The Project Gutenberg eBook of Short Snorter

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Short Snorter

Author: Charles Einstein

Illustrator: Ed Emshwiller

Release date: October 19, 2019 [eBook #60521]

Most recently updated: October 17, 2024

Language: English

Other information and formats: www.gutenberg.org/ebooks/60521

Credits: Produced by Greg Weeks, Mary Meehan and the Online

Distributed Proofreading Team at http://www.pgdp.net

*** START OF THE PROJECT GUTENBERG EBOOK SHORT SNORTER ***

The Short Snorter

CHARLES EINSTEIN

His saucer was parked in the

woods, and Mr. Steariot (from Venus)

was parked in the lobby....

[Transcriber's Note: This etext was produced from

Worlds of If Science Fiction, August 1958.

Extensive research did not uncover any evidence that

the U.S. copyright on this publication was renewed.]

Three paths led through the woods away from the resort hotel, and of the three two were clearly marked: one with a sign that said it led to the lake, the other pointing toward the golf links. The third pathway was unmarked, and this was the one that inevitably the lovers and the honeymooners took—the path that Alice and Fred Daniels followed today.

The sun was unusually warm for this time of year, but only a few yards along the pathway Fred and Alice were swallowed up by the great and near-great trees of the forest. The sunlight was, except for an occasional patch of light here and there, warded away by the foliage above. The forest was very quiet. The pathway bridged a silent brook, and then, perhaps a third of a mile into the woods, turned abruptly to the left and the woods became even more dense, the pathway narrow.

Through the trees to the right at this point was a clearing, an unusual grassy circle perhaps sixty yards in diameter. It was not the clearing itself, however, but, instead, the glint of color in the sunlight that caused Fred and Alice to stop and look.

Alice said, "Fred, what is that?"

"Don't know," he said. "Something red. Let's look."

The two of them turned off the path and made their way through a dismal barrage of thicket to the clearing that lay beyond. When they got there, they saw the circular object—vehicle might be a better word. It was possibly fifteen yards in diameter. It seemed to be made of three rings, smaller ones bottom and top and the larger one ribbing the center, and to be constructed of some kind of plastic. Between the central and upper rings were set a series of small windows. The entire thing was painted a gaudy red.

"What do you think it is?" Fred said.

"A flying saucer," Alice said promptly. She laughed a little, but clutched at her husband's arm. "Isn't it?"

"I don't know."

"But what else would it be?"

"I don't know," Fred said again. "Let's look inside."

"Fred," Alice said, "You'd better not—"

"Don't be silly," he said, and walked resolutely up to the object and, standing on tiptoe, peered through one of the windows.

"What is it?" Alice called from the edge of the clearing. "What do you see?"

"It's empty," he called back.

"What's inside?"

Fred shook his head. "You won't believe it."

"What?"

"It's got a steering wheel," he called out hollowly. "And some dials."

"My goodness," Alice said. "Is it a real one?"

"How do I know?" he said, and rejoined her, casting a series of glances uncertainly over his shoulder at the bright red saucer behind him. "What do you suppose we ought to do?"

"Tell somebody," Alice said. "I suppose."

"Who do we tell?"

"I don't know. There must be somebody—"

They looked almost guiltily at each other. "Nobody'll believe us," Fred said.

"Why not?" Alice said. "It's here, isn't it?"

Fred stopped and thought. "Who knows how long it'll stay?"

They looked at each other again. Then Alice said slowly, "If we went back and got the camera—"

Swiftly, they made their way back toward the hotel through the quiet forest. When they got there, they found Mr. Mason, the manager of the hotel, adjusting the badminton net in front of the main porch. Mr. Mason loosed a ready smile. "How's everything?" he said. "Find enough to do?"

"Yes, thank you," Fred said to him. "We were just walking through the woods. We came back for our camera. Then we're off again."

Mr. Mason nodded. "Find the saucer?"

Fred looked at him. "You mean the flying saucer?"

The manager nodded again. "I see you did find it. Good. Take a picture of it, by all means. I've already taken a whole batch myself."

"You have?" Fred said, frowning. "What's it all about?"

"It's a flying saucer," Mr. Mason said. "From Venus. Mr. Steariot, who piloted it, is a guest here. I can introduce you to him if you like. He speaks excellent English."

Fred Daniels said, "Wait a minute. You—"

"Oh, there's no point in it," Mr. Mason said in a weary tone of voice. "No point in it at all. I took pictures. I tried to get the Army up here. I wrote letters." He shrugged expressively. "It's a cynical age we live in, I guess. Everybody's very polite, but they make it clear they think it's just a gimmick I worked up to get the hotel publicity." He nodded seriously. "The whole trouble's with Mr. Steariot. If he had a light bulb for a head, or seven legs, or talked funny, why, it'd be a different thing entirely. But he looks and acts just like you or I. Here I've got a legitimate flying saucer sitting on my property and you might as well try to tell them it's a—well, a flying saucer! For all they'll believe me. Now you two have seen it with your own eyes and you don't believe it either."

Fred swallowed and looked at Alice for a moment. Then he said, "What did you say his name was?"

"Mr. Steariot," Mr. Mason said. "Actually, he's just as happy nobody believes he's from Venus. If they believed it, they'd probably lock him up in jail somewhere or impound his saucer. As it is, he says this is the first vacation he's had in years." Mr. Mason looked unhappily about him. "He's probably in the lounge now. Want to meet him?"

Fred said dazedly, "I—"

"Ah, come on," Mr. Mason said. "He won't bite you." He led the way up the steps of the porch and into the lounge and over to where a small, mustachioed man, wearing eyeglasses and appearing to be in his late forties, was working a crossword puzzle in the morning paper.

"Mr. Steariot," Mr. Mason said, "I should like you to meet Mr. and Mrs. Daniels, also guests here. They have just seen your saucer."

"Charmed," Mr. Steariot said, and got to his feet. He shook hands with Fred Daniels. "Are you here for a long stay, Mr. Daniels?"

"I'm not sure," Fred said, a little unhappily. "Mr. Mason told us you were from Venus."

"I told them about you, Mr. Steariot," Mr. Mason said. "Naturally, they don't believe it any more than anybody else."

"No reason why they should," Mr. Steariot said amiably. "No reason in the world, if I may coin a phrase. Dr. Phelps at the Institute didn't believe it either."

Mr. Mason said, "Mr. Steariot here had a long interview with Dr. Phelps of the Geophysical Institute at Princeton when he first arrived here on Earth with us."

"Oh," Fred said. He gazed uncomfortably at Mr. Steariot. "We didn't mean to interrupt you."

"I was only doing the crossword puzzle," Mr. Steariot said. "Do you know a two-letter word for sun-god?"

Alice said, "Is this your first trip here?"

"You mean here to the hotel," Mr. Steariot said, "or to Earth?"

"Earth," Fred said, dismally.

"My second," Mr. Steariot said. "First trip I wound up near Leningrad. Terrible time. I thought they'd talk English, but they don't, and they thought I was an American, and two of their officials got into the saucer with me, and the only way I could save myself was to take off with them. They're on Venus now."

"This accounts," Mr. Mason broke in, "for the way those two high Russian officials suddenly disappeared from sight three years ago. You remember? Everybody thought they'd been liquidated."

Fred Daniels looked around the room. A hollow, frightening feeling had come upon him. There were hundreds of questions he could have asked, and yet he wanted nothing so much as to be away from there.

His wife Alice, though, was constrained to learn more about Mr. Steariot. She said, "Mr. Steariot, may I ask you something?"

"By all means," Mr. Steariot said, and blinked owlishly at her.

"Do you," Alice said to him, "carry any money?"

It was, Fred Daniels realized, a marvelous question. If there were sham here, this would be the quickest way to—

"Why, of course." Mr. Steariot said, and reached for his wallet. "Let's see—health insurance—saucer driver's license—here, my dear. A five-djino bill." He extracted a yellow banknote and handed it to Alice. The banknote, slightly larger than an American dollar bill, was remarkably similar in other particulars. It had upon it a picture of a flying saucer, the figure 5, and, spelled out, "FIVE DJINOS".

"Let me sign it for you," Mr. Steariot said, taking out a pen. "You can have it for a souvenier."

"Like the short snorters in the war," Mr. Mason, the hotel manager, said. "You remember them, Mr. Daniels? Where people got famous signatures on five and ten and twenty-dollar bills and exchanged them and what not, and they called them short snorters?"

"I remember," Fred Daniels said. "Something like that."

"Five djinos on Venus," Mr. Steariot said, signing his name with a flourish, "is worth about twenty dollars here on Earth. No official rate of exchange, of course, but from what I've seen, that's about what I'd judge. Here you go." He handed the bill over.

"Well, wait, then," Fred Daniels said. "I ought to sign one of our bills for you."

"Ah, no need for that," Mr. Steariot said. "No doubt you need twenty dollars worse than I need five djinos."

"Don't be ridiculous," Fred said, a little stiffly; and, by now committed, he went into his wallet and came out with a twenty dollar bill. He signed his name to it, using Mr. Steariot's fountain pen.

"Wonderful," Mr. Steariot said. "How nice to have met you both."

"I feel very badly about this," Mr. Mason, the hotel manager, said to Fred and Alice. The three of them were on the porch outside. "This short snorter business always seems to happen whenever I introduce Mr. Steariot to anyone. Dr. Phelps at the Institute gave him fifty dollars. Can you imagine that?"

"It's interesting in its way," Fred said. "It just occurred to me: Mr. Steariot can spend Earth money here, but we can't spend Venus money."

"That's true," Mr. Mason said. "On the other hand, Mr. Steariot has never once, to my knowledge, been the one to bring up the subject. I think it's quite painful to him, really. But the same thing inevitably occurs to everybody he meets. You know, let's see the color of your money. I guess people are pretty much the same everywhere—that is, everywhere on Earth. They judge everything in terms of money, including whether you've even been born on Earth! 'Let's see your money,' they say to Mr. Steariot, and out he comes with one of those damn five-djino bills, and we're off."

"You know," Alice Daniels said thoughtfully, "in a way it's a lesson. Isn't it, Fred? I mean, everybody is money conscious. Maybe too much so. I'm not sorry it cost us twenty dollars to meet Mr. Steariot."

"You may be right," Fred said to her. "You may be right. Who knows, some day this five-djino bill may be a very valuable—"

"There you go again," Alice cut in. "Always putting it in terms of money."

"But you're the one," Fred said, "who thought to ask him about it in the first place."

"Don't quarrel," Mr. Mason, the hotel manager, said to them. "After all, for you it's just a vacation. For me, I've got this man sitting in my lounge day in and day out doing crossword puzzles and trading short snorters with my guests. Nobody really believes he's from Venus—nobody important, anyway. It's a little frightening, when you're trying to run a happy hotel. Sometimes I wish he'd go back to wherever he came from."

"Well," Fred said, "he's bound to leave one of these days."

"Maybe," Mr. Mason said doubtfully. "Offhand, though, I'd say the way he's taking it in, he can't afford to."

*** END OF THE PROJECT GUTENBERG EBOOK SHORT SNORTER ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

The Short Snorter

CHARLES EINSTEIN

THE FULL PROJECT GUTENBERG™ LICENSE