Index of the Project Gutenberg Works of David H. Lawrence
Date: 2019-05-08T00:00:00+00:00
Keywords: Indexes

The Project Gutenberg eBook of Index of the Project Gutenberg Works of David H. Lawrence

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Index of the Project Gutenberg Works of David H. Lawrence

Author: D. H. Lawrence

Editor: David Widger

Release date: May 8, 2019 [eBook #59460]
Most recently updated: February 25, 2021

Language: English

Other information and formats: www.gutenberg.org/ebooks/59460

Credits: Produced by David Widger

*** START OF THE PROJECT GUTENBERG EBOOK INDEX OF THE PROJECT GUTENBERG WORKS OF DAVID H. LAWRENCE ***

INDEX OF THE PROJECT GUTENBERG

WORKS OF

DAVID H. LAWRENCE

Compiled by David Widger

CONTENTS

Click on the ## before many of the titles to view a linked
table of contents for that volume.

Click on the title itself to open the original online file.

##  SONS AND LOVERS

##  SONS AND LOVERS

##  TOUCH AND GO

##  WOMEN IN LOVE

##  AARON'S ROD

##  FANTASIA OF THE UNCONSCIOUS

##  TORTOISES

##  THE PRUSSIAN OFFICER AND OTHERS

##  THE RAINBOW

##  AMORES

##  LOVE POEMS AND OTHERS

##  NEW POEMS

##  BAY, A BOOK OF POEMS

##  LOOK! WE HAVE COME THROUGH!

##  SEA AND SARDINIA

##  THE WHITE PEACOCK

##  ENGLAND, MY ENGLAND

##  TWILIGHT IN ITALY

##  THE LOST GIRL

THE TRESPASSER

THE WIDOWING OF MRS. HOLROYD

WINTRY PEACOCK

TABLES OF CONTENTS OF VOLUMES

SONS AND LOVERS

By D.H. Lawrence

CONTENTS

PART ONE

I. The Early Married Life of the Morels
II. The Birth of Paul, and Another Battle
III. The Casting Off of Morel—The Taking on of William
IV. The Young Life of Paul
V. Paul Launches into Life

VI. Death in the Family

PART TWO

VII. Lad-and-Girl Love
VIII. Strife in Love
IX. Defeat of Miriam
X. Clara
XI. The Test on Miriam
XII. Passion
XIII. Baxter Dawes
XIV. The Release
XV. Derelict

SONS AND LOVERS

By D. H. Lawrence

With An Introduction By John Macy

CONTENTS

CHAPTER | PAGE
I | The Early Married Life of the Morels | 3
II | The Birth of Paul, and Another Battle | 34
III | The Casting Off of Morel—the Taking On of William | 56
IV | The Young Life of Paul | 70
V | Paul Launches into Life | 100
VI | Death in the Family | 136
VII | Lad-and-Girl Love | 169
VIII | Strife in Love | 213
IX | Defeat of Miriam | 254
X | Clara | 297
XI | The Test on Miriam | 327
XII | Passion | 354
XIII | Baxter Dawes | 401
XIV | The Release | 444
XV | Derelict | 479

TOUCH AND GO

A Play in Three Acts

By D. H. Lawrence

CONTENTS

PREFACE
CHARACTERS
TOUCH AND GO
ACT I
ACT II
ACT III

WOMEN IN LOVE

By D. H. Lawrence

CONTENTS

CHAPTER I. | Sisters
CHAPTER II. | Shortlands
CHAPTER III. | Class-room
CHAPTER IV. | Diver
CHAPTER V. | In the Train
CHAPTER VI. | Crème de Menthe
CHAPTER VII. | Fetish
CHAPTER VIII. | Breadalby
CHAPTER IX. | Coal-dust
CHAPTER X. | Sketch-book
CHAPTER XI. | An Island
CHAPTER XII. | Carpeting
CHAPTER XIII. | Mino
CHAPTER XIV. | Water-party
CHAPTER XV. | Sunday Evening
CHAPTER XVI. | Man to Man
CHAPTER XVII. | The Industrial Magnate
CHAPTER XVIII. | Rabbit
CHAPTER XIX. | Moony
CHAPTER XX. | Gladiatorial
CHAPTER XXI. | Threshold
CHAPTER XXII. | Woman to Woman
CHAPTER XXIII. | Excurse
CHAPTER XXIV. | Death and Love
CHAPTER XXV. | Marriage or Not
CHAPTER XXVI. | A Chair
CHAPTER XXVII. | Flitting
CHAPTER XXVIII. | Gudrun in the Pompadour
CHAPTER XXIX. | Continental
CHAPTER XXX. | Snowed Up
CHAPTER XXXI. | Exeunt

