Stentor
Date: 2025-02-06T00:00:00+00:00
Keywords: Press; Press -- Great Britain

The Project Gutenberg eBook of Stentor

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

Title: Stentor
or, The press of to-day and to-morrow

Author: David Ockham

Release date: February 6, 2025 [eBook #75303]

Language: English

Original publication: New York: E. P. Dutton & Company, 1928

Other information and formats: www.gutenberg.org/ebooks/75303

Credits: Produced by Donald Cummings and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)

*** START OF THE PROJECT GUTENBERG EBOOK STENTOR ***

STENTOR

“The new spirit in the Press, which aims, not at influencing statesmen by giving them an instructed and enlightened public opinion, but at making them subservient to a power which will exalt them or hound them out of office, according to whether they will or will not accept its dictates and its terms.”

“The insolent pretensions of newspaper owners to reduce Downing Street to the position of an annexe of Fleet Street.”

—Certain People of Importance, by A. G. Gardiner.

The freedom of the Press is the freedom of public opinion, that’s the beginning and the end of it. Can you pretend that public opinion is free, when more than half the leading journals are the voice of one man? There is a danger to the freedom of the Press, Janion; and that danger is you. You are simply a trust crushing out or buying up all opposition, till you control the market—till you can sit in your office and say, “What I think to-day, England will think to-morrow.”

—The Earth, by J. B. Fagan.

STENTOR

OR

THE PRESS OF TO-DAY
AND TO-MORROW

BY

DAVID OCKHAM

“The abstract and brief chronicle of the time.”

E. P. DUTTON & CO., INC. : NEW YORK

STENTOR, COPYRIGHT, 1928
BY E. P. DUTTON & CO., INC.
ALL RIGHTS RESERVED :: PRINTED IN U.S.A.

First Edition

CONTENTS

CHAPTER | | PAGE
I | The Birth of Stentor | 9
II | The Nature of Stentor | 13
III | The Dictators | 25
IV | The Mannerisms of Stentor | 40
V | The Newspaper of To-Morrow | 48
VI | Poison Gas or Fresh Air | 59
| Appendix | 66

STENTOR

I
The Birth of Stentor

It is some eight thousand years ago that Man, having already set himself apart from the brute creation by walking on two legs and creating the art of speech, paved the way to the “best seller” by the invention of writing.

The nomad settled in the village. From the village there grew the city. Empires rose, fell, and crumbled into decay. Plato, Homer, Aristotle, Dante, da Vinci, Shakespeare enlarged the boundaries of intellect and of emotion. America was rediscovered. Moveable types were introduced to Europe. And the newspaper, via the printed book and the pamphlet, sprang from the loins of Gutenberg. Grub Street gave place to Fleet Street, and the Carmelites to Carmelite House. Compulsory schooling for the masses produced a new social phenomenon in the shape of whole nations among whom the illiterate was the exception, and Demos roared voraciously for newsprint. And the halfpenny “daily” created a demand for the forest products of Newfoundland.

So may our grandchildren condense their Outline of History.

Historically considered, the Newspaper is an upstart, although its germs existed in the Roman Empire in the shape of Acta Diurna and Acta Publica, Government publications which contained registers of births and deaths, and particulars of the corn supply and of payments into the Treasury. The Acta even embodied so modern a feature as the Court Circular.

Journalism found no incitement during the Dark and Middle Ages, and the use of moveable types at first stimulated the production of books rather than that of periodicals. By the latter half of the fifteenth century, rudimentary journals were, however, making their more or less regular appearance in Germany, Austria, and Italy, and embedded in Continental archives is to be found at least one copy of a contemporary account of Columbus’ voyages to America recorded while his journeyings still represented the latest news.

The sixteenth century saw the Gazzetta, an Italian production in manuscript, to be read on payment of a gazzetta, a small coin of the period, which eventually gave its name as a synonym for newspapers and other publications. None of these Continental attempts to assuage the thirst for news seems, however, to have embodied the seeds of permanence, and the idea of a Newspaper in the modern sense, that is, of a publication issued at regular intervals and characterised by continuity in administration and policy, is largely English. The first regular English newspaper was the Weekly News from Italy, Germany, etc., founded in 1622, and nineteen years later an English paper secured a “scoop” by publishing a report of a Parliamentary debate for the first time on record. In 1709, London had its first daily under the title of the Daily Courant; the Morning Post dates back to 1772; and the Times, originally established as the Daily Universal Register, followed in 1785.

It is almost impossible to assign a definite historical date for the inception of the newspaper as a regular institution created to satisfy a public demand, since so many of the journalistic pioneers were both of a fugitive and ephemeral nature, whilst others were pamphlets rather than news bulletins. But if we strike a mean between the Daily Courant and the Morning Post, we may say that the newspaper has enjoyed some two centuries of vigorous life. It has thus witnessed the birth of the Industrial Age and of its offspring, Mechanical Transport, has seen the formation of the United States of America, the peopling of Canada and Australia, the fall of most European thrones, the development of great communities in South America, the birth of flying, and the shifting of the centre of gravity of political power from the semi-instructed few to the uninstructed many. If Stentor has lost his head a trifle at the contemplation of such an unparalleled record of human activity, and of a period pregnant with such almost unimaginable possibilities for good and evil, who shall wonder?

II
The Nature of Stentor

What is a newspaper? Ask any editor or proprietor, and he will tell you that its primary function is the dissemination of news, and its secondary, but none the less immensely important, task is that of commenting on the happenings of to-day or forecasting those of to-morrow, with the object of educating the community and guiding public opinion. So we are frequently informed, in rotund periods, by noble lords who respond to the toast of The Press at public feastings.

What, actually, is a newspaper? To begin with, it contains advertisements, mainly of women’s dress, soaps, face creams and powders, chocolate, beer, whisky, tobacco, and motor cars. Democracy’s needs.

Then there is a page of pictures, gathered at great expense from the ends of the earth, often transmitted by aeroplane, and providing a feast of new hats and evening wraps from Paris, railway accidents, shipwrecks, upturned tramcars and motor lorries that have fallen into ditches, the more or less recognisable portraits of men and women performing at the Divorce Courts or for some other reason temporarily in the public eye, photographs of film actresses, and pictures of the diversions of the Rich at the races, on the moors, on the Lido, and on the Riviera. Democracy’s peep-show.

