    The Project Gutenberg EBook of Punch, Or The London Charivari, Vol. 101.
    October 17, 1891, by Various

    This eBook is for the use of anyone anywhere at no cost and with
    almost no restrictions whatsoever.  You may copy it, give it away or
    re-use it under the terms of the Project Gutenberg License included
    with this eBook or online at www.gutenberg.org

    Title: Punch, Or The London Charivari, Vol. 101. October 17, 1891

    Author: Various

    Release Date: November 15, 2004 [EBook #14053]

    Language: English

    Character set encoding: ISO-8859-1

    *** START OF THIS PROJECT GUTENBERG EBOOK PUNCH, VOL. 101 ***

    Produced by Malcolm Farmer, William Flis, and the PG Online
    Distributed Proofreading Team

# PUNCH,
OR THE LONDON CHARIVARI.

## Vol. 101.

## October 17, 1891.

[pg 181]

## THE AUTOMATIC PHYSIOGNOMIST.

> SCENE—The German Exhibition, near an ingenious machine constructed to reveal the character and future of a person according to the colour of his or her hair, for the small consideration of one penny. A party of Pleasure-seekers are examining it.

First Pleasure-seeker (a sprightly young lady of the name of LOTTIE). "Put in a penny and get a summary of your character from the colour of your 'air." I wonder what they'll 'ave next!

Second Pl.-s. (her admirer, a porridge-faced young man with pink eyelids and faming hair, addressed as 'ECTOR by his intimates). Ah, it's surprising how far they've got, it reelly is. And beginning with butter-scotch, too!

Aunt Maria. Come on, do—you don't want to waste no more time over that rubbidge!

Fourth Pl.-s. (a lanky youth, with pale hair and a receding chin, to his fiancée). Hadn't we better be making a move if we're going to 'ear the band, CARRIE?

Carrie. I shall move on when I like, without your leave, FREDDY; so make no mistake.

Freddy. Oh, I'm in no 'urry. I only thought your Aunt was getting—but don't mind me. [CARRIE does not mind him.

Dolph. (the funny man of the party). 'Old on a bit! I've got some coppers. I'm going to sample this concern. I'll put in for all of you—it's my treat, this is. We'll begin with Aunt MARIA. What colour do you call your 'air now? I don't see any slot marked "cawfy-colour."

Aunt Maria. Never you mind what colour my 'air is—it's a pity you can't find a better use for your pennies.

Dolph. (inserting a penny in a slot marked "Light Brown"). 'Ere goes, the oracle's working. (The machine emits a coloured card.) Listen to what it says about Aunt MARIA. She is—"tender-'arted." Jest what I've always said of her! "A little 'asty in her temper"—'ullo, must be a 'itch in the machinery, there!—"neither obstinate nor 'aughty"—(A snort from Aunt MARIA at this)—"her inclination to love never unreasonable." 'Ow like her! "Frolicsome, inclined to flirt and sometimes mischievous." You giddy little thing! Up to all your little tricks, this machine is! "Fertile in imagination, domesticated, thoughtful and persevering"—There's Aunt MARIA for yer!

General Chorus. Good old Aunt MARIA!

Dolph. There's a prophecy on blue paper from Napoleon's Book of Fate, gratis. (Reads.) "Thy 'oroscope forewarns thee of a loss if thou lendest thy money." Just when I was going to borrow arf-a-crown off of her too!

Aunt Maria. Ah, I didn't want no machine for that. 'Ow you can patronise such rubbidge, I don't know! Tellin' characters by the colour of your 'air, indeed—it's told mine all wrong, anyhow!

Dolph. Well, you see, your 'air's so natural it would deceive any machine! [Movement on part of Aunt MARIA.

Lottie. Put in for 'ECTOR next, DOLPH, do. I want to hear what it says about him.

Dolph. They don't keep his colour in stock—afraid o' losing their insurance policy. "Red or orbun's" the nearest they can get to it. (He puts in a penny in the "Red" slot.) Here's old 'ECTOR. (Reads.) "The Gentleman with long red hair is of a restless disposition, constantly roving." Keep your eye on him, LOTTIE! "Impatient and fiery in temper"—'Old 'im, two of yer?—"but for all that, is kind and loving." You needn't 'old him—it's all right. "He is passionately fond of the fair sex." What all of 'em, 'ECTOR? I'm ashamed of yer! "He is inclined to timidity"—Oo'd ha' thought it?—"but by reflection may correct it and pass for a man of courage." You start reflecting at once, old chap!

'Ector (ominously, to LOTTIE). If DOLPH don't mind what he's about, he'll go too far some day!

> [He breathes hard, then thinks better of it.

Dolph. Now it's CARRIE's turn. "Leave you out?" Couldn't think of it. Brown 'air, CARRIE's is. (He puts in a penny.) "A Lady with 'air of a medium brown colour, long and smooth"—Is your 'air long though, CARRIE?

Carrie (with pride). I should hope so—I can set on it.

Dolph. That's nothing! So can Aunt MARIA set on hers! (With a glance at that Lady's very candid "front.") Can't you, Auntie, eh? If you make a effort?