AARON'S ROD

By D. H. Lawrence

CONTENTS

CHAPTER I | THE BLUE BALL
CHAPTER II | ROYAL OAK
CHAPTER III | "THE LIGHTED TREE”
CHAPTER IV | "THE PILLAR OF SALT”
CHAPTER V | AT THE OPERA
CHAPTER VI | TALK
CHAPTER VII | THE DARK SQUARE GARDEN
CHAPTER VIII | A PUNCH IN THE WIND
CHAPTER IX | LOW-WATER MARK
CHAPTER X | THE WAR AGAIN
CHAPTER XI | MORE PILLAR OF SALT
CHAPTER XII | NOVARA
CHAPTER XIII | WIE ES IHNEN GEFAELLT
CHAPTER XIV | XX SETTEMBRE
CHAPTER XV | A RAILWAY JOURNEY
CHAPTER XVI | FLORENCE
CHAPTER XVII | HIGH UP OVER THE CATHEDRAL SQUARE
CHAPTER XVIII | THE MARCHESA
CHAPTER XIX | CLEOPATRA, BUT NOT ANTHONY
CHAPTER XX | THE BROKEN ROD
CHAPTER XXI | WORDS

FANTASIA OF THE UNCONSCIOUS

By D. H. Lawrence

CONTENTS

CHAPTER | | PAGE
| Foreword | vii
I. | Introduction | 1
II. | The Holy Family | 14
III. | Plexuses, Planes and So On | 29
IV. | Trees and Babies and Papas and Mamas | 42
V. | The Five Senses | 64
VI. | First Glimmerings of Mind | 85
VII. | First Steps in Education | 101
VIII. | Education and Sex in Man, Woman and Child | 119
IX. | The Birth of Sex | 140
X. | Parent Love | 164
XI. | The Vicious Circle | 185
XII. | Litany of Exhortations | 209
XIII. | Cosmological | 214
XIV. | Sleep and Dreams | 234
XV. | The Lower Self | 263
| Epilogue | 291

TORTOISES

By D. H. Lawrence

CONTENTS

BABY TORTOISE
TORTOISE-SHELL
TORTOISE FAMILY CONNECTIONS
LUI ET ELLE
TORTOISE GALLANTRY
TORTOISE SHOUT

THE PRUSSIAN OFFICER

and Other Stories

By D. H. Lawrence

CONTENTS

The Prussian Officer
The Thorn in the Flesh
Daughters of the Vicar
A Fragment of Stained Glass
The Shades of Spring
Second Best
The Shadow in the Rose Garden
Goose Fair
The White Stocking
A Sick Collier
The Christening
Odour of Chrysanthemums

THE RAINBOW

By D. H. Lawrence

CONTENTS

I | How Tom Brangwen Married a Polish Lady
II | They Live at the Marsh
III | Childhood of Anna Lensky
IV | Girlhood of Anna Brangwen
V | Wedding at the Marsh
VI | Anna Victrix
VII | The Cathedral
VIII | The Child
IX | The Marsh and the Flood
X | The Widening Circle
XI | First Love
XII | Shame
XIII | The Man's World
XIV | The Widening Circle
XV | The Bitterness of Ecstasy
XVI | The Rainbow

AMORES

Poems

By D. H. Lawrence

CONTENTS

THE WILD COMMON
STUDY
DISCORD IN CHILDHOOD
VIRGIN YOUTH
MONOLOGUE OF A MOTHER
IN A BOAT
WEEK-NIGHT SERVICE
IRONY
DREAMS OLD AND NASCENT
DREAMS OLD AND NASCENT
A WINTER'S TALE
EPILOGUE
A BABY RUNNING BAREFOOT
DISCIPLINE
SCENT OF IRISES
THE PROPHET
LAST WORDS TO MIRIAM
MYSTERY
PATIENCE
BALLAD OF ANOTHER OPHELIA
RESTLESSNESS
A BABY ASLEEP AFTER PAIN
ANXIETY
THE PUNISHER
THE END
THE BRIDE
THE VIRGIN MOTHER
AT THE WINDOW
DRUNK

SORROW
DOLOR OF AUTUMN
THE INHERITANCE
SILENCE
LISTENING
BROODING GRIEF
LOTUS HURT BY THE COLD
MALADE
LIAISON
TROTH WITH THE DEAD
DISSOLUTE
SUBMERGENCE
THE ENKINDLED SPRING
REPROACH
THE HANDS OF THE BETROTHED
EXCURSION
PERFIDY
A SPIRITUAL WOMAN
MATING
A LOVE SONG
BROTHER AND SISTER
AFTER MANY DAYS
BLUE
SNAP-DRAGON
A PASSING BELL
IN TROUBLE AND SHAME
ELEGY
GREY EVENING
FIRELIGHT AND NIGHTFALL
THE MYSTIC BLUE

LOVE POEMS AND OTHERS

By D. H. Lawrence

CONTENTS

LOVE POEMS:- | PAGE
| Wedding Morn | i.
| Kisses in the Train | iii.
| Cruelty and Love | v.
| Cherry Robbers | viii.
| Lilies in the Fire | ix.
| Coldness in Love | xi.
| End of another Home-Holiday | xiii.
| Reminder | xvi.
| Bei Hennef | xviii.
| Lightning | xix.
| Song-Day in Autumn | xxi.
| Aware | xxiii.
| A Pang of Reminiscence | xxiv.
| A White Blossom | xxv.
| Red Moon-Rise | xxvi.
| Return | xxviii.
| The Appeal | xxix.
| Repulsed | xxx.
| Dream-Confused | xxxii.
| Corot | xxxiii.
| Morning Work | xxxv.
| Transformations | xxxvi.
| Renascence | xxxviii.
| Dog-Tired | xl.
| Michael-Angelo | xli.
DIALECT POEMS:-
| Violets | xlii.
| Whether or Not | xliv.
| A Collier's Wife | liii.
| The Drained Cup | lvi.
THE SCHOOLMASTER:-
I. | A Snowy Day in School | lix.
II. | The Best of School | lx.
III. | Afternoon in School | lxiii.

NEW POEMS

By D. H. Lawrence

1918

CONTENTS

APPREHENSION
COMING AWAKE
FROM A COLLEGE WINDOW
FLAPPER
BIRDCAGE WALK
LETTER FROM TOWN: THE
FLAT SUBURBS, S.W., IN THE
THIEF IN THE NIGHT
LETTER FROM TOWN: ON A
SUBURBS ON A HAZY DAY
HYDE PARK AT NIGHT, BEFORE
GIPSY
TWO-FOLD
UNDER THE OAK
SIGH NO MORE
LOVE STORM
PARLIAMENT HILL IN THE
PICCADILLY CIRCUS AT NIGHT
TARANTELLA
IN CHURCH
PIANO

EMBANKMENT AT NIGHT,
PHANTASMAGORIA
NEXT MORNING
PALIMPSEST OF TWILIGHT
EMBANKMENT AT NIGHT,
WINTER IN THE BOULEVARD
SCHOOL ON THE OUTSKIRTS
SICKNESS
EVERLASTING FLOWERS
THE NORTH COUNTRY
BITTERNESS OF DEATH
SEVEN SEALS
READING A LETTER
TWENTY YEARS AGO
INTIME
TWO WIVES
HEIMWEH
DEBACLE
NARCISSUS
AUTUMN SUNSHINE
ON THAT DAY

BAY

A Book Of Poems

By D. H. Lawrence

1919

CONTENTS

GUARDS!
EVOLUTIONS OF SOLDIERS
THE LITTLE TOWN AT EVENING
LAST HOURS
TOWN
AFTER THE OPERA
GOING BACK
ON THE MARCH
BOMBARDMENT
WINTER-LULL
THE ATTACK
OBSEQUIAL ODE
SHADES
BREAD UPON THE WATERS.
RUINATION
RONDEAU OF A CONSCIENTIOUS
TOMMIES IN THE TRAIN
WAR-BABY
NOSTALGIA

LOOK!   WE HAVE COME THROUGH!

By D. H. Lawrence

CONTENTS

FOREWORD
ARGUMENT
ELEGY
NONENTITY
MARTYR À LA MODE
DON JUAN
THE SEA
HYMN TO PRIAPUS
BALLAD OF A WILFUL WOMAN
FIRST MORNING
SHE LOOKS BACK
ON THE BALCONY
FROHNLEICHNAM
IN THE DARK
HUMILIATION
GREEN
RIVER ROSES
GLOIRE DE DIJON
ROSE OF ALL THE WORLD
QUITE FORSAKEN
FORSAKEN AND FORLORN
FIREFLIES IN THE CORN
SINNERS
MISERY
WINTER DAWN

WHY DOES SHE WEEP?
GIORNO DEI MORTI
ALL SOULS
LADY WIFE
BOTH SIDES OF THE MEDAL
LOGGERHEADS
DECEMBER NIGHT
NEW YEAR'S EVE
NEW YEAR'S NIGHT
VALENTINE'S NIGHT
BIRTH NIGHT
RABBIT SNARED IN THE NIGHT
PARADISE RE-ENTERED
SPRING MORNING
WEDLOCK
HISTORY
ONE WOMAN TO ALL WOMEN
PEOPLE
STREET LAMPS
NEW HEAVEN AND EARTH
ELYSIUM
MANIFESTO
AUTUMN RAIN
FROST FLOWERS
CRAVING FOR SPRING

SEA AND SARDINIA

By D. H. Lawrence

With Eight Pictures In Color By Jan Juta

CONTENTS

I. | As Far As Palermo | 11
II. | The Sea | 44
III. | Cagliari | 99
IV. | Mandas | 127
V. | To Sorgono | 154
VI. | To Nuoro | 212
VII. | To Terranova and the Steamer | 260
VIII. | Back | 312

ILLUSTRATIONS

Orosei | Frontispiece
Map—By D. H. Lawrence | 44
Isili | 100
Tonara | 148
Sorgono | 180
Fonni | 204
Gavoi | 236
Nuoro | 268
Terranova | 300

"THE WHITE PEACOCK"

By D. H. Lawrence

CONTENTS

THE WHITE PEACOCK
PART I

CHAPTER I

THE PEOPLE OF NETHERMERE

CHAPTER II

DANGLING THE APPLE

CHAPTER III

A VENDOR OF VISIONS

CHAPTER IV

THE FATHER

CHAPTER V

THE SCENT OF BLOOD

CHAPTER VI

THE EDUCATION OF GEORGE

CHAPTER VII

LETTIE PULLS DOWN THE SMALL GOLD GRAPES

CHAPTER VIII

THE RIOT OF CHRISTMAS

CHAPTER IX

LETTIE COMES OF AGE
PART II

CHAPTER I

STRANGE BLOSSOMS AND STRANGE NEW BUDDING

CHAPTER II

A SHADOW IN SPRING

CHAPTER III

THE IRONY OF INSPIRED MOMENTS

CHAPTER IV

KISS WHEN SHE'S RIPE FOR TEARS

CHAPTER V

AN ARROW FROM THE IMPATIENT GOD

CHAPTER VI

THE COURTING

CHAPTER VII

THE FASCINATION OF THE FORBIDDEN APPLE

CHAPTER VIII

A POEM OF FRIENDSHIP

CHAPTER IX

PASTORALS AND PEONIES
PART III

CHAPTER I

A NEW START IN LIFE

CHAPTER II

PUFFS OF WIND IN THE SAIL

CHAPTER III

THE FIRST PAGES OF SEVERAL ROMANCES

CHAPTER III

DOMESTIC LIFE AT THE RAM

CHAPTER IV

THE DOMINANT MOTIF OF SUFFERING

CHAPTER V

PISGAH

CHAPTER VI

THE SCARP SLOPE

CHAPTER VII

A PROSPECT AMONG THE MARSHES OF LETHE

ENGLAND, MY ENGLAND

By D. H. Lawrence

CONTENTS

ENGLAND, MY ENGLAND
TICKETS, PLEASE
THE BLIND MAN
MONKEY NUTS
WINTRY PEACOCK
YOU TOUCHED ME
SAMSON AND DELILAH
THE PRIMROSE PATH
THE HORSE DEALER'S DAUGHTER
FANNY AND ANNIE

TWILIGHT IN ITALY

By D. H. Lawrence

1916

CONTENTS

THE CRUCIFIX ACROSS THE MOUNTAINS

ON THE LAGO DI GARDA

THE SPINNER AND THE MONKS
THE LEMON GARDENS
THE THEATRE
SAN GAUDENZIO
THE DANCE
IL DURO
JOHN

ITALIANS IN EXILE

THE RETURN JOURNEY

THE LOST GIRL

By D. H. Lawrence

1921

CONTENTS

CHAPTER I | THE DECLINE OF MANCHESTER HOUSE
CHAPTER II | THE RISE OF ALVINA HOUGHTON
CHAPTER III | THE MATERNITY NURSE
CHAPTER IV | TWO WOMEN DIE
CHAPTER V | THE BEAU
CHAPTER VI | HOUGHTON'S LAST ENDEAVOUR
CHAPTER VII | NATCHA-KEE-TAWARA
CHAPTER VIII | CICCIO
CHAPTER IX | ALVINA BECOMES ALLAYE
CHAPTER X | THE FALL OF MANCHESTER HOUSE
CHAPTER XI | HONOURABLE ENGAGEMENT
CHAPTER XII | ALLAYE ALSO IS ENGAGED
CHAPTER XIII | THE WEDDED WIFE
CHAPTER XIV | THE JOURNEY ACROSS
CHAPTER XV | THE PLACE CALLED CALIFANO
CHAPTER XVI | SUSPENSE

*** END OF THE PROJECT GUTENBERG EBOOK INDEX OF THE PROJECT GUTENBERG WORKS OF DAVID H. LAWRENCE ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- INDEX OF THE PROJECT GUTENBERG WORKS OF DAVID H. LAWRENCE

- Compiled by David Widger

- CONTENTS

- Click on the ## before many of the titles to view a linked table of contents for that volume. Click on the title itself to open the original online file.

- TABLES OF CONTENTS OF VOLUMES

- SONS AND LOVERS

- CONTENTS

- SONS AND LOVERS

- With An Introduction By John Macy

- CONTENTS

- TOUCH AND GO

- A Play in Three Acts

- CONTENTS

- WOMEN IN LOVE

- CONTENTS

- AARON'S ROD

- CONTENTS

- FANTASIA OF THE UNCONSCIOUS

- CONTENTS

- TORTOISES

- CONTENTS

- THE PRUSSIAN OFFICER

- and Other Stories By D. H. Lawrence

- CONTENTS

- THE RAINBOW

- CONTENTS

- AMORES

- Poems

- CONTENTS

- LOVE POEMS AND OTHERS

- CONTENTS

- NEW POEMS

- 1918 CONTENTS

- BAY

- A Book Of Poems
- 1919
- CONTENTS

- LOOK! WE HAVE COME THROUGH!

- CONTENTS

- SEA AND SARDINIA

- With Eight Pictures In Color By Jan Juta
- CONTENTS
- ILLUSTRATIONS

- "THE WHITE PEACOCK"

- CONTENTS

- ENGLAND, MY ENGLAND

- CONTENTS

- TWILIGHT IN ITALY

- 1916 CONTENTS

- THE LOST GIRL

- 1921
- CONTENTS
- THE FULL PROJECT GUTENBERG™ LICENSE