After these hors d’œuvres come the leading articles, letters to the editor, “nature notes” straight from Fleet Street, an instalment of a serial story depicting a life such as was never lived on land or sea, pictures which are believed to amuse the children, and “leader page articles” largely contributed (or at least signed) by doctors, divines, the wives of ex-Cabinet Ministers, Russian Princesses, actresses, and—occasionally—journalists.

There are also articles in which women are instructed how to dress, cook, arrange a luncheon table, plan schemes of interior decoration, pack their trunks for a holiday, economise in the household, and retain the affection of their husbands.

The residue is news.

But not all of it.

For much of this residue is news only in a specialised and restricted sense. City notes, produce market notes, the movements of shipping, and golf, bridge, gardening, or motoring notes do not appeal to every reader. Nor, for that matter, does literary criticism, or the critiques of plays, films, concerts, and picture exhibitions.

But the residue of the residue is news. And that includes “gossip” by ladies and gentlemen apparently on terms of the utmost intimacy with Royalty and the nobility and gentry, the deaths of centenarians, the bright sayings of witnesses at police courts, the witty sayings of judges, the wise sayings of magistrates, and the futile sayings of coroners.

Add a crossword puzzle, and you have a newspaper. Democracy’s Mentor.

New inventions and institutions achieve popularity in accordance with the readiness with which they lend themselves to vulgarisation. So it has been with wireless and the kinema, and so it is with the Press. Cynics may say that every country has the newspapers it deserves, but that begs the question. The mass of the public undoubtedly likes its newspapers well enough (without having any very great respect for them) but it also likes novels and film plays entirely devoid of artistic value, just as it likes third-rate music and fourth-rate pictures. The real question is how far is popular taste natural, and how far has it been debauched by those who aim at giving the public what it wants, or what it is supposed to want. A brewer who succeeds in inducing his customers to acquire a taste for doctored or synthetic beer may be entitled to say that he is giving them what they like. But he is not entitled to say that they are incapable of appreciating unadulterated malt and hops, or that they would really prefer the genuine article if they were allowed a free choice between the two.

When compulsory schooling led to an immense and sudden increase in the number of people able to read without difficulty, well-meaning enthusiasts rejoiced at the prospect of the artisan beguiling his leisure with Dante, Milton, Schopenhauer, Ruskin, Darwin, George Eliot, or the works of Alfred Lord Tennyson. Actually, these newcomers to the world of letters turned mostly to the penny novelette and the “bitty” weekly. They might have patronised something better if the pioneers of reading matter for the million had made the experiment of seeing whether there was a market for something better. But the experiment was not made. And it was on the basis of a culture largely represented by the “snippety” weekly, that the creators of newspapers for the million began to build about a generation ago.

Let it be conceded that their intentions were largely laudable. The appeal of the newspaper had previously been restricted to a degree almost incredible to contemporary men and women under thirty. The daily paper was the preserve of the well-to-do and the “comfortable classes”; the masses bought evening papers for racing tips and other sporting information, and on Sundays they were regaled with a ragôut of the murders, the robberies, the assaults, the divorces, and the more unsavoury police court cases of the week. Journals of international repute, such as the Times, the Daily Telegraph, the Neue Freie Presse, the Journal des Débats, sold fewer copies in a week than the popular organs now dispose of in a day.

The Harmsworths, the Pearsons, the Hearsts, were to change all that. In order to make the daily paper a necessity, or a habit, of the masses, it was essential to depart from the pomposity of the older journals, with their long and platitudinous leading articles about nothing in particular, their unattractive “make-up,” their bald presentation of news, the immense length of their police court reports, and their adherence to the theory that the fall of a Cabinet in Patagonia was of more interest to the reader than a murder on his doorstep. The motto of the new Press was Brightness, Brevity, Enterprise, and Cheapness. It introduced photographs. It presented its news more attractively. It catered for the interests of women. It printed the light, but informative, article on topics of the day, often written by a specialist. It quickened up the transmission both of the news and of the newspaper. It aimed, in short, at mirroring passing events for the multitude rather than providing reading matter to be digested at leisure by the banker, the lawyer, the country gentleman, and the politician. And it succeeded remarkably—up to a point.

But man cannot live by brightness alone. And brightness became a fetish. Insensibly, and on the whole probably unconsciously, at least at first, the newspaper made excessive sacrifices in the pursuit of its passion for the purely readable. It concentrated on the tabloid and the snippet. It plastered its pages with pictures, so that we have reached the stage at which if Dean Inge, Bernard Shaw, the ex-Kaiser, President Coolidge, Mr. Lloyd George, or Mr. Charles Chaplin be mentioned on six consecutive days of the week by the same paper, each mention will be accompanied by a photograph, usually the same photograph, the size of a postage stamp. Similarly, the obsession of the Press for “human interest stories” (a characteristic legitimate enough in itself) has been developed to the point at which the wives and mothers of condemned murderers are interviewed directly after the verdict with a request for their comments on the justice of the sentence, while respectable householders are despatched with cameras to photograph the tears of miners’ widows after a colliery accident.

“Human interest” with a vengeance. But the worst feature of this vulgarisation of the popular Press is the resulting vulgarisation of the public. News editors would not instruct their reporters to interview divorcées, husbands whose wives have just been killed in motor accidents, or bereaved mothers, unless journalistic insistence as the “personal touch” had so greatly succeeded in banning decent reticence. The law does not punish such outrages on public taste, although it punishes many offences of far smaller detriment to the community.

Side by side with vulgarisation is persistent falsification of values. The Press promotes mass hysteria, as is shown by the excesses accompanying the visits of American film stars to England or of European queens to the United States. It consistently denounces the very evils, or imaginary evils for whose creation it is itself so largely responsible, finding, for instance, good “copy” both in detailed descriptions of a play alleged to be lewd, and in criticisms of the same play by clergymen who have not seen it. And it is driving privacy from the world by its discovery of the new creed that if the pen be mightier than the sword, the camera is mightier than either.

Insistence on the personal note has also brought in its train a Mumbo-Jumbo belief in the virtue of names. It is assumed that the public will attach more importance to an article signed with a name with which it is familiar than by an unsigned contribution, and although this theory is based on a certain element of fact, it is in practice overworked to the point of nausea. The reader will no doubt attach special importance to an article under the signature of Arnold Bennett, or H. G. Wells, especially if it deal with a subject with which the writer is particularly identified. He will also be more impressed by an article on tennis by Suzanne Lenglen than by an equally good but anonymous contribution. But is he equally impressed by the fact that a column of platitudes on motherhood, the contemporary young woman, or the decay of church-going, is signed by a, no doubt, estimable lady, whose only claim to public distinction is that she is the wife of an ex-Lord Mayor or the bearer of an obscure Hungarian title? Editors and proprietors apparently think so, thus indicating their cynical estimate of the level of public intelligence.

Furthermore, this passion for names is responsible for the perpetration of the grossest frauds on the public. It is notorious in Fleet Street that articles alleged to be contributed by politicians, musical comedy actresses, film stars, and professional footballers are, in fact, often not written by the illustrious who are their reputed authors. Indeed, the illustrious are as like as not incapable of writing a page of grammatical English, as is also the case with the self-advertising commercial magnate, whose reputed views on economic questions or industrial co-operation, neatly typed and flanked by carefully touched-up photographs, descend on the desks of editors in the company of the pigeon-English letters of pushful publicity agents.

But this fraud on the public, and there is no other name for a species of false pretence which is growing so rapidly that it is developing into an open scandal, is, relatively, a minor affair. The real evil is that the controllers of the Press, themselves largely amateurs, are going out of their way to encourage the incursion of the amateur into what is a highly-skilled and highly-complex avocation. And that constitutes the real false pretence. It does not matter very much whether that popular film comedienne, Miss Ruby Vamp, is actually responsible or not for the article on “Should Curates Charleston?” extensively and expensively advertised by the “Daily Dope.” But it does matter if the public be led to believe that an article on foreign relations written to order by a hack journalist for the purpose of provoking a sensation or promoting the policy of a newspaper proprietor should purport to be, and should be accepted, as from the pen of an impartial diplomatic expert, who has, in fact, only lent his name in return for money or for purposes of self-advertisement.[1]

[1] In December last, the Lawn Tennis Association passed resolutions prohibiting a competitor in tournaments and matches from writing articles thereon for the Press “under his own name, initials, or recognisable pseudonym,” and also from allowing a player to permit his name to be “advertised as the author of any book or press article of which he is not the actual author.” This resolution was boycotted by a portion of the Combine Press, while one newspaper distorted the attitude of the Association as representing “interference with amateurs,” and “dictating to newspaper proprietors and editors.” Imperence.

III
The Dictators

Few people understand the economic, still less the social, significance of Trusts and Combines. The public is familiar enough with the amalgamation of a number of more or less competing concerns engaged in the same industry; it is not so familiar with the conception of a Trust which owns or controls undertakings of widely-differing nature, such as the modern Combine which aims at controlling an article during the whole cycle of operations from the winning of the raw material to the marketing of the finished product. Still less is it familiar with the process whereby control, which is far more important than ownership, can be acquired by putting up quite a small proportion of the total capital invested in a commercial undertaking.[2]

[2] A large proportion of the capital of modern joint-stock companies is provided by debenture-holders, who normally have no voting rights whatever, and by preference share-holders, who may vote at meetings only when their dividend has been in arrears for a prescribed period. Even ordinary share-holders may have no voting rights, and the entire control, including the appointment of directors, can be vested in the owners of a particular class of share representing less than a tenth of the company’s total capital.

It is as the result of control rather than actual ownership that the British Press has within the past few years largely come into the hands of some four or five men. The Independent Press has, in consequence, almost ceased to exist. There are still, of course, newspapers uncontrolled by Combines or Trusts, but these are in the main restricted alike as to circulation, influence, and the range of their geographical distribution. Moreover, independence of ownership does not necessarily mean independence of control by a political party in whose interests the paper is administered by its nominal owners.

The “Trustification” of the Press is an entirely logical development, and has been accepted by the public in much the same way as amalgamations in any other industry. But there is a vital difference between a Newspaper Trust and a Beef Trust. The Newspaper Trust controls and manipulates public opinion. Its workings are largely subterranean. It is guided on occasion by purely political considerations to an extent impossible in any other industry. It may exercise a decisive influence on the issue of war or peace. Obviously, the control of a nation’s Press by a handful of men is not to be regarded in the same light as the control of its chemical industry. A “deal” in newspapers embodies, ultimately, a “deal” in the means of manipulating public opinion.

In every industry, the appetite for amalgamation grows by what it feeds on. The tendency is for the immensely powerful and wealthy Newspaper Trusts to absorb more and more publications. Very often, a competing organ is bought only that it may be “killed,” as happened to London’s oldest evening paper, The Globe. Amalgamation is often only a euphemistic term for the disappearance of an old-established paper. The independent journals cannot withstand the tentacles of the Octopus. Either they are forced out of existence by sheer inability to stand up against their much wealthier rivals, or the owners are induced to sell by offers too tempting to refuse. In the latter instance, the matter has usually been decided on down to the last detail by the directors on both sides before the offer is submitted to the share-holders who are the nominal and legal owners of the property.

The Dictators of Public Opinion thus enlarge their realm. It may be asked why, granted that the disappearance of existing Independent Newspapers is inevitable, new Independent organs do not make their appearance. The answer is that few undertakings involve the risk of such great loss, coupled with so much uncertainty and the necessity of putting up so much working capital to provide for possible losses during the first two or three years of existence, as the launching of a great newspaper. Excluding a journal subsidised by Labour organisations, only one serious attempt has been made in England during the last twenty years to found a new morning paper of national scope. It failed, after its millionaire proprietor had tired of losing money on the venture. The last attempt to establish a new London evening paper failed on the score of finance, distribution alone (i.e., getting the paper into the hands of readers after it had been printed) costing a thousand pounds a week. London, which is the journalistic centre of the United Kingdom (the small size of the country making possible the “nation-wide” newspaper, with which there is nothing really comparable in the United States), has actually far fewer morning and evening papers than twenty years ago.

It has more Sunday papers. But that is one of the results of Trustification. By placing a Sunday paper under the same control as one or more morning and evening journals, overhead charges, which eat up money in the newspaper industry, are largely reduced. Administrative and mechanical costs are lowered. Each paper in the Combine can give free publicity to the rest. Distribution costs are shared. Against such conditions, the lone hand fights a losing battle, and economic factors operate as much against the creation of new Independent journals as they operate for the absorption of those still in existence.

Since the armistice, the process of Trustification has undergone a remarkable acceleration. It has also entered on a new and immensely significant phase, the unification of control of publications of the most widely differing nature, thus bringing illustrated weeklies, fashion papers, monthly magazines, technical and trade journals, children’s weeklies and monthlies, and directories and other works of reference under the same ownership as morning, evening, and Sunday Newspapers. The modern Combine will even control the manufacture of its paper, and the supply of raw material for the purpose.[3]

[3] See Appendix.

Such comprehensive Trustification may either assume the shape of complete amalgamation of separate companies, or be effected by the process known as unification of interests, in which a common control is brought about by such means as the presence of the same men, or their nominees, on the boards of companies which retain their corporate entity but are animated by a common policy and administered to serve common interests. The result is in either instance the same.

The world has never known anything comparable. A handful of men, sitting over a luncheon table, can decree what the community is to think, what it is to be told, what it is not to be told. So we have reached the “Fordisation” of the intellect, which works through mass suggestion reinforced by damnable iteration. And this is mainly the work, not of men with missions, not of enthusiasts, or patriots, or men of culture, not even of journalists, but of men who have “gone into” the newspaper industry as they might have “gone into” the establishment of bacon-curing factories.

Does it require a prophet to forecast the colossal influence of the Dictators on the opinions, the conduct, and the ideals of the next generation?

For the process of Trustification cannot be arrested. Law and public opinion are alike powerless to stem it. No Anti-Trust legislation, as has been proved by America, is ever or can ever be of the smallest effect, since there are too many means of evading the spirit of the law while adhering to the letter. Interlocking directorates, ownership of shares carrying control over the entire undertaking, secret arrangements for pooling profits, are among the common methods adopted in order to set up a de facto Trust when it may not be legal or politic to establish a Trust in name. Newspapers which succeed in maintaining a semblance of independent ownership and independent policy will thus be brought within the orbit of the Combines although they may nominally remain outside. The Trusts will become Super-Trusts, and the Press of the whole country may be dominated by two, three, or even one combine, with a single individual as Arch-Dictator.

The process is inevitable, even if only for the reason that the splitting up of a Trust that has once been formed entails reduction in profits. Northcliffe, who was above and beyond everything else a journalist, aimed merely at the supreme control of the journals created by his genius. The contemporary Dictators, who are not journalists, aim at dominion over the whole field of the Press. They have already gone most of the way towards attaining their ambition.

A special factor which has received very little consideration will operate in the near future towards the tightening of the stranglehold of the Press Combines. Trustification of the Newspaper Industry has recommended itself to financiers on the ground, inter alia, that it enables expenditure to be cut down. The history of nearly every industrial combine, excepting those affecting the Press, has since the armistice been one of profits that have failed to come up to the promoters’ estimates. In numerous instances, despite the considerable economies foreshadowed in the prospectus, earnings have been materially lower than those of the former separate undertakings now under one control. Indeed, the process of amalgamation or of acquiring controlling interests has during the past few years been in general disappointing to share-holders.

Until now, the Newspaper Trusts have been more fortunate, partly because certain classes of advertisers have been induced to spend much more money, partly because of the economies effected by the wholesale discharge of staffs consequent on the so-called amalgamation of papers which have been bought only that they might be “killed”;[4] and in part because the results of acquiring share-holdings at fancy prices have yet to materialise.

[4] “The Yorkshire Evening Argus having been amalgamated with the Bradford Daily Telegraph, the Editor of the former paper (Mr. J. W. Masters) confidently recommends the members of his loyal and competent staff to all who need literary assistance, and would be glad to receive applications from editors and others having positions to offer.”—Advertisement in the Times, December 15, 1926.

This prosperity cannot be expected to last indefinitely. The newspaper brokers, that new class of financial intermediary which is playing so significant a part in the making of “deals” in public opinion, have done uncommonly well out of their buyings and sellings. They may still do well in the immediate future, but they have no concern with the ultimate prosperity of the industry. The future position of share-holders in the Press Trusts does not seem so assured as they imagine to-day. As profits decline, or fail to increase in accordance with expectations, the dictators will decree reductions in expenditure, beginning with the human material which has created their profits and their goodwill. The desire for economy, which is on the whole more likely to be attained by means of centralised administration than with a number of separate and individual undertakings, will obviously outweigh any arguments that might be brought forward in favour of “unscrambling” the Press Trusts, or splitting up the Combines into smaller undertakings. Furthermore, when the Trusts feel the pinch, or regard their profits as insufficiently bloated, the ambition to drive out what remains of the Independent Press will be accentuated, and yet more journals outside the Combines will be forced to surrender.

With the process of Trustification has come a complete change in the character of the Controllers of the Press. Men such as Delane of the Times were great editors, that is, great journalists, who stamped their impress on an age which still held to the belief that the editor was responsible for the editorial policy of his paper, and was something more than the mere paid servant of his proprietors, to be engaged and discharged as one “hires and fires” a scullery maid. Men such as Northcliffe (with all his faults a great man and one with a touch of that indefinable quality which we term genius) were possessed of creative ideas; they had vision and ideals; they saw in the newspaper something more than a mere instrument for money-making. If they made money it was not because it was their primary ambition to do so, or even because they particularly cared about money, but because their creations could not help attaining a considerable degree of material success.

To-day, with negligible exceptions which are unlikely to be perpetuated, editors are merely hired servants. A. C. P. Scott is an exception.[5] Another Delane is an impossibility. Another Northcliffe is unthinkable, since the new Dictators have fashioned the rôle of the Press, and their own rôle, after a diametrically opposite conception.

[5] Editor of the Manchester Guardian, and controller of its editorial policy.

In the stead of the Delanes and the Northcliffes, we have control by self-seeking millionaires with a megalomaniac itch for interference. A dozen years ago, the spectacle of a newspaper proprietor expressing on the front page of his principal organ his entire disagreement with the opinions of his dramatic critic on an entirely undistinguished play would have been incredible. Such an outrage on taste is symptomatic of the dictatorship by the new Overlords of the Press. Here we have yet another manifestation of the amateur’s conception of journalism. Anyone, thinks the modern proprietor, can be a dramatic critic, a musical critic, a literary critic, a Parliamentary correspondent, an editor, especially if his name be known to the public in a capacity entirely unrelated to journalism. If he be a peer or possess a courtesy title, then he is the beau ideal of journalism.[6]

[6] “Anyone can write leading articles,” the author was once solemnly assured by one of our best-known editors. He was neither endeavouring to be humorous nor to be cynical; he was merely expressing what the Conductors of the Press themselves think of the Press which they conduct.

Amateurishness and the love of interference also combine to give us the ponderous signed contributions with which newspaper proprietors regularly favour their own journals. Whether these articles are in every instance, or in any instance, actually written by their signatories, is a matter with which I have no immediate concern. But they are significant of the driving forces behind the modern Press Trust; they exemplify the rôle of the Press as an engine of propaganda, self-advancement, and self-advertisement, for its millionaire owners.

To quote Mr. St. John Ervine:

“We know there are certain demented millionaires who own newspapers and will write for them; and when one of these men writes an article, the staff hides its head and goes about the rest of the week explaining it away. We (the journalists) are the paper. We are the goodwill of the paper, and when they sell a paper they sell what we have made. When they sell what we have made and say ‘We don’t want you any more,’ we should be regarded as the first charge on the price of that paper. We have known proprietors who have ruined papers. Such a man should be in gaol for ruining a good business.... Editors used to put the proprietors of newspapers in their place, and there is no reason why it should not be done again.”

Mr. Ervine, it may be added, made these remarks at a meeting convened by the Institute of Journalists on December 11, 1926, under the chairmanship of Sir Robert Bruce, editor of the Glasgow Herald. His remarks were, of course, boycotted by the leading organs of the Press Trust.

IV
The Mannerisms of Stentor

A problem for the consideration of the Dictators of the Press is that of reconciling the up-to-date nature of the modern newspaper in most respects with its extraordinary conservatism in others, an inconsistency that affords genuine amusement to the student of contemporary life and manners. The Press is still old-fashioned enough to regard Woman (with a very large “W”) as a remarkable creature that has only just been discovered. Her slightest and most inconsequential doings are regarded as of the most compelling interest. “Women Present at Football Match” declaim the headlines, and the game is immediately vested with a special and romantic atmosphere.[7]

[7] I do not dilate on this theme, since it has so admirably been expounded by Rose Macaulay, who is human enough to rebel against her sex being treated by the Press as though it were almost human.

Again, we have progressed beyond the “Book of Snobs,” but “public schoolboy,” “old Etonian,” “wife of Ex-M.P.,” and “Colonel” are still imagined by sub-editors to be invested in the reader’s mind with an aura denied to the mass of human beings. As for members of the nobility, let an amiable and undistinguished peer die of heart failure in his eightieth year, or collide in his motor car with a taxi-cab, and the news is conveyed to a bored public by means of special contents bills. For the public is bored, when it is not disgusted, by these endeavours to make the world safe for Snobocracy. Yet a journalist who attempted to point out that both social values and news values had altered since the days of the Great Exhibition, and, in particular, since the Great War, would be told that he did not know his business and that he was most certainly a Bolshevik.

Again, while proprietors and editors long ago realised the implication of Northcliffe’s discovery that Woman was a creature of sufficient intelligence and curiosity to read a newspaper (even if only for the advertisements of drapers), they still regard her in the light of an intellectual crétin so far as concerns the provision of reading matter. If any critic consider this statement too severe, let him—or her—concentrate exclusively for the next two days on the fashion and “Society” columns and the “Woman’s Pages” of the Popular Press.

Moreover, the editorial conception of women is that they are without exception possessed of inexhaustible means, leisure, and ability to make holiday at expensive resorts all the year round and to attend all the costliest “functions” as a matter of course. No other explanation of the fatuous drivel offered up for the special delectation of female readers offers itself to the reasoning mind.

Do you think I have been unfair? Then read this characteristic paragraph from an evening paper, headed “Earnest Young Women”:

“It must not be thought that the American girl merely dances her way through life. Not at all. She must have variety, therefore she dabbles lightly in art, literature, politics, or philanthropy. She has days for visiting hospitals or other institutions or she makes political speeches as Miss Barbara Sands, grand-daughter of Mrs. William K. Vanderbilt, has been doing recently, and as Sarah Murray Butler does all the time, or she even takes up business in her odd moments, like Elinor Dorrance, who at eighteen has decided to know all about the famous Campbell soups company of which her father is head and which she will inherit.”

This is not parody. It is the real thing, complete with snobbishness, clichés, naïveté, and the conviction that it doesn’t in the least matter how you write or what you write about so long as you are writing for other women. And it is published in a paper whose owners lay stress on the fact that it caters especially for intelligent and cultured womanhood.

“The famous Campbell soups company.” “Famous” is the sub-editor’s favourite word,[8] applied by him with unwearying zeal to all men and women who have ever got themselves in the public eye—unless they are really famous—applied even to furniture polishes, blends of whisky, and popular cigarettes. The sub-editor, that romantic soul, also assumes that the normal behaviour of the notorious or the merely well-known is flamboyant, so that when they manage their affairs without limelight they are “quietly married,” or they “leave quietly” for their honeymoon. The one thing the Press will in no circumstances permit them to do is to die quietly.

[8] “Amazing,” “mystery,” “thrilling,” and “dramatic” are also hot favourites in the Stock Phrase Stakes.

Is it not time that the pages of the Press were one quarter so up-to-date as the machinery which prints them? and that “journalese” should cease to be a synonym for the vapid, the crude, the provincial, and the semi-illiterate?

Impartiality being even rarer than commonsense, no one would be foolish enough to demand from a newspaper either complete lack of bias, or the presentation with equal prominence of both sides of a controversial case. Such impartiality would be contrary to human nature. But natural prejudice does not necessarily involve the deliberate distortion of news.

News can be, and is, habitually manipulated both by distortion and suppression. The first procedure is, on the whole, less objectionable, since a little knowledge on the part of a reader will often enable him to realise that a case is being overstated. Moreover, he may allow for the known political complexion of a journal. Suppression assumes two shapes, partial and complete. The latter, which is the more unusual, comes into play when a newspaper does not find it convenient or politic to give publicity to events or ideas, but this reticence does not necessarily spring from sinister or interested motives. Indeed, it may simply be because the news editor, who lives in a curious world of his own, often remote from the contacts of the outer world, and who is avid only of stereotyped sensations, fails to recognise news when it is thrust under his nose. In such instances, a rival may possibly recognise “news value.” Or again, he may not.

This partial suppression, of which the Socialist newspapers are quite as guilty as the so-called “Capitalist Press” denounced by them for the practice, is one of the deadliest weapons in the armoury of journalism. Let it be clearly understood that we are concerned here not so much with a matter of unfairness or injustice to an individual or a section of the community, as with injustice to the community as a whole, which is deliberately and systematically deprived of knowledge of all the facts necessary to form a judgment regarding the issues at stake in a question which may affect the national well-being.

For instance, it is impossible for the average newspaper reader to form a detached opinion of the rights and wrongs of a coal strike. The miners’ wages are alternatively exaggerated and minimised; exceptionally high earnings in the coal fields are paraded as typical of the average for the industry as a whole; or the earnings of coal hewers are represented at much below the real level on the strength of figures including the wages of boys and surface workers. All these facts are readily available and accessible in any modern newspaper office. But only a selection of them is published by any one paper.

Again, to take an example of complete suppression, the curtain may never be lifted by the Press on a political or other scandal of which the exposure is emphatically in the public interest. Such a boycott may be just as much due to the belief that the subject has no news value as to any ulterior reasons. But the injury to the community is the same in either event. Newspaper readers are not concerned with the motives animating editors and proprietors; they are concerned with the results of those motives.

V
The Newspaper of To-Morrow

The professional will not, of course, be entirely eliminated from journalism. Despite their love of the amateur, newspaper proprietors realise that his place is not among the reporters, the news editors, the sub-editors, the financial editors, or the “art editors”—whose concern lies not with art, but with news photographs. As to editors, that is another matter. The rôle of editor tends more and more to become that of conduit pipe between staff and proprietary, whose views and policy he is called on to expound and further. So that the amateur will add the editorial chair to his Press conquests. Indeed, he has already made a beginning.

One figures the popular “dailies” of the next decade, with their signed articles by film stars, politicians, jockeys, footballers, tennis players, and racing motorists. One visualises their Women’s Page, Beauty Hints, and Guide to the Fashions, ostensibly conducted by popular actresses whose time is already fully occupied in meeting the conflicting claims of the Stage and of “Society.” One foresees the daily sermon by the proprietor’s pet divine, and the daily health article by the medical man who regards the stylo as more lucrative than the scalpel. One foresees also an immense increase in the number of photographs and other pictures, aided by the development of telephotography, television, and air transport. The motorist, the golfer, the collector of antique furniture, the amateur gardener, the investor, will find more space devoted to their special interests. There may even be room for an increase in the amount of space (if not of the quality) devoted to book reviews, although this forecast is admittedly optimistic. (What the public is supposed to want is not literary criticism, but “gossip” about the personal habits, the clothes, the recreations, the holidays, and the monetary earnings of authors.)

The leading articles will remain, partly through conservatism, and in part because of their utility for purposes of propaganda and “uplift.” The serial story will improve in quality, since that is one of the logical sequences of the passion for well-known names. More and larger prizes will be awarded for guessing contests and other competitions. The scope of newspaper insurance will be extended, although this function may ultimately be curtailed or even cease when the process of Trustification has gone so far that individual journals will no longer be under the necessity of trying to abstract each others’ readers. The pictures and stories for the nursery (and what the nursery really thinks of some of these efforts for its entertainment would surprise their purveyors) will be raised to the dignity of a whole page, complete with editor, the latter probably the wife of an ex-Cabinet Minister. The Sabbath will be kept holy by an increase in the space devoted to autobiographies of contemporary criminals and the retelling of old crimes. In short, the Newspaper will have travelled a stage further on the road to supplant the book, to supplement the playhouse.

It is pertinent at this point to refer to one of the seeming paradoxes of the modern Press, the diminution of its influence as its circulation and wealth have increased. Strictly speaking, the process has rather been one of a shifting of the centre of influence. When circulations were small, readers belonged to the influential classes. A leading article in the Times could cause the Cabinet to reflect, could influence European chancelleries, could even exercise a definite effect on projected legislation. In much the same way as the importance of the individual voter has diminished with every broadening of the basis of the franchise, so has the nature of the old influence of the Press on public affairs declined with growth in circulations.

“Government by newspaper” has been denounced by politicians when the views expressed by a journal have not happened to coincide with theirs, but hitherto it is the endeavour rather than the realisation which has been criticised. A newspaper can and does influence the Cabinet in relatively unimportant matters, such as the propriety of commercial advertising by post-mark; it no longer succeeds in swaying the Administration in the matter of a first-class legislative measure, or in inducing it to sanction a reform or a change desired by the majority of electors; despite almost unanimous newspaper criticism of the retention of certain war-time regulations, such as those governing the hours during which it is licit to sell chocolate or cigarettes, the Home Secretary is still able to say that he is so far unaware of any widespread public demand for a relaxation of these restrictions.[9]

[9] Since this has been written, a committee has been set up to inquire into the regulations in question.

But against the decline in the direct political influence of the Press there has to be set the growth of its influence over the community. The expansion both of circulations and of the field of interests catered for by the newspaper, already touched on in these pages, has helped immensely to develop the “newspaper habit.” It is a matter of elementary psychology that the average man and woman cannot help being influenced by the day-to-day exposition of political and other questions in the columns of their newspapers. Let any journal adopt the consistent policy of blackening the leaders of Soviet Russia or belauding Mussolini, and the infamy of the Bolsheviks or the disinterestedness and greatness of the Italian dictator becomes a creed to hundreds of thousands. Let the whole Press unite in the same shout, and that is the tendency under its present controllers, and the result is mass suggestion of a nature and intensity which causes the Press to mould the public opinion of whole nations. So that although an individual newspaper or a combination of newspapers may be powerless directly to affect the policy of a Cabinet, it is daily operating to sway the minds of the people and thus, indirectly, to sway Governments through the ultimate effect of mass suggestion in action during the period of a general election or a political crisis.

And this is the work of a handful of men who—it is no reproach to them—are temperamentally unfitted for the enormous responsibilities which they have assumed so light-heartedly, so casually—as casually as though they were “cornering” chewing gum.

Newspaper proprietors assert that in fact, their editors have a free hand, and attempt to prove this contention by pointing to differences in policy or treatment manifested by newspapers under the same control. One is at some difficulty in deciding whether this argument is the fruit of ingenious or of merely ingenuous minds. The Evening Standard, for instance, may not see eye to eye with the Daily Express in such matters as the morality of modern dancing or the retention of old churches in the City of London, but a strike, a political crisis, a general election, the issue of war or peace, will witness a unanimity of editorial comment which goes beyond the limits of sheer coincidence. The mot d’ordre has been given.

The Press of to-morrow will have to regard wireless and the kinema as potential rivals. Both occupy a position analogous to the newspaper, inasmuch as their popularity is largely due to the lack of mental resources in the average man and woman, and their active disinclination to read anything calling for concentration or sustained effort. The Popular Press, Broadcasting and the “Movies” are alike variants of the “Daily Dope.” Furthermore, the Press has itself largely helped to popularise its potential competitors through the immense publicity which it accords them.

In England, broadcasting has hitherto not trenched on the province of the newspaper because of the archaic restrictions imposed on the transmission of news by wireless, which is virtually limited to a brief re-hash of the evening papers, together with weather forecasts. But it is impossible that these restrictions will be allowed to prevail indefinitely, even if only for the reason that “listeners-in” are able to compare the service with that provided by Continental broadcasting agencies, who are not fettered by the Mandarins of the Post Office. As a matter of fact, the new British Broadcasting Corporation, which is a Government Department, possesses powers to do almost anything that can be done by a newspaper. Some of those powers it will certainly use, and there is nothing to prevent the Corporation from adding to its functions that of purveyor of propaganda for the Government of the day. The transmission of official news, and the development of an Inter-Empire news service it will certainly undertake.

But these are relatively minor matters. The real competitive possibilities of wireless lie in the fact that it brings the outer world into the homes of the millions at precisely those hours between the publication of the latest evening paper and the appearance of the morning paper at the breakfast-table. As the bulk of the contents of a morning paper are printed well before midnight, wireless transmission of news from seven o’clock in the evening until eleven or twelve would skim the cream off the next day’s papers. Whether the Press should retaliate by establishing a wireless service of its own (impossible in England save by means of coöperation with the British Broadcasting Corporation, which possesses a double-riveted, State-enforced monopoly) or by issuing later editions of the evening papers than is now customary, will become a matter for the consideration of its conductors.

For, insofar as concerns the dissemination of news, the wireless can clearly do as well as, if not better, than the newspaper. And it can do it at smaller cost to the subscriber. No one would, of course, seriously suggest that wireless transmission of news will drive the newspapers out of business, or even that it will seriously affect their circulation or revenue. But it is obvious that if broadcasting compete with the Press in the publication of news (and the Press will be powerless to stop it in England and unable to do so elsewhere unless wireless be brought within the scope of Newspaper Trusts) then the Press must strengthen its hold on the public in those fields where wireless cannot compete, or cannot compete so well. So it will enlarge its field of comment. It will become more and more of a miscellany. It will devote more and more attention to crusades and “uplift.” It will become more and more of a pulpit, and a lecture theatre for the physician. Above all, it will more and more strive to mould public opinion.

The rivalry of the Kinema will be of a subtler and less direct nature. Both the Popular Press and the “Pictures” appeal largely to a class which is easier to reach through the eye than through an appeal to the intellect, which demands a little imagination. The popular newspapers have lately begun to break out in a pictorial eczema throughout their pages. But the kinema, with its extremely well-organised service for recording and exhibiting events of the hour, leaves the newspaper miles in the rear. An evening paper can print photographs of the Derby or the Boat Race within a few minutes of their being taken. But it cannot show the whole progress of the race within a couple of hours after it has been run. Television, already a scientific achievement, and to-morrow a possible “commercial proposition,” will also come to the aid both of the Kinema and the Wireless. How does the Press propose to meet the actualities of the picture theatre and the possibilities of new inventions for the photographic recording and reproduction of events?

VI
Poison Gas or Fresh Air

The Trustification of the Press has gone further in England than in America or on the Continent, partly because of such specially favourable conditions as the small size of the country, the excellence of its communications, and the presence of an exceptionally large proportion of the population within a radius of a score of miles from the centre of the capital. But there is nothing to suggest that other countries represent more favourable soil for the continued propagation of an Independent Press.

As has been said, neither legislation nor public opinion is competent to arrest the progress of combination, or to operate against Combines already in existence. Incidentally, the awakening has come too late, and although there is in this instance no lack of wisdom after the event, the utmost that it can effect is to instruct the community as to the nature and control of its newspapers. It is powerless to vary the nature of either. There are, it is true, alternatives to the Trust in the shape of Government control or ownership on behalf of a political party or group[10], but these merely oppose one form of dictatorship to another. Such control is characterised by no real independence, which obviously, cannot exist in the case of a Government organ. Political or Governmental control is, it is true, less objectionable from many standpoints than control by a Trust, while it also possesses the negative advantage that identity of ownership is usually less easy to camouflage. But such journals are not and cannot be independent. In the long run, the same vices of partiality, suppression, and distortion are present in a newspaper whose aim is the support of a political party or group as in one belonging to a Trust, while a Government organ has no other raison d’être than that of a vehicle for thinly-disguised propaganda. Possibly, the future may see more of Governments as newspaper owners, even if only during periods of national emergency, such as strikes or wars.[11]

[10] Last year, the Journal des Débats was sold to a banker and an ironmaster (the former is Baron Edouard de Rothschild), both of whom hold strong views on the revalorisation of the franc. The London Daily Chronicle, in which the controlling interest had previously been held by Mr. Lloyd George, passed at the end of 1926 into the control of another Liberal group, and into the ownership of a company of which Lord Reading is the chairman. Some months earlier, the Government of the German Reich acquired the Deutsche Allgemeine Zeitung, which had been acquired by the Prussian Government the previous year.

[11] During the General Strike of 1926, the British Government maintained a daily paper, which was conducted under the personal supervision of Mr. Winston Churchill.

But if legislation and public opinion be powerless to check the growth of Combines, the more intelligent section of the public, aided by those few influential journals that have still eluded the tentacles of the Octopus, is at last disturbed in its mind. Trustification of the Press has come to be regarded as a public danger, and as of still worse omen for the future. It is conceived of as a menace by the politician—always hostile to and ready to impute sinister motives to any journal which fails to praise him—who visualises the possibilities of all the battalions of the Press Czars suddenly being arrayed against his party. Its dangers have been perceived by the commercial community. Any Government which fails to reckon with the sudden conversion of a Press, yesterday friendly but mobilised against it to-day as the result of overnight change of ownership, personal spite, or thwarted ambition, is singularly unfit to govern, even in an age of incapable and hand-to-mouth administrations.

The malady has thus at least been diagnosed. But the patient is not easily curable. The Combines can be challenged only by comparable weight of metal, and they are entrenched too firmly to render attractive any attempt at competition. It almost seems, therefore, as though the community must resign itself to Stentor, with his vulgarities, his inanities, his subservience to the whims and interests of his owners, and his greed for profits and yet more profits.

Given, however, a sufficiently aroused degree of public opinion—and here we are dealing with the incalculable and the unpredictable—and a remedy is not entirely lacking. One of the most characteristic and creditable features of the history of the Press is the great influence that has been exercised in the past by organs of small or relatively small circulation and revenue, daily, weekly, and monthly. Some of these still exist, and although both their influence and their independence have largely departed, they yet stand as sign-posts on the road to defeating the complete monopoly of the Trust Press.

Courage and public spirit are admittedly required for a revival of independence in journalism, but the prospect is not without its promise of reasonable financial gain in addition to that of less tangible rewards. Intelligent men and women are daily becoming more disgusted with a Press that sets sensation before truth and has raised vulgarity to the level of an exact science. Even if the Dictators should realise the existence of this attitude—and they have no criteria beyond circulation and revenue—they would be unable to meet it. You can do many things to and with a newspaper, but you cannot change its spirit overnight with the same ease as one of our most widely-circulated journals once swung round in twenty-four hours from the advocacy of a Protective tariff to the championship of Free Trade because its earlier attitude was considered to be unpopular among its patrons.

Circulation and advertising revenue (the advertiser provides the real profits) are the twin gods of the Dictators, as the reduction of expenditure is their prophet. Thinking in terms of millions, they are temperamentally incapable of realising the influence of journals appealing only to thousands, just as they conceive influence to be synonymous with circulation, although some of the “best sellers” among our daily and Sunday papers are singularly destitute of any real influence over the drugged minds of their readers. So there is scope for the re-emergence of the independent organ of the type which has demonstrated in the past that great influence may go hand in hand with small circulation and an inconsiderable revenue from drapery advertisements, provided that its conductors are informed with sincerity, fearlessness, and ideals, and refuse to regard the shibboleths of the minute as divine revelations.

And if such a Press do not emerge from behind the smoke screen and the poison gas ejected by Stentor, then Democracy will have the newspapers it deserves.

Let it be emphasised that the objections on public grounds to the Trustification of the Press are based even more on the future than on present conditions. The Dictators of to-day may be high-souled patriots, men of vision, men alive to the measure of their responsibilities. The Dictators of to-morrow may be mercenary profit-seekers, reactionaries, men who use their newspapers as weapons in the fight against decent housing or fair wages, or who bring up their battalions in aid of campaigns to starve education or foment war. There is nothing to prevent the Press of this or any other country from coming under the financial control of armament makers, international traffickers in drugs, or wealthy men who desire the perpetuation of the slum. There is nothing to prevent its domination by aliens or the worst type of “market-rigging” financier.

That is to say, there is nothing save public opinion, which is itself hamstrung by the passing of the Independent Press.

APPENDIX

The growth of the Newspaper Combine has become so complex, with its interlocking directorates and the holdings of one company in another, that details would weary the reader. But in order that he may understand the process, the following is given as a typical example.

The Amalgamated Press, of which Sir William Berry is chairman, was formed at the end of last year to take over another undertaking of the same name. This is one of the Northcliffe ventures, which grew so amazingly that it eventually owned over a hundred weekly, fortnightly, monthly and annual publications; ten libraries; the Waverly Book Co. Ltd., which is concerned with educational publications; the Radio Press, Ltd.; two other publishing concerns; and controlling interests in one of the largest paper-making concerns in the country and in a Canadian paper company owning over a thousand square miles of timber land. The new company also took over a dozen publications from Cassell & Co. Ltd.

Sir William Berry is also the chairman of Allied Newspapers, Ltd., which owns the share capital in Allied Northern Newspapers, Ltd., and owns or controls the London Sunday Times, and a considerable number of morning, evening and Sunday papers in Manchester, Newcastle, Glasgow and elsewhere, including the Daily Despatch, the Sunday Chronicle, the Empire News, the Daily Record, and the North Mail and Newcastle Daily Chronicle. At the end of last year, the company also agreed to buy all the ordinary shares in the Daily Sketch and Sunday Herald, Ltd.

This list is far from giving a complete record of Sir William Berry’s interests, which also include the chairmanship of the companies owning the Financial Times and the Western Mail, the latter one of the leading newspapers in the West of England. But the details are sufficient to illustrate the process whereby publications of the most varied nature and influence, and appealing to specialised local interests all over the country as well as to the public as a whole, have been and are being brought under a common control.

Transcriber’s Notes:

Archaic and variable spelling has been preserved.

Variations in hyphenation and compound words have been preserved.

*** END OF THE PROJECT GUTENBERG EBOOK STENTOR ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG™ LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works

1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that:

- • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”

- • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.

- • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.

- • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg

Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support.

Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

Table of Contents

- STENTOR
- CONTENTS
- I The Birth of Stentor
- II The Nature of Stentor
- III The Dictators
- IV The Mannerisms of Stentor
- V The Newspaper of To-Morrow
- VI Poison Gas or Fresh Air
- APPENDIX
- THE FULL PROJECT GUTENBERG™ LICENSE