Aunt Maria (with dignity). I'll thank you to 'ave the goodness to drop your sauce, Mr. ADOLPHUS GAGGS; it's out of place and not appreciated, I can assure you! [She walks away.

Dolph. (surprised). Why, there's Aunt MARIA got the 'ump—for a little thing like that! Let me finish with CARRIE. (Reads.) "She is of an intellectual turn of mind." ("'Ear, 'ear!" from FREDDY.) "Very fond of reading." Takes in Sloper's 'Alf 'Oliday regular! "Steadfast in her engagements." 'Ullo, CARRIE!

Carrie (firing up). Well, have you anything to say against that? You'd better take care, Mr. GAGGS!

Dolph. I was only thinking. Sure you haven't been squaring this machine? Ah, it tells you some 'ome truths here—"Although inquisitive and fond of prying into the secrets of others—" Now however did it know that?

Carrie. It isn't there—you're making it up!

> [She snatches the card, reads it, and tears it up.

Dolph. Temper—temper! Never mind. Now we'll try FREDDY. What's his shade of 'air? I should say about the colour of spoilt 'ay, if I was asked.

Carrie (with temper). You're not asked, so you needn't give your opinion!

Dolph. Well, keep your 'air on, my dear girl, and we'll call FREDDY's "Fair." (Reading card.) "A gentleman with this colour of hair will be assiduous in his occupation—"

Carrie (warmly). What a shame! I'm sure he isn't. Are you, FREDDY? [FREDDY smiles vaguely.

Dolph. "Not given to rambling,"—Except in his 'ed,—"very moderate in his amorous wishes, his mind much given to reflection, inclined to be 'asty-tempered, and, when aroused,"—'Ere, somebody, rouse FREDDY, quick!—"to use adjectives." Mustn't use 'em 'ere, FREDDY! "But if reasonably dealt with, is soon appeased." Pat his 'ed, CARRIE, will yer? "Has plenty of bantering humour." (Here FREDDY grins feebly.) Don't he look it too! "Should study his diet." That means his grub, and he works 'ard enough at that! "He has a combination of good commercial talents, which, if directed according to the reflection of the sentiments, will make him tolerably well off in this world's goods."

Carrie (puzzled). What's it torking about now?

Dolph. Oh, it on'y means he's likely to do well in the cat's-meat line. Now for your fortune, FREDDY. "It will be through marriage that your future will be brightened."

Carrie (pleased). Lor, FREDDY, think o' that!

Dolph. Think twice of it, FREDDY, my boy. Now we'll be off and get a drink.

Carrie. Wait. We haven't got your character yet, Mr. GAGGS!

Dolph. Oh, mine—they couldn't give that for a penny. Too good, yer know!

Carrie. If they haven't got it, it's more likely they're afraid it would break the machine. I'm going to put in for you under "Black." (She does.) Here we are. (Reads.) "The gentleman will be much given to liquor." Found out first time, you see, Mr. GAGGS!

Dolph. (annoyed). Come, no personalities now. Drop all that!

Carrie. "Somewhat quarrelsome and of an unsettled temper; more decorous and less attentive in his undertakings, and consequently meets with many disappointments. Such gentlemen"—now you listen to this, Mr. GAGGS!—"will now know their weaknesses, which should induce them to take steps to improve themselves." ("'Ear, 'ear!" from the rest of the party.) "Knowledge is power, and enables us to overcome many obstacles we otherwise should have fallen prey to." This is your fortune. "Thou art warned to be careful what thou drinkest!" Well, they do seem to know you, I must say!

Dolph. (in a white rage). I tell you what it is, Miss CARRIE BICKERTON, you appear to me to be turning a 'armless joke into a mejium for making nasty spiteful insinuations, and I, for one, am not going to put up with it, whatever others may! So, not being partial to being turned into redicule and made to look a fool in company, I'll leave you to spend the rest of the evening by yourselves, and wish you a very good-night!

> [He turns majestically upon his heel and leaves the party stupefied.

'Ector. (with mild regret). It do seem a pity though, so pleasant as we were together, till this come up!

Freddy. And CARRIE's Aunt MARIA. gone off in a tantrum, too. We shall have a job to find 'er now!

Lottie and Carrie. Oh, do hold your tongues, both of you. You and your automatic machines!

'Ector and Freddy. Our automatic machines! Why, we never—

Lottie and Carrie. If you say one word more, either of you, we'll go home! [FREDDY and 'ECTOR follow them meekly in search of Aunt MARIA as the Scene closes in.

### VOICES OF THE NIGHT.

#### (In Fleet Street.)

Oh raucous street—"Echo," whose vile vox clamantis

Is, like the Salvationist's shout, heard a mile hence,

I wish, how I wish,—ah! yes, that what we want is!—

Some Cockney Narcissus could charm you to silence.

Ah, me! no such luck; in the clear autumn twilight

Your shriek on my tympanum stridently jars.

"Echo" murders repose, mars the daffodil sky light;

And if one thing sounds worse 'tis "the Voice of the Stars"!

