed in other more immediately interesting matters. The girl submitted with that resignation which characterised her. She made little account of herself, and did not suppose that what concerned her could excite lively emotions in the hearts of her uncle and aunt. Even Mr. Puddicombe had shown more sympathy and pleasure. But then, Kate could make allowance for the preoccupation of her aunt’s mind consequent on the fire.

Kate now timidly approached her uncle, keeping her eyes riveted on his face, and, standing on the other side of the little round table on which was his jug, she asked’

“Are you quite sure my dear father is all right?”

Pasco looked sharply at her.

“Questions again?” he said hastily, and a flush came into his cheek.

“I have a right to ask this question,” said Kate firmly.

His eye fell under hers; he set down the glass unsteadily and upset the cider.

“Hang it! why have you a right?”

“I want to know that my father is alive.”

“I say he’s gone to Portsmouth.”

“But how did he go?”

“That was his affair, not mine; the Atmospheric, I suppose.”

“He could not cross during that night’at least, not till near dawn, and so must have been here when the warehouse was burnt.”

“I don’t see that; there are other ways of getting away. He went on to Shaldon.”

That was certainly possible. Quarm might have pursued the right bank of the river to where it could be crossed at any tide, but this was not probable.

An interruption was occasioned by the entry of the rector. After the usual salutations, he at once turned to the topic which had been engaging thoughts and tongues before he appeared.

“I have no desire to intrude,” said he, “but I have come to prevent a scandal, if possible, and perhaps a quarrel. Mr. Pooke is in a great heat, and vows he will have a search-warrant to turn over the heaps, as you have refused him to explore them. You are churchwarden, Mr. Pepperill, and I not only desire to prevent unpleasantness on your own account, but on that of the Church. You have, I believe, sent Mr. Pooke off?”

“I have.”

“But why so? He may have acted irregularly, but it was with good intentions, and you were absent.”

“He had no right to touch what was mine.”

“No doubt he erred, but you were absent, consider; and your wife, your niece, the whole village, were in excitement and alarm. He did what seemed fit to allay this unrest; to find out whether Mr. Quarm had been here or not.”

“It is no good. He’ll get no warrant, unless magistrates be fools. He has no case’not a ghost of a case. Jason went to Shaldon, and so over the water.”

“You are sure?”

“I fancy he did. I heard he wanted to reach Portsmouth, and the tide was out when he got here, so he could not cross in the ferry. He went on. At Teignmouth he would get into the Atmospheric.”

“That is readily ascertained. We have but to send to Shaldon and inquire. The boatman who took him across can be found. If he crossed the wooden bridge, then the man who takes toll will be able to say something.”

“He may have gone round the head of the estuary.”

“Not likely, if he left his cart and donkey here.”

Pepperill was unable to answer. He was a heavy-headed man, not quick at invention.

“Then,” continued the rector, “the warehouse did not catch fire of itself; someone must have fired it.”

“Of course,” said Pepperill.

“I may as well tell you,” continued Mr. Fielding, “that Mr. Bramber, the schoolmaster, came to the Cellars the evening of the fire”’

“The deuce he did!”

“Just after dusk.”

“And what brought him here, the puppy?”

“He came,” answered Mr. Fielding, “because he wished to see Kitty and you.”

“Pray what did he want with Kitty?”

“Surely, Mr. Pepperill, you know that the two young people have come to an understanding.”

Pasco shrugged his shoulders. “I may have heard something of the sort, but I have other things more important to interest and occupy my mind. I gave it no heed.”

“Well, he desired to speak with you, as her father was away, and you stood in a semi-parental relation to her, living as she did in your house.”

“Well, he found no one here,” observed Pasco, with some uneasiness of manner.

“As he approached the Cellars he heard an altercation, and then the house door violently slammed. Then, thinking the occasion unpropitious, he turned back.”

“It was fancy. No one was here. My wife was over the water, and I on my way to Brimpts. If you doubt my word, ask Mr. Ash, he receipted my bill, and I had a talk as well with the landlord.”

“That is true, Mr. Pepperill, but Jason Quarm was here. I saw him drive past my gate, and I cast a good-even to him. If an altercation took place here, he was probably one of those engaged in it. I took it for granted that you were the other.”

“I’I’I?” stuttered Pasco.

“Yes, because you returned to the Cellars after you had got to the head of the hill.”

“Who said that? It is a lie!”

“Kitty, I understand, said as much to John Pooke.”

“Kitty said it?”

“Kitty told Jan and Rose as she was being driven home from the moor’so I have been informed.”

“It’s a lie!” roared Pasco, glaring round at the girl with a curl up of his thick lips, showing his teeth like a dog about to bite. “It’s a ’–– lie!”

“Mr. Pepperill!” said the rector, rising in dignified anger from the seat that had been accorded him, “I will not suffer you to use such an expression in my presence, even in your own house. You do not add one jot to the force of your repudiation’to your charge against Kate’by burdening it with an oath.”

“It’s like that beggarly schoolmaster’s impudence to come poking his snout here, where he’s not wanted, where”’with some energy’“I won’t have him! I’ll have the law of him for trespass!”

“He did not trespass. It is free to anyone to approach a house door.”

“I don’t care; I’ll shoot him if he shows his face here again.”

“You are branching away from the matter in immediate consideration. There seems to be a conflict of testimony. Kitty, whom I have always found true and direct as a needle, has made one statement,’not indeed to me, but to others,’and this you contradict.”

“I’m churchwarden’I’m a man of means and in a good business. I should think my word was worth more than that of a sly, chattering, idle minx.”

“Sly, chattering, that my little Kitty is not; I have ever found her straightforward and reserved. As to her work in the house, her aunt is better qualified to express an opinion than you, Mr. Pepperill.”

“I don’t see that you’ve any call to come here, poking into matters and axin’ questions like another Kitty, if I may make so bold as to say so,” said Pasco, defiant and then qualifying his defiance.

“As I told you at the outset, Mr. Pepperill, I have come here not to make an official inquiry, but to prevent one. There is a mistake somewhere. My wish was to clear it up before matters grew to a head. You and Mr. Pooke are both stubborn men, and may knock heads and crack skulls over nothing. A word will probably lighten what is now dark, and dissipate a growing mistrust. I cannot, and I will not, believe half of what is being said relative to you. I have come to your house as a peacemaker, to entreat you to so account for little matters which puzzle the good people here, before what is now whispered may be brayed, what is now a conjecture may be crystallised into a conviction. As far as is known, the matter stands thus: Mr. Quarm came here, and here have been found his donkey and cart and his little bundle of clothes. If he had crossed the water, he would have taken the latter with him. Two persons were heard in altercation here shortly after his having passed through Coombe, and the door was shut violently. Next morning the door was locked, and Mrs. Pepperill when she came found the key in a hiding-place known, as she then said, only to herself and you.”

“Don’t you suppose Kitty knew it also?”

“I daresay she did. Your wife’s words, when she arrived, found the stores burnt, and the house locked, and the key in a certain place’her words were, ‘Pasco has put the key where I have found it.’ It was of course surmised that before you left you had locked the door, but Kitty told young Pooke that when you reached the top of the hill you returned to the Cellars, saying that you had forgotten to lock the house. It, therefore, seemed to me probable that on your return, you and Quarm came to high words about something.”

“Nothing of the sort I never came back.”

“Oh, uncle!” escaped Kate’s lips.

He turned his menacing eyes on her, with the same snarl on his mouth.

“I’ll tell you the truth, the whole truth, and nothing but the truth,” said he. “That is, if you will insist on having it, and you can make of it what you like, pass’n. When I got to the top o’ the hill, where is Ash’s linhay, it is true that I remembered I’d not locked up the dwelling-house. Then I sent Kitty back and told her to lock and put the key where her aunt would find it, and I’d stay and mind the hoss.”

“Uncle!” Kitty turned white and rigid.

“And, dash it! if someone must ha’ set fire to the old place,’and I reckon there was someone, them things don’t do themselves,’it must ha’ been either she or Jason, or both together. And I reckon he’s run away to escape the consequences.”

The rector stood up. He had reseated himself after his protest. His face was very grave.

“I see,” said he, taking his hat, and moving to the door. “This affair wears a different colour from what I supposed. It must be elucidated irrespective of me. My part is done. It must be taken up and investigated by the proper authorities.”

CHAPTER XLIII
MUCH CRY AND A LITTLE WOOL

“Aunt!” exclaimed Kitty, blank and trembling, turning to Zerah, the moment the rector had left the house. “Oh, auntie dear, this is not true’this that Uncle Pasco says. I did not go back. I was left in the linhay with the cart. What does he mean?”

“He means to shelter himself,” answered Mrs. Pepperill. Then the woman stepped in front of her husband, and, in her harshest tones and hardest manner, said, “Pasco! A yea or nay from Kitty is, as pass’n said, worth a thousand of your protestations, though bolstered up wi’ oaths.”

“Of course Kitty is everything to you and the pass’n, and I am nothing. I know that very well. I’ve had enough of your violence o’ tongue-lash these twenty years; and let me tell you, Zerah, I’ve got hard to it and don’t care a snap for it.” And he suited the action to the word, with an insolence of expression and manner that would have made the woman blaze forth into fury at any other time. Now she passed his rudeness with disregard.

“Pasco!” she said in metallic tones, “there has been a load o’ lead crushing down my heart. I’ll shake it off and run it into bullets against you now, and every word shall be a bullet. Now, before Kitty, I will say what I have had on my mind. It is you who have lied. I have known for some time what you were thinking of. I’ve seen you hovering like a hawk, and the moment I was gone’had crossed the water’you dropped. You durstn’t do it whilst I was here. You feared me because I feared God. There’s no bigger coward on earth than the man who fears his fellow because that fellow has God before his eyes. No sooner was I out of the way than you at once seized the chance offered; and I’I had gone with all my little lay-by to get you out of your difficulties and prevent you doing what I feared was in your intent. You’d never spoke a word to me of that purpose of yourn, you durst not do it; but I saw it formin’ in you; I saw it, looking into your eyes, just as you may see the sediment settlin’ in dirty water. When I was out of the way, then you thought you could do it. You took Kitty away’who was but just home from the moor, and all for no reason save that you didn’t want any witness. Then you left her with the cart and hoss at Ash’s linhay in Furze Park, and came back here to carry out your purpose. So far I can see. Then my sight becomes thick, a mist is over my eyes, and all the rest is doubtful. What happened when you came back here’what passed between you and Jason’what became of my brother? All that I know not’but know I must and will.”

Pasco’s face grew more sullen, and his demeanour dogged to defiance. He could not look his wife in the face, he kept his eyes on the ground, and with his boot scratched the floor in fantastic figures.

“I can see all that passes in your heart,” pursued Zerah. “It’s like as if I were outside a window, and see’d shadows on the blind as this and that went by and this and that rose up or sat down. Now the folk begin to talk and to suspect you, and say how that you insured for a big sum, and when the goods weren’t paid for, burnt ’em all to secure the insurance; then you try and throw the suspicion off on to Kitty or Jason, or both together. It is like you, you black coward. But it shall not be. I will stand betwixt you and Kitty, and no harm from you shall hurt her. What I and Kitty want to know is’What has become of Jason? Where is he? If you will not answer, we will work out the answer for our own selves’she with the heable (fork), I with the phisgie (pick). We have strong arms, and we will ourselves root about in the ruins, till we learn something to satisfy our minds.”

“I don’t know how you’ve the face to talk to me like this, Zerah,” said Pasco surlily. “I’ve come into something like four thousand pounds through my uncle, and there’ll be another thousand and more from the insurance. On five thousand pounds’Lord! I’m a Christian and a gentleman.”

“Bank-notes won’t plaster sore consciences,” retorted Zerah. “You think money is everything, and no matter how it be come by. So it has ever been with you.”

“Am I like to be a villain,” queried Pasco in exasperation, “when I knew my uncle was worth a pot o’ coin that was sure to come to me?”

“You did not know he was dead.”

“I knew he was sickening and worn out. A man of means don’t do criminal acts; that’s the perquisite of beggars and labouring men.”

“I do not ask for excuses and evasions. I ask’where is my brother?” persisted Zerah.

At that moment the door was thrown open, a hand was thrust in, waving a paper, and a voice shouted’

“There you be, Pasco Pepperill. I’ve got my warranty. I said I would, and I’m the man o’ my word. I went full gallop up to Squire Carew. None can stand agin me.”

Pepperill went to the door, saw the back of Mr. Pooke as he walked away, and the faces of a number of workmen with pick and crowbar and shovel, backed by a crowd of all descriptions of persons from the village and neighbourhood.

He hesitated for some moments. He stood irresolute, holding the door-posts and working his nails at the paint, picking it off in flakes. His heart turned sick within him. If the heaps of cinders were thrown back, then surely the remains of Jason Quarm would be discovered, and with the discovery there would ensue an inquest, and much unpleasantness if not danger to himself. With low cunning he resolved to make the best of the inevitable. He shouted to his wife’

“Zerah! bring out cider for the good fellows. They are working for us, as you know. If you have saffron cake, out with that too. I daresay I shall find a shilling apiece as well.”

He went behind Pooke, slapped him on the back, and said boisterously’

“Well done, old man! That is what I wanted. If a thing has to be executed, let all be above-board and legal. That’s my doctrine. I don’t like no hole-and-corner proceedings. Meddlin’ wi’out authority makes the end a botch. If you hadn’t begun, I would have done it myself.”

In the house Zerah restrained Kitty with one hand and closed the door with the other. The woman was labouring for breath, so great was her excitement. Her face was now flushed, then became wan as death.

“Kitty, my darling,” she said, “I reckon I’ve been hard and exactin’ in the past. The old pass’n were right, though I wouldn’t believe him, and said he was insultin’ of me to say it. ’Twas love, he told, as you wanted, and I didn’t give it you. Love, the very air of heaven, wi’out which the little maid couldn’t thrive. I wi’held it from you’so he told’and I shut my ears and hardened my heart. But in the end he were right. When I found out what had been done, then it broke me down. I cannot respect and love him no longer. I tried my best when he was foolish and unfortunate. But now he’s guilty, I cannot’I cannot, and then all my love turns to you.”

Kitty threw herself into her aunt’s arms and sobbed.

“There’s no time now for tears,” said Zerah, with a gulp in her throat. “We cannot tell what is coming on us. It may be that the remains of your poor father will be found. If so, then’” Zerah shivered as if frost-smitten. “God bless us! It will be too horrible’to live under the same roof, to eat at the same table, to see the face, hear the voice of the man’” She was unable to conclude her sentence. After a long pause and a hug of Kitty, she continued: “I cannot say how it all came about. Bad as he may be, I hardly think he did it of purpose. ’Twas some accident. I don’t mean the burning the stores’but of your father. No; he was not so bad as that, please God! I hope, I trust not! Now, Kitty, you and I must make up our minds to whatever happens. And I reckon there is but one thing us can do.”

“What is that, dear auntie?”

“Hold our tongues.”

After a long pause, whilst the girl clung to her, she added, “No good can come of us speaking what we know, and what we fancy. It can but heap up a great pile of misery and shame. If it comes to an inquiry in court’that’s another matter. They won’t call on me, as I am Pasco’s wife, but they will on you, and you must up and speak the truth at any cost. But if there be no such inquiry, then hold your tongue, as I will mine. The mischief, so far, has come from what we have said. We can do no good; we may make the affair worse for ourselves if we talk. Leave him in the hands of God, to do wi’ him as He wills.”

Kate kissed her aunt and promised silence.

Then both went forth, and reached the crowd about the ruins and piles of ashes, as Pepperill was saying in a loud tone, “I don’t say you won’t find bones. I believe now I had a pile, but all mutton and beef bones.”

“Why, what were you doing wi’ bones?” asked Pooke.

“Collecting of ’em for dressing,” answered Pepperill promptly. “I’ve been in the hide line some while, and lately I took a fancy to bones also; but I didn’t do much, just begun on it, so to speak’all ox and sheep bones’nothing else. Pound bones up wi’ a hammer, they’re fine for turnips. Jason put me up to speculating in bones.”

The mass of crumbling wall, charred beam, and cinder was speedily attacked by the workmen under the direction of the constable, who had much difficulty in keeping the curious at a distance; men, women, and children were eager to assist with their hands, or advise with their tongues. They ran into danger by approaching tottering walls. They trampled down the ashes; they got in the way of the workmen; and occasionally a scream and an objurgation was the result of a labourer casting his shovelful of cinders in the face of an inquisitive spectator who got in his way. Mr. Pooke protested and stormed, but with little avail; all were too interested to attend to his orders, and he was without assistants to enforce them.

Pepperill bustled about, vociferating, driving spectators back, encouraging workmen, running after cakes and cider, and making the confusion greater. Kate sat on a fallen beam, chin in hand, watching intently every spade as it turned the ashes, wincing at every pick driven into the cinder heaps. The tears were trickling down her cheeks.

Then Walter Bramber, who had just arrived, went up to Farmer Pooke and asked leave to run a cord across from one rail to another, and volunteered with the assistance of Noah Flood and John Pooke to keep the people from interference.

“Why should they be kept back? Don’t they want to find what has become of Mr. Quarm every whit as much as me? Let ’em come on,” shouted Pepperill.

But the constable saw the advantage of the proposal, and gave the order. In ten minutes the scene of the conflagration was freed from sightseers, who were confined at a distance.

Then Bramber went to Kitty and said in a low tone, “You do not think it is hopeless, I trust?”

“I do not know what to think,” she answered.

“Is it true what I have heard, that your uncle returned here after dark and left you at the top of the hill?”

Kate did not answer.

“That is what is said. Jan Pooke told me he had heard it from your own lips.”

She continued silent.

“I should like to know, Kitty, the truth in this matter.”

“I can say nothing,” she answered, and hung her head lower.

Bramber was surprised, but he had not time to expend in conversation: he had undertaken to keep off the crowd, and some were diving under the rope, others attempting to stride over it.

An hour was expended in turning about the refuse. All the coal had been consumed, but, singularly and inexplicably, not all the fleeces. Bundles of wool were found’not many, indeed, but some, singed, not consumed, which, when exposed, exhaled a sickening odour. The dangerous portions of tottering walls had been thrown down, the slate flooring exposed. Not a trace of Jason Quarm could be found.

Pasco, who had been nervous, watching all the operations of the excavators in deadly fear of a revelation of the charred remains of his brother-in-law, breathed freely, recovered all his audacity and boisterousness.

“I said as much, but none believed me. Jason is gone; he was not the man to sit quiet in a fire. How the fire came about is a question we won’t go into too close.”

“The bones you spoke of,” said Pooke, “we ha’n’t come on them. They’ve been consumed’perhaps poor Quarm as well. The fire must have been deadly hot.”

“It didn’t burn those fleeces,” answered Pasco triumphantly. “I’ll tell you what; Jason made off for reasons well known to himself. If we don’t hear of him again, I sha’n’t wonder; but burned here he certainly was not, as any fool can see. He was not the man to let himself burn. Cripple though he was, he could hop out of danger.”

Pasco turned to Bramber. “What is that you have been saying to the parson about hearing Mr. Quarm and his daughter argyfying at my door the night of the fire?”

Walter Bramber was taken aback.

“Yes, you said you had heard them in hot dispute.”

“I said,” answered Bramber in surprise and indignation, “something very different from that. I said”’

His hand was caught by Kate, who looked pleadingly into his face.

“A word alone.”

“What is it, Kitty?”

“Say nothing to anyone of what you saw and heard that night.”

CHAPTER XLIV
PUDDICOMBE IN F

The mystery of the disappearance of Jason Quarm was not cleared up; on the contrary, it had become more profound. The excavation of the ruins had revealed nothing. It had disclosed no remains of the lost man, and opinions were divided. Some contended that the intense heat of the mass of coals, a heat which had split the flooring slates and burnt the soil beneath them to the depth of six inches, reddening it like brick, that this heat had completely consumed the unhappy man. On the other hand, others asked, How could that be? Some of the wool was scorched, not burnt; a man would make his way from fire; he had eyes and arms, and though Quarm was crippled, yet he could extricate himself from danger, or at all events use his powerful lungs so as to call for help. Moreover, Quarm wore brass buttons. Even if his body had been resolved to ashes, the molten buttons would be found; but no metal of any sort had been discovered on the floor.

To this responded the first: If Quarm were not burnt, how was it that he had not put in an appearance? His bundle of clothes was found in the cart. If he had escaped, he would surely either have made known his escape, or have gone off with his parcel of necessaries. Some hinted that, finding the Cellars locked, he had made his way into the warehouse, there to spend the night, and had gone to sleep with his pipe alight, and the pipe had set fire to combustibles in the place. But then, supposing this, why was his body not found if he had been smothered by smoke? and if he had escaped, why had he not gone off with donkey, and cart, and bundle? There was the puzzle.

Others hinted that Pasco Pepperill was the gainer by the fire, and that he had had a finger in setting the stores alight. It was suspicious that he had sent away his wife, and had gone away with his niece just before the conflagration broke out. There was an ugly rumour afloat, that he had returned secretly to the Cellars, and had there met and quarrelled with his brother-in-law. This rumour was constructed out of the reported admission of Kate, and something, it was believed, that the schoolmaster had said. But neither of these, on being interrogated by the inquisitive, would say a word. The schoolmaster, with the cheek of a stuck-up creature, had answered all inquiries with the question, “Who has authorised you to catechise me? If the matter is brought into court, I will say what little I know on oath before the magistrate. I will say nothing to self-constituted inquisitors.”

Whenever this answer of the schoolmaster was repeated, and it was so a hundred times in the course of a week, it never failed to elicit an indignant remark, generally couched thus: “Them schoolmasters want setting down. They’re owdacious cocky monkeys. But they’re a low lot’they must be taught their place, which is under our heels. They gives theirselves airs, as if they was parsons and knew everything, but they lives on our voluntary subscriptions, and unless they come to eat humble-pie, we’ll withdraw our farthing-in-the-pound rate. ’Tisn’t for our pleasure or profit they exist, but just because of a fad o’ the pass’n. Mr. Puddicombe was the man for us. Him we could respect. And now they sez that Mr. Puddicombe is compoging a Tee-dum which will cut out even Jackson.”

The minds and hearts of Kitty and her aunt were sensibly relieved. The girl had watched the exploration of the cinder heaps with quivering nerves and brooding fear. What might not each spade disclose? Into what an object of horror might not her poor father be reduced? But, as the floor of the warehouse was cleared, and every mass of ash turned over, and nothing revealed, her heart swelled, and the blood began again to pulsate in her arteries. She covered her face with her hands, and lifted her heart half in thanksgiving and half in prayer. And yet, what had become of him? How was it that, if he were alive, he had given no signs of life?

It was ascertained that Jason Quarm had not crossed the estuary, either by the bridge or by boat, at Shaldon. It was inconceivable that he had traced the creek up to its head, below Newton Abbot, to cross the water there, as there was no path along the water-side, and he must have come into the road and made such a circuit as was not possible for a man in his crippled condition.

At one moment Kitty was sanguine, at the next her spirits fell. It was to be hoped’nay, believed’that he had not perished in the fire; but was it not possible’nay, probable’that he had died by some other means, that he may have fallen into the mud, and been smothered therein? That mud would swallow up the man that sank in it and never restore him again. If he had come by his end thus, had he fallen in, or had he been cast in?

Again, with a chill, as if pierced by an icicle, came the thought of her uncle. Undoubtedly, he could explain all if he chose. He had returned to the Cellars and found her father there. The altercation which Walter had imperfectly heard must have taken place between her father and her uncle. It could not have occurred at that time, in that place, between any others. Her father had passed by the road as the cart entered the linhay, her uncle had gone home immediately after. Therefore, these two had met at the Cellars. What had been the occasion of the quarrel? and what the result of that quarrel? The result was the disappearance of her father. How had he disappeared? That, she felt convinced, her uncle could answer, and he alone. But for motives which she dared not investigate, he remained silent; nay, worse, he endeavoured, by denial of his having returned to the Cellars, to cast the suspicion of having fired the storehouse from himself on other shoulders. These questions turned and twisted in Kitty’s brain without rest. They occupied her by day, they tortured her by night. She did not venture to express them to her aunt. She knew that the same thoughts, the same questions, were working in her mind; and she knew also that her aunt could not endure their discussion. Meanwhile, the work of the house must be carried on, and Mrs. Pepperill called in the assistance of Mrs. Redmore. With their preoccupied minds, neither she nor Kitty was capable of doing all that had been done as in days gone by.

Pasco grumbled at the introduction of this woman into his house’the wife of the wretch who had set fire to the rick of Farmer Pooke, and who had escaped pursuit. But Mrs. Pepperill did not yield. There were no other women disengaged in Coombe, and of girls she would have none to break dishes, and throw away spoons, and melt the blades out of the handles of knives.

Pasco acquiesced, with a growl, and a malicious look at Kate, and a mutter that some folk were mighty fond of incendiaries and their belongings, backing them up, helping them to escape, providing for their families; to which neither Kate nor her aunt made reply.

Pasco found that he was not comfortable at home; his wife would not unbend, and Kate kept out of his way. To his boisterous mirth, to his boastfulness, they made no response; when he stormed, they withdrew. He was uneasy in himself, suspicious of what men said of him, and alarmed when he heard from his lawyer, Mr. Squire, that the insurance company refused to pay the sum for which he had insured. Society, distraction, were necessary for him. As he could find none at home, he wandered to the village tavern, the Lamb and Flag, to seek both there.

The first occasion was the evening of the practice of the village orchestra, and it was attended by every member of the same, not only because all desired to say something relative to the matter exercising all minds, but also because the score of a new Te Deum had been placed before them, the composition of the ex-schoolmaster. Puddicombe in F was to be rehearsed by the instruments before the vocalists were called in. Puddicombe in F was expected to be a huge success, and to make Puddicombe known through the wide world of music, and to render Coombe-in-Teignhead famous in after generations, just as Exeter was known as the place which had produced Mr. Jackson, who had won such a fame with his Te Deum.

Each instrumentalist had his separate sheet of music, and each devoted himself to his score with seriousness.

Puddicombe in F began with a movement slow and stately, with all the harmonies in thirds and fifths, and a solemn tum-tum bass. Then, precipitately, it transformed itself into something headed Fugg. If it had been entitled fugue, no one would have understood what was meant. But “fugg” signified that the instruments were to perform a sort of musical leap-frog, to go higgledy-piggledy, one after the other, like children tumbling out of school, with the master behind them threatening to whack the hindermost.

And, verily, never was a fugue more of a higgledy-piggledy devil-take-the-hindermost character than this one of Puddicombe in F, never such a caterwauling of cats that could surpass it in discords, with random gruntings in and out of the violoncello.

A villager, standing breathless outside, listening, ventured to say to the landlord, who was smoking complacently at his door, “There don’t seem to be much tune in it.”

“No; but there’s tremendous noise.”

The landlord drew whiffs, blew out the smoke in a long column, and said, smiling, “Wait till we come to the largo molto tranquillo con affettuoso caprizio.”

“What’s that?” asked the bumpkin, in an awestruck tone.

“It’s something writ on the music by the hand of Mr. Puddicombe. The Lord knows what it means!”

The hubbub of the “fugg” came to an end, and the instruments paused, drew a sort of sigh, and, with stately tread, marched in unison largo molto tranquillo con affettuoso caprizio, and stalked through it to the end.

“There’s tune there now, and be blowed,” said the landlord triumphantly.

“It’s the tune of ‘Kitty Alone and I,’” retorted the irreverent countryman, and he began to sing’

“‘There was a frog lived in a well,
Crock-a-mydaisy, Kitty alone;
And a merry mouse lived in a mill,
Kitty alone and I.’”

The instruments behind the lighted window-curtains were hushed. They had heard the rustic song.

“It is that, ain’t it?” pursued the man. “I’ll sing another verse, and make sure’

“‘So here’s an end to the lovers three,
Crock-a-mydaisy, Kitty alone,
The Rat, the Mouse, and the little Frogee,
Kitty alone and I.’”

Within, the instrumentalists looked at each other. None spoke for a minute, and then the ’cello said, in a deep voice, as from a tomb, “Puddicombe han’t riz to the theme. He’s forgot and worked in that frog and mouse tune. Not but what it’s a good ’un, only unsootable.”

“It’s easy set right,” observed the first violin. “If you’ll wait, brothers, I’ll clap on my hat and run up to his house, and get him to titch it up a bit, and git the Kitty tune out of it altogether. The fugg was famous.”

“Yes,” said the second violin; “it’s only to stir it about a bit and shuffle as you do cards. Cut along with all your legs.”

At that moment Pasco Pepperill came up, puffing, looking about him half suspiciously, half defiantly. “How are ye, gents?” said he. “What! practising? I don’t mind if I sit a bit and listen to you. I’m fond of music, especially sacred music, as I’m churchwarden.”

CHAPTER XLV
DAYLIGHT

The musicians looked at each other. They could hardly continue to practise Puddicombe in F till the little awkwardness of the passage largo molto con affettuoso caprizio was set to rights. It would be half an hour before this was done. Meanwhile, the orchestra might as well work their tongues as well as their arms and fingers, and blow questions and puff opinions in place of musical notes. They had assembled that evening with a double intent: the excuse for their meeting was the rehearsal; the real object, the airing of their views on the fire at the Cellars, its probable origin, and what had become of Jason Quarm.

For the gathering of information on such matters, what was more fortunate than the presence in their midst of Pasco Pepperill, the man of all others best qualified to give information relative to the matters troubling all hearts? It was true that a good many’the bassoon and the ophicleide among the orchestra’entertained grave views relative to the conduct of Pepperill. Well! there the man was. They might prove him with keen questions, catch him off his guard with sly hits, entangle him in a net of incautious admissions into which they had lured him, and then sit in judgment on him and the whole case, after he had withdrawn.

“Gents and neighbours, and friends all,” said Pasco, seating himself, “as churchwarden, my place is among you, and allow me to stand treat of rum and water all round’no, better than that, a grand bowl of punch, and we’ll spoon it out with our good host’s whalebone ladle, and the Queen Anne shilling in the bottom. Landlord, don’t spare the rum; thanks to my uncle, I’m a man of means, and can pay my way.”

Marvellous as a solvent is punch. The mere mention of a bowl began to melt and break up prejudice and fixed opinions. The bassoon had been persistent in insisting on the criminality of Pepperill; he had urged every point against him, he had turned aside every argument that tended to exonerate him. As a man of strict integrity, he was now placed in a difficult position. Either he must hold to his opinion, rise, bow stiffly, and decline to drink out of the bowl, to wet his lips with the generous liquor the churchwarden provided, or else his judgment must undergo modifications, then a complete volte face.

The popping of a cork was heard. At once the bassoon acknowledged that he had been precipitate in forming his conclusions. A waft of rum and lemons entered the room. He began to see that there were weighty considerations which had escaped him hitherto, and which undermined his convictions. Then came the clink of the ladle in the bowl, as the bowl was being brought in. The bassoon’s preconceptions went down like a pack of cards. The whole room was redolent with a fragrant steam, as the great iron-stoneware bowl was planted on the table. The bassoon was converted into an ardent, enthusiastic believer in the churchwarden.

Wondrous is the power of conscience. It may lie asleep, it may remain for long inert, but a little something comes, unexpectedly touches it, and it springs up to full energy, and resolves amidst much self-reproach to make amends for the past. So was it in the interior of the bassoon. The sniff of punch was to his conscience what “Hey, rats!” is to the dozing dog. It was alive, it was stinging him, it had brought him metaphorically in penitence to his knees before Pasco Pepperill. He could not think, say, show himself, sufficiently convinced that that man who provided and paid for the punch was the embodiment of all virtues, with a character unstained as is the lily. He trampled on his own base self, he spurned at it, for having for a while thought evil of so admirable a man.

“Peter Squance bain’t here. ’Tis a pity’our first fiddle,” said the second violin. “He’ll be mazed when he comes back with the molto largo, and finds the punch all gone.”

“Gone?” exclaimed Pepperill. “Not a bit of it. When this bowl is done, we will have another.”

Mr. Pepperill stood up and stirred the steaming sea before him, in which floated yellow islets of lemon. All eyes were on the bowl, all nostrils were dilated and sniffing, all mouths watering.

Pasco filled each glass, and then ensued a nodding all round; eyes were turned up, lips smacked, and the precious liquor allowed to trickle down the throats in thin rills over the tongue.

Presently the clarionet put down his glass and said, “It was a lucky job, Pasco, that your rick o’ straw escaped t’other night.”

“Ay, ’twas a first-rate chance,” said the landlord, who had come and remained to taste his own brew and hear encomiums on it.

“You see the wind was t’other way,” said the ’cello.

“And ’twasn’t insured,” added the clarionet.

All the rest looked round, and frowned, and reared their chins. The clarionet shrank together. What had he said? Something stupid or uncivil? He was too dull to see where his error lay.

“That had nothing to do with it. ’Twas water chucked over it as saved it,” threw in the bassoon, flying to the rescue.

“My straw rick suffered more from well-intentioned assistants than from anything else,” said Pepperill. “The wind was direct away from it, and so it couldn’t hurt.”

“It was coorious, though, the fire taking place when everyone was away from home,” said the clarionet.

Again all looked indignantly at him. That instrument had a way of always sounding out of key.

“There was nothing coorious at all in it,” answered the churchwarden, with promptitude. “It was just because everyone was away that the fire got the upper hand.”

“There’s something in that,” said the hautboy.

“There is everything,” answered Pasco. “If I or my wife had been at the Cellars, we would have speedily called help and had the fire extinguished before it could take hold. No one was there, so it was allowed freedom to get the mastery, and then, no one could do nothing.”

“That’s true,” said the second violin.

“It’s true,” said the rest of the instruments in unison, looking into each other’s faces; “it couldn’t be truer.”

“You don’t happen to know how the fire came about?” asked the clarionet.

“I don’t know,” answered the churchwarden.

“You don’t know,” repeated the violoncello, “but you guess.”

“I have my ideas,” observed Pasco. “Gents! let me fill your glasses again.”

“And if I might make so bold to ask?” pursued the clarionet.

“My mouth is shut,” answered Pasco. “I don’t want to hurt nobody, least of all a relation. Just fancy, gents all! the insurance company have refused payment.”

“You don’t say so! Well! what is the world coming to? But it all stands in prophecy, in the Book o’ Dan’l,” said the hautboy.

“It is one of them beasts in Revelation!” said the second fiddle. “The question only is which.”

“But,” pursued Pepperill, “I’ve set my solicitor at ’em. He’ll make ’em dance a Halantow.”

“Very glad to hear it,” said the bassoon. “I drink to his and your success.”

“We’re going to institute proceedings,” continued Pasco.

“What is proceedings?” asked the clarionet under his hand of the hautboy.

“It’s a sort of blister o’ Spanish fly,” was the answer, also in confidence.

“Then it will make ’em dance, no mistake,” said the clarionet. “Do you think, churchwarden, it will draw?”

“Draw?” Pasco rubbed his hands and looked round. “It’ll draw getting on for fifteen hundred pound. If that bain’t drawin’, show me what is!”

This announcement produced a great effect.

“To go back to the p’int,” said the clarionet. “It would be a comfort to us all if you’d give us your ideas on the matter of the fire. You see, we’re all abroad.”

“I wouldn’t hurt nobody’not a fly. I was always tender-hearted,” said Pasco. “Besides, you’d talk.”

“We are all friends,” urged the bassoon. “You see, coals don’t as a rule set alight to themselves, nor wool, nor hides neither.”

“That’s what I’ve said all along,” observed the second fiddle. “Someone must ha’ done it. The question is’who?”

“I’ll have another thimbleful of punch,” said the bass viol. “It’s uncommon good, and does credit to all parties’

‘Come let’s drink, and drown all sorrow,

For perchance we may not’

For perchance we may not meet here to-morrow.’”

Then the hautboy trolled out’

“‘He that goes to bed, goes to bed sober
Falls as the leaves does’
Falls as the leaves does’in October.’”

“Someone must ha’ done it,” observed the clarionet.

“Of course some one did,” said Pepperill, “and when folk begin yarnin’ lies, you ain’t got to go far to find the evil-doer.”

“That’s true,” was the chorus.

“And no one was at the Cellars at the time but one or two persons,” said the clarionet.

“One was Jason Quarm,” said Pasco; “and burnt he was not, as was proved by the constable.”

“I don’t know,” said the second fiddle. “The fire was so tremendous hot, and lasted so tremendous long, it would ha’ burned a fatter man nor Jason Quarm.”

“Jason’s not burnt. He’s runned away.”

“Runned away?”

“Yes,” pursued Pasco; “’cos he didn’t want to have to give evidence as to what he knew.”

“What wor that?”

“He comed to the Cellars, and found someone there doin’ of the wickedness, and he runned away so as not to have to say what he didn’t want to be forced to say.”

“What was that?”

“It’s not for me to speak!”

“Someone did it! who could ha’ done it?” said the clarionet. “I thought it wor proved, if I may be so bould, that you, Mr. Churchwarden, comed back to the Cellars.”

“I?” exclaimed Pasco, becoming purple in the face. “It suited somebody’s convenience to say so, but I was in the linhay minding the hoss, and I put it to the company’no one can be in two places at once, can they?”

“There’s something in that.”

“I was minding the hoss, but I sent somebody back to lock up. I name no names, and she’s gone and put it on me to clear herself.”

The eyebrows of all the instrumentalists went up.

“Kitty? What! Kitty Alone?”

“I name no names,” said Pasco; “but I must say this to clear myself. I’ve borne hard words too long for the sake of sheltering she. The schoolmaster heard her father lecturing of her for what she’d done.”

“But she wouldn’t do it out of pure wickedness,” urged the clarionet; “and what reason had she?”

“There it is,” answered Pasco. “I see I’m among friends, and it won’t go no farther. I’d been speaking to her rather sharp for her goings-on with young men, drawin’ on Jan Pooke, then kicking him over, then Noah Flood, and same with he. Noah, poor fellow, was took cruel bad along of she’ever since Ashburton fair had a pain in the stomach; if that ain’t love, show me what love is. Then she took up with that schoolmaster chap, and when I said I wouldn’t have it, and I wasn’t going to have the family disgraced wi’ bringing schoolmasters into it, she cut rusty, and sulked, and I believe it were naught but spite.”

“But,” observed the clarionet, “the tale I was told of what the schoolmaster said wasn’t quite that.”

“You are right there,” said Pasco. “He’d alter his tale when he found what she’d been about. As is nat’ral. I put it to the company, if you was sweetheartin’, and you found your love had been up to wickedness, you wouldn’t tell tales of her, but would do all you could to screen her.”

“That’s true,” was the general opinion.

“And you think Jason see’d her, and made off?” said the bassoon.

“That explains everything,” observed the violoncello.

“I begin to see daylight,” remarked the hautboy.

At that moment, in rushed the first violin, waving the score above his head.

“I’ve got it!” he said. “Nothing easier. It wasn’t no fault o’ Puddicombe, he said it were our stoopidity. ‘What does largo molto con affettuoso caprizio mean?’ he asked. ‘Largo molto, turn the score upside down, con affettuoso caprizio, and go ahead like blazes!’”

CHAPTER XLVI
A TRIUMPH

The fumes of the punch had been dissipated, not only from the room of the Lamb and Flag, but also from the brain of the orchestra.

The bassoon’s scruples revived; he was still grateful for the punch, but resentful for the headache it had produced.

The several points brought out by the clarionet, that provoking advocate for Pasco, who asked awkward questions and propounded awkward suggestions, stood twinkling like sparks in tinder. The bassoon thought that punch, good thing though it might be, did but momentarily overflow, and did not drown, doubts. It darkened the burning questions, but did not quench them. The disappearance of Quarm was not satisfactorily explained. The coincidence of the voiding of the Cellars conveniently for the fire, was not explained. The contradiction between the statements made by the uncle and the niece was unsifted. The bassoon grunted in his bed a grunt of dissatisfaction with himself for having yielded his opinions, a grunt of resentment against Pasco for having obfuscated his clear judgment, a grunt of resolve never again to allow his opinions to give way before punch. Conscience, that capricious factor, which had pricked him in one direction last night, pricked him in another this morning.

The hautboy, also, was out of tune. On review of the events of the past night, he considered that the entry of Pasco was an unwarrantable intrusion. The rule was well known that during a practice of the orchestra no one should be admitted. Pepperill had entered uninvited, had forced himself into their society, and he must have done that for a purpose. For what purpose but to cajole, to hoodwink them?

In vain is the net spread in the sight of any bird. The hautboy was a very wideawake and watchful bird, and he saw the meshes clearly. In vain is the hook cast in clear water; and the medium was so transparent that the hautboy plainly saw the hook. He resolved to maintain an independent, observant attitude, to form his own opinion, not accept ready-made views served up to him with punch. When before had the churchwarden favoured the village orchestra with punch? Never’since Pasco had been churchwarden. Never when in a private capacity. Only when popular feeling became suspicious or hostile, did he show himself free-handed. His present liberality told against him.

The violoncello also entered into commune with himself. Was there any chance of another brew? Would another bowl of punch be produced to keep up the favourable opinion formed on the preceding evening, or would a mistrustful attitude act as a stimulant to excite greater liberality? One brew of punch was not much, it prepared the soil, a second would sow the seed, a third make it germinate, a fourth develop, and only a fifth fructify conviction in the integrity of the provider.

The words spoken by Pepperill relative to Kate had spread. The orchestra confided them to their spouses, and the wives whispered them to their intimates. There arose in Coombe-in-Teignhead two rival factions. One party contended that Pasco was guilty, the other argued that Kitty had fired the storehouse. The advantage of the latter view was that it explained what was otherwise inexplicable’the disappearance of Quarm. The story was worked into shape; it was elaborated in detail. Kitty, of a morose and vindictive nature, had been exasperated because her uncle had forbidden her engagement to the schoolmaster. Kitty had never been as other girls were. Her reserve was slyness, her bashfulness sulkiness. Her schoolfellows had disliked her. Their mothers shared the feelings of their daughters. As the proverb says, “Still waters run deep,” and of the stillness of Kitty there could be no question.

The dislike entertained of Kitty had been vague and unreasonable. Now a reason was supplied, and consistency given to what had been shapeless.

It was suspicious that Kitty had volunteered the statement relative to her being left in the linhay before she had been asked questions relative to her whereabouts. Why should she have blurted this out to Jan Pooke and Rose Ash, but for the purpose of throwing dust in their eyes?

Kitty had been unwarrantably forward in telling her tale, and the schoolmaster unwarrantably reticent relative to his experience. Why did the schoolmaster refuse to speak out what he had seen and heard at Coombe Cellars, on that eventful night. The reason was plain enough. He did not desire to compromise Kitty. But it was clear what had occurred. She had been sent back to the Cellars by her uncle, and there her malignant spirit had induced her, out of revenge, to set fire to her uncle’s stores. Her father had come on her red-handed, and had rebuked her sharply. That was what the schoolmaster had overheard. Then Quarm, finding it too late to undo the mischief done by his daughter, afraid to call in neighbours to his aid, lest Kitty should be compromised, had made his escape. There were a thousand other ways by which he might get away besides crossing the Teign. No one had thought of that. Every one had considered only whether he had crossed by ferry or by bridge. There were a score of lanes at the back of Coombe by which he might get away unperceived. All attention and investigation had been devoted to the water, and every other means of evasion left unconsidered.

Thus was the case worked out against Kitty. It assumed deeper colouring when it was remembered that she had allowed Roger Redmore to escape when entrusted with the charge of him by Jan Pooke, and Jan had said that as he left Roger he could not free himself, without Kate’s consent. It was noted, also, that she had, as her uncle had told, deliberately and of malice prepense, frustrated the efforts he made to catch the incendiary at Dart-meet.

She had, moreover, induced her father to give up his house to Jane Redmore. Birds of a feather flock together’and surely fireflies are actuated by mutual sympathy.

On the other hand, the party that held Pepperill to be guilty were not silent. Who was the gainer by the fire? Pasco, to the amount of twelve hundred pounds. Was it not certain that he had been greatly embarrassed for money? that a bill of his had just been dishonoured? Was it not just as probable that his story was false as that of Kate? Was it she who sent away Zerah across the water? Who persuaded Pasco to drive in the direction of Newton? Did not all his proceedings on that eventful evening show a deep-laid plan? And so on.

The pros and cons were thrashed and re-thrashed over the tavern table and the ale-mugs, and over the tea in private houses. Hardly any other topic occupied men’s minds and women’s mouths, till suddenly something happened which silenced everyone.

The insurance company had refused payment, and the solicitor of the company sent down an agent to Coombe that he might collect information which might justify them in their refusal. At once all became mum. No one knew anything, no one suspected anybody. Nothing had happened but what was natural and easily accounted for. This change was due to the fact that there is, and more than half a century ago there was, a strong esprit de corps in a secluded village, that resented any intrusion of a stranger into its affairs. The rural mind is naturally suspicious, and naturally mistrusts anyone not intimately known, and regards any questions asked as something to be evaded, and on no account to be answered.

When, accordingly, the agent came among the Coombe-in-Teignheadites, and busied himself in cross-examining the people, they snapped their mouths as an oyster snaps before a lobster; or they may be likened to hedgehogs that rolled themselves up and presented nothing but prickles to the inquirer intruding in their midst. Never in his life had the man come among people like these; they neither saw with their eyes, nor heard with their ears, nor thought with what they called their brains.

Pasco took no measures to protect himself. He knew his fellow-villagers well enough to be sure that they would say nothing against him.

After a week spent in unprofitable investigation, the agent retired. At once the whole place woke up. Everyone uncoiled, every mouth opened, and every brain worked again. The rival factions recommenced their warfare, and the difference in opinion became poignant.

In due course the case of Pepperill against the insurance company came off, or rather, was announced to come off.

Pepperill was full of consequence.

He had felt acutely that suspicion hung about him like a cloud which he could not dissipate. Men who had hitherto courted his society now avoided him. The rector was especially cold in demeanour towards him. The orchestra remained divided in opinion, agreed only in desire for more punch. When, after church, he approached a group at the graveyard gate that was in eager conversation, his approach silenced the talkers and broke up the conclave. He was certain that he had been their topic. Hands that had formerly been extended to him now remained buried in trousers-pockets. Voices that had given him the good-day now withheld salutations. Customers were reluctant to deal with him. His appearance in the bar of the Lamb and Flag induced a hasty rise, a payment of shot, and a departure of all save sodden topers. By no other means were they to be retained save by the offer of drink at his expense. When he bragged, his boasts fell flat; when he joked, none laughed.

In ill-humour and uneasy, Pasco departed for Exeter. The case, however, never got into court. At the last moment the Company, convinced it had no grounds to go upon, agreed to pay.

This was a triumph for Pepperill. He deferred his return to Coombe for a week, that the news might be carried to everyone there, and have time to ripen in the somewhat sluggish brains of the natives, and produce the effect he anticipated.

The triumph of Pepperill was more than his own individual triumph. When the tidings had well soaked in, then Coombe awoke to the knowledge that the entire parish had achieved a victory, and that over an influential, moneyed, and powerful society. Whether Pepperill was guilty or not guilty was immaterial. The fact remained that a little parish like Coombe, by its representative, Pasco, its churchwarden, had stood up face to face with the capital of the county, represented by the insurance company, and that the latter had cringed and acknowledged defeat without daring to measure arms. That was something unheard of heretofore. If Coombe-in-Teignhead were not proud of its doughty champion, then it would cover itself with disgrace. The situation was discussed in the bar of the Lamb and Flag, and a self-constituted committee formed to celebrate this momentous achievement. The rector was to be solicited to have a special service, at which Puddicombe in F would be performed and a sermon preached. The rector had a service on Saints’ Day, attended only by a few old women. Who cared for the saints? But Pepperill’who had extorted one thousand two hundred pounds from the insurance company’that was the sort of man to honour, and the service in his honour would be attended by all Coombe. The bells should be rung. There had been a disturbance with the parson about the right to the belfry on the occasion of Puddicombe’s return. The parish must assert and maintain its right to ring the bells when it chose, and defy the rector if he objected.

As was feared, Mr. Fielding raised objections to both the thanksgiving service and to the peal of bells. Thereupon ensued another meeting in the bar.

Now Mr. Pooke, senior, came forward. He had been opposed to Mr. Pepperill; he had disapproved of his conduct. But when it came to a matter of ringing of bells, he felt that a principle was involved. If once the parishioners yielded that point, they might as well yield everything, and be priest-ridden. There were two church-wardens; Pasco Pepperill was one, Mr. Ash, the miller, was the other, having succeeded at Lady-Day to Whiteaway, the grocer. Let Mr. Ash insist on the bells being rung, and if the rector withheld the key, then let him authorise the blacksmith to break open the door. He, Yeoman Pooke, would back him up.

They could not force Mr. Fielding to preach a sermon, but that didn’t matter; they’d have music, and have it in the road, and escort Pasco Pepperill home to the strains of Puddicombe in F.

Carried by acclamation.

CHAPTER XLVII
PARTED

If anything had been needed to clinch in Pasco Pepperill the sense of his conduct being irreproachable, the ovation on his return to Coombe-in-Teignhead would have served this purpose; but nothing was necessary after that the insurance office had thrown up the ball. The retirement of the Company from the contest, and the payment of the money for which his stores were insured, acted on his conscience as much as would a plenary papal absolution on that of a Roman Catholic.

Previous to this his conscience had given occasional twitches, now it glowed with conscious sense of righteousness. It was vexed with neither qualm nor scruple. He held his head higher, boasted louder, strutted with more consequence, and became impatient and offended at his wife’s maintaining her distance. He might deceive himself, deceive the world, but he could not blind her, and this made him angry. He was slighted in his home, where he had best claims for recognition.

He was, moreover, disappointed that there was so little real enthusiasm for himself at the back of the demonstration, which was organised rather in honour of the parish than of himself. The same suspicion attended him, the same reluctance to deal with him, and the same indifference to his society.

The demonstration was destined not to pass without leaving some unpleasant consequences.

At the urgency of Farmer Pooke, Miller Ash, the second churchwarden, had forced the belfry door and admitted the ringers, and authorised them to give a peal of welcome to the returning conqueror.

Mr. Fielding was of a mild and kindly disposition, but he was a stickler in matters of discipline, and he could not suffer this high-handed conduct to pass unquestioned. Ash was cited before the archdeacon, and legal proceedings were instituted to establish the sole right of the incumbent to order when and by whom the bells should be rung. Ash was dismayed at the prospect of a suit. He attempted to fall back on Pooke, but found that Pooke was by no means inclined to find money for the defence.

Mr. Fielding was reluctant to proceed against a parishioner and a churchwarden, and a man eminently worthy, but he considered that it would be a neglect of duty not to do so. Twice had he been defied, and twice had the bells been rung on improper occasions. He was aware that his action must produce ill-feeling against himself, but he was too conscientious a man to allow this consideration to weigh with him. Nothing is easier than for a man in authority to court popularity by giving way at every point. Mr. Fielding did not desire popularity, and he did not believe that in discharging a duty he would interfere with his ministerial influence in the place.

And, in fact, Ash did not so much resent the action of the rector as the unreliability of Pooke’a man who had urged him to act, and had promised to take the responsibility on himself for such action; a man whose son was about to marry his own daughter. Ash was bitter at heart, in the first line with Pooke, and the second with Pepperill, for having occasioned this affair. If Pepperill had never insured, never had allowed his warehouse to be burnt, never had confronted the Company, this unpleasantness would not have arisen; and only in the third line did his resentment touch the rector. Moreover, Pooke was discontented and uncomfortable. He was well aware that he was morally responsible for the infraction of the belfry, but he would not admit it, lest it should cost him money. Pooke was a man ready to admit a moral obligation up to ten-and-six; not a penny beyond. He allowed that the parson was in the right to stick out for his authority, and if the law gave him command of the bell-ropes’well, he was justified in trying to obtain it. But it was Pasco Pepperill who was really to blame. He ought not to have delayed his return from Exeter. Why did he stick at that city for seven whole days after he had got what he wanted? Had he come flying home by the Atmospheric the day he received payment, there would have been no demonstration. By dawdling in Exeter, he allowed time for the organisation of a demonstration, and he did not deserve one, Heaven knew! So Pooke’s self-reproach converted itself into anger against Pepperill. In the physical world all forces are correlated, and it is so in the world of feeling. Love becomes hate, and joy turns into grief, and, as we have seen, compunction glances away from self and converts itself into a sting aimed at another.

Kitty’s position in the place became one full of discomfort. Not only was she regarded as guilty of the fire by one body of the inhabitants, but she had given offence to others by her engagement to the schoolmaster.

Walter Bramber was not merely a pleasant-looking man, but a good-looking one as well, and several young and middle-aged women in the place had set their caps at him.

One of these was the distorted milliner, designed for him by his landlady, and encouraged by her in hopes of exchanging her condition of maid without a home for wife in the schoolhouse. This person went about to all the farmhouses making garments for the farmers’ wives and daughters, and was able, without allowing it to transpire that she had aspired to Bramber, to stir up a good deal of ill-feeling against Kitty, who had been lucky where she had failed.

Another was a good-looking wench with a flaw in her reputation, who had hoped that the new-comer would be ignorant of her past history, and would succumb to her charms, and enable her to repair her faulty character out of the respectability of the position she would acquire.

Another, a damsel of erratic ecclesiasticism, who became a Particular Baptist or an Anglican Churchwoman, according as desirable young men attended chapel or church.

The last was a widow on a nice income of her own, some twenty years Bramber’s senior, who had made up her mind to marry again, and marry a young man.

Pasco was subjected to passive suspicions, Kate to active hostility. The art of ingeniously tormenting is one that men are too dull to acquire, and too clumsy to exercise. It is an art easily exercised and rapidly perfected by women. In a hundred ways Kate was annoyed by those of her own sex in Coombe; and these were ways skilfully contrived to excite the maximum of pain. She endeavoured to keep entirely to herself, but this was beyond her power. No mosquito curtains have been contrived which a person can draw about himself as a protection against malignant and poisonous tongues.

Without malicious interest’on the contrary, with the kindest desire for Kate’s welfare’Rose Ash interfered and caused her the greatest distress.

Rose had set her mind on matching Kate with Noah; she by no means approved of the engagement to Walter Bramber. A girl like Kate, enjoying her friendship, might look higher, do better than throw herself away on a two-penny-ha’penny schoolmaster, of whose origin nobody knew anything; and when Rose took an idea into her head, she left no stone unturned till she had carried it out.

She visited Kate, she assured her that a union with Bramber was out of the question. There was so strong a feeling against her in the place that, were she to marry the schoolmaster, it would damage his prospects. The farmers would withdraw their subscriptions from the school, and the parents refuse to send their children to be educated there.

“Of course,” said Rose, “I don’t believe you burnt the warehouse, but a lot of people in the place do. Some say you did it out of spite, because your uncle wouldn’t let you have the schoolmaster; others say he sent you back to set the wares alight, being too much of a coward to do it himself. I know better’but folks won’t listen to me. I don’t see how you can put the notion out of them but by marrying Noah. He’s related to nearly everyone in the place, and if you became his wife, you see, all the relations of Noah would take your part; they’d be bound to do it. Noah is a good fellow, and he’s terribly in love’got a pain under his ribs, and walks bent’all along of love. You’d best chuck over the schoolmaster and stop their mouths with Noah. There’s no other way of doin’ it.”

“You really think that my engagement to Walter Bramber will injure him?”

“If it goes on, he may as well leave the place. It would be made too hot to hold him. You see, Kitty, the Coombites ha’ never taken much to him’he bain’t like Mr. Puddicombe in nothing. But they might get used to him and put up wi’ him. If you go on holding him to his engagement, then’what everyone says is’he must go.”

Zerah, moreover, sought to influence her niece. She was a selfish woman, and now that she had opened her heart to Kitty, she was jealous of anyone else claiming a share in the girl. Moreover, she could not endure to live at the Cellars if left there alone with Pasco, of that she was convinced. She therefore extorted a promise from Kate not to leave her.

Kitty had become more than ever thoughtful, and was nervous and depressed in spirits. She could not clear herself of this suspicion that attached to her without incriminating her uncle, and she greatly doubted whether her word would avail against his. She could not hear anything of her father, the same mystery enveloped his fate unrelieved. She would have liked to pour her troubles into the ear of Walter, but her uncle had forbidden his coming to the house, and she would not go and seek him, observed, watched by all, and everything she did subject to misconstruction. Kate’s time was more at her disposal than formerly, as Jane Redmore came in charing. This was a disadvantage to her, so far that it allowed her time to brood over her troubles and annoyances.

After Rose had gone, she went on the water side of the house and seated herself on the parapet above the rippling inflowing tide, with her head sunk on her bosom.

Presently the tears began to course down her cheeks. She had not been seated there long before the timid, feeble Jane Redmore came fluttering out to her, looking over her shoulder as she came. The woman touched her: “I wouldn’t take on so,” she said. “You ain’t sure Jason Quarm’s dead, you know. He wasn’t found, and for why?”

Kate looked at the poor woman with tear-filled eyes.

“I can’t say nothin’,” said Mrs. Redmore hastily. “Only’there’it makes me bad to see you cry, it do, and I reckon there’s no reason.”

Then she slipped back in the same wavering, timid manner to the kitchen, without another word.

But Kate’s distress of mind was not due solely, as the woman believed, to her anxiety concerning the fate of her father. She had been debating in her heart whether she ought to continue her engagement with Bramber, and, perhaps, never had Kitty felt how truly she was “alone” as now, when she had satisfied herself that for his sake it were well for her to release him.

She stood up, when her purpose was formed, and walked quietly, firmly, to the Rectory. One friend she had there, ever faithful’the parson. He knew that she was innocent, he alone could appreciate her difficulties, and he would approve her determination.

She entered the study where he was at work on a sermon. He smiled, and his face brightened when he saw her, and he signed to a chair.

Kate, direct, clear, and firm in all she said and did, told the rector of her intention. She informed him of what he knew already, that a body of feeling was engaged against her, that she was incapable of establishing her innocence. That, under the circumstances, it was out of the question her holding Walter Bramber to his promise. She had, furthermore, passed her word to her aunt not to leave her. Mr. Fielding, though disappointed, saw that under the circumstances nothing could be done; and he felt that Kate was acting honourably and in accordance with her conscience. He knew, therefore, he must not dissuade her from obedience to that inner voice. He took a more hopeful view than did she, and this he expressed.

“If things change, then no harm has been done,” said Kate. “I have to say what is in my mind as made up on things as they are. Will you be so kind, sir, as to speak to Walter?”

“I see him coming in at the gate,” said Mr. Fielding. “He is with me about this time every day for a Greek lesson’a bit of New Testament in the original tongue.”

Kate stood up.

“Yes,” said he. “You go to meet him at the mulberry tree.”

The girl left quietly and composedly, as she had entered, and, crossing the lawn, came on the young man just as he reached the bench under the mulberry.

“Walter,” she said, “I want a word with you. Have you a knife?”

“Yes; why?”

“Will you cut this in the mulberry bark? Mr. Fielding will not object’

‘O Tree, defying time, witness bear,

That two’”’

She hesitated, slightly coloured’

“‘That two friends met and parted here.’”

“What do you mean, Kitty?”

“Ask the rector’he will tell you all.”

Then hastily, unable further to control herself, she passed him, and left the garden.

CHAPTER XLVIII

A SHADOW-SHAPE

Kate walked at once to the house of Mr. Puddicombe, and, without giving any reasons, announced to him that the engagement to Walter Bramber was at an end. She calculated on his publishing the fact, but she had not calculated on his inventing and promulgating reasons of his own supposition for explaining the rupture. According to him, she had formed a preference for Noah Flood, and regarded an alliance with Noah more to her advantage than one with a person of whose origin nothing was known, and whose prospects were uncertain. One of the first to hear the news was Rose Ash, and she made an excursion immediately to the house of the Floods, where Noah lived with his mother, a widow. The Floods were a well-to-do yeoman family, with land of their own. The father of Noah had died three years previous to the events recorded in this tale. Noah was the only child, and had been the idol of his mother. That he should seek a wife, she admitted, was natural. She would greatly have preferred his taking someone of more position and means, and in greater favour than Kitty Alone, but she was accustomed to regard everything her son did as right, and she would not offer any opposition to what he determined on. As Rose Ash was not to be won, he might take Kitty; though she would have vastly preferred Rose. The old woman was, it is true, made uneasy by the reports relative to Kitty and the fire at the Cellars, but her son knew how to set her mind at rest, by ridiculing them as idle and baseless, bred of malice or stupidity.

Rose was really energetic on behalf of Kitty. She did brave battle for her, and combated every adverse opinion. She was thoroughly resolved to forward the match between Noah and Kate, and now that the field was cleared of the schoolmaster, she hurried to the house of the Floods to spur on Noah to immediate action.

The evening was already closing in, and the house of the Floods was at some distance out of Coombe; but Rose was impulsive, and what she did was done in impulse. She was generous, so far as did not interfere with her own prospects and wishes and comforts. Mrs. Flood was her aunt, and with her she was ever welcome. Noah was happily at home when Rose arrived. She was not the girl to beat about the bush, and she rushed at once upon the topic uppermost in her mind.

“You must put on your hat at once, Noah, and come with me. I’m going to the Cellars, and going to make all right between you and Kitty. The time has arrived. The door is ajar, and you must thrust your shoulder in before it is shut. It’s off with the schoolmaster, and must be on with you at once.”

“Noah hasn’t been hisself of late,” said Mrs. Flood. “I don’t think he ought to be out with the dew falling heavy.”

“Nonsense, Aunt Sally! it’s love,” said Rose. “The dew won’t hurt. It’s his disappointment has upset him.”

“He’s been off his feed terrible,” said the mother; “there is a nice piece of boiled bacon I’ve had cold, but he don’t seem to relish it.”

“That’s love,” said Rose; “and I heard Mr. Pepperill say that Noah had a pain under his ribs.”

“It’s like a hot pertater lodged here,” said Noah; “I can’t get no rest at all from it.”

“That’s love also; I know it. I’ve had the same till Jan came to his senses.”

“And I don’t seem to take no interest in the farm; do I, mother?” asked Noah.

“Indeed you don’t, Noah.”

“That also is love,” said Rose; “we’ll soon put that to rights.”

“I thought it was liver,” observed the mother; “and that blue pill”’

“Oh, nothing of the sort,” interrupted Rose. “I know all the symptoms: hot potato, distaste for biled bacon, and indifference to farm affairs’it’s love; I had it all badly till Jan came round. Love turns heavy on the chest, if disappointed. That’s what Noah feels under his ribs. Come on, Noah, take your hat, and we will go to the Cellars together.”

Noah complied with as much alacrity as he was capable of displaying. He was a docile youth; he had fallen in love with Kitty, partly at Rose’s bidding, partly out of compunction at his conduct at the fair.

That evening had closed in rapidly. There were dense clouds overhead, so that the twilight was cut off, also all danger of dew, as Rose at once pointed out to Mrs. Flood. As, however, the mother feared her dear boy might get wet in the event of rain, Noah was induced to take a greatcoat.

The young man was shy and timid.

“You know, Rose, I treated her terrible bad at Ashburton, when I knocked away the workbox from under her arm.”

“She will like you all the better for it,” answered the girl. “Young maidens like a lad of spirit, and you may be sure it gave her pleasure to see you and Jan punching each other’s heads. That schoolmaster! he ain’t up to nothing but whacking childer with a cane. If you like, I’ll try and egg him on to fight you, and then you can knock him all to pieces; and there’s nothing surer for finding your way to Kitty’s heart. If she’s like me, she’ll like to see lads fighting about her.”

“You don’t think, Rose, she really had anything to do wi’ the fire?”

“The fire?” snapped the girl. “No more than you or I. Her uncle did it. He wanted the insurance money. That’s a fine tale’that she set fire to the warehouse, because her uncle wouldn’t hear of her marrying the schoolmaster’and now, of her own accord, she throws the fellow over. If she had been so set on him, she wouldn’t have done that. Can’t you see, Noah, or are you stupid, that her giving up Mr. Bramber is the best answer to that story? It shows it could not have been. And then, as to that other tale,’that Mr. Pepperill sent her back to set the place in a blaze,’no one who knows Kitty can believe that. She’s not the girl to do a wrong thing at anyone’s bidding. Besides, what good would it have been to her?”

Noah did not answer.

“You can’t do better than go right up to her and ask her to be yours’now. Everything is in your favour. Folk talk a pass’l of nonsense and spiteful lies about her. It makes her cruel unhappy. She’s been doing little else but cry for some days. You show her you don’t mind one snap what folks say, and you don’t believe a word o’ the lies against her, and I tell you she’d jump into your arms. It’s my belief that the schoolmaster turned nasty’that he began to show her he thought there might be something in it, that he knew people said they’d take away their subscription if he married her, and he made it so unpleasant for Kitty that she gave him up. And now you march in and conquer.”

“I’ll do so,” said Noah.

“And,” pursued Rose, “you must begin by making Kitty cry; that’s the preparing of the ground.”

“How am I to do that?”

“Talk about her father. Ask if she has heard any news of him.”

“Why? it don’t seem kind to make her cry.”

“What a noodle you are, Noah! Nothing is more profitable for what you intend than to get her into a crying mood, regular soft and tender, and then pity her about her father, and so out with it when she is in tears. That’s the way to win her!”

Noah mused awhile, walking by the side of Rose, in silence. After a minute he said, “What is your notion, Rose? I mean about Jason Quarm. Is he dead or not?”

“Of course he is. Burnt to ashes.”

“But the ashes were not found.”

“My dear Noah, you saw the fire as well as I; you know with what fury it burnt, and how it lasted three days. He was no Shadrach, Meshach, and Abednego all pounded into one.”

“You really think he is dead?”

“Sure of it. Would he not have turned up and let folk know he was alive, if he had not perished?perished? Would he have allowed Kitty to go on’and not Kitty only, his sister Zerah as well’all this long time, suffering and miserable, because they believe he died a terrible death, if he could relieve their minds by a letter, or, better still, by appearing?”

Suddenly Rose started, caught her cousin by the arm, and drew back.

“What is the matter?” asked the young man.

“There is something there’moving’in the hedge.”

They were in a true Devonshire lane, with the hedges high on each side, planted with trees that extended their branches overhead, almost interlocking. Through the boughs and leaves the grey sky glimmered, and the soil in the lane here and there showed in the light from above, but all was indistinct and dark. A turn in the lane, and a fork beyond the turn, lay before them, and through one of the lanes the light of the estuary reflecting the sky made a partial gleam, as though that lane were a tube with ground glass at the end.

Both remained motionless and listened.

“Hark!” whispered Rose; “did you hear something?”

“I heard you speaking.”

“Before I spoke’a clitter, as of a foot on stones.”

“Well, what of that? This is a road, and people may go along it, I reckon.”

“Look’look!” gasped Rose, pointing down the funnel-like lane, at the end of which was the light of the steely water.

Rose maintained her grasp of Noah.

The young man looked in the direction indicated, and both saw a figure in the vista, lurching as it went along, as though lame; a thickset figure, as far as they could make out in the uncertain light. In another moment it had disappeared.

“Go after it!” said Rose, relaxing her hold.

“It? What do you mean?”

“That’s just like Jason Quarm.”

“But he’s dead. You said so.”

“I know he is, but that’s his ghost. Run, Noah, and force it to speak. It’s walking, because it can’t rest wi’out burial.”

“I won’t!” said Noah. “Go yourself.”

“You are a man. It’s vanished now. That’s the way to the cottage he had, which Kitty gave up to the Redmores. Oh, Noah, do run!”

“I’ll do nothing o’ the sort. Come on, Rose’we are going along t’other lane, thanks be. Lord, that we should ha’ seen a ghost! I shan’t be able to propose. I shall be so terrible took aback.”

“Nonsense, Noah!”

“But consider’it’s terrible frightening to propose right on end to a ghost’s daughter.”

CHAPTER XLIX
FLAGRANTE DELICTO

Noah and Rose reached the Cellars just as Pasco and his family were about to seat themselves to supper. Pepperill somewhat boisterously welcomed them, and insisted on their sharing the evening meal.

“You see,” said he, “it is dull here. Zerah ain’t much in the way of entertainment, and Kitty be just as heavy. Stupid place this, and stupid people; I shall get away as soon as possible.”

“Going to leave the Cellars, Mr. Pepperill?” asked Rose.

“I don’t find this place lively enough for me, now I’m a man of independent means. I want amusement, and can get none here; society, and here no one can talk of anything but bullocks.”

“I don’t know that,” said Noah; “there is the fire, everyone is talking of that.”

Rose cast a reproachful glance at her cousin. His remark made Pasco wince, and Zerah look down into her plate.

“You see,” pursued Pepperill, “having come in for a little property”’

“The insurance money?” asked the blundering Noah.

“My uncle’s little fortune,” answered Pasco hastily. “There’s no occasion for me to toil and drudge like a slave selling coals, and wool, and hides, and the like; so I think I’ll take a little box somewhere near Exeter, somewhere where I can amuse myself, and have agreeable neighbours.”

As soon as opportunity offered, Rose drew Kate aside and said to her cheerily, “I have brought you Noah.”

“Noah! Why?”

“I heard you were off with the schoolmaster.”

“Yes, I am.”

“Then it is high time you were on with another.”

“I want no one.”

“Oh, that’s nonsense! You must have Noah. He’s a nice fellow and has a good property; besides, he is cruel sweet on you.”

“Indeed, indeed, Rose, I wish to be left alone.”

“It won’t do, Kate. When the circus girl goes round driving two horses, she skips off one back and on to another. You can’t skip off one saddle wi’out another saddle to skip into, that ain’t reason.”

“I am not a circus girl.”

“We all are going round and round in one ring, and then comes a fool and holds up the hoop for us to go through. Jack has been my clown, and Noah shall be yours.”

“I do not wish it,” said Kate hastily. “I desire only to be let alone.”

“My dear, I know what is best for you. I’ll call Noah.”

Kate sprang up. “I have to wash up after supper with Mrs. Redmore,” she said, and hastened into the kitchen.

Rose was vexed. She returned to the others, and gave Noah a sign to follow the girl; and he obeyed with his usual docility. Then Rose began to propound her scheme to the uncle and aunt, to explain Noah’s prospects and dilate on his attachment for Kate. The aunt alone raised objections, which Rose combated in the most airy manner. Zerah doubted whether Kate felt any regard for Noah; Rose was positive that this would come as a matter of course, now that she was free from entanglement with Bramber.

Pepperill said he would be glad, after what had happened, to have Kate married and out of his house. Whereupon Zerah caught him up and asked his meaning.

Before he could answer, Kitty came in trembling, and, standing before Rose, asked, “What does he mean? Noah says he has seen my father.”

Rose tossed her head, and cast an angry glance over Kate’s shoulder at the stupid young man who was following.

“Noah is a blundering fellow,” she said, “and does not know what he says. Your father! Do you think that if we had seen him we would not at once have made him come on here with us?”

“You told me”’began Noah apologetically.

“Whatever I may have said, you are too dull to understand, and you turn everything cat-in-the-pan.”

Apparently satisfied, Kate prepared to go back into the kitchen, and Noah would have followed her; but she stood in the doorway and said firmly, “No, I do not wish to have you in the kitchen. If you persist in following, I shall pin a dish-clout to your back. Jane Redmore wants to get home to her little ones, the night is dark as pitch. I must help her to clean up, and we can have no one to interfere with us; you nearly made me break a dish with what you said just now.”

“Come here,” said Rose. “You are a duffer, and don’t know how to manage”; and Noah obeyed, and seated himself in the settle. Kate shut the kitchen door.

“What was that you said about my brother Jason?” asked Zerah.

“It was nonsense,” answered Rose sharply.

“But Noah meant something, when he said he had seen him.”

“Noah is a fool: are you not, Noah?”

“I suppose you know,” answered the young man meekly.

“Tell me what it was that made Kate nigh on drop the dish,” persisted Zerah, always a resolute woman to have her way.

“It was nought but a parcel of nonsense,” said Rose evasively.

“There must have been something,” persisted Zerah.

“Well, I don’t mind saying,” Rose replied,’“that is, if you will hear’but it was fancy, I reckon.”

“What was fancy?”

“Thinking we saw him. I had told Noah to propose to Kate, and to get her into proper humour for accepting, first by making her cry, and then I told him he could make her cry by speaking in a sort of sympathising way about her father; and like an old buffle-head he went and said he had seen his ghost.”

“His ghost?” exclaimed Zerah, and Pasco drew back in the settle with a scared expression on his face.

“We were coming down the road from Noah’s, and before us was the fork of the lane,” said Rose. “Well, then, if you will hear all, Noah and me, us thought us see’d someone in the lane as went towards Jane Redmore’s cottage. The night was dark, but there was light at the end of the lane because of the Teign, which was full of the tide; and there was, sure enough, someone walking down that road. Us see’d him, whoever he was. He walked like a lapwing.”

“’Twas Jones Maker, the roadman,” said Pasco in a voice that was not firm. “He’s lame.”

“He goes on a crutch,” answered Rose. “What we saw was different, was it not so, Noah?”

“Yes,” assented the young man. “He walked lop o’ this side like, just the same as Jason Quarm.”

“’Twas Jonas Maker,” persisted Pasco.

“It can’t ha’ been Jonas,” answered Rose; “Jonas is tall, and this we saw was stout and thickset.”

“Did he speak?” asked Zerah breathlessly. Pasco fidgeted in his seat.

“No, he did not; us weren’t very near, and I axed Noah to run on and catch him up, and ax him questions why he walked, but he wouldn’t.”

“I reckon Mr. Pepperill would ha’ been shy to do that,” growled Noah.

Then a dead silence fell on all; and in that dead silence a sound like the tread of a man with a limp was audible, coming up the steps to the door. Next as if a hand were laid on the door-hasp, and all saw that the latch was raised, and cautiously lowered, without the door being opened. Then ensued the halting hobble down the steps again.

No one stirred. Every face was blank. Possibly one of those present would have started up and gone to the door to look forth into the black night, but at this moment Kate entered, and, going up to a crook, took down a lantern.

“Jane Redmore is going home,” she said, “and she’s axed me just to show her off the premises and into the lane, with a light; it’s too dark to find the way at once, when one has been in the room with plenty of light.”

Kate opened the lantern and looked in.

“There is a candle,” she said, and proceeded to ignite it.

Rose looked at Noah, and Noah at Rose.

“I think,” said the girl, “we will ask you, Kate, to show us a light on our way presently, after you have put Jane Redmore into hers.”

“I will do so cheerfully,” answered Kitty, and went back with the lighted lantern into the kitchen to fetch Jane. Then the two passed through the room where the rest sat, and Mrs. Redmore wished them all a good-night.

Silence ensued after the door was shut. The glitter of the lantern was visible through the window for a moment, and then disappeared.

Pasco looked uneasily at the door. He was the first to break silence. “I wish you to know,” said he, “that if you marry Kitty, Noah, you do not take a beggar. On the contrary, you take an heiress.”

“How do you make that out?” asked Zerah.

“Kitty is not of my blood,” said Pasco, gaining firmness, “but I have no relations of my own, and I intend to treat Kitty as my child. Noah, you marry an heiress.”

“What will you give her?” asked Zerah.

“Great expectations,” answered Pasco pompously.

“I don’t count much on expectations,” said his wife contemptuously. “Give her something down.”

“I’ll do better than that,” said Pasco. “I’ll make my will and constitute her my heir.”

“That’s moonshine and tall talk,” scoffed Zerah.

“It is nothing of the sort,” said Pasco. “Here you are, Rose and Noah, and I’ll make my will before you, and you shall witness it. Then Noah will know what he takes, when he takes Kitty.”

Zerah looked at her husband with surprise. This was the first intimation she had received that he intended to do anything for his niece. She did not see deep enough into his heart to read his reasons. At that moment he was alarmed and uneasy at the story of the apparition of Jason Quarm, whom he knew to be dead, and then at the mysterious tread and the raising of the hasp of the door. He was not a superstitious man, but the guilt on his soul made him subject to terrors. He thought that the spirit of the man he had brought to his death might be walking, and would trouble him, not only on account of the wrong done to him, but also to his daughter. In his mean mind Pasco hoped that by constituting Kitty heir to all he possessed, he might lay the troubled spirit of her father.

“I will do it at once,” said Pepperill, opening his desk and drawing forth ink and pen and paper, and laying them on the table.

“I will show you that I understand legal forms,’I keep a solicitor of my own,’and that I am the man who can deal generously and with a free hand. I, Pasco Pepperill of Coombe Cellars, being in sound condition of mind and body”’

He wrote the words, then looked round complacently and added, “I bequeath to my niece, Kate Quarm, the sum of three thousand pounds. Three thousand pounds,” repeated Pasco, looking round. “Also to my wife Zerah, two thousand pounds and my house at Coombe Cellars, and my house property at Tavistock, inherited from my uncle,”’he turned his head consequentially to look at Noah, then at Rose,’“during the term of her natural life.”

“What do you mean by natural life?” asked Zerah.

“It is an expression always used,” answered Pasco.

“It is nonsense,” said Zerah, “If there be a natural life, there must be one which is unnatural.”

“It means, plain as Scripture,” replied Pasco, “that you may have my house as long as your nat’ral life lasts, and after that lie quiet in your grave, and not walk and bother people. Your right to the house is tied up to your nat’ral life. That’s the meaning o’ that there legal term. It stops and prevents all after unpleasantness.”

“Now I understand,” said Zerah. “But you need not get hot over it.”

“I’m not hot, but some folk be stupid and understand nothing. Now I will proceed. After my wife’s decease,’that’s the legal term for death,’then all goes to my niece, or reputed niece, the aforesaid Kate Quarm. This is my last will and testament, and true act and deed. Here you see me sign it. Now then, Rose Ash, and you, Noah Flood, witness my signature. You, Zerah, cannot, because you are beneficially affected.”

Mr. Pepperill had completely recovered his self-consequence and his courage. He had shown Noah that he was a man of means, a man with house property, a man of capital as well, and he had eased his conscience by making satisfaction for the wrong he had done to Kate.

As soon as Pasco had seen the young people witness his signature, he handed the will to Zerah. “There, wife, keep it.”

At that moment the door was thrown open, and Kate entered, and stood by the table, with changes of expression flying over her countenance, like flaws of wind on the face of a pool.

She put down the lantern on the board.

“Why, Kitty, the light is out!” said Zerah, and opened the horn door. “Why, Kitty, where be the candle to? She’s gone.”

At that moment, a flare that illumined the entire room, a sheet of light, entering by door and window.

“Good heavens!” exclaimed Pasco, springing up. “My rick.” Then with a scream of triumph, as he pointed with one hand to Kate, with the other to the lantern, “I told you so, now you will believe me. Caught in the act.”

CHAPTER L
THE THIRD FIRE

The light poured into the room like a flood, yellow as sunlight, and more intense in brilliancy. Kitty standing at the table had her face in shadow. Pasco opposite was as a mass of gold. The fire glittered in his eyeballs, it flashed in the new heavy gold watch-chain that he had purchased in Exeter.

“Now’now I shall be believed. Now’now the world will know how falsely I have been judged. Now’now is revealed what a viper I have nu’ssed at my hearth.”

“We had best go and put out the fire,” said Noah, and he went to the door, to see that no possibility existed of arresting the flames. The rick was all but enveloped as in a blazing sheet that was drawing round it to meet at the only side which was dark. Little wind blew, so that the flame poured up in one tongue.

Voices could be heard, loud shouts in the village, where the conflagration had attracted attention, and had broken up the session of the orchestra. The bassoon was braying a loud note, prolonged and hideous, to rouse such as were behind curtains, and did not observe the glare.

“How did this come about?” asked Rose, catching Kate by the arm.

“I’I cannot say. I cannot say,” answered the girl addressed; “but, indeed, I am not guilty.”

“Is it insured?” asked Noah.

“No, it is not insured,” answered Pasco triumphantly. “I hope now you won’t go and say I did it’and that I did it to get money out of a company.”

Except the words recorded, nothing further was spoken. The little party was too dismayed at the occurrence, and at the prospect of what must spring from it, to stir, to speak. It was in vain to think of doing aught to the rick. No outbuilding was endangered. An attempt to tear down the stack would result in spreading the fire.

Then in at the door burst the constable.

“Halloo! what is the meaning of this?” he shouted. “Insured again?”

“I am not insured,” answered Pepperill. “If you want to arrest the culprit’there she is.”

“How came this about?” asked Pooke. “I’m not going to arrest nobody without a cause.”

“There is cause enough,” said Pasco. “Kitty is the person who has set fire to my rick. I have plenty of evidence for that. And now that I have, you’ll all see I’m innocent’white as driven snow.”

“What is the meaning of this?” asked the constable, turning Kitty about that the blaze might illumine her face. In the yellow glare it could be seen that she was deathlike in complexion, and that her eyes were wide distended in terror. She trembled, and seemed unable to stand without the support of the table.

“I’ll tell you all,” said Pasco majestically, “and then, perhaps, Mr. Pooke, you’ll believe my word in preference to that of such as she.”

“What is it?” asked Pooke. “I’ll not arrest nobody without good cause shown, as satisfies my judgment. I said so before.”

“Look at that lantern,” said Pasco.

“Well, I sees it.”

“Open it. There’s no candle in it’is there? But there was’a quarter of an hour ago.”

Numerous voices were now audible around the burning rick. The constable looked out, and hesitated whether to go forth and ensure order without, or to hear what had to be said within.

He saw that there was not much chance of further mischief, the intensity of the fire kept everyone at a distance.

“Go on,” said he. “What have you to say against the girl?”

“She was in the kitchen with Jane Redmore. And Jane Redmore asked her to go along with she on her way home, wi’ a lantern, because of the pitch darkness. Was it not so, Zerah?”

“I can’t say. I wasn’t in the kitchen,” answered Mrs. Pepperill reluctantly.

“Was it as he says?” asked the constable, turning to Kate.

“Yes.” Then suddenly, she woke out of a condition of almost stupefaction; and throwing herself on her knees before her uncle, she entreated, “Do not say that I did it!”

“I leave that to the magistrate, when he tries, and commits you to prison.”

“No, no, you will not send me there!”

“I shall certainly have you tried and punished.”

“Uncle! I beseech you! Let me speak to you alone. I did not do it. I must have a word with you, where no one can see, no one can hear.”

“Indeed, I shall not consent. You want to induce me not to prosecute. I know what you will say. I know how you will appeal to my feelings. You know well enough what a lovin’ and tender and feelin’ heart I’ve always shown. But this won’t do. It won’t do. I’ve borne the slights and the slanders because o’ the last fire, and folk cried out again’ me’I did it for the insurance; and now’now I hope I’ll make all believe I’m not the guilty party. They must look elsewhere. Take her in charge as an incendiary, constable. Do your duty.”

“Uncle! I beseech you! For my sake, for your own, go no further in this.”

“I must proceed, if only to clear myself.”

“Uncle!” In her anxiety she held him. “You do not know my reasons. I pray you, I pray you on behalf of me and dear aunt, as well as yourself’some terrible thing will happen otherwise!”

“I’ll look to that’that no more terrible things happen. Now, constable, she’s threatenin’ to burn the house down over my head, to burn me and my missus in our beds. You heard her. You all heard her threaten us. I call you to witness.”

“I will do no harm to anyone. I entreat a word, a word in private,” urged Kate.

“I’ll have no word in private,” said Pepperill. “What you have to say, say out; lies, lies all it will be,” he added.

“I cannot say it before all. I must speak it in your ear.”

“I won’t listen to nothing,” said Pepperill.

“And I,” said Pooke, “I won’t allow of no tamperin’ wi’ justice, no persuadin’ not to prosecute. We’ve had enough of these little games here. This is the third fire, and we’ll have someone punished for this if I can manage it.”

“You do not know what you are doing, uncle,” gasped Kitty, staggering to her feet.

“I reckon I know pretty well,” he answered coldly.

“You do not. You will bitterly, bitterly rue it. Do not rush on what must happen, and then tear yourself in grief and dismay that you did not listen to me.”

“Listen how she threatens. Tell’e what, Mr. Pooke, there’ll be no safety for none i’ the parish so long as she’s at large. Silence, Kitty! Neither the constable nor I will hear another word but what concerns this fire, and what will serve to convict you.”

“Did you go with the lantern all along wi’ Jane Redmore?” asked Pooke.

Kate recovered her composure, and, with a despairing action of the hands, dashed the tears from her eyes.

“Answer me,” said Pooke; “no prevarication.”

“I went out with Jane.”

“Did you accompany her home?”

“No, only a little way.”

“How far?”

“To the gate.”

“What! not into the lane even?”

“No.”

“How long was she absent?” asked Pooke.

“Long enough for me to draw up a document,” said Pepperill. “What should you say, Zerah? Half an hour?”

Zerah was in no condition to answer.

“And why did you not go on with Jane Redmore?” asked the constable of Kitty.

“Because’I cannot say.”

“Oh, you cannot say? Mind, what you speak now may be used again’ you at your trial. I’m bound to tell you that, and you ain’t obliged to answer. Nevertheless, if you can give a reasonable account of yourself, I’m not called on to think you guilty, and arrest you. What was you a-doing of yourself all that half an hour, when you wasn’t with Jane Redmore, a-seeing of her home?”

He paused for an answer, and received none.

“Am I to understand you won’t say? You ain’t forced to do so, you know.”

“I had rather not say,” replied Kate in a low voice.

“I suppose there was a candle in the lantern when you went out?”

“Yes.”

“Was it burnt out?” Pooke looked into the socket in the lantern. “No,” he said; “it has illicitly been removed. There is no guttering of grease. How do you account for that?”

Kate made no answer.

“We know very well how your rick was fired,” said Pepperill. “It seems to me, Mr. Pooke, that mine was set alight to in much the same way.”

“How do you account for the candle being gone?” asked the constable.

Again no answer.

“Now, look here,” said he. “You’re a little maid, and I don’t want to deal hard with you. If you can give me an explanation of your conduct as will satisfy, why, I’ll not proceed to extremities. But I must say that things look ugly. If you was innocent, you could say so.”

“I am innocent.”

“Then how came the rick to be fired?”

Kate made no reply. She was trembling, and nervously plucking at her light shawl, tearing away and unravelling the fringe.

“You alone had the lantern. It wasn’t Mrs. Redmore now’eh?’or her husband?”

“Oh no, no!” replied Kate eagerly. “She had nothing to do with it. She had gone away along the lane, some time before”’She halted.

“Oh! you know how the fire arose?”

Kate gave no reply.

“I’m afraid it’s a bad case, and I must do my duty, and convey you to the lock-up.”

“Oh, aunt!” cried the girl, turning towards Zerah, who stood cowed, speechless, in the background. “Oh, aunt! let me speak with you alone.”

“No! it is of no use,” said Pasco, stepping between the girl and his wife. “Nothin’ that she can say to Zerah will avail, and certainly nothin’ that Zerah can say will persuade me. Remove her at once.”

The constable laid his hand on Kate’s shoulder.

“One question more. Mind, I caution you not to answer unless you choose. If Mrs. Redmore was not with you, she had gone on. Were you alone, Kitty, in the stackyard after she left; and how was it you were there so long? Say, was there anyone with you?”

“Aunt, let me speak to you!” in a despairing cry.

Zerah made a movement towards her niece, but Pepperill intercepted her, and, catching her by the shoulders, rudely thrust her back. “You shall not speak with her.” Then, turning his head, with a coarse laugh, “So, someone with her! The schoolmaster, I suppose. She had given him up, and was inclined to take him on again. Women change like weathercocks.”

“Mr. Bramber was not there,” said Kate, a flush mantling her brow.

“Then who was it?”

Dead silence.

“Come, Kate Quarm, with me. I must do my duty,” said the constable.

“Stay!” said the rector, who had entered unperceived. “Trust her with me. I solemnly promise that I will keep her secure. Let her go with me to the parsonage, and do not, in pity, take the frightened, innocent child”’

“Innocent?” in a mocking tone from Pasco.

“Innocent child,” repeated the rector, with his eye on Pepperill, who dropped his at once. “Mr. Pooke, rely on me to produce her when you require. In pity, do not frighten her; she may be able easily to clear herself. That she is innocent, I stake my word. Trust her to me.”

The constable hesitated. The lock-up was in a bad condition. It had not been occupied for years, and had been turned into a poultry-house.

“Come, Kitty,” said the rector. “I have made myself answerable for you. And I am proud to do so.”

CHAPTER LI
THE PASS’N’S PRESCRIPTION

Not a word on that evening would the old rector allow himself to speak to Kitty relative to the fire, nor would he suffer her to speak about it. He saw that she was in a condition of nervous excitability, and that she must be tranquillised. But, indeed, she made hardly an attempt to speak about the rick, and how it was set on fire; and directly the rector put up his hand to indicate that the topic was taboo, she submitted with a sense of relief.

Mr. Fielding had a kind, motherly housekeeper, with tact, and, at a word from him, she understood how that Kate was to be treated. The rector was, indeed, alarmed lest the fright and mental excitement he found the girl labouring under might throw her into fever. He knew that she was not strong in constitution, and that she was endowed with high-strung and sensitive nerves.

Walter Bramber, having heard of the fire, of the threatened arrest of Kate, of her having been taken to the Rectory, hastened to the parsonage in the hope of seeing her. But this Mr. Fielding would not allow. The young man was greatly agitated, grievously distressed. He entreated to be permitted an interview, but the rector was peremptory in refusing it.

“Remember, all is off between you, at all events for a time. That she likes you, has not ceased to like you, I am convinced. In her present trouble the sight of you would but increase her distress. There is something behind all this’something of mystery, which I do not fathom. Kitty cannot justify herself; not that she is guilty, that neither you nor I credit. There is something that ties her tongue. She is, perhaps, afraid of compromising another, and who that is I do not know.”

“I believe,” said Walter impetuously, “that this is a wicked conspiracy against Kitty. Mr. Pepperill, to clear himself of the suspicion that he caused the burning down of his stores, painfully laboured to spread the report that Kitty had done it, and done it out of revenge because he refused to allow of my suit. And now he has contrived, by some means or other, to get his rick fired’which is not insured’in such a manner as to make it appear that Kitty, and Kitty alone, could have done it. It is a vile plot to ruin her, and she is innocent as a lamb.”

“That she is innocent I am assured,” said the rector. “How this last fire has come about I cannot even venture to guess. The material for forming an opinion is not to hand. Till Kitty speaks we probably shall not know, and I do not know what will induce her to speak. Of one thing be confident, Walter: whatever Kitty believes is right, that she will do. I would not urge her to speak, because her sense of duty, her conscience, tells her to be silent. I have that perfect, unshaken trust in her, that I simply leave matters alone, and all I seek is to relieve her of unnecessary trial.”

“I am a poor man,” said Bramber, “but I will give every penny I have,’I will sell my books, ay, and my violin, to secure the best counsel for her defence, if it comes to that.”

“You need not trouble yourself on that score,” said Mr. Fielding, with a smile. “Kitty has other friends besides you. There is her aunt, who loves her, and there is her pastor, who watches over her with much care.”

Bramber moved in restless unhappiness. The rector saw how wretched the young man was, and he said gently, “Bramber, do you not see that the case is taken almost completely out of our hands?”

“I suppose it is’to some extent.”

“Almost entirely. I will not urge Kitty to say what she thinks should be withheld. There is but one thing you and I can do, and that is what I shall advise Kitty, before she goes to bed, that which will be better than any sleeping draught, that which alone will strengthen her to bear what is to come, that will cool the fevered heart, and calm the working brain.”

“What is that? I have tried my violin’music will not ease my mind.”

“No, it is something else. A prescription I had long ago from a Great Physician: one I have often tried, and never found to fail.”

“What is that?”

“Cast all your care upon God, for He careth for you.”

Walter clasped the old rector’s hand, he could not speak, something rose in his throat. He turned away, and found that the prescription availed.

Before Kitty went to bed that night, the rector sought her. She had been standing for an hour at a window, looking in the direction of the Cellars.

In the few hours that had passed she had become whiter, more sunken under the eyes, more tremulous in her limbs and mouth. It was with her as the rector surmised. Her mind was torn with doubt as to what course she should pursue. If she were to save herself, it must be at the cost of others.

“Mr. Fielding, is it possible to prevent my being brought before the magistrates? that is, can I see my uncle in private here, and induce him to withdraw what he has said?”

“I do not think it is possible.”

“I could tell him something which would make him most anxious to hush the matter up.”

“Nevertheless, he cannot withdraw. He has made a charge against you. It has gone beyond the stage at which a recall is possible. Remember, Kitty, this is not a mere prosecution for injury done; it is a criminal charge, and your uncle dare not now hold back without making himself guilty of compounding a felony. I am nothing of a lawyer, but I fancy such is the law. Even if your uncle did not take the matter up, Mr. Pooke would be bound to do so. You must make up your mind to that.”

“Then something dreadful will happen.”

“Kitty,” said the rector, “you will have to take my prescription’not mine, but one given by the Greatest of physicians. Unless you do that, you will have no rest for mind or body, no sleep, and you will be worn out before the trial.”

“What is that?”

He told her. “The matter, you see, is taken out of your hands. You can do nothing by torturing your brain with thoughts how to avoid this, how to modify that.”

“It is so.”

“Then cast all your care upon God, for He careth for you. Now go to sleep, and be fresh to-morrow.”

The rector left his house and visited the Cellars. The rick was resolved into a huge glowing ember, from which fell avalanches of fiery powder. Above the mass flickered ghost-like blue flames, not in touch with the incandescent heap below.

At the door of the house the rector encountered Pasco Pepperill.

“There’see how I am served by the public!” exclaimed Pasco. “When a misfortune happens, there are always some wanton rascals to do mischief above and beyond what is the main loss.”

“What has happened to you now, Mr. Pepperill?” asked the rector.

“Some idle vagabonds have been at my boat again,” answered Pasco. “It was so when my stores were burnt’not the same night, but soon after’out of sheer wickedness they cut my old boat adrift, and I lost her. She was carried out by the tide, and never have I heard of her from that day to this.”

“Well, and now?”

“And now they’ve gone and done the same’or worse. Before it was my old boat, and now it’s the new one’cut the rope, and away she’s gone. It’s wickedness. Oh my! You should preach and pray against it. There be such a lot of it in the world’and cost me six guineas did that boat.”

“I am very sorry to hear of this additional loss,” said the rector.

“I suppose the next thing they will say is, I cut my own boat away and let her go out to sea, because I had insured her. But you may tell everyone, pass’n, that I hadn’t insured my boat no more than I had my rick o’ straw. Oh dear! the wickedness there is in the world!”

“I wish to see your wife for a moment.”

“Zerah’s inside, in a fine take-on. She’s gone about like a weathercock lately, and can’t make enough of Kitty. And now that Kitty is proved to ha’ done all these horrible crimes, she’s in a bad way, I can assure you.”

The rector entered the house and found the poor woman. Her former hardness had given way under the troubles she had undergone; her pride had been broken down beneath the burden of the knowledge that her husband had been guilty of setting fire to his stores for the sake of the insurance money, and of the gnawing suspicion that her brother had died in the flames; that he had been remorselessly sacrificed by Pasco to conceal his own guilt. And now that this new conflagration had occurred, and that Kitty was apparently implicated in it, she was nigh in despair.

“Mrs. Pepperill,” said the rector, “I have come to you after having dismissed Kitty to rest.”

“Rest?” echoed Zerah. “Can she sleep? That is more than I can.”

“Yes; so also will you when you have taken the same prescription.”

“I want no medicine.”

“You will take this. You can do nothing for your niece, can you?”

“Nothing but fret,” said Mrs. Pepperill.

“That will not help her. You believe her to be innocent?” asked the rector.

“I am sure of it.”

“Nothing you can say or do will prove it?”

“Nothing; but if I’m called to bear witness, and I must speak the truth, then what I say may go against her. That troubles me, terrible. I’m mazed wi’ the thought. You see, I looked, and there was a can’l-end in the lantern when she took it; and I saw there was none at all when she brought back the lantern. I don’t want to say it, as it may go against her; but I can’t go against my oath and against the truth.”

“Of course not. Speak out what is true.”

“And I can’t have no rest thinkin’, and thinkin’, and frettin’ about it all.”

“No, Mrs. Pepperill; but you will rest and sleep peacefully after you have taken my prescription’a sovereign one, as many a vexed soul has found’the only one possible in many a case’‘Cast all your care upon God, for He careth for you.’”

CHAPTER LII
IN COURT

The day of the petty sessions at Newton followed closely in the same week, within two days, and whilst excitement was at its height. The court-house was packed, there was hardly standing room; and there was a full bench of magistrates.

Kate was brought in, looking pale; her broad white forehead like ivory, with the dark hair drawn back on either side; the dark eyebrows and long dusky lashes showing conspicuously on account of her pallor; and the lustrous blue eyes, so full of light, alone giving brightness to her face. Though pale, she was composed. She no longer trembled, and her lips were closed and firm.

The transparent purity, the innocent modesty of her bearing and appearance, impressed the court.

She wore a black dress, as she had been accustomed to wear since the fire at the Cellars, in which it was supposed her father had died, but the black was spotted with white, as a sort of concession to the supposition that he might be still alive.

Mr. Fielding was present. He had been courteously accommodated with a chair within the precincts of the bench; he caught Kitty’s eye, and raised his finger, pointing upwards. She understood him, and smiled reassuringly.

Far more anxious than Kitty was Walter Bramber, who had given a holiday to the school, with the rector’s consent, and had come into Newton to hear the case. He was not able to master his agitation; his pain to see Kitty in so conspicuous a position, and in such danger, labouring under an accusation which he was certain was unfounded.

Pasco Pepperill was present; he would have to appear in the witness-box. He had sent for his solicitor to conduct the prosecution.

As soon as the case was called, Mr. Squire stood up. He had, he said, a painful task imposed on him, and none felt it more deeply than his client, the plaintiff, who naturally shrank from taking a step of so grave a character, against one who was his wife’s niece, young in age, and who had been for many years an inmate of his house, and one for whom hitherto he had entertained an almost fatherly regard. Indeed, so deeply did the plaintiff feel this, that if possible he would have held back altogether, and have borne his loss in silence. But there were attendant circumstances which precluded him from adopting this course. He acted in the matter solely from a sense of duty he owed to himself and to the neighbourhood, and he might add, of humanity towards the unhappy individual placed before the bench under the grave charge of arson.

It was no secret’it could be no secret’that the most serious and damaging reports had been circulated relative to his client in connection with a recent fire at Coombe Cellars, reports most wounding to a man of high integrity and irreproachable character, peculiarly distressing to one of so sensitive and scrupulous a conscience as Mr. Pasco Pepperill, who was churchwarden of his parish, and had served in several important parochial offices, as guardian of the poor, waywarden and overseer, always to the satisfaction of everyone, and had borne, in all his dealings, the character of a straight and upright man.

Mr. Pepperill had formed his own opinions relative to the fire that had occurred on his premises previous to this last, but with them, he, Mr. Squire, would not trouble the bench. Suffice it to say that his view relative to the origin of that fire had impelled him to act with promptitude on the present occasion, not merely to bring to justice the perpetrator of this last atrocious deed, but also to exhibit to the neighbourhood the fact that he had harboured in his house one who was capable of such acts, for which he himself had been most unjustly and cruelly charged by the popular voice.

Moreover, in consideration of the fact that three cases of malicious burning had taken place within a twelvemonth in the parish of Coombe, Mr. Pepperill had thought himself morally bound, in the interest of the public, to prosecute in this last instance, where the criminal had been taken, so to speak, red-handed. And, lastly, he acted in her interest; for he felt, and felt with the most sincere conviction, that it was for the young girl’s own good in this world and in the next that a career so badly begun should be checked; and that by wholesome correction she might be induced to enter into her own heart and root out from it all malice and resentfulness which had been allowed, as it would appear, to harbour there and drive her to the commission of crime. In conclusion, Mr. Squire hoped to produce such witnesses’all most reluctant to speak’as would place the matter clearly before their worships, and leave them no choice but to refer the case to the Quarter Sessions. The case being one of felony, they were precluded from dealing with it as in a case of summary jurisdiction.

Then Mr. Squire proceeded to call Mrs. Zerah Pepperill into the witness-box. Zerah cast an appealing glance at Kitty, who acknowledged it gently, with a faint smile.

The solicitor then questioned Mrs. Pepperill.

“You are, I believe, the aunt of the accused?”

“Yes, sir?”

“And you are greatly attached to her?”

“Very greatly. I have known her from a babe.”

“Then we may be quite satisfied that you are most unwilling to say anything to her prejudice; and that only an overwhelming sense of duty and responsibility induces you to give witness’and true witness?”

“Yes, sir.”

“Now, Mrs. Pepperill, will you look towards the Bench and tell their worships, in order, the events of the evening of the 16th ultimo.”

Zerah was silent for a while.

“Do not be afraid; speak out,” said the chairman.

“Well, sir,” began Zerah, “it was supper’we mostly has our supper at seven, or thereabout. Sometimes we can’t be exact. That clock of ours ain’t over partic’lar to a minute, and us sets it by the Atmospheric, and the Atmospheric is most irregular of all. Then us took the clock to Mr. Ford, to Newton, to have ’n put to rights, and us paid ’n seven and six, and he sent ’n home worse than he was afore. He used to go, reg’lar, right on end till he runned down, tho’ he didn’t always keep time exact-ly. But after Mr. Ford took ’n in hand, then he began to stand still, after he wor winded up, out o’ pure wickedness; and if you gentlemen would make Mr. Ford pay me back that there seven and six”’

The chairman interrupted her. “Come to the point, please, Mrs. Pepperill.”

“Is it the leg o’ pork you mean?” asked Zerah. “I’m comin’ to her direct-ly. You see, sirs, ’twern’t cured proper, not as I likes it, and so the maggots got to the bone. Which do your worships like, gentlemen’rubbin’ in the salt dry, or soakin’ in brine? I hold to the dry rubbin’’that is, if it be well done; but to have a thing well done you must do it yourself. You can’t trust nobody now. And so the maggots”’

“Never mind the maggots, my good woman.”

“So I sed to Pasco. Us can’t waste thickey leg o’ pork; us must eat ’n, and so I’ll get ’n out as well as I can, and you go and take plenty o’ exercise and work up a cruel strong appetite, and you won’t make no count o’ there having been maggots in the leg o’ pork.”

The chairman again intervened, and requested Mr. Squire to extract what was necessary to be known from this good woman by interrogation. If allowed her own course, she would not know where to stop, like the clock before taken in hand by Mr. Ford, and run clean away, as was threatened by the leg of pork.

“Mrs. Pepperill,” said Mr. Squire, “you seem to be diffusive in your evidence. However engrossing may be the interest attaching to your clock and leg of pork, still we are not concerned, thank goodness, with either’specially, thank goodness, we are not here to discuss that same leg of pork.”

“The leg ought to ha’ been turned in the brine twice a day, and her wasn’t. If her had been, her’d ha’ been famous.”

“I rather think, Mrs. Pepperill, this leg of pork is likely to become famous now, as I see a local reporter present, and it will appear in the paper. But this leg is blocking our way; let us lay it on the shelf and proceed, as the French say, to our mutton. Where were you at seven, or, may be, half-past seven, on the evening of the 16th ultimo?”

“I don’t think I was nowhere.”

“What! nowhere three days ago?”

“That wor the 16th August.”

“Well, I said so.”

“Beg pardon, sir, you asked for the 16th of Ultimo, and I never heered tell o’ that month. It ain’t in the calendar.”

“Come; on the evening of the 16th last, were you at supper with your husband and others?”

“Yes.”

“And those others were”’

“Rose Ash and Noah Flood. They came in”’

“Never mind that. Answer shortly my questions. Where was Kate Quarm?”

“She had her supper, too.”

“And when she had done, did she go into the back kitchen to clean up?”

“Yes, sir.”

“Was anyone with her then?”

“Yes, sir; Jane Redmore.”

“And when Jane Redmore went home, did your niece accompany her?”

“She said she was going with her.”

“Did your niece take a lantern?”

“Yes, sir.”

“And did you see there was a candle in the lantern?”

“Yes, sir.”

“Sufficient to burn for an hour?”

“I don’t know that exactly.”

“Well, three-quarters of an hour?”

“Perhaps so. I didn’t notice exactly how long the candle was.”

“Anyhow, it would have burnt for more than a quarter of an hour?”

“Oh yes.”

“Or for half an hour?”

“I daresay it would.”

“You know it would. Now be careful as to your statements, Mrs. Pepperill. You are quite sure it would have burnt for three-quarters of an hour, if not an hour?”

“Perhaps’I cannot say.”

“You can say it would have lasted three-quarters, but are not sure it would last an hour?”

“I suppose so.”

“It is not the way of candles, like legs of pork, to run away of themselves, is it?”

“I don’t understand you, sir!”

“I mean, that if you put a candle into a lantern, it will remain in the lantern till it is burnt out.”

“Unless someone takes it out.”

“Exactly! and when the lantern was brought back by Kate Quarm, was the candle there?”

“N’n’o.”

“It was not there. It was not burnt out, and it had not run away, eh?”

“I suppose so.”

“Then someone must have removed the candle. This is a point, your worships, I wish to establish, and that you should observe. Kate Quarm went out with a lantern in her hand, in which was a piece of candle that would certainly last three-quarters of an hour, if not an entire hour. When she returned, no candle was in the socket. I shall call other witnesses to establish this, and the fact that there were no signs of the candle having melted away; indeed, the lantern is here. Constable, please to produce it. If the Bench will kindly look at it, your worships will perceive that the candle was put in with a piece of brown paper wrapped about it. The paper is still there. The candle is gone. It was taken out. I will call the constable presently to testify that he took charge of the lantern immediately after the event, and that it has not been tampered with since. I now proceed to ask Mrs. Pepperill how long a time Kate Quarm was absent after she went out with Mrs. Jane Redmore. Now, Mrs. Pepperill, pray concentrate your mind and exercise your memory. How long was Kate absent?”

“What’washing up?” asked Zerah.

“No’we have nothing to do with the washing up. After that, when she went out with Jane Redmore.”

“I didn’t look at the clock.”

“About how long?”

“I can’t say.”

“Do you think it was half an hour?”

“It might be so.”

“Or less.”

“I really can’t tell.”

“Then she was absent for half an hour at the outside, possibly.”

“I suppose so.”

“You may go now. I shall want you again. I proceed to summon Jane Redmore.”

This poor woman was in such a nervous condition that she would have fainted, had she not been provided with a chair. Nothing but what was of absolute importance could be drawn from her; which was that Kitty had not accompanied her beyond the gate from the Coombe premises, a distance of hardly three hundred yards.

“This,” said the solicitor, “is what I require. I will not trouble this feeble and timorous creature any longer. We have ascertained that the defendant, Kate Quarm, went out with Mrs. Redmore, under the pretext that she was going to accompany her home.”

“I do not think this point was established,” said the chairman.

“I beg your worship’s pardon. You are right. The next witness I shall call will establish the pretext without a doubt. I summon Pasco Pepperill!”

“Stay a moment’what is this noise, this disturbance in the court?” called the chairman. “It is not possible for me or my brother magistrates to hear what is said. Unless the disturbance be allayed instantly, I shall give orders for the court to be cleared.”

The requisite stillness ensued.

“Now then, Mr. Pepperill, stand forward, take the book, and such answers,” etc.

Again there ensued a movement among the crowd outside the rails’exclamations, mutterings, and heaving and tossing, as though the mass of mankind there densely packed was boiling up from below.

“I insist on order in the court!” called the chairman.

Then Pasco, having kissed the Bible, turned his face to the Bench. He was elate, had spread his breast, and tossed back his head, a self-complacent smirk was on his countenance.

“I have felt it my duty,” he said, “to speak’to clear my own self, and to cut short the career of crime of the girl I have regarded as my niece.”

Again the agitation among the public; and now through the mob came a man, elbowing his way, till he had forced himself to the front, and stood face to face with Pasco Pepperill.

Pasco, disturbed in his pompous address, turned and saw before him’Jason Quarm!

He put his hand to his head with a gasp, staggered back, and fell senseless to the ground.

CHAPTER LIII
JASON’S STORY

The court was full of commotion. Pasco Pepperill had fallen, as though struck down by a hammer, and was insensible. He was carried out with difficulty, and with the crowd rushing about him and his bearers, unable to realise what had taken place, anxious to see if he were dead.

He was not dead: a doctor was hastily summoned to the house into which he was taken, and he pronounced the case to be one of apoplexy brought on by sudden and violent emotion.

Meantime, inside the court order was gradually restored.

The chairman made a feeling allusion to the sudden illness which had fallen on the most important witness in the case’which was the less to be wondered at, since the case was one that must deeply move Mr. Pepperill, as he had to appear against a member of his own family.

Then Mr. Pooke, with a mottled face, pushed up to the Bench, and whispered something in the ear of the chairman.

“I beg pardon, I do not understand,” said he.

“Sir,” said Mr. Pooke, “the real culprit has come to deliver himself up’Jason Quarm, who set fire to the rick, for which his daughter stands here accused wrongfully by the biggest rascal that ever breathed.”

“Call Jason Quarm!” said the magistrate.

Jason at once hobbled forward and pushed himself in beside Kate, who was trembling with emotions of the most varied nature. Jason cleared his throat and said’

“I, your worships, I, and none but I, set fire to the rick at Coombe Cellars, and I did it by inadvertence. Please you to remove my daughter from this dock, and hear her presently as witness.”

“Let us hear first what you have to say. We cannot discharge her till we know that she is innocent.”

“She is innocent, as innocent as the day. May it please your worships to hear what I have to relate. It’s a main long story,” said Jason.

“What is to the point we will listen to. So you surrender yourself as having fired the rick.”

“I did it, your worship. This is how it came about’you may put me on oath if you will.”

“Stay a moment. I have to caution you that you are not obliged to say anything, unless you desire to do so; but whatever you say will be taken down in writing, and may be given in evidence against you upon your trial.”

“I quite understand that,” said Quarm. “If I may be allowed a seat, I shall be obliged. I’ve got one leg a bit shorter than the other, and it’s rayther a trouble for me to stand long, and I’ve a goodish long tale to tell.”

“I again remind you that what you say must be to the point.”

“I shan’t wander,” answered Jason. “But I shall have to begin some way back, and that in March last, when Mr. Pooke’s rick was set a-blazin’. That were thought to ha’ been the doin’ of Roger Redmore, and there was a warrant out agin him, but he wor niver ketched.”

“Does this concern the case before the court?”

“Ay, it do’intimate like.”

“Very well, then, proceed. We have ordered you to be accommodated with a chair, and your daughter likewise.”

“Roger Redmore, he runned away, and the constables never ketched he. My daughter Kitty, her took on terrible over the poor wife as was turned out of house and home by Mr. Pooke, and her persuaded me to let the woman have my cottage, for she and the little ones. I didn’t mind, as I was away on the moor busy about Brimpts oak wood, and when I comed back to Coombe, I wor mostly at the Cellars. My sister Zerah, she be that rapscallion Pasco’s wife, you understand, your worship.”

“Is this really to the point? You are speaking of the fire at Mr. Pooke’s, not of that at Mr. Pepperill’s.”

“One fire hangs on to the other. You’ll find that out, gents, when you’ve heard my tale.”

“Proceed, then.”

“Well’it seems that Roger Redmore felt mighty grateful because of what Kitty and I had done. I was agent for an insurance company, and I persuaded my brother-in-law to insure in it, but I must say he rather astonished me at the figure at which he insured, and made me a bit uneasy; I hadn’t such a terrible high opinion of him as to think he might not be up to tricks.”

“What do you mean by tricks?”

“Doin’ something to his insured goods that weren’t worth much, and gettin’ for ’em payment as if they was gold. But, your worship, that you’ll say ain’t to the point. No more it is’we come to facts, not opinions, don’t us? Well, I had been to Brimpts about the oak we was fellin’ and barkin’, and I wanted to tell my brother-in-law as how I thought we could deal with the dockyard at Portsmouth. So I left the moor and drove down in my conveyance,’which is nothing but a donkey cart and a jackass to draw’n,’and when I came in the dark o’ the evening to my cottage, there I found Roger Redmore in the bosom of his family, so to speak. ’Twas awk’ard for he and awk’ard for me, as there was a warrant out again’ him, and so I drove right on and on to the Cellars. I found Pasco there in the house all by hisself, which was coorious. He had sent his wife, my sister Zerah, away somewhere, and Kitty, my daughter, away somewhere else, and he was in a pretty take-on because I turned up unexpected. I didn’t quite understand why he was in so poor a temper, and why he should turn me out of the house as he did’and I had got nowhere to go to for a night’s lodgin’. You see, your worships, I couldn’t go home, what wi’ all the beds and every hole and corner chockfull o’ childer as thick as fleas in a dog’s back, not to mention the woman and that chap Roger in hiding, who didn’t want to be found. But Pasco, he wouldn’t listen to reason, and he was that suspicious and that queer in all his goings-on, that I thought some mischief wor up, and that I’d bide handy and keep an eye on him. Well, gentlemen, when he jostled me out o’ the house door, I went to the warehouse, and it wasn’t locked, so I stepped in and found the ladder and clambered up that. Thinks I to myself, if Pasco don’t mean no wickedness, well, I can sleep here comfortable enough, anyhow. There were plenty o’ fleeces’they weren’t over clean and sweet, but in such a case one can’t be partic’lar. I hadn’t been there a terrible long time before I heard the door open and I see’d a light. So I went to the ladder head and looked down, and there sure enough wor Pasco! I watched him awhile to see what May-games he wor up to, and at last I spied what it wor. He were arranging and settling shavings among the coal knobs, so as to make up grand fires, and he was gettin’ everything ready to burn down the whole consarn, coals and fleeces and building, and me in it, if I were that jack fool to bide where I was. So I hollered out to he, and let ’n understand who was there, and that I marked his little game. I were on the ladder. He looked towards me, and came at me, and shook the ladder, and shook me down, and I fell on my head, I reckon, and remember nothing more till I came to myself, bound hand and foot in a sack, and throwed a-top of a heap o’ coal, that were afire and fizzing out in flame and smoke, and a’most stifled I were, and didn’t know ’xactly where I were, whether I’d got to the wrong place down below. I cried out, and I tried to get free, but couldn’t move, and then I rolled myself down over fire and coals, and scorched I were a bit; but what’d been the end I cannot tell, if it had not been for Roger Redmore, who broke open the door and came in, and dragged me out of the smoke and smother, and cut the bands and got me out o’ the sack, and helped me off to where his missis were, that is to say, my cottage.”

Jason paused and looked about him.

“That, I reckon, is the first chapter. Now to go on. When I came there, I thought it all over, and I got Roger to put me in the outhouse, where none of the children might see, and himself he dursn’t bide more than the night lest he should be took, but he told Jane to mind me and let me have what I wanted. Well, I turned the matter well over in my head, and I thought as how Pasco were my brother-in-law, and if all came out, I’d bring trouble on Zerah, and on my own child; I’d have to say as how Pasco had fired his own building so as to get the insurance money, and tried to kill me too, ’cause I see’d what he were up to. So I didn’t like to do that, and I thought it ’ud be best for all parties if I got out o’ the way. I dursn’t stir all the day that followed. But at night I got out when I knowed the tide was suitable, and I took the old boat at the Cellars and I made off wi’ that, and I rowed out to sea, and rowed along the coast to Torquay, and I landed there, and there I ha’ been, unbeknown to the Coombe folk’there or in London. When I’d been a bit to Torquay, I seemed to smell money. I see’d as how a lot o’ fortune could be got there by building and making a great place of it for invalids and such folk; and I went up to London to start a company, and get a building firm to take the matter up. I’ve been off and on about this idee, and a fine idee it is like to turn out’so I reckon. I did hear as how Pasco, he’d dra’ed twelve hundred pounds out o’ the insurance company. Blessed if I knowed ’xactly what I should do. On the one side, I were agent for the company; on the other, I were brother-in-law to Pasco, and if I peached on Pasco, I might just as well ha’ stuck a knife into my sister’s heart. And then I owed him something for having reared my daughter in his house since she wor a baby. And Pasco and me, us got on famous together about speculations, and taken in the lump he weren’t a bad chap till he began to look to gettin’ money by burning down his warehouse.”

Jason stood up, stretched his limbs, sat down again, and proceeded’after a word of cheer to his daughter, who had risen and was standing speechless, looking at him with dismayed eyes. She knew that her uncle was false, but Jason had revealed a depth of wickedness in the man which she had not conceived to be possible.

She had been satisfied that he had set fire to his magazines for the sake of the insurance, and she knew that, basely, he endeavoured to throw the guilt of the act on her. She had feared that her father had been sacrificed when the warehouse was burned, but had never supposed that her uncle had done this deliberately.

“Now,” continued Quarm, “I reckon I come to the third chapter. After a bit, I thought I’d come back to Coombe, but not openly, and see how Kitty were getting along. So I came unbeknown to everyone, and went to Mrs. Redmore, and her put me in the same old outhouse as I were in before, and I told her, as she worked at the Cellars, to say nothing about it to Kitty, but find an excuse for getting her out from the house after dark. That is what Jane Redmore did, and I met Kitty at the rick, and us went together behind the rick, so as the light might not be seen from the house whilst we talked. Well, I’d been wi’out my bacca-pipe for some time, and seein’ as how Kitty had a light, I told her to open the lantern, and I’d have a bit o’ a smoke for comfort. Her opened the lantern door’but Lor’! gentlemen, I han’t told you how struck wi’ amaze and main glad the little maid was to see her father, whom she had believed to be dead, come to life again, hearty and wi’ fine prospects of makin’ money out of building speculations to Torquay. But you must imagine all that, your worships; it ain’t, as you may say, to the point; but this here little affair o’ the pipe and lightin’ it is. Well, when she opened the lantern door, I took out the bit end of a candle as was therein, and I put it to my pipe to kindle my ’baccy. She was talkin’ and tellin’ of me all as had happened, and when her said as how Pasco Pepperill had tried to lay the firing of his warehouse on she, then I were that angry I burnt my fingers wi’ the candle-end, not thinking what I were about, and throwed it down right among the straw, and afore I could say Jack Robinson, there was a blaze as no stamping would put out. The first thing Kate did was to run in, and the first thing I did was to tumble into the boat and make off. I didn’t know what the consequences might be, and I first thought I’d consider it, and learn what came of it all before I stirred. If Pasco didn’t make a fuss, why, it might pass and no harm come of it; if he made a stir, why, all must come out. The little maid, I reckon, she would say nothing, because her knowed it was my doing the stack catching alight, and thought she’d bring me into trouble; and then there was that other fire behind; she didn’t know what might come if it were examined into, and I made my appearance as one returned from the dead. But I heard of it all. Jane Redmore sent to tell me. And now, your worships, I reckon I’m the guilty one of the fire, but it was accident, and she’s innocent and may be discharged. That is my story.”

The Bench withdrew for a few minutes. When the magistrates returned, the buzz of voices in court ceased at once.

“We have decided,” said the chairman, “that the case against Kate Quarm be dismissed. She leaves the court without an imputation against her character. You, Mr. Jason Quarm, must stand security in yourself and find two others to stand bail for you to reappear before the court when required.”

CHAPTER LIV
CON AFFETTUOSO CAPRIZIO

Pasco Pepperill did not recover. The shock had been too great’it had sent the blood rushing to his head, and his consciousness never returned. By midnight he was a dead man.

Now that he was gone, the will’made partly in a moment of scare, partly out of compunction, partly also out of boastfulness’came into force, and Kitty was provided with a small income of her own. The first thing done by her and her aunt, as soon as the will was proved, was to refund to the insurance company the whole of the money paid by them to Pasco on account of the burned stores.

The Cellars belonged now to Zerah for her life. It was not long before an understanding was reached between Walter Bramber and Kitty, the purport of which was that next spring Kitty should cease to be Alone. No inscription, such as the girl had desired, had been cut in the bark of the mulberry tree, and now, were one to be traced there, it would be of a different nature’a legend of two who met and parted, and met again never more to part.

Jason Quarm for once had succeeded in a speculation. The Torquay building society promised to be a prosperous company, and to pay good dividends. Jason was not able to contribute much in capital, but as promoter of the scheme he received certain shares. He was occupied, his mind engrossed in carrying out the plans of the company, in making contracts, in buying materials, in supervising, in altering, in scheming terraces and detached villas, in planting Belle Views and Sea Prospects, and Rosebank Cottages, and Lavender Walks, and Marine Parades, and he could afford no time to be at Coombe.

Zerah was wrapped up in her niece. She could not have loved her more dearly had Kitty been her own child. The hardness in the woman’s character gave way; the trouble she had undergone had softened and sweetened a nature really good and kind, but ruffled and soured by adverse circumstances and uncongenial associations. A great change had taken place in the opinion of the public in Coombe-in-Teignhead relative to Kitty. The general feeling was, that she had been hardly treated, in having a crime attributed to her of which she had been guiltless; that if she had been reserved in her manner, it was her way, and all folk were not constituted alike; that if she asked questions, no one was bound to answer them unless he liked, and if he couldn’t give the required information. Kitty was quiet’she harmed nobody. She had done Rose Ash a great favour in stepping out of the way when Jan Pooke was inclined to “make a fool of himself wi’ her.” She was worth three thousand pounds for certain, and it was said that her father was piling up a fortune in Torquay. Coombe Cellars would ultimately be hers, as well as the little bit of ground about it’or rather, at the back of it, which was what remained of the farm. And she had been grown in Coombe, she had foothold there, and “all knew the worst o’ her, and that weren’t so cruel bad.” Finally, and conclusively, Mr. Puddicombe pronounced in her favour.

So public opinion veered round, and was prepared to make much of Kate. The worst that could be spoken of her was that she had taken up with that schoolmaster again. But then, just as Scripture said that the believing wife might sanctify the heathen husband, so it was reasoned that the indigenous Kitty might naturalise the foreign Walter, and that because she belonged to the place, he might be accepted as a strange plant, given room to root in at Coombe.

It was very well known that sometimes a stray cat came to a house from nobody knew where, and meeowed, entreating to be fed and harboured, and few housewives would shut it out. They would take in the stranger, give it milk and a place by the fire, and domesticate it. Even so came this Walter Bramber into Coombe out of space; whom he had belonged to, and from what sort of habitation, no one knew. He asked to be domiciled in Coombe, and Kitty took him in. What was allowable to a cat was surely not to be refused to a schoolmaster.

If Walter Bramber was afflicted with superior education, it was probably no more his fault than is water on the brain in a rickety child. And if he was a schoolmaster by profession, perhaps it was not his fault, but his misfortune. He’d been bred to it by his unfeeling and unnatural parents, just as in London some boys were brought up to be thieves and pickpockets. Mr. Puddicombe, indeed, had taken up schoolmastering, but that was a different matter; he had not been reared to anything of the sort, and had adopted it rather as a pastime than a profession, and had never allowed it to interfere with his robust and intelligent pleasures, such as cock-fighting; and Mr. Puddicombe drank and smoked and swore sometimes, and all that showed he was a man. On the whole, Coombe-in-Teignhead agreed to accept Walter Bramber and Kitty as his wife, with the proviso that it would kick them over should they attempt to give themselves airs.

As for the rector, he was radiant with happiness. Now at last he saw some prospect of making an impression for good on his parishioners, if not of elevating the existing generation, of greatly raising the moral and intellectual tone of that which would follow. He had striven hard for years in isolation and with absolutely no success. Now, with the aid of a peculiarly well-qualified schoolmaster, and with Kitty at that master’s side to direct the girls as Bramber guided the minds of the boys, he was sanguine of success, not of much that he would see himself, but of a success in the far future. Of no profession can that be said more truly than of that of the pastor, “One soweth’another reapeth.”

“Walter,” said he to his schoolmaster, “I was not sent here to blow Sunday soap-bubbles, sometimes iridescent emptiness, sometimes emptiness without the iridescence. Soap-bubbles please for the moment, but they do not satisfy. No father, the gospel says, when asked for bread, will give his children a stone, but a stone has in it substance, whereas a soap-bubble has but emptiness. But the children will not ask for bread unless they be hungry, and will always be pleased to see soap-bubbles sail over their heads. I believe the apostles were sent forth to be the salt of the earth. Their successors are self-satisfied if they be but insipid carbonate of soda. I have striven to feed, not to amuse, but nothing can avail till the hunger come. You find that in the school, I find it in the church. Some Indians chew clay, because they have not bread. Our people have quite a fancy for this stodgy substance; we have to rectify their appetites, so that they may come to desire nourishing diet, and not what is merely stuffing’to seek for instruction, and not amusement. You in your sphere, I in mine, have a similar office, and similar obligations weighing on us, and similar difficulties to encounter. If you seek for popularity, make Puddicombe your model; take the level of the people among whom you are set, and do not stir to cure them of clay-chewing. If you seek to do your duty, then do not expect to have a path of soft herbage to tread, but one of thorns. If I had been indefinite, flowery, hollow in my teaching here, I should have been the most popular man in the parish, and after forty years’ ministration would have passed away with a smile of self-satisfaction that I had given no offence to anyone’only to awake in the vast beyond to the startling conviction that I had done no good to anyone!

“Cast your bread on the waters, and you will find it after many days; cast chaff, and it will be blown, washed, rotted away. Many a man in my profession and in yours’we are both teachers’is like the cuckoo-spittle-insect, which throws out a great froth bubble about it. So do some of my profession surround themselves with a copious discharge of words’words without substance. Avoid that in your school, Bramber. Teaching must be definite, or it is trifling, not teaching; and in sacred matters trifling is a guilty desertion of a duty. We are sent to feed, not befool our flocks. Form a clear conception in your mind of what you want to teach, and then impress it sharply, well defined, on the minds given you to act upon. So only will you rear a generation in advance of that to which we belong. But you will get no praise for so doing, save from your own conscience.”

Roger Redmore had surrendered to justice, by the advice of Jason, and he had been sentenced to a nominal punishment of two months’ imprisonment. Mr. Pooke had readily pleaded for him, had frankly acknowledged that the man had been greatly aggravated, and was perhaps hardly sensible of what he was doing.

On leaving prison, Roger was taken, along with his wife, into the service of the Cellars, and gave promise of being a faithful and energetic workman.

The spring arrived in course, and with the warm May air and flowers came the day of Kitty’s marriage.

There had been grave discussions among the instrumentalists of the village orchestra previous to the event, as to how it was to be honoured by their performance. In compliment to the ex-schoolmaster, who took a lively interest in the marriage, it was unanimously decided that Puddicombe in F should be performed, if not in its entirety, at all events in part. The “fugg,” it was thought, might be omitted, as only a critical and scientific musician could appreciate its merits and disentangle the chaos of sounds. But there was the largo molto con affettuoso caprizio at their disposal. As largo molto meant, Turn the score upside down, then if the score were not inverted, it would flow in the melody of “Kitty Alone and I.” Mr. Puddicombe was approached with the demand whether it were permissible to execute this movement without the largo molto, i.e. the inversion of the score. Puddicombe at once assented. That, as he pointed out, was the magnificent brilliancy of the composition, that it could be turned about anyhow, and played right off, and the effect was superb any way. Let them disregard largo molto and simply play con affettuoso caprizio’which meant, go ahead with the score upright’and there you are.

Accordingly, after the ceremony, when bride and bridegroom issued from the church, the orchestra, which was in readiness, struck up the movement of Puddicombe in F, con affettuoso caprizio; and most certainly as it so stood in the score, and so was performed, the air was none other than “The Frog and the Mouse’Crock-a-mydaisy, Kitty alone.”

Forward marched the band, playing hautboy, clarionet, first fiddle, second fiddle, the bass labouring along as best he could, tumbling over his viol, throwing out a grunt and a growl when he was able.

The people of Coombe-in-Teignhead were at their doors wishing happiness to the young couple. The children strewed flowers, and every now and then broke out into chorus’

“Crock-a-mydaisy, Kitty alone.”

The ploughmen whistled the air and waved their caps. The church bells burst out into clamour and drowned it. The rooks in the elms of the churchyard poured forth volleys of “Caw, caw, caw,” introducing a new element into the musical medley.

Through the street went the little procession, headed by children, who danced and sang before the band; then came the musicians, and lastly the married young people. They were on their way to the Cellars, where Zerah was waiting for them, and had brought forth cake and ale in abundance, to feast children, musicians, well-wishers’everyone who would drink the health of bride and bridegroom.

Then, when the regaling was over, and thundering cheers had been given for the schoolmaster, for Kitty, for Zerah’Walter Bramber and Kitty appeared at the door, and half singing, with a smile on his face, to the strain of “The Frog and the Mouse,” Walter thus tendered his thanks’

“Curtsey, Kitty, and say with me’
Neighbours, thanks for company;
On all the world we will shut the door:
In all the world I need nothing more
Than Kitty, my wife, and Kitty Alone,
Kitty Alone and I.”

THE END

MORRISON AND GIBB, PRINTERS, EDINBURGH.

A LIST OF NEW BOOKS
AND ANNOUNCEMENTS OF
METHUEN AND COMPANY
PUBLISHERS: LONDON
36 ESSEX STREET
W.C.

CONTENTS

| PAGE
FORTHCOMING BOOKS, | 2
POETRY, | 13
GENERAL LITERATURE, | 15
THEOLOGY, | 17
LEADERS OF RELIGION, | 18
WORKS BY S. BARING GOULD, | 19
FICTION, | 21
NOVEL SERIES, | 24
BOOKS FOR BOYS AND GIRLS, | 25
THE PEACOCK LIBRARY, | 26
UNIVERSITY EXTENSION SERIES, | 26
SOCIAL QUESTIONS OF TO-DAY, | 28
CLASSICAL TRANSLATIONS, | 29
COMMERCIAL SERIES, | 29
WORKS BY A. M. M. STEDMAN, M.A., | 30
SCHOOL EXAMINATION SERIES, | 32
PRIMARY CLASSICS, | 32

OCTOBER 1894

October 1894.

Messrs. Methuen’s

ANNOUNCEMENTS

Poetry

[May 1895. Rudyard Kipling. BALLADS. By Rudyard Kipling. Crown 8vo. Buckram. 6s

The announcement of a new volume of poetry from Mr. Kipling will excite wide interest. The exceptional success of ‘Barrack-Room Ballads,’ with which this volume will be uniform, justifies the hope that the new book too will obtain a wide popularity.

Henley. ENGLISH LYRICS. Selected and Edited by W. E. Henley. Crown 8vo. Buckram. 6s.

Also 30 copies on hand-made paper Demy 8vo. £1, 1s.

Also 15 copies on Japanese paper. Demy 8vo. £2, 2s.

Few announcements will be more welcome to lovers of English verse than the one that Mr. Henley is bringing together into one book the finest lyrics in our language. Robust and original the book will certainly be, and it will be produced with the same care that made ‘Lyra Heroica’ delightful to the hand and eye.

“Q” THE GOLDEN POMP: A Procession of English Lyrics from Surrey to Shirley, arranged by A. T. Quiller Couch. Crown 8vo. Buckram. 6s.

Also 40 copies on hand-made paper. Demy 8vo. £1, 1s.

Also 15 copies on Japanese paper. Demy 8vo. £2, 2s.

Mr. Quiller Couch’s taste and sympathy mark him out as a born anthologist, and out of the wealth of Elizabethan poetry he has made a book of great attraction.

Beeching. LYRA SACRA: An Anthology of Sacred Verse. Edited by H. C. Beeching, M.A. Crown 8vo. Buckram. 6s.

Also 25 copies on hand-made paper. 21s.

This book will appeal to a wide public. Few languages are richer in serious verse than the English, and the Editor has had some difficulty in confining his material within his limits.

Yeats. AN ANTHOLOGY OF IRISH VERSE. Edited by W. B. Yeats. Crown 8vo. 3s. 6d.

Illustrated Books

Baring Gould. A BOOK OF FAIRY TALES retold by S. Baring Gould. With numerous illustrations and initial letters by Arthur J. Gaskin. Crown 8vo. 6s.

Also 75 copies on hand-made paper. Demy 8vo. £1, 1s.

Also 20 copies on Japanese paper. Demy 8vo. £2, 2s.

Few living writers have been more loving students of fairy and folk lore than Mr. Baring Gould, who in this book returns to the field in which he won his spurs. This volume consists of the old stories which have been dear to generations of children, and they are fully illustrated by Mr. Gaskin, whose exquisite designs for Andersen’s Tales won him last year an enviable reputation.

Baring Gould. A BOOK OF NURSERY SONGS AND RHYMES. Edited by S. Baring Gould, and illustrated by the Students of the Birmingham Art School. Crown 8vo. 6s.

Also 50 copies on hand-made paper. 4to. 21s.

A collection of old nursery songs and rhymes, including a number which are little known. The book contains some charming illustrations by the Birmingham students under the superintendence of Mr. Gaskin, and Mr. Baring Gould has added numerous notes.

Beeching. A BOOK OF CHRISTMAS VERSE. Edited by H. C. Beeching, M.A., and Illustrated by Walter Crane. Crown 8vo. 6s.

Also 75 copies on hand-made paper. Demy 8vo. £1, 1s.

Also 20 copies on Japanese paper. Demy 8vo. £2, 2s.

A collection of the best verse inspired by the birth of Christ from the Middle Ages to the present day. Mr. Walter Crane has designed some beautiful illustrations. A distinction of the book is the large number of poems it contains by modern authors, a few of which are here printed for the first time..

Jane Barlow. THE BATTLE OF THE FROGS AND MICE, translated by Jane Barlow, Author of ‘Irish Idylls’ and pictured by F. D. Bedford. Small 4to. 6s. net.

Also 50 copies on hand-made paper. 4to. 21s. net.

This is a new version of a famous old fable. Miss Barlow, whose brilliant volume of ‘Irish Idylls’ has gained her a wide reputation, has told the story in spirited flowing verse, and Mr. Bedford’s numerous illustrations and ornaments are as spirited as the verse they picture. The book will be one of the most beautiful and original books possible.

Devotional Books

With full-page Illustrations.

THE IMITATION OF CHRIST. By Thomas À Kempis. With an Introduction by Archdeacon Farrar. Illustrated by C. M. Gere. Fcap. 8vo. 5s.

Also 50 copies on hand-made paper. 15s.

THE CHRISTIAN YEAR. By John Keble. With an Introduction and Notes by W. Lock, M.A., Sub-Warden of Keble College, Author of ‘The Life of John Keble,’ Illustrated by R. Anning Bell. Fcap. 8vo. 5s.

Also 50 copies on hand-made paper. 15s.

These two volumes will be charming editions of two famous books, finely illustrated and printed in black and red. The scholarly introductions will give them an added value, and they will be beautiful to the eye, and of convenient size.

General Literature

Gibbon. THE DECLINE AND FALL OF THE ROMAN EMPIRE. By Edward Gibbon. A New Edition, edited with Notes and Appendices and Maps by J. B. Bury, M.A., Fellow of Trinity College, Dublin. In seven volumes. Crown 8vo.

The time seems to have arrived for a new edition of Gibbon’s great work—furnished with such notes and appendices as may bring it up to the standard of recent historical research. Edited by a scholar who has made this period his special study, and issued in a convenient form and at a moderate price, this edition should fill an obvious void.

Flinders Petrie. A HISTORY OF EGYPT, from the Earliest Times to the Hyksos. By W. M. Flinders Petrie, D.C.L., Professor of Egyptology at University College. Fully Illustrated. Crown 8vo. 6s.

This volume is the first of an illustrated History of Egypt in six volumes, intended both for students and for general reading and reference, and will present a complete record of what is now known, both of dated monuments and of events, from the prehistoric age down to modern times. For the earlier periods every trace of the various kings will be noticed, and all historical questions will be fully discussed. The volumes will cover the following periods;—

I. Prehistoric to Hyksos times. By Prof. Flinders Petrie. II. xviiith to xxth Dynasties. III. xxist to xxxth Dynasties. IV. The Ptolemaic Rule. V. The Roman Rule. VI. The Muhammedan Rule.

The volumes will be issued separately. The first will be ready in the autumn, the Muhammedan volume early next year, and others at intervals of half a year.

Flinders Petrie. EGYPTIAN DECORATIVE ART. By W. M. Flinders Petrie, D.C.L. With 120 Illustrations. Crown 8vo. 3s. 6d. A book which deals with a subject which has never yet been seriously treated.

Flinders Petrie. EGYPTIAN TALES. Edited by W. M. Flinders Petrie. Illustrated by Tristram Ellis. Crown 8vo. 3s. 6d.

A selection of the ancient tales of Egypt, edited from original sources, and of great importance as illustrating the life and society of ancient Egypt.

Southey. ENGLISH SEAMEN (Howard, Clifford, Hawkins, Drake, Cavendish). By Robert Southey. Edited, with an Introduction, by David Hannay. Crown 8vo. 6s.

This is a reprint of some excellent biographies of Elizabethan seamen, written by Southey and never republished. They are practically unknown, and they deserve, and will probably obtain, a wide popularity.

Waldstein. JOHN RUSKIN: a Study. By Charles Waldstein, M.A., Fellow of King’s College, Cambridge. With a Photogravure Portrait after Professor Herkomer. Post 8vo. 5s.

Also 25 copies on Japanese paper. Demy 8vo. 21s.

This is a frank and fair appreciation of Mr. Ruskin’s work and influence—literary and social—by an able critic, who has enough admiration to make him sympathetic, and enough discernment to make him impartial.

Henley and Whibley. A BOOK OF ENGLISH PROSE. Collected by W. E. Henley and Charles Whibley. Cr. 8vo. 6s.

Also 40 copies on Dutch paper. 21s. net.

Also 15 copies on Japanese paper. 42s. net.

A companion book to Mr. Henley’s well-known ‘Lyra Heroica.’ It is believed that no such collection of splendid prose has ever been brought within the compass of one volume. Each piece, whether containing a character-sketch or incident, is complete in itself. The book will be finely printed and bound.

Robbins. THE EARLY LIFE OF WILLIAM EWART GLADSTONE. By A. F. Robbins. With Portraits. Crown 8vo. 6s.

A full account of the early part of Mr. Gladstone’s extraordinary career, based on much research, and containing a good deal of new matter, especially with regard to his school and college days.

Baring Gould. THE DESERTS OF SOUTH CENTRAL FRANCE. By S. Baring Gould, With numerous Illustrations by F. D. Bedford, S. Hutton, etc. 2 vols. Demy 8vo. 32s.

This book is the first serious attempt to describe the great barren tableland that extends to the south of Limousin in the Department of Aveyron, Lot, etc., a country of dolomite cliffs, and canons, and subterranean rivers. The region is full of prehistoric and historic interest, relics of cave-dwellers, of mediæval robbers, and of the English domination and the Hundred Years’ War. The book is lavishly illustrated.

Baring Gould. A GARLAND OF COUNTRY SONG: English Folk Songs with their traditional melodies. Collected and arranged by S. Baring Gould and H. Fleetwood Sheppard. Royal 8vo. 6s.

In collecting West of England airs for ‘Songs of the West,’ the editors came across a number of songs and airs of considerable merit, which were known throughout England and could not justly be regarded as belonging to Devon and Cornwall. Some fifty of these are now given to the world.

Oliphant. THE FRENCH RIVIERA. By Mrs. Oliphant and F. R. Oliphant. With Illustrations and Maps. Crown 8vo. 6s.

A volume dealing with the French Riviera from Toulon to Mentone. Without falling within the guide-book category, the book will supply some useful practical information, while occupying itself chiefly with descriptive and historical matter. A special feature will be the attention directed to those portions of the Riviera, which, though full of interest and easily accessible from many well-frequented spots, are generally left unvisited by English travellers, such as the Maures Mountains and the St. Tropez district, the country lying between Cannes, Grasse and the Var, and the magnificent valleys behind Nice. There will be several original illustrations.

George. BRITISH BATTLES. By H. B. George, M.A., Fellow of New College, Oxford. With numerous Plans. Crown 8vo. 6s.

This book, by a well-known authority on military history, will be an important contribution to the literature of the subject. All the great battles of English history are fully described, connecting chapters carefully treat of the changes wrought by new discoveries and developments, and the healthy spirit of patriotism is nowhere absent from the pages.

Shedlock. THE PIANOFORTE SONATA: Its Origin and Development. By J. S. Shedlock. Crown 8vo. 5s.

This is a practical and not unduly technical account of the Sonata treated historically. It contains several novel features, and an account of various works little known to the English public.

Jenks. ENGLISH LOCAL GOVERNMENT. By E. Jenks, M.A., Professor of Law at University College, Liverpool. Crown 8vo. 2s. 6d.

A short account of Local Government, historical and explanatory, which will appear very opportunely.

Dixon. A PRIMER OF TENNYSON. By W. M. Dixon, M. A., Professor of English Literature at Mason College. Fcap. 8vo. 1s. 6d.

This book consists of (1) a succinct but complete biography of Lord Tennyson; (2) an account of the volumes published by him in chronological order, dealing with the more important poems separately; (3) a concise criticism of Tennyson in his various aspects as lyrist, dramatist, and representative poet of his day; (4) a bibliography. Such a complete book on such a subject, and at such a moderate price, should find a host of readers.

Oscar Browning. THE AGE OF THE CONDOTTIERI: A Short History of Italy from 1409 to 1530. By Oscar Browning, M.A., Fellow of King’s College, Cambridge. Crown 8vo. 5s.

This book is a continuation of Mr. Browning’s ‘Guelphs and Ghibellines,’ and the two works form a complete account of Italian history from 1250 to 1530.

Layard. RELIGION IN BOYHOOD. Notes on the Religious Training of Boys. With a Preface by J. R. Illingworth. by E. B. Layard, M.A. 18mo. 1s.

Hutton. THE VACCINATION QUESTION. A Letter to the Right Hon. H. H. Asquith, M.P. by A. W. Hutton, M.A. Crown 8vo. 1s.

Leaders of Religion
NEW VOLUMES
Crown 8vo. 3s. 6d.

LANCELOT ANDREWES, Bishop of Winchester. By R. L. Ottley, Principal of Pusey House, Oxford, and Fellow of Magdalen. With Portrait.

St. AUGUSTINE of Canterbury. By E. L. Cutts, D.D. With a Portrait.

THOMAS CHALMERS. By Mrs. Oliphant. With a Portrait. Second Edition.

JOHN KEBLE. By Walter Lock, Sub-Warden of Keble College. With a Portrait. Seventh Edition.

English Classics

Edited by W. E. Henley.

Messrs. Methuen propose to publish, under this title, a series of the masterpieces of the English tongue.

The ordinary ‘cheap edition’ appears to have served its purpose: the public has found out the artist-printer, and is now ready for something better fashioned. This, then, is the moment for the issue of such a series as, while well within the reach of the average buyer, shall be at once an ornament to the shelf of him that owns, and a delight to the eye of him that reads.

The series, of which Mr. William Ernest Henley is the general editor, will confine itself to no single period or department of literature. Poetry, fiction, drama, biography, autobiography, letters, essays—in all these fields is the material of many goodly volumes.

The books, which are designed and printed by Messrs. Constable, will be issued in two editions—

(1) A small edition, on the finest Japanese vellum, limited in most cases to 75 copies, demy 8vo, 21s. a volume nett;

(2) The popular edition on laid paper, crown 8vo, buckram, 3s. 6d. a volume.

The first six numbers are:—

THE LIFE AND OPINIONS OF TRISTRAM SHANDY. By Lawrence Sterne. With an Introduction by Charles Whibley, and a Portrait. 2 vols.

THE WORKS OF WILLIAM CONGREVE. With an Introduction by G. S. Street, and a Portrait. 2 vols.

THE LIVES OF DONNE, WOTTON, HOOKER, HERBERT, and SANDERSON. By Izaak Walton. With an Introduction by Vernon Blackburn, and a Portrait.

THE ADVENTURES OF HADJI BABA OF ISPAHAN. By James Morier. With an Introduction by E. S. Browne, M.A.

THE POEMS OF ROBERT BURNS. With an Introduction by W. E. Henley, and a Portrait. 2 vols.

THE LIVES OF THE ENGLISH POETS. By Samuel Johnson, LL.D. With an Introduction by James Hepburn Millar, and a Portrait. 3 vols.

Classical Translations

NEW VOLUMES

Crown 8vo. Finely printed and bound in blue buckram.

LUCIAN—Six Dialogues (Nigrinus, Icaro-Menippus, The Cock, The Ship, The Parasite, The Lover of Falsehood). Translated by S. T. Irwin, M.A., Assistant Master at Clifton; late Scholar of Exeter College, Oxford. 3s. 6d.

SOPHOCLES—Electra and Ajax. Translated by E. D. A. Morshead, M.A., late Scholar of New College, Oxford; Assistant Master at Winchester. 2s. 6d.

TACITUS—Agricola and Germania. Translated by R. B. Townshend, late Scholar of Trinity College, Cambridge. 2s. 6d.

CICERO—Select Orations (Pro Milone, Pro Murena, Philippic II., In Catilinam). Translated by H. E. D. Blakiston, M.A., Fellow and Tutor of Trinity College, Oxford. 5s.

University Extension Series

NEW VOLUMES. Crown 8vo. 2s. 6d.

THE EARTH. An Introduction to Physiography. By Evan Small, M.A. Illustrated.

INSECT LIFE. By F. W. Theobald, M.A. Illustrated.

Social Questions of To-day

NEW VOLUME. Crown 8vo. 2s. 6d.

WOMEN’S WORK. By Lady Dilke, Miss Bulley, and Miss Whitley.

Cheaper Editions

Baring Gould. THE TRAGEDY OF THE CAESARS: The Emperors of the Julian and Claudian Lines. With numerous Illustrations from Busts, Gems, Cameos, etc. By S. Baring Gould, Author of ‘Mehalah,’ etc. Third Edition. Royal 8vo. 15s.

‘A most splendid and fascinating book on a subject of undying interest. The great feature of the book is the use the author has made of the existing portraits of the Caesars, and the admirable critical subtlety he has exhibited in dealing with this line of research. It is brilliantly written, and the illustrations are supplied on a scale of profuse magnificence.’—Daily Chronicle.

Clark Russell. THE LIFE OF ADMIRAL LORD COLLINGWOOD. By W. Clark Russell, Author of ‘The Wreck of the Grosvenor.’ With Illustrations by F. Brangwyn. Second Edition. 8vo. 6s.

‘A most excellent and wholesome book, which we should like to see in the hands of every boy in the country.’—St. James’s Gazette.

Fiction

Baring Gould. KITTY ALONE. By S. Baring Gould, Author of ‘Mehalah,’ ‘Cheap Jack Zita,’ etc. 3 vols. Crown 8vo.

A romance of Devon life.

Norris. MATTHEW AUSTIN. By W. E. Norris, Author of ‘Mdle. de Mersai,’ etc. 3 vols. Crown 8vo. in 4 A story of English social life by the well-known author of ‘The Rogue.’

Parker. THE TRAIL OF THE SWORD. By Gilbert Parker, Author of ‘Pierre and his People,’ etc. 2 vols. Crown 8vo.

A historical romance dealing with a stirring period in the history of Canada.

Anthony Hope. THE GOD IN THE CAR. By Anthony Hope, Author of ‘A Change of Air,’ etc. 2 vols. Crown 8vo.

A story of modern society by the clever author of ‘The Prisoner of Zenda.’

Mrs. Watson. THIS MAN’S DOMINION. By the Author of ‘A High Little World.’ 2 vols. Crown 8vo.

A story of the conflict between love and religious scruple.

Conan Doyle. ROUND THE RED LAMP. By A. Conan Doyle, Author of ‘The White Company,’ ‘The Adventures of Sherlock Holmes,’ etc. Crown 8vo. 6s.

This volume, by the well-known author of ‘The Refugees,’ contains the experiences of a general practitioner, round whose ‘Red Lamp’ cluster many dramas—some sordid, some terrible. The author makes an attempt to draw a few phases of life from the point of view of the man who lives and works behind the lamp.

Barr. IN THE MIDST OF ALARMS. By Robert Barr, Author of ‘From Whose Bourne,’ etc. Crown 8vo. 6s.

A story of journalism and Fenians, told with much vigour and humour.

Benson. SUBJECT TO VANITY. By Margaret Benson. With numerous Illustrations. Crown 8vo. 3s. 6d.

A volume of humorous and sympathetic sketches of animal life and home pets.

X. L. AUT DIABOLUS AUT NIHIL, and Other Stories. By X. L. Crown 8vo. 3s. 6d.

A collection of stories of much weird power. The title story appeared some years ago in ‘Blackwood’s Magazine,’ and excited considerable attention. The ‘Spectator’ spoke of it as ‘distinctly original, and in the highest degree imaginative. The conception, if self-generated, is almost as lofty as Milton’s.’

Morrison. LIZERUNT, and other East End Idylls. By Arthur Morrison. Crown 8vo. 6s.

A volume of sketches of East End life, some of which have appeared in the ‘National Observer,’ and have been much praised for their truth and strength and pathos.

O’Grady. THE COMING OF CURCULAIN. By Standish O’Grady, Author of ‘Finn and his Companions,’ etc. Illustrated by Murray Smith. Crown 8vo. 3s. 6d.

The story of the boyhood of one of the legendary heroes of Ireland.

New Editions

E. F. Benson. THE RUBICON. By E. F. Benson, Author of ‘Dodo.’ Fourth Edition. Crown 8vo. 6s.

Mr. Benson’s second novel has been, in its two volume form, almost as great a success as his first. The ‘Birmingham Post’ says it is ‘well written, stimulating, unconventional, and, in a word, characteristic’: the ‘National Observer’ congratulates Mr. Benson upon ‘an exceptional achievement,’ and calls the book ‘a notable advance on his previous work.’

Stanley Weyman. UNDER THE RED ROBE. By Stanley Weyman, Author of ‘A Gentleman of France.’ With Twelve Illustrations by R. Caton Woodville. Fourth Edition. Crown 8vo. 6s.

A cheaper edition of a book which won instant popularity. No unfavourable review occurred, and most critics spoke in terms of enthusiastic admiration. The ‘Westminster Gazette’ called it ‘a book of which we have read every word for the sheer pleasure of reading, and which we put down with a pang that we cannot forget it all and start again.’ The ‘Daily Chronicle’ said that ‘every one who reads books at all must read this thrilling romance, from the first page of which to the last the breathless reader is haled along.’ It also called the book ‘an inspiration of manliness and courage.’ The ‘Globe’ called it ‘a delightful tale of chivalry and adventure, vivid and dramatic, with a wholesome modesty and reverence for the highest.’

Baring Gould. THE QUEEN OF LOVE. By S. Baring Gould, Author of ‘Cheap Jack Zita,’ etc. Second Edition. Crown 8vo, 6s..in 2

‘The scenery is admirable and the dramatic incidents most striking.’—Glasgow Herald.

‘Strong, interesting, and clever.’—Westminster Gazette.

‘You cannot put it down till you have finished it.’—Punch.

‘Can be heartily recommended to all who care for cleanly, energetic, and interesting fiction.’—Sussex Daily News.

Mrs. Oliphant. THE PRODIGALS. By Mrs. Oliphant. Second Edition. Crown 8vo. 3s. 6d.

Richard Pryce. WINIFRED MOUNT. By Richard Pryce. Second Edition. Crown 8vo. 3s. 6d.

The ‘Sussex Daily News’ called this book ‘a delightful story’, and said that the writing was ‘uniformly bright and graceful.’ The ‘Daily Telegraph’ said that the author was a ‘deft and elegant story-teller,’ and that the book was ‘an extremely clever story, utterly untainted by pessimism or vulgarity.’

Constance Smith. A CUMBERER OF THE GROUND. By Constance Smith, Author of ‘The Repentance of Paul Wentworth,’ etc. New Edition. Crown 8vo. 3s. 6d.

School Books

A VOCABULARY OF LATIN IDIOMS AND PHRASES. By A. M. M. Stedman, M.A. 18mo. 1s.

STEPS TO GREEK. By A. M. M. Stedman, M.A. 18mo. 1s. 6d.

A SHORTER GREEK PRIMER OF ACCIDENCE AND SYNTAX. By A. M. M. Stedman, M.A. Crown 8vo. 1s. 6d.

SELECTIONS FROM THE ODYSSEY. With Introduction and Notes. By E. D. Stone, M.A., late Assistant Master at Eton. Fcap. 8vo. 2s.

THE ELEMENTS OF ELECTRICITY AND MAGNETISM. With numerous Illustrations. By R. G. Steel, M. A., Head Master of the Technical Schools, Northampton. Crown 8vo. 4s. 6d.

THE ENGLISH CITIZEN: His Rights and Duties. By H. E. Malden, M.A. Crown 8vo. 1s. 6d. A simple account of the privileges and duties of the English citizen.

INDEX POETARUM LATINORUM. By E. F. Benecke, M.A. Crown 8vo. 4s. 6d. A concordance to Latin Lyric Poetry.

Commercial Series

A PRIMER OF BUSINESS. By S. Jackson, M.A. Crown 8vo. 1s. 6d.

COMMERCIAL ARITHMETIC. By F. G. Taylor. Crown 8vo. 1s. 6d.

New and Recent Books

Poetry

Rudyard Kipling. BARRACK-ROOM BALLADS; And Other Verses. By Rudyard Kipling. Seventh Edition. Crown 8vo. 6s.

A Special Presentation Edition, bound in white buckram, with extra gilt ornament. 7s. 6d.

‘Mr. Kipling’s verse is strong, vivid, full of character.... Unmistakable genius rings in every line.’—Times.

‘The disreputable lingo of Cockayne is henceforth justified before the world; for a man of genius has taken it in hand, and has shown, beyond all cavilling, that in its way it also is a medium for literature. You are grateful, and you say to yourself, half in envy and half in admiration: “Here is a book; here, or one is a Dutchman, is one of the books of the year.”’—National Observer.

‘“Barrack-Room Ballads” contains some of the best work that Mr. Kipling has ever done, which is saying a good deal. “Fuzzy-Wuzzy,” “Gunga Din,” and “Tommy,” are, in our opinion, altogether superior to anything of the kind that English literature has hitherto produced.’—Athenæum.

‘These ballads are as wonderful in their descriptive power as they are vigorous in their dramatic force. There are few ballads in the English language more stirring than “The Ballad of East and West,” worthy to stand by the Border ballads of Scott.’—Spectator.

‘The ballads teem with imagination, they palpitate with emotion. We read them with laughter and tears; the metres throb in our pulses, the cunningly ordered words tingle with life; and if this be not poetry, what is?’—Pall Mall Gazette.

Henley. LYRA HEROICA: An Anthology selected from the best English Verse of the 16th, 17th, 18th, and 19th Centuries. By William Ernest Henley, Author of ‘A Book of Verse,’ ‘Views and Reviews,’ etc. Crown 8vo. Stamped gilt buckram, gilt top, edges uncut. 6s.

‘Mr. Henley has brought to the task of selection an instinct alike for poetry and for chivalry which seems to us quite wonderfully, and even unerringly, right.’—Guardian.

Tomson. A SUMMER NIGHT, AND OTHER POEMS. By Graham R. Tomson. With Frontispiece by A. Tomson. Fcap. 8vo. 3s. 6d.

An edition on hand-made paper, limited to 50 copies. 10s. 6d. net.

‘Mrs. Tomson holds perhaps the very highest rank among poetesses of English birth. This selection will help her reputation.’—Black and White.

Ibsen. BRAND. A Drama by Henrik Ibsen. Translated by William Wilson. Crown 8vo. Second Edition. 3s. 6d.

‘The greatest world-poem of the nineteenth century next to “Faust.” “Brand” will have an astonishing interest for Englishmen. It is in the same set with “Agamemnon,” with “Lear,” with the literature that we now instinctively regard as high and holy.’—Daily Chronicle.

“Q.” GREEN BAYS: Verses and Parodies. By “Q.,” Author of ‘Dead Man’s Rock’ etc. Second Edition. Fcap. 8vo. 3s. 6d.

‘The verses display a rare and versatile gift of parody, great command of metre, and a very pretty turn of humour.’—Times.

“A. G.” VERSES TO ORDER. By “A. G.” Cr. 8vo. 2s.6d. net.

A small volume of verse by a writer whose initials are well known to Oxford men.

‘A capital specimen of light academic poetry. These verses are very bright and engaging, easy and sufficiently witty.’—St. James’s Gazette.

Hosken. VERSES BY THE WAY. By J. D. Hosken. Crown 8vo. 5s.

A small edition on hand-made paper. Price 12s. 6d. net.

A Volume of Lyrics and Sonnets by J. D. Hosken, the Postman Poet. Q, the Author of ‘The Splendid Spur,’ writes a critical and biographical introduction.

Gale. CRICKET SONGS. By Norman Gale. Crown 8vo. Linen. 2s. 6d.

Also a limited edition on hand-made paper. Demy 8vo. 10s. 6d. net.

‘They are wrung out of the excitement of the moment, and palpitate with the spirit of the game.’—Star.

‘As healthy as they are spirited, and ought to have a great success.’—Times.

‘Simple, manly, and humorous. Every cricketer should buy the book.’—Westminster Gazette.

‘Cricket has never known such a singer.’—Cricket.

Langbridge. BALLADS OF THE BRAVE: Poems of Chivalry, Enterprise, Courage, and Constancy, from the Earliest Times to the Present Day. Edited, with Notes, by Rev. F. Langbridge. Crown 8vo. Buckram 3s. 6d. School Edition, 2s. 6d.

‘A very happy conception happily carried out. These “Ballads of the Brave” are intended to suit the real tastes of boys, and will suit the taste of the great majority.’—Spectator.

‘The book is full of splendid things.’—World.

General Literature

Collingwood. JOHN RUSKIN: His Life and Work. By W. G. Collingwood, M.A., late Scholar of University College, Oxford, Author of the ‘Art Teaching of John Ruskin,’ Editor of Mr. Ruskin’s Poems. 2 vols. 8vo. 32s. Second Edition.

This important work is written by Mr. Collingwood, who has been for some years Mr. Ruskin’s private secretary, and who has had unique advantages in obtaining materials for this book from Mr. Ruskin himself and from his friends. It contains a large amount of new matter, and of letters which have never been published, and is, in fact, a full and authoritative biography of Mr. Ruskin. The book contains numerous portraits of Mr. Ruskin, including a coloured one from a water-colour portrait by himself, and also 13 sketches, never before published, by Mr. Ruskin and Mr. Arthur Severn. A bibliography is added.

‘No more magnificent volumes have been published for a long time....’—Times.

‘This most lovingly written and most profoundly interesting book.’—Daily News.

‘It is long since we have had a biography with such varied delights of substance and of form. Such a book is a pleasure for the day, and a joy for ever.’—Daily Chronicle.

‘Mr. Ruskin could not well have been more fortunate in his biographer.’—Globe.

‘A noble monument of a noble subject. One of the most beautiful books about one of the noblest lives of our century.’—Glasgow Herald.

Gladstone. THE SPEECHES AND PUBLIC ADDRESSES OF THE RT. HON. W. E. GLADSTONE, M.P. With Notes and Introductions. Edited by A. W. Hutton, M.A. (Librarian of the Gladstone Library), and H. J. Cohen, M.A. With Portraits. 8vo. Vols. IX. and X. 12s. 6d. each.

Clark Russell. THE LIFE OF ADMIRAL LORD COLLINGWOOD. By W. Clark Russell, Author of ‘The Wreck of the Grosvenor.’ With Illustrations by F. Brangwyn. Second Edition. Crown 8vo. 6s.

‘A really good book.’—Saturday Review.

‘A most excellent and wholesome book, which we should like to see in the hands of every boy in the country.’—St. James’s Gazette.

Clark. THE COLLEGES OF OXFORD: Their History and their Traditions. By Members of the University. Edited by A. Clark, M.A., Fellow and Tutor of Lincoln College. 8vo. 12s. 6d.

‘Whether the reader approaches the book as a patriotic member of a college, as an antiquary, or as a student of the organic growth of college foundation, it will amply reward his attention.’—Times.

‘A delightful book, learned and lively.’—Academy.

‘A work which will certainly be appealed to for many years as the standard book on the Colleges of Oxford.’—Athenæum.

Wells. OXFORD AND OXFORD LIFE. By Members of the University. Edited by J. Wells, M.A., Fellow and Tutor of Wadham College. Crown 8vo. 3s. 6d.

This work contains an account of life at Oxford—intellectual, social, and religious—a careful estimate of necessary expenses, a review of recent changes, a statement of the present position of the University, and chapters on Women’s Education, aids to study, and University Extension.

‘We congratulate Mr. Wells on the production of a readable and intelligent account of Oxford as it is at the present time, written by persons who are, with hardly an exception, possessed of a close acquaintance with the system and life of the University.’—Athenæum.

Perrens. THE HISTORY OF FLORENCE FROM THE TIME OF THE MEDICIS TO THE FALL OF THE REPUBLIC. By F. T. Perrens. Translated by Hannah Lynch. In Three Volumes. Vol. I. 8vo. 12s. 6d.

This is a translation from the French of the best history of Florence in existence. This volume covers a period of profound interest—political and literary—and is written with great vivacity.

‘This is a standard book by an honest and intelligent historian, who has deserved well of his countrymen, and of all who are interested in Italian history.’—Manchester Guardian.

Browning. GUELPHS AND GHIBELLINES: A Short History of Mediæval Italy, A.D. 1250-1409. By Oscar Browning, Fellow and Tutor of King’s College, Cambridge. Second Edition. Crown 8vo. 5s.

‘A very able book.’—Westminster Gazette.

‘A vivid picture of mediæval Italy.’—Standard.

O’Grady. THE STORY OF IRELAND. By Standish O’Grady, Author of ‘Finn and his Companions.’ Cr. 8vo. 2s. 6d.

‘Novel and very fascinating history. Wonderfully alluring.’—Cork Examiner.

‘Most delightful, most stimulating. Its racy humour, its original imaginings, its perfectly unique history, make it one of the freshest, breeziest volumes.’—Methodist Times.

‘A survey at once graphic, acute, and quaintly written.’—Times.

Dixon. ENGLISH POETRY FROM BLAKE TO BROWNING. By W. M. Dixon, M.A. Crown 8vo. 3s. 6d.

A Popular Account of the Poetry of the Century.

‘Scholarly in conception, and full of sound and suggestive criticism.’—Times.

‘The book is remarkable for freshness of thought expressed in graceful language.’—Manchester Examiner.

Bowden. THE EXAMPLE OF BUDDHA: Being Quotations from Buddhist Literature for each Day in the Year. Compiled by E. M. Bowden. With Preface by Sir Edwin Arnold. Third Edition. 16mo. 2s. 6d.

Flinders Petrie. TELL EL AMARNA. By W. M. Flinders Petrie, D.C.L. With chapters by Professor A. H. Sayce, D.D.; F. Ll. Griffith, F.S.A.; and F. C. J. Spurrell, F.G.S. With numerous coloured illustrations. Royal 4to. 20s. net.

Massee. A MONOGRAPH OF THE MYXOGASTRES. By George Massee. With 12 Coloured Plates. Royal 8vo. 18s. net.

‘A work much in advance of any book in the language treating of this group of organisms. It is indispensable to every student of the Myxogastres. The coloured plates deserve high praise for their accuracy and execution.’—Nature.

Bushill. PROFIT SHARING AND THE LABOUR QUESTION. By T. W. Bushill, a Profit Sharing Employer. With an Introduction by Sedley Taylor, Author of ‘Profit Sharing between Capital and Labour.’ Crown 8vo. 2s. 6d.

John Beever. PRACTICAL FLY-FISHING, Founded on Nature, by John Beever, late of the Thwaite House, Coniston. A New Edition, with a Memoir of the Author by W. G. Collingwood, M.A. Also additional Notes and a chapter on Char-Fishing, by A. and A. R. Severn. With a specially designed title-page. Crown 8vo. 3s. 6d.

A little book on Fly-Fishing by an old friend of Mr. Ruskin. It has been out of print for some time, and being still much in request, is now issued with a Memoir of the Author by W. G. Collingwood.

Theology

Driver. SERMONS ON SUBJECTS CONNECTED WITH THE OLD TESTAMENT. By S. R. Driver, D.D., Canon of Christ Church, Regius Professor of Hebrew in the University of Oxford. Crown 8vo. 6s.

‘A welcome companion to the author’s famous ‘Introduction.’ No man can read these discourses without feeling that Dr. Driver is fully alive to the deeper teaching of the Old Testament.’—Guardian.

Cheyne. FOUNDERS OF OLD TESTAMENT CRITICISM: Biographical, Descriptive, and Critical Studies. By T. K. Cheyne, D.D., Oriel Professor of the Interpretation of Holy Scripture at Oxford. Large crown 8vo. 7s. 6d.

This important book is a historical sketch of O.T. Criticism in the form of biographical studies from the days of Eichhorn to those of Driver and Robertson Smith. It is the only book of its kind in English.

‘The volume is one of great interest and value. It displays all the author’s well-known ability and learning, and its opportune publication has laid all students of theology, and specially of Bible criticism, under weighty obligation.’—Scotsman.

‘A very learned and instructive work.’—Times.

Prior. CAMBRIDGE SERMONS. Edited by C. H. Prior, M.A., Fellow and Tutor of Pembroke College. Crown 8vo. 6s.

A volume of sermons preached before the University of Cambridge by various preachers, including the Archbishop of Canterbury and Bishop Westcott.

‘A representative collection. Bishop Westcott’s is a noble sermon.’—Guardian.

‘Full of thoughtfulness and dignity.’—Record.

Beeching. BRADFIELD SERMONS. Sermons by H. C. Beeching, M.A., Rector of Yattendon, Berks. With a Preface by Canon Scott Holland. Crown 8vo. 2s. 6d.

Seven sermons preached before the boys of Bradfield College.

James. CURIOSITIES OF CHRISTIAN HISTORY PRIOR TO THE REFORMATION. By Croake James, Author of ‘Curiosities of Law and Lawyers.’ Crown 8vo. 7s. 6d.

‘This volume contains a great deal of quaint and curious matter, affording some “particulars of the interesting persons, episodes, and events from the Christian’s point of view during the first fourteen centuries.” Wherever we dip into his pages we find something worth dipping into.’—John Bull.

Kaufmann. CHARLES KINGSLEY. By M. Kaufmann, M.A. Crown 8vo. Buckram. 5s.

A biography of Kingsley, especially dealing with his achievements in social reform.

‘The author has certainly gone about his work with conscientiousness and industry.’—Sheffield Daily Telegraph.

Leaders of Religion

Edited by H. C. BEECHING, M.A. With Portraits, crown 8vo.

2/6 & 3/6 A series of short biographies of the most prominent leaders of religious life and thought of all ages and countries.

The following are ready—       2s. 6d.

CARDINAL NEWMAN. By R. H. Hutton. Second Edition.

‘Few who read this book will fail to be struck by the wonderful insight it displays into the nature of the Cardinal’s genius and the spirit of his life.’—Wilfrid Ward, in the Tablet.

‘Full of knowledge, excellent in method, and intelligent in criticism. We regard it as wholly admirable.’—Academy.

JOHN WESLEY. By J. H. Overton, M.A.

‘It is well done: the story is clearly told, proportion is duly observed, and there is no lack either of discrimination or of sympathy.’—Manchester Guardian.

BISHOP WILBERFORCE. By G. W. Daniel, M.A.

CARDINAL MANNING. By A. W. Hutton, M.A.

CHARLES SIMEON. By H. C. G. Moule, M.A.

3s. 6d.

JOHN KEBLE. By Walter Lock, M.A. Seventh Edition.

THOMAS CHALMERS. By Mrs. Oliphant. Second Edition.

Other volumes will be announced in due course.

Works by S. Baring Gould

OLD COUNTRY LIFE. With Sixty-seven Illustrations by W. Parkinson, F. D. Bedford, and F. Masey. Large Crown 8vo, cloth super extra, top edge gilt, 10s. 6d. Fourth and Cheaper Edition. 6s.

‘“Old Country Life,” as healthy wholesome reading, full of breezy life and movement, full of quaint stories vigorously told, will not be excelled by any book to be published throughout the year. Sound, hearty, and English to the core.’—World.

HISTORIC ODDITIES AND STRANGE EVENTS. Third Edition. Crown 8vo. 6s.

‘A collection of exciting and entertaining chapters. The whole volume is delightful reading.’—Times.

FREAKS OF FANATICISM. Third Edition. Crown 8vo. 6s.

‘Mr. Baring Gould has a keen eye for colour and effect, and the subjects he has chosen give ample scope to his descriptive and analytic faculties. A perfectly fascinating book.’—Scottish Leader.

SONGS OF THE WEST: Traditional Ballads and Songs of the West of England, with their Traditional Melodies. Collected by S. Baring Gould, M.A., and H. Fleetwood Sheppard, M.A. Arranged for Voice and Piano. In 4 Parts (containing 25 Songs each), Parts I., II., III., 3s. each. Part IV., 5s. In one Vol., French morocco, 15s.

‘A rich and varied collection of humour, pathos, grace, and poetic fancy.’—Saturday Review.

YORKSHIRE ODDITIES AND STRANGE EVENTS. Fourth Edition. Crown 8vo. 6s.

STRANGE SURVIVALS AND SUPERSTITIONS. With Illustrations. By S. Baring Gould. Crown 8vo. Second Edition. 6s.

A book on such subjects as Foundations, Gables, Holes, Gallows, Raising the Hat, Old Ballads, etc. etc. It traces in a most interesting manner their origin and history.

‘We have read Mr. Baring Gould’s book from beginning to end. It is full of quaint and various information, and there is not a dull page in it.’—Notes and Queries.

THE TRAGEDY OF THE CAESARS: The Emperors of the Julian and Claudian Lines. With numerous Illustrations from Busts, Gems, Cameos, etc. By S. Baring Gould, Author of ‘Mehalah,’ etc. Third Edition. Royal 8vo. 15s.

‘A most splendid and fascinating book on a subject of undying interest. The great feature of the book is the use the author has made of the existing portraits of the Caesars, and the admirable critical subtlety he has exhibited in dealing with this line of research. It is brilliantly written, and the illustrations are supplied on a scale of profuse magnificence.’—Daily Chronicle.

‘The volumes will in no sense disappoint the general reader. Indeed, in their way, there is nothing in any sense so good in English.... Mr. Baring Gould has presented his narrative in such a way as not to make one dull page.’—Athenæum.

MR. BARING GOULD’S NOVELS

‘To say that a book is by the author of “Mehalah” is to imply that it contains a story cast on strong lines, containing dramatic possibilities, vivid and sympathetic descriptions of Nature, and a wealth of ingenious imagery.’—Speaker.

‘That whatever Mr. Baring Gould writes is well worth reading, is a conclusion that may be very generally accepted. His views of life are fresh and vigorous, his language pointed and characteristic, the incidents of which he makes use are striking and original, his characters are life-like, and though somewhat exceptional people, are drawn and coloured with artistic force. Add to this that his descriptions of scenes and scenery are painted with the loving eyes and skilled hands of a master of his art, that he is always fresh and never dull, and under such conditions it is no wonder that readers have gained confidence both in his power of amusing and satisfying them, and that year by year his popularity widens.’—Court Circular.

SIX SHILLINGS EACH

- IN THE ROAR OF THE SEA: A Tale of the Cornish Coast.

- MRS. CURGENVEN OF CURGENVEN.

- CHEAP JACK ZITA.

- THE QUEEN OF LOVE.

THREE SHILLINGS AND SIXPENCE EACH

- ARMINELL: A Social Romance.

- URITH: A Story of Dartmoor.

- MARGERY OF QUETHER, and other Stories.

- JACQUETTA, and other Stories.

Fiction

SIX SHILLING NOVELS

Corelli. BARABBAS: A DREAM OF THE WORLD’S TRAGEDY. By Marie Corelli, Author of ‘A Romance of Two Worlds,’ ‘Vendetta,’ etc. Eleventh Edition. Crown 8vo. 6s.

Miss Corelli’s new romance has been received with much disapprobation by the secular papers, and with warm welcome by the religious papers. By the former she has been accused of blasphemy and bad taste; ‘a gory nightmare’; ‘a hideous travesty’; ‘grotesque vulgarisation’; ‘unworthy of criticism’; ‘vulgar redundancy’; ‘sickening details’—these are some of the secular flowers of speech. On the other hand, the ‘Guardian’ praises ‘the dignity of its conceptions, the reserve round the Central Figure, the fine imagery of the scene and circumstance, so much that is elevating and devout’; the ‘Illustrated Church News’ styles the book ‘reverent and artistic, broad based on the rock of our common nature, and appealing to what is best in it’; the ‘Christian World’ says it is written ‘by one who has more than conventional reverence, who has tried to tell the story that it may be read again with open and attentive eyes’; the ‘Church of England Pulpit’ welcomes ‘a book which teems with faith without any appearance of irreverence.’

Benson. DODO: A DETAIL OF THE DAY. By E. F. Benson. Crown 8vo. Fourteenth Edition. 6s.

A story of society by a new writer, full of interest and power, which has attracted by its brilliance universal attention. The best critics were cordial in their praise. The ‘Guardian’ spoke of ‘Dodo’ as unusually clever and interesting; the ‘Spectator’ called it a delightfully witty sketch of society; the ‘Speaker’ said the dialogue was a perpetual feast of epigram and paradox; the ‘Athenæum’ spoke of the author as a writer of quite exceptional ability; the ‘Academy’ praised his amazing cleverness; the ‘World’ said the book was brilliantly written; and half-a-dozen papers declared there was not a dull page in the book.

Baring Gould. IN THE ROAR OF THE SEA: A Tale of the Cornish Coast. By S. Baring Gould. New Edition. 6s.

Baring Gould. MRS. CURGENVEN OF CURGENVEN. By S. Baring Gould. Third Edition. 6s.

A story of Devon life. The ‘Graphic’ speaks of it as a novel of vigorous humour and sustained power; the ‘Sussex Daily News’ says that the swing of the narrative is splendid; and the ‘Speaker’ mentions its bright imaginative power.

Baring Gould. CHEAP JACK ZITA. By S. Baring Gould. Third Edition. Crown 8vo. 6s.

A Romance of the Ely Fen District in 1815, which the ‘Westminster Gazette’ calls ‘a powerful drama of human passion’; and the ‘National Observer’ ‘a story worthy the author.’

Baring Gould. THE QUEEN OF LOVE. By S. Baring Gould. Second Edition. Crown 8vo. 6s.

The ‘Glasgow Herald’ says that ‘the scenery is admirable, and the dramatic incidents are most striking.’ The ‘Westminster Gazette’ calls the book ‘strong, interesting, and clever.’ ‘Punch’ says that ‘you cannot put it down until you have finished it.’ ‘The Sussex Daily News’ says that it ‘can be heartily recommended to all who care for cleanly, energetic, and interesting fiction.’

Norris. HIS GRACE. By W. E. Norris, Author of ‘Mademoiselle de Mersac.’ Third Edition. Crown 8vo. 6s.

‘The characters are delineated by the author with his characteristic skill and vivacity, and the story is told with that ease of manners and Thackerayean insight which give strength of flavour to Mr. Norris’s novels. No one can depict the Englishwoman of the better classes with more subtlety.’—Glasgow Herald.

‘Mr. Norris has drawn a really fine character in the Duke of Hurstbourne, at once unconventional and very true to the conventionalities of life, weak and strong in a breath, capable of inane follies and heroic decisions, yet not so definitely portrayed as to relieve a reader of the necessity of study on his own behalf.’—Athenæum.

Parker. MRS. FALCHION. By Gilbert Parker, Author of ‘Pierre and His People.’ New Edition. 6s.

Mr. Parker’s second book has received a warm welcome. The ‘Athenæum’ called it a splendid study of character; the ‘Pall Mall Gazette’ spoke of the writing as but little behind anything that has been done by any writer of our time; the ‘St. James’s’ called it a very striking and admirable novel; and the ‘Westminster Gazette’ applied to it the epithet of distinguished.

Parker. PIERRE AND HIS PEOPLE. By Gilbert Parker. Crown 8vo. Buckram. 6s.

‘Stories happily conceived and finely executed. There is strength and genius in Mr. Parker’s style.’—Daily Telegraph.

Parker. THE TRANSLATION OF A SAVAGE. By Gilbert Parker, Author of ‘Pierre and His People,’ ‘Mrs. Falchion,’ etc. Crown 8vo. 5s.

‘The plot is original and one difficult to work out; but Mr. Parker has done it with great skill and delicacy. The reader who is not interested in this original, fresh, and well-told tale must be a dull person indeed.’—Daily Chronicle.

‘A strong and successful piece of workmanship. The portrait of Lali, strong, dignified, and pure, is exceptionally well drawn.’—Manchester Guardian.

‘A very pretty and interesting story, and Mr. Parker tells it with much skill. The story is one to be read.’—St. James’s Gazette.

Anthony Hope. A CHANGE OF AIR: A Novel. By Anthony Hope, Author of ‘The Prisoner of Zenda,’ etc. Crown 8vo. 6s.

A bright story by Mr. Hope, who has, the Athenæum says, ‘a decided outlook and individuality of his own.’

‘A graceful, vivacious comedy, true to human nature. The characters are traced with a masterly hand.’—Times.

Pryce. TIME AND THE WOMAN. By Richard Pryce, Author of ‘Miss Maxwell’s Affections,’ ‘The Quiet Mrs. Fleming,’ etc. New and Cheaper Edition. Crown 8vo. 6s.

‘Mr. Pryce’s work recalls the style of Octave Feuillet, by its clearness, conciseness, its literary reserve.’—Athenæum.

Marriott Watson. DIOGENES OF LONDON and other Sketches. By H. B. Marriott Watson, Author of ‘The Web of the Spider.’ Crown 8vo. Buckram. 6s.

‘By all those who delight in the uses of words, who rate the exercise of prose above the exercise of verse, who rejoice in all proofs of its delicacy and its strength, who believe that English prose is chief among the moulds of thought, by these Mr. Marriott Watson’s book will be welcomed.’—National Observer.

Gilchrist. THE STONE DRAGON. By Murray Gilchrist. Crown 8vo. Buckram. 6s.

‘The author’s faults are atoned for by certain positive and admirable merits. The romances have not their counterpart in modern literature, and to read them is a unique experience.’—National Observer.

THREE-AND-SIXPENNY NOVELS

Baring Gould. ARMINELL: A Social Romance. By S. Baring Gould. New Edition. Crown 8vo. 3s. 6d.

Baring Gould. URITH: A Story of Dartmoor. By S. Baring Gould. Third Edition. Crown 8vo. 3s. 6d.

‘The author is at his best.’—Times.

‘He has nearly reached the high water-mark of “Mehalah.”’—National Observer.

Baring Gould. MARGERY OF QUETHER, and other Stories. By S. Baring Gould. Crown 8vo. 3s. 6d.

Baring Gould. JACQUETTA, and other Stories. By S. Baring Gould. Crown 8vo. 3s. 6d.

Gray. ELSA. A Novel. By E. M’Queen Gray. Crown 8vo. 3s. 6d.

‘A charming novel. The characters are not only powerful sketches, but minutely and carefully finished portraits.’—Guardian.

Pearce. JACO TRELOAR. By J. H. Pearce, Author of ‘Esther Pentreath.’ New Edition. Crown 8vo. 3s. 6d.

A tragic story of Cornish life by a writer of remarkable power, whose first novel has been highly praised by Mr. Gladstone.

The ‘Spectator’ speaks of Mr. Pearce as a writer of exceptional power; the ‘Daily Telegraph’ calls the book powerful and picturesque; the ‘Birmingham Post’ asserts that it is a novel of high quality.

Edna Lyall. DERRICK VAUGHAN, NOVELIST. By Edna Lyall, Author of ‘Donovan,’ etc. Crown 8vo. 3s. 6d.

Clark Russell. MY DANISH SWEETHEART. By W. Clark Russell, Author of ‘The Wreck of the Grosvenor,’ etc. Illustrated. Third Edition. Crown 8vo. 3s. 6d.

Author of ‘Vera.’ THE DANCE OF THE HOURS. By the Author of ‘Vera.’ Crown 8vo. 3s. 6d.

Esmè Stuart. A WOMAN OF FORTY. By Esmè Stuart, Author of ‘Muriel’s Marriage,’ ‘Virginié’s Husband,’ etc. New Edition. Crown 8vo. 3s. 6d.

‘The story is well written, and some of the scenes show great dramatic power.’—Daily Chronicle.

Fenn. THE STAR GAZERS. By G. Manville Fenn, Author of ‘Eli’s Children,’ etc. New Edition. Cr. 8vo. 3s. 6d.

‘A stirring romance.’—Western Morning News.

‘Told with all the dramatic power for which Mr. Fenn is conspicuous.’—Bradford Observer.

Dickinson. A VICAR’S WIFE. By Evelyn Dickinson. Crown 8vo. 3s. 6d.

Prowse. THE POISON OF ASPS. By R. Orton Prowse. Crown 8vo. 3s. 6d.

Grey. THE STORY OF CHRIS. By Rowland Grey. Crown 8vo. 5s.

Lynn Linton. THE TRUE HISTORY OF JOSHUA DAVIDSON, Christian and Communist. By E. Lynn Linton. Eleventh Edition. Post 8vo. 1s.

HALF-CROWN NOVELS

2/6

A Series of Novels by popular Authors, tastefully bound in cloth.

- 1. THE PLAN OF CAMPAIGN. By F. Mabel Robinson.

- 2. DISENCHANTMENT. By F. Mabel Robinson.

- 3. MR. BUTLER’S WARD. By F. Mabel Robinson.

- 4. HOVENDEN, V.C. By F. Mabel Robinson.

- 5. ELI’S CHILDREN. By G. Manville Fenn.

- 6. A DOUBLE KNOT. By G. Manville Fenn.

- 7. DISARMED. By Betham Edwards.

- 8. A LOST ILLUSION. By Leslie Keith.

- 9. A MARRIAGE AT SEA. By W. Clark Russell.

- 10. IN TENT AND BUNGALOW. By the Author of ‘Indian Idylls.’

- 11. MY STEWARDSHIP. By E. M’Queen Gray.

- 12. A REVEREND GENTLEMAN. By J. M. Cobban.

- 13. A DEPLORABLE AFFAIR. By W. E. Norris.

- 14. JACK’S FATHER. By W. E. Norris.

Other volumes will be announced in due course.

Books for Boys and Girls

Baring Gould. THE ICELANDER’S SWORD. By S. Baring Gould, Author of ‘Mehalah,’ etc. With Twenty-nine Illustrations by J. Moyr Smith. Crown 8vo. 6s.

A stirring story of Iceland, written for boys by the author of ‘In the Roar of the Sea.’

Cuthell. TWO LITTLE CHILDREN AND CHING. By Edith E. Cuthell. Profusely Illustrated. Crown 8vo. Cloth, gilt edges. 3s. 6d.

Another story, with a dog hero, by the author of the very popular ‘Only a Guard-Room Dog.’

Blake. TODDLEBEN’S HERO. By M. M. Blake, Author of ‘The Siege of Norwich Castle.’ With 36 Illustrations. Crown 8vo. 3s. 6d.

A story of military life for children.

Cuthell. ONLY A GUARD-ROOM DOG. By Mrs. Cuthell. With 16 Illustrations by W. Parkinson. Square Crown 8vo. 3s. 6d.

‘This is a charming story. Tangle was but a little mongrel Skye terrier, but he had a big heart in his little body, and played a hero’s part more than once. The book can be warmly recommended.’—Standard.

Collingwood. THE DOCTOR OF THE JULIET. By Harry Collingwood, Author of ‘The Pirate Island,’ etc. Illustrated by Gordon Browne. Crown 8vo. 3s. 6d.

‘“The Doctor of the Juliet,” well illustrated by Gordon Browne, is one of Harry Collingwood’s best efforts.’—Morning Post.

Clark Russell. MASTER ROCKAFELLAR’S VOYAGE. By W. Clark Russell, Author of ‘The Wreck of the Grosvenor,’ etc. Illustrated by Gordon Browne. Second Edition, Crown 8vo. 3s. 6d.

‘Mr. Clark Russell’s story of “Master Rockafellar’s Voyage” will be among the favourites of the Christmas books. There is a rattle and “go” all through it, and its illustrations are charming in themselves, and very much above the average in the way in which they are produced.’—Guardian.

Manville Fenn. SYD BELTON: Or, The Boy who would not go to Sea. By G. Manville Fenn, Author of ‘In the King’s Name,’ etc. Illustrated by Gordon Browne. Crown 8vo. 3s. 6d.

‘Who among the young story-reading public will not rejoice at the sight of the old combination, so often proved admirable—a story by Manville Fenn, illustrated by Gordon Browne? The story, too, is one of the good old sort, full of life and vigour, breeziness and fun.’—Journal of Education.

The Peacock Library

3/6 A Series of Books for Girls by well-known Authors, handsomely bound in blue and silver, and well illustrated. Crown 8vo.

- 1. A PINCH OF EXPERIENCE. By L. B. Walford.

- 2. THE RED GRANGE. By Mrs. Molesworth.

- 3. THE SECRET OF MADAME DE MONLUC. By the Author of ‘Mdle Mori.’

- 4. DUMPS. By Mrs. Parr, Author of ‘Adam and Eve.’

- 5. OUT OF THE FASHION. By L. T. Meade.

- 6. A GIRL OF THE PEOPLE. By L. T. Meade.

- 7. HEPSY GIPSY. By L. T. Meade. 2s. 6d.

- 8. THE HONOURABLE MISS. By L. T. Meade.

- 9. MY LAND OF BEULAH. By Mrs. Leith Adams.

University Extension Series

A series of books on historical, literary, and scientific subjects, suitable for extension students and home reading circles. Each volume is complete in itself, and the subjects are treated by competent writers in a broad and philosophic spirit.

Edited by J. E. SYMES, M.A.,

Principal of University College, Nottingham.

Crown 8vo. Price (with some exceptions) 2s. 6d.

The following volumes are ready:—

THE INDUSTRIAL HISTORY OF ENGLAND. By H. de B. Gibbins, M.A., late Scholar of Wadham College, Oxon., Cobden Prizeman. Third Edition. With Maps and Plans. 3s.

‘A compact and clear story of our industrial development. A study of this concise but luminous book cannot fail to give the reader a clear insight into the principal phenomena of our industrial history. The editor and publishers are to be congratulated on this first volume of their venture, and we shall look with expectant interest for the succeeding volumes of the series.’—University Extension Journal.

A HISTORY OF ENGLISH POLITICAL ECONOMY. By L. L. Price, M.A., Fellow of Oriel College, Oxon.

PROBLEMS OF POVERTY: An Inquiry into the Industrial Conditions of the Poor. By J. A. Hobson, M.A.

VICTORIAN POETS. By A. Sharp.

THE FRENCH REVOLUTION. By J. E. Symes, M.A.

PSYCHOLOGY. By F. S. Granger, M.A., Lecturer in Philosophy at University College, Nottingham.

THE EVOLUTION OF PLANT LIFE: Lower Forms. By G. Massee, Kew Gardens. With Illustrations.

AIR AND WATER. Professor V. B. Lewes, M.A. Illustrated.

THE CHEMISTRY OF LIFE AND HEALTH. By C. W. Kimmins, M.A. Camb. Illustrated.

THE MECHANICS OF DAILY LIFE. By V. P. Sells, M.A. Illustrated.

ENGLISH SOCIAL REFORMERS. H. de B. Gibbins, M.A.

ENGLISH TRADE AND FINANCE IN THE SEVENTEENTH CENTURY. By W. A. S. Hewins, B.A.

THE CHEMISTRY OF FIRE. The Elementary Principles of Chemistry. By M. M. Pattison Muir, M.A. Illustrated.

A TEXT-BOOK OF AGRICULTURAL BOTANY. By M. C. Potter, M.A., F.L.S. Illustrated. 3s. 6d.

THE VAULT OF HEAVEN. A Popular Introduction to Astronomy. By R. A. Gregory. With numerous Illustrations.

METEOROLOGY. The Elements of Weather and Climate. By H. N. Dickson, F.R.S.E., F.R. Met. Soc. Illustrated.

A MANUAL OF ELECTRICAL SCIENCE. By George J. Burch, M.A. With numerous Illustrations. 3s.

Social Questions of To-day

Edited by H. de B. GIBBINS, M.A.

Crown 8vo. 2s. 6d.

2/6 A series of volumes upon those topics of social, economic, and industrial interest that are at the present moment foremost in the public mind. Each volume of the series is written by an author who is an acknowledged authority upon the subject with which he deals.

The following Volumes of the Series are ready:—

TRADE UNIONISM—NEW AND OLD. By G. Howell, M.P., Author of ‘The Conflicts of Capital and Labour.’ Second Edition.

THE CO-OPERATIVE MOVEMENT TO-DAY. By G. J. Holyoake, Author of ‘The History of Co-operation.’

MUTUAL THRIFT. By Rev. J. Frome Wilkinson, M.A., Author of ‘The Friendly Society Movement.’

PROBLEMS OF POVERTY: An Inquiry into the Industrial Conditions of the Poor. By J. A. Hobson, M.A.

THE COMMERCE OF NATIONS. By C. F. Bastable, M.A., Professor of Economics at Trinity College, Dublin.

THE ALIEN INVASION. By W. H. Wilkins, B.A., Secretary to the Society for Preventing the Immigration of Destitute Aliens.

THE RURAL EXODUS. By P. Anderson Graham.

LAND NATIONALIZATION. By Harold Cox, B.A.

A SHORTER WORKING DAY. By H. de B. Gibbins and R. A. Hadfield, of the Hecla Works, Sheffield.

BACK TO THE LAND: An Inquiry into the Cure for Rural Depopulation. By H. E. Moore.

TRUSTS, POOLS AND CORNERS: As affecting Commerce and Industry. By J. Stephen Jeans, M.R.I., F.S.S.

THE FACTORY SYSTEM. By R. Cooke Taylor.

THE STATE AND ITS CHILDREN. By Gertrude Tuckwell.

Classical Translations

Edited by H. F. FOX, M.A., Fellow and Tutor of Brasenose

College, Oxford.

Messrs. Methuen propose to issue a New Series of Translations from the Greek and Latin Classics. They have enlisted the services of some of the best Oxford and Cambridge Scholars, and it is their intention that the Series shall be distinguished by literary excellence as well as by scholarly accuracy.

Crown 8vo. Finely printed and bound in blue buckram.

CICERO—De Oratore I. Translated by E. N. P. Moor, M.A., Assistant Master at Clifton. 3s. 6d.

ÆSCHYLUS—Agamemnon, Chöephoroe, Eumenides. Translated by Lewis Campbell, LL.D., late Professor of Greek at St. Andrews. 5s.

LUCIAN—Six Dialogues (Nigrinus, Icaro-Menippus, The Cock, The Ship, The Parasite, The Lover of Falsehood). Translated by S. T. Irwin, M.A., Assistant Master at Clifton; late Scholar of Exeter College, Oxford. 3s. 6d.

SOPHOCLES—Electra and Ajax. Translated by E. D. A. Morshead, M.A., late Scholar of New College, Oxford; Assistant Master at Winchester. 2s. 6d.

TACITUS—Agricola and Germania. Translated by R. B. Townshend, late Scholar of Trinity College, Cambridge. 2s. 6d.

CICERO—Select Orations (Pro Milone, Pro Murena, Philippic II., In Catilinam). Translated by H. E. D. Blakiston, M.A., Fellow and Tutor of Trinity College, Oxford. 5s.

Methuen’s Commercial Series

BRITISH COMMERCE AND COLONIES FROM ELIZABETH TO VICTORIA. By H. de B. Gibbins, M.A., Author of ‘The Industrial History of England,’ etc., etc. 2s.

A MANUAL OF FRENCH COMMERCIAL CORRESPONDENCE. By S. E. Bally, Modern Language Master at the Manchester Grammar School. 2s.

COMMERCIAL GEOGRAPHY, with special reference to Trade Routes, New Markets, and Manufacturing Districts. By L. D. Lyde, M.A., of The Academy, Glasgow. 2s.

COMMERCIAL EXAMINATION PAPERS. By H. de B. Gibbins, M.A. 1s. 6d.

THE ECONOMICS OF COMMERCE. By H. de B. Gibbins, M.A. 1s. 6d.

A PRIMER OF BUSINESS. By S. Jackson, M.A. 1s. 6d.

COMMERCIAL ARITHMETIC. By F. G. Taylor, M.A. 1s. 6d.

Works by A. M. M. Stedman, M.A.

INITIA LATINA: Easy Lessons on Elementary Accidence. Second Edition. Fcap. 8vo. 1s.

FIRST LATIN LESSONS. Fourth Edition Crown 8vo. 2s.

FIRST LATIN READER. With Notes adapted to the Shorter Latin Primer and Vocabulary. Second Edition. Crown 8vo. 1s. 6d.

EASY SELECTIONS FROM CAESAR. Part 1. The Helvetian War. 18mo. 1s.

EASY SELECTIONS FROM LIVY. Part 1. The Kings of Rome. 18mo. 1s. 6d.

EASY LATIN PASSAGES FOR UNSEEN TRANSLATION. Third Edition. Fcap. 8vo. 1s. 6d.

EXEMPLA LATINA: First Exercises in Latin Accidence. With Vocabulary. Crown 8vo. 1s.

EASY LATIN EXERCISES ON THE SYNTAX OF THE SHORTER AND REVISED LATIN PRIMER. With Vocabulary. Fourth Edition. Crown 8vo. 2s. 6d. Issued with the consent of Dr. Kennedy.

THE LATIN COMPOUND SENTENCE RULES AND EXERCISES. Crown 8vo. 2s. With Vocabulary. 2s. 6d.

NOTANDA QUAEDAM: Miscellaneous Latin Exercises on Common Rules and Idioms. With Vocabulary. Second Edition. Fcap. 8vo. 1s. 6d.

LATIN VOCABULARIES FOR REPETITION: Arranged according to Subjects. Fourth Edition. Fcap. 8vo. 1s. 6d.

A VOCABULARY OF LATIN IDIOMS AND PHRASES. 18mo. 1s.

LATIN EXAMINATION PAPERS IN MISCELLANEOUS GRAMMAR AND IDIOMS. Fourth Edition.

A Key, issued to Tutors and Private Students only, to be had on application to the Publishers. Second Edition. Crown 8vo. 6s.

STEPS TO GREEK. 18mo. 1s. 6d.

EASY GREEK PASSAGES FOR UNSEEN TRANSLATION. Fcap. 8vo. 1s. 6d.

EASY GREEK EXERCISES ON ELEMENTARY SYNTAX.

[In preparation.

GREEK VOCABULARIES FOR REPETITION: Arranged according to Subjects. Second Edition. Fcap. 8vo. 1s. 6d.

GREEK TESTAMENT SELECTIONS. For the use of Schools. Third Edition. With Introduction, Notes, and Vocabulary. Fcap. 8vo. 2s. 6d.

GREEK EXAMINATION PAPERS IN MISCELLANEOUS GRAMMAR AND IDIOMS. Third Edition. Key (issued as above). 6s.

STEPS TO FRENCH. 18mo. 8d.

FIRST FRENCH LESSONS. Crown 8vo. 1s.

EASY FRENCH PASSAGES FOR UNSEEN TRANSLATION. Second Edition. Fcap. 8vo. 1s. 6d.

EASY FRENCH EXERCISES ON ELEMENTARY SYNTAX. With Vocabulary. Crown 8vo. 2s. 6d.

FRENCH VOCABULARIES FOR REPETITION: Arranged according to Subjects. Third Edition. Fcap. 8vo. 1s.

FRENCH EXAMINATION PAPERS IN MISCELLANEOUS GRAMMAR AND IDIOMS. Seventh Edition. Crown 8vo. 2s. 6d. Key (issued as above). 6s.

GENERAL KNOWLEDGE EXAMINATION PAPERS. Second Edition. Crown 8vo. 2s. 6d. Key (issued as above). 7s.

School Examination Series

Edited by A. M. M. STEDMAN, M.A. Crown 8vo. 2s. 6d.

FRENCH EXAMINATION PAPERS IN MISCELLANEOUS GRAMMAR AND IDIOMS. By A. M. M. Stedman, M.A. Sixth Edition.

A Key, issued to Tutors and Private Students only, to be had on application to the Publishers. Second Edition. Crown 8vo. 6s.

APERS IN MISCELLANEOUS GRAMMAR AND IDIOMS. By A. M. M. Stedman, M.A. Fourth Edition. Key (issued as above). 6s.

APERS IN MISCELLANEOUS GRAMMAR AND IDIOMS. By A. M. M. Stedman, M.A. Third Edition. Key (issued as above). 6s.

PAPERS IN MISCELLANEOUS GRAMMAR AND IDIOMS. By R. J. Morich, Manchester. Third Edition. Key (issued as above). 6s.

HY EXAMINATION PAPERS. By C. H. Spence, M.A., Clifton College.

PAPERS. By R. E. Steel, M.A., F.C.S., Chief Natural Science Master Bradford Grammar School. In three vols. Part I., Chemistry; Part II., Physics.

XAMINATION PAPERS. By A. M. M. Stedman, M.A. Second Edition. Key (issued as above). 7s.

Primary Classics

With Introductions, Notes, and Vocabularies. 18mo. 1s. and 1s. 6d.

A. M. M. Stedman, M.A. 1s. 6d.

EASY SELECTIONS FROM CAESAR—THE HELVETIAN WAR. Edited by A. M. M. Stedman, M.A. 1s.

EASY SELECTIONS FROM LIVY—THE KINGS OF ROME. Edited by A. M. M. Stedman, M.A. 1s. 6d.

EASY SELECTIONS FROM HERODOTUS—THE PERSIAN WARS. Edited by A. G. Liddell, M.A. 1s. 6d.

Transcriber’s Note

Only one error was deemed most likely to be the printer’s and it has been corrected, as noted here. The minor errors in the section of advertisments have been corrected with no further notice.

The reference is to the page and line in the original.

115.17 | if he had not perished[?] | Added.

*** END OF THE PROJECT GUTENBERG EBOOK KITTY ALONE: A STORY OF THREE FIRES (VOL. 3 OF 3) ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- KITTY ALONE
- CONTENTS OF VOL. II
- CHAPTER XXXVII THE ANSWER OF CAIN
- CHAPTER XXXVIII WANTED AT LAST
- XXXIX ONE FOR THEE AND TWO FOR ME
- CHAPTER XL A GREAT FEAR
- CHAPTER XLI TAKING SHAPE
- CHAPTER XLII AN UGLY HINT
- CHAPTER XLIII MUCH CRY AND A LITTLE WOOL
- CHAPTER XLIV PUDDICOMBE IN F
- CHAPTER XLV DAYLIGHT
- CHAPTER XLVI A TRIUMPH
- CHAPTER XLVII PARTED
- CHAPTER XLIX FLAGRANTE DELICTO
- CHAPTER L THE THIRD FIRE
- CHAPTER LI THE PASS’N’S PRESCRIPTION
- CHAPTER LII IN COURT
- CHAPTER LIII JASON’S STORY
- CHAPTER LIV CON AFFETTUOSO CAPRIZIO
- THE FULL PROJECT GUTENBERG LICENSE