[pg 182]

### JUST CAUGHT THE POST!

Sir J-m-s F-rg-ss-n loquitur:—

Just in time to catch the Post!

Pheugh! But the Pats would have "had me on toast"

(As 'ARRY would say in his odious slang),

If I had been but a little bit later.

Out o' breath as it is. Ah, hang

This hurrying business! My mouth's like a crater,

Dreadfully dry, and doosedly hot.

Rather a downer, this is, for SCOTT's lot!

Feared Mrs. Manchester might just say

(In the popular patter of my young day)

"It is all very well (with a wink and a jeer),

But you, Master FERGUSSON, don't lodge here!"

All right now, though! Saved my bacon.

My defeat might the Cause have shaken.

Just in time. There! Popped it in!

Awfully glad it conveys a Win;

Although One Fifty ain't much to boast,—

'Twixt you and me and the (General) Post!

[pg 183]

## William Henry Smith.

#### BORN, JUNE 24, 1825. DIED, OCTOBER 6, 1891.

O'er-busy Death, your scythe of late seems reaping

Swiftly our heads of State;

The wise who hold our England's weal in keeping,

The gentle and the great.

GRANVILLE is gone; and now another Warden

Falls with the fading leaf,

Leaving at Hatfield sorrow, and at Hawarden

Scarcely less earnest grief.

All mourn the Man whose simple steadfast spirit

Made hearty friends of all.

Whilst manhood like to his her sons inherit

England need fear no fall.

No high-perched, privileged and proud possessor

Of lineal vantage he;

Of perorating witchery no professor,

Or casuist subtlety.

A capable, clear-headed, modest toiler,

Touched with no egoist taint,

To Duty sworn, the face of the Despoiler

Made him not fear or faint.

O'erworn, o'erworked, with smiling face, though weary,

The tedious task he plied.

Sagacious, courteous, ever calm and cheery

Unsoured by spleen or pride.

As unprovocative as unpretentious,

Skilful though seeming-slow;

Unmoved by impulse of conceit contentious

To risk success for show.

O rare command of gifts, which, common-branded,

Are yet so strangely rare!

Selflessness patient, judgment even-handed

And spirit calmly fair!

Lost to his friends their worth may now be measured

By the strong sense of loss.

How "OLD MORALITY's" memory will be treasured,

Midst faction's pitch-and-toss.

But England which has instincts above Party

Most mourns the Man, now gone,

Who gave to Duty an allegiance hearty

As that of WELLINGTON.

Sure "the gaunt figure of the old Field-Marshal"1

Would his successor praise;

As modest, as unselfish, as impartial,

Though fallen on calmer days.

No glittering hero, but when England numbers

Patriots of worth and pith,

His name shall sound, who after suffering slumbers,

Plain WILLIAM HENRY SMITH!

> Footnote 1: (return)

> LONGFELLOW's "The Warden of the Cinque Ports."

### THE ETERNAL FITNESS OF THINGS.

"I WANT A NICE TIE, FOR A WEDDING. CAN YOU RECOMMEND ME ONE?"
"CERTAINLY, SIR. A—ER—PRINCIPAL GUEST, SIR?"

## A ROMANCE IN NUMBERS.

As we announced last week, the Gentlewoman proposes for publication "the most extraordinary novel of modern times"—a tale which is to be written chapter by chapter, week after week, by well-known writers of fiction, without consultation with their collaborateurs. We did the same thing years ago. However, as the notion is still calculated to amuse and instruct our readers, we subjoin a short story, which has been written on the same terms by the entire strength of a paper—political, sporting, and social. It will be found below.

### WHAT? WHO? AND WHICH?

#### (A Joint Stock Mystery.)

Political Writer commences.—Yes, EUSTACE entered the House prepared to vote for the Government. He knew that Lady FLORA had counted upon his vote in support of her father, the Duke, and the other Members of the Opposition. But when did love outweigh duty? EUSTACE knew that the prosperity of the entire country depended upon his views. With the price of corn falling, with the Russian Bear on the prowl, growing nearer and nearer to our Afghan frontier, with the unsettled state of the South American Republics, he knew that only one course was open to him.

"FLORA, darling," he said to the fair girl, as he paced by her side in the Lobby, "believe me, I will do anything to help you; but what can I do?"

Sporting Writer continues.—"What can you do?" she echoed, with a hearty laugh, as she struck her riding-habit smartly with her whip; "why, tell me the horse you fancy for the Cambridgeshire!"

He thought for a moment. He knew the good points of Bobby, and was rather partial to Rosina; but nothing wrong with Snuffbox, the stable reports were favourable. Still, you can't always rely upon what you see, much less what you hear.

"Lady," said he, at length, "if you take my advice, you will back nothing until they go to the post."

Continuation by French Correspondent.—They had no further time for parley, because the mail train left for Dover within the hour. So they hurried to Victoria, and in less than eight hours were in the Capital of the World.

Ah, Paris, beautiful Paris! They enjoyed the balmy air as they drove through the awaking streets to the Grand Hotel. As they entered the courtyard they met the President.

"Is it really true that the Germans refuse to take up the Russian Loan?" asked EUSTACE of the First Frenchman in France.

"I would not say this to anyone but yourself," replied M. CARNOT, looking round to see that no one was listening; "but those who wait longest will see best!"

And with his finger to his mouth in token of discretion and silence, he disappeared. EUSTACE and his fair companion hastened to the telegraph office.

Scientific Writer takes it up.—They were, of course, desirous of transmitting their important despatch to head-quarters.

"You want to know upon what system the telephone is worked?" queried the operator, as he prepared a black-board, and took up a piece of chalk. They bowed acquiescence. "You must know," said he, "that if we represent the motive-power by x, we shall—."

Lady Correspondent turned on.—Before he could complete his sentence, Lady FLORA uttered a cry.

"What a charming gown! Why, it is the prettiest I have seen in my life!" and she gazed with increasing delight at the lady beneath on the boulevard. Then she began to explain the costume to her two male companions. She showed them that an under-skirt of snuff, with a waist of orange-blue, both made of some soft fluffy material (which can be obtained, by the way, at Messrs. SOWE AND SOWE), made an admirable contrast.

Naval Correspondent puts finishing touch.—[Please end up briskly.—ED.].—And they left Paris, and embarking on H.M.S. Ramrod, met a gale, and foundered. When they were picked up they were both dead.—[THE END.]

[pg 184]

## LETTERS TO ABSTRACTIONS.

#### No. IV.—TO POMPOSITY.

YOUR EXCELLENCY,

How difficult it is to succeed in giving pleasure. When I addressed you recently, I honestly intended to gratify you by the adoption of a tone of easy familiarity. Surely, I thought to myself, I cannot be wrong if I address my friend POMPOSITY by his name, and speak to him in a chatty rather than in an inflated style. If I chose the latter, might he not think that I was poking fun at him by cheap parody, and manifest his displeasure by bringing a host of BULMERS about my ears? These considerations prevailed with me, and the result was the letter you received. But, O pectora cæca! I have learnt from an authoritative source that you are displeased. You resent, it seems, what you are pleased to term my affectation of intimacy, and you beg for a style of greater respect in any future communications. So be it. I have pondered for hours, and have eventually come to the conclusion that I shall best consult your wishes by addressing you in a manner suited to diplomatic personages of importance. I have noticed that in their official intercourse these gentlemen move on stilts of the most rigid punctilio, and I have often pictured to myself the glow of genuine pride which must suffuse the soul of an ambassador or a foreign Minister when, for the first time, he finds himself styled an Excellency. It may be of course that he knows himself to be anything rather than excellent, but he will keep that knowledge to himself, stowed away in some remote corner of his mind, and never on any account allowed to interfere with his enjoyment of the ignorant and empty compliments that others pay him.

I wish to ask you a simple question. Why do you render those who spend their lives in your service so extremely ridiculous? That may be just the fashion of your humour; but is it fair to persist as you do? There is, for instance, my old friend BENJAMIN CHUMP, little BEN CHUMP as we used to call him in the irreverent days, before his face had turned purple or his waistcoat had prevented him from catching stray glimpses of his patent-leathered toes. Little BEN was not made for the country, that was certain. A life of Clubs and dinner-parties would have suited him to perfection. In his Club he could always pose before a select and, it must be added, a dwindling circle as a man of influence. "There is no Club, however watched and tended, but one dread bore is there." BEN might have developed into a prime bore, but as he was plentifully supplied with money and had a good cook and a pleasant wife, he would always have managed to gather round him plenty of guests who would have forgiven him his elaborate platitudes, for the sake of his admirable made-dishes. Suddenly, however, he resolved to become a country gentleman. As there is no law to prevent a CHUMP from turning into a squire, BEN had not to wait very long before he was able to put his fatal resolve into execution. He purchased an Elizabethan mansion, and descended with all his airs and belongings upon the unhappy country-side which he had decided to make the scene of his rural education. Before that I used to see him constantly. After that I quite lost sight of him. Occasionally I read paragraphs in weekly papers about immense festivities due to the enterprise of the CHUMPS, and from time to time I received local papers containing long accounts of hunt breakfasts, athletic sports, the roasting of whole oxen, and other such stirring country incidents in which it appeared that the CHUMPS took a prominent part. I will do BEN the credit to say that he never omitted to mark with broad red pencil those parts which referred specially to himself, or reported any speech he may have happened to make.

Eventually that which I dreaded came about. Circumstances made it impossible for me to refuse an invitation to Carchester Manor, and on a certain evening in the first week of December I found myself a guest under the roof of the CHUMPS. The entertainment provided was, I am bound to say, magnificent. Every want that the most exacting guest could feel was supplied almost before he had expressed it, and all that gorgeous rooms, stately retainers and irreproachable cooking could do to secure our comfort was done at Carchester Manor. But CHUMP himself was on that first evening the grandest spectacle of all. He overpowered me. Like some huge Spanish galleon making her way with bellying sails and majestic progress amidst a fleet of cockle-shells, so did CHUMP bear himself amidst his party. The neighbouring magnates came to meet us. Lord and Lady AGINCOURT with their charming daughter Lady MABEL POICTIERS, Sir GEORGE BUCKWHEAT and his wife, the Reverend Canon and Mrs. CATSPAW, and a host of others were there to do CHUMP honour. I thought of POLYCRATES and his ring and of other well-known examples. Something I knew must happen to disturb this edifice of pompous grandeur. The something was not long in coming, for just after CHUMP had expatiated at immense length upon the vintages of France, after he had offered to stock the failing cellars of Lord AGINCOURT from his own, after the butler had, with due parade, placed two corks at his master's side in token of the treat that was to follow, it was discovered by little BILLY SILTZER, an impudent dog without veneration or reticence, that both the bottles of Pontet Canet were disgustingly corked. To my relief, but to CHUMP's discomfiture, BILLY announced his discovery. "BEN, my boy," he shouted across the table, "the moths have been at this tap of wine. I'm afraid his Lordship won't care to take it off your hands." BEN became blue with suppressed fury. The trembling butler obeyed his angry summons. "Take that stuff away," said BEN, "and drink it yourself. Bring fresh wine at once." But, alas, for wasted indignation, no more Pontet Canet was forthcoming, and we had to satisfy ourselves on a wine whose inferiority no flourish of trumpets could disguise.

Now there is nothing in the accident of a corked bottle that ought to crush a man. I have seen a host rise serenely after such an occurrence, and nobody dreamt of imputing it to him for wickedness. But the contrast between the magniloquence of poor BEN and the deadly failure of his wine, was too great. Even Lady MABEL, a kind girl without affectations, could not forbear a smile when the incident was narrated to her in the drawing-room, and some of the other guests, whose names I charitably refrain from mentioning, seemed quite radiant with pleasure at the misfortune of their host. CHUMP, however, was not long in recovering, and before many hours had passed, he was assuring us in the smoking-room, that he proposed to establish sport in his particular district on a broad and enduring basis. On the following morning there was a lawn-meet at the Manor, and, as I'm a living sinner, our wretched host was flung flat on his back before the eyes of all the neighbouring sportsmen and sportswomen by a fiery chestnut which he bought for £400 from a well-known dealer. What became of him during the rest of the day I know not. Indeed I shrink from continuing the story of his ridiculous humiliations, and I merely desire to remark that if this be your Excellency's manner of rewarding those who serve you, I pray that I may be for ever preserved from your patronage.

So much, then, for BENJAMIN. In spite of everything I have a sort of sneaking regard for the poor man, especially since I discovered that he was not a free agent, but was inspired in word and action by your blatant influence. Were it not that I feared to weary you, I might proceed at much greater length. I might parade before you regiment upon regiment of pompous local magnates and political nobodies all drilled and disciplined by your offensive methods, and all of them as absurd and preposterous as they can be made. But the spectacle would only move you to derision. One point, however, I must insist on. Whatever you do, don't throw JOSHUA POSER across my path again. I might do him an injury. We were at College together, he being my senior by a year. Even then he always assumed a condescension towards me, an air as of one who temporarily stepped down from a pedestal to mingle with common grovellers. He became a personage in the City, a Chairman and a Director of Companies, and I lost sight of him. Yesterday I met him, and he was good enough to address me. "Yes, yes," he observed, "I remember you well. I have read some of your contributions to periodical literature, and I can honestly say I was pleased; yes, I was pleased. Of course the work is unequal, and I marked one or two passages that might have been omitted with advantage. For instance, the discussion between the vicar and the family doctor is not quite in the most refined taste, but there is distinct promise even in that. By the way, why don't you write in The New Congeries? Your style would suit it. I always take that paper in, and I find it very much appreciated in the pantry. The butler reads it, when we have done with it, and passes it on to the footman. It keeps them out of mischief. Now take my advice, and contribute to that." I humbly murmured my thanks to this intolerable person, and left him. As I turned away I half thought I heard the sound of your Excellency's bellows in the neighbourhood of POSER. Was I wrong?

I remain (merely in an epistolary sense),

Your Excellency's humble servant,

DIOGENES ROBINSON.

APPROPRIATE TITLE FOR MR. ANDREW LANG.—The Folk-Loreate.

[pg 185]

### "AUDI ALTERAM PARTEM!"

#### (A Pendant to Mr. William Watson's "The Key-Board.")

Five-and-thirty black slaves,

Half-a-hundred white.

All their duty but to make

Shindy day and night,

Now with throats of thunder,

Now with clattering lips,

While she thumps them cruelly

With stretched finger-tips.

When she quits the chamber

All the slaves are dumb,

Dumb with rapture, till the Minx

Back shall come to strum,

Dumb the throats of thunder,

Hushed chromatic skips,

Lacking all the torturing

Of strained finger-tips.

Dusky slaves and pallid,

Ebon slaves and white,

When Minx mounts her music-stool

Neighbours fly with fright.

Ah, the bass's thunder!

Oh, the treble's trips!

Eugh, the horrid tyrannies

Of corned finger-tips!

Silent, silent, silent,

All your janglings now;

Notes false-chorded, slithering slaps,

Pedal-aided row!

Where is Minx, we wonder?

Ah! those scrambling skips!

Back she's come to torture us

With her finger-tips!

## CHARLEMAGNE AND I.

Aix-la-Chapelle, Monday.—CHARLEMAGNE was doubtless well advised in selecting this town for his residence. However that be, it is not a matter for us to dogmatise about. I have heard a lamented friend, suddenly and all too soon lost, say there are few things more regrettable than the tendency of the present age to review the actions of great men, not lost but gone before, and to pass judgment upon them without having enjoyed the opportunity of hearing what they might have to say in justification or palliation of the proceedings challenged.

That is true and tersely put. Still I may observe that if C. lived at this period and had his choice, say between Aix-la-Chapelle and Homburg or Aix-les-Bains, it is doubtful whether he would have built his cathedral here. Unlike the two latter watering-places, Aix-la-Chapelle has other fish to boil besides the invalids who come hither attracted by the fame of its hot springs. It is a manufacturing town, and has all the characteristics of one. At Homburg or Aix-les-Bains you walk up a street, turn a corner and find yourself among pine-trees, or in a smiling valley with a blue lake blinking at the sun. Here the baths are in the centre of the town, and, like a certain starling, you feel you "can't get out."

But invalids musn't be choosers, and if RUSTEM ROOSE sends you to Aix-la-Chapelle—he's always sending somebody somewhere—to la-Chapelle you must carry your Aix, in the hope that you may leave them there.

"I wonder," said the Member for SARK, who as usual is grumbling round, "if the local female population was less unlovely in CHARLEMAGNE's time? Probably, since he married with a frequency not excelled by our HENRY VIII. But what was HILDEGARDE like—HILDEGARDE, his favourite spouse? If she in any way resembled the women who throng the streets of Aix-la-Chapelle to-day, C.'s lot was not a happy one. Never in any city, in either hemisphere, have I suffered such a nightmare of ugly ill-dressed women as is here found."

That is a most unfair and unjustifiable remark to make. Brimstone evidently does not agree with SARK who is more disagreeable than ever. The only thing that has touched his stony nature since he came to Aix is the unselfish devotion of the local aristocracy to the interests of the town. Visitors mustering in the Elisengarten for their morning cups, notice the group of musicians in the orchestra by the entrance-gate. Every man wears a top-hat, the only head-gear of the kind seen in Aix. SARK, attracted by this peculiarity, made inquiries, and learned from an intelligent native that these are nobles in disguise, who, desirous of contributing to the common weal, turn out at seven every morning to play the band. They are willing to sink all social distinctions, save that they will wear the cylindrical hat of civilisation. Not comfortable, especially in wet weather; but it adds an air of distinction to the group.

"Very nice of them," SARK grudgingly admits; "but"—he must have the compensation of a sneer—"imagine our House of Lords forming themselves into groups to play the band in Palace Yard, with HALSBURY wielding the mace by way of bâton! They'd never do it, TOBY, even in top-hats. Germany's miles ahead of us in this matter."

Sorry to find Squire of MALWOOD, who spent a morning here on his way to Wiesbaden, agreeing in SARK's view of the standard of female beauty at Aix.

"Strange," he mused, "that Nature never makes an ugly flower or tree or blade of grass; and yet, when it comes to men and women, behold!" and he swept a massive arm round the blighted scene in the crowded Kaiserplatz.

A small boy who thought the beneficent stranger in blue serge was chucking pfennings about the Square, careered wildly round in search of the treasure. We walked on without undeceiving him. To quote again from an old friend: "There is nothing more conducive to the production and maintenance of a healthy mind in a sound body than enterprise and industry, even when, owing to misapprehension or miscalculation, their exercise leads to no immediate reward."

It had been quite a surprise one morning to find the SQUIRE striding into the coffee-room at "Nuellens."

"Thought you were down at Malwood," I said, "looking after your flocks and herds, your brocoli and your spring onions."

Ask why was made the gem so small

And why so huge the granite?

Because 'twas meant that men should set

The larger value on it.

"So I had hoped to be," he said, as we strolled up and down under the trees in the Elisengarten. "But the fact is, TOBY, dear boy, I could not stand the weather. I am of a sensitive nature, and it cut me to the heart to see cold winds nipping the fruit and trees, the flood of rain beating down the corn, the oats, and the mangel-wurzel. People make a mistake about me. They regard me as an ambitious politician, caring for nothing but the House of Commons and the world of politics. At heart I am an agriculturist. Give me three acres and a cow—anybody's, I don't care—and I will settle down in peace and quietness, remote from political strife, never turning an ear to listen to the roll of battle at Westminster. I am often distraught between the attractions of interludes in the lives of CINCINNATUS and of WILLIAM OF ORANGE's great Minister. Of the two I think I am more drawn towards the rose-garden at Sheen than by CINCINNATUS's unploughed land. Before I die I should like to create a new rose and call it 'The Grand Old Man.'"

Quite a revelation this of the true inwardness of the SQUIRE. Would astonish some people in London, I fancy, if ever I were to mention this conversation. But, to quote once more from a revered authority: "We all live a dual life, and are not actually that which, upon cursory regard, the passer-by believes us to be. Every gentleman, in whatever part of the House he may sit, has a skeleton in the cupboard of his valet."

The SQUIRE stayed here only a morning, passing on to other scenes. I watched his departure with mingled feelings; sorrow at losing a delightful companion, and apprehension of what might happen if he were to remain here to go through the full cure. The place is, as SARK says, the most brimstony on the same level. You breathe brimstone, drink it, bathe in it, and take it in at the pores. At the end of three weeks or a month you are dangerously saturated with the chemical. An ordinary lucifer match is nothing to a full-bodied patient at the end of three weeks treatment at Aix-la-Chapelle. If the SQUIRE had stayed on, I should never have seen his towering frame pass underneath a doorway without my heart leaping to my mouth. Some day he would have accidentally struck his head against the lintel and would have ignited as sure as a gun.

If CHARLEMAGNE were now alive, I feel certain from what I know of him, he would have exhausted the resources of civilisation in search of a preventive of this ever-present and dangerous risk. Under CAROLO MAGNO the patient might have gone about the streets of Aix-la-Chapelle with sweet carelessness, knowing that, however much brimstone he carried, he would strike only on the box.

[pg 186]

### OUR COMPATRIOTS ABROAD.

"AND HOW DID YOU LIKE SWITZERLAND?"

"OH, IMMENSELY! IT WAS OUR FIRST VISIT, YOU KNOW!"

"AND DID YOU GO ON INTO ITALY?"

"WELL, NO. WE FOUND A HOTEL AT LAUSANNE WHERE THERE WAS A FIRST-RATE TENNIS-LAWN, YOU KNOW—QUITE AS GOOD AS OURS AT HOME. SO WE SPENT THE WHOLE OF OUR HOLIDAY THERE, AND PLAYED LAWN-TENNIS ALL DAY LONG!"

## FAMILY TIES.

> ["The journal (the Grashdanin) is of opinion that in making common cause with the other European Powers against China, Russia would but serve the ends of ... England to the prejudice of her own interests, which demand that she should not jeopardise the security of her Asiatic shores, or contribute to the complete ascendancy of Great Britain in the Pacific Ocean, by arousing the antagonism of China."—Times.]

Muscovite loquitur:—

"Won't you help me bind the Dragon?" says the Briton to the Russ.

Oho! ingenuous JOHNNY! I'm opposed to needless fuss,

And have other fish to fry—say near the Oxus! Not a hang

Do I care for what may happen on the great Yang-tse-Kiang.

I approve Non-intervention. 'Tis your favourite doctrine, JOHN,

And you stick to it so closely, and that's just why you get on.

If you think that Dragon's dangerous—I hold 'tis but his play!—

There's but one thing you've got to do—clear out of the brute's way.

I am sure he doesn't want you where you've stayed a deal too long;

He wishes you would up and go to—well not to Hong-Kong,

But the natural home of all such "Foreign Devils," in his view.

Why, he's none too sweet on Me, JOHN; is it likely he'd like you?

Grattez le Russe—et cetera. You are mighty fond, J.B.,

Of quoting that stale epigram. You fancy it riles me.

Not a bit of it, my Briton; Tartars have a thickish skin,

And your foe and I are neighbours, nay a distant sort of kin.

The Mantchus and the Romanoffs are not exactly chums,

And a Tartar insurrection, when that little trouble comes,

As it may do if you press too much at Pekin, well, who knows?

There is always something pleasing in the quarrels of one's foes.

The Mantchus miss a many of once subject Tartar tribes

Who have—gravitated Russwards. Little call for blows or bribes

To make blood-relations mingle. On the Mantchus this may jar,

But we've not forgotten Kuldja, and we recollect Kashgar.

Wheels within wheels, dear JOHNNY! As to missionaries, well,

They are troublesome—and useful; but to put things all pell-mell

On account of priests and parsons, and of quite an alien creed,

That's scarce "diplomatic," JOHNNY; it is not, dear boy, indeed.

A new Tamerlane, my JOHNNY, who could stir the Tartar hordes

To—say "Asiatic Concert,"—well, you know that thought affords

To your talky "Only General" a quite sensational theme.

But prophecy's not "business," JOHN, and CÆSAR should not dream.

Oh! the world is full of Bogies. I'm the biggest of them all

In the minds of many croakers who ne'er saw the Chinese Wall,

But are frightened at the spreading of my kindred—on the map;

For I'm semi-Asiatic, and half Tartar, dear old chap.

Now put this and that together, think of Pamir, Turkestan,

Of Persia, of the Dardanelles!—I think you'll see, old man,

That though this ramping Dragon you may wish to tie and tame,

A Benevolent Neutrality is rather more my game.

### A PLAYGOER'S "LAST WORD."

#### (An Echo from the Pit.)

The Season is—has been for some time—silly,

And lengthy correspondences are rife.

We have, alas! to read them willy-nilly;

They take a deal of pleasure out of life.

To flee such evils here's an easy way—

Let morning dailies idly rant or vapour,

At the Lyceum go and see the play,

The programme there's the finest DALY paper.2

> Footnote 2: (return)

> A Correspondent, signing himself "A Knight of the Free Lists," suggests that free admissions to the Lyceum should be known, during the American Company's season, as "The Best Daly 'Paper.'"

MOTTO FOR A DEPRESSED TEETOTALLER.—"Whine and Water."

[pg 187]

### FAMILY TIES.

JOHN BULL. "AIN'T YOU GOING TO LEND A HAND?"

RUSSIA. "WELL, I DON'T KNOW;—YOU SEE HE'S A SORT OF RELATION OF MINE!!"

[pg 189]

## TIPPLING SALLY.

#### A Song of Sorrow on Zoo Sunday.

> [SALLY, the Chimpanzee (late of the Zoo), is stated to have "drunk beer daily."]

Of all the monkeys at the Zoo

There's none like Tippling SALLY.

She was the first who quenched her thirst

Quite al-co-hol-i-cally.

A draught of beer made her not queer,

But seemed her strength to rally.

MORTIMER GRANVILLE well might cheer

Three cheers for Tippling SALLY.

Of all the days within the week

I chiefly favoured one day,

That was the day when children seek

The rapture called "Zoo Sunday."

For then full drest all in my best

I'd go and visit SALLY,

And see her soothe her hairy breast

So al-co-hol-i-cally!

But now no more poor SALLY's tricks

With glee fill girl or boy full;

No mug of beer her soul can cheer,

Nor glass of O-be-joyful!

We yet may see some Chimpanzee

With Drink's temptations dally,

To WILFRID's woe; but no, ah! no!

It won't be Tippling SALLY!

## AN ESSAY IN REVIEWING.

We are obliged to "Beginner" for the proffered contribution to our collection of Book Reviews. That is, however, a department of the paper our noble friend the BARON DE BOOK-WORMS reserves for his own pen. But as Mr. Punch has never been known to discourage beginners, he finds room here for the interesting contribution, which perhaps should more appropriately have been addressed to his confrère at the office of the Athenæum:—

Don Quixote. By MIGUEL CERVANTES. We have conscientiously plodded through this voluminous work, which is certainly not entirely without merit. It purports to recount the daily doings of a resident in a village of La Mancha (Spain) who, accompanied by a clownish retainer, went forth in search of adventures. He was not very happy, his day's sport being invariably rounded oft by a sound drubbing, received either by himself, his Squire, or both. We wish Lord MACAULAY had lived to see the publication of this work, and had with fuller leisure relieved us of the task of reviewing it. Remembering his method of procedure as illustrated in his article on Dr. NARE's Memoirs of Lord Burleigh, he would doubtless by careful enumeration have been able to show that from first to last Don Quixote had more ribs broken than any man has actually possessed since ADAM was privy to a diminution of their original number. He seems also to have had a perpetual renewal of teeth, keeping pace with their frequent removal by brute force. As for the number of legs and arms he had fractured, MACAULAY's Schoolboy would have shrunk from the task of computing their aggregate.

These are blemishes upon a work that is, at least, well intentioned, and which might have been more successful had our author been inclined to give his hero credit for more acumen. When he represents Don Quixote as running tilt at windmills under the impression that they are armed knights, and when he pictures him charging a flock of sheep in the belief that it is an ordered army, we think he too grossly trifles with the assumed credulity of his readers. Exaggeration is, indeed, the bane of a work that, from first page to last, bears evidence of the drawback of extreme youth on the part of the author. We have been pleased to notice some indications of humour in the conversation of Sancho Panza. But it is the pennyworth of sack to an intolerably large quantity of bread. What we have written has been without desire to discourage Mr. CERVANTES, whom we shall be glad to meet with again, bringing with him the fruits of unremitted practice and of maturer views of life.

## TO ARAMINTA.

#### (After hearing Mr. Samson's Lecture.)

> ["To keep the family true, refined, affectionate, faithful, is the woman's task—a task that needs the entire energies and life of woman; and to mix up this sacred duty with the grosser occupation of politics and trade, is to unfit her for it as much as if a priest were to embark in the business of money-lender."—FREDERIC HARRISON.]

I Prithee, ARAMINTA, hear

What FREDERIC HARRISON has said:

Don't read for College honours, dear,

And put a towel round your head.

Don't sully what should surely be

An unstained soul, with tricks of trade;

Leave stern official work to me,

While you remain a simple maid.

Don't prate of woman's function, sweet,

Your only duty is to charm;

Leave platform spouting, as is meet,

To men; it cannot do them harm.

Your influence comes from gracious ways,

Your glory in the home doth lie;

The guardian angel of our days,

Until you bless us when we die.

Don't enter on ignoble strife

With man, 'tis yours to soar above—

To all the higher things of life,

Divine compassion, and pure love.

'Tis yours to stimulate, refine,

To win men by a kindly heart;

Not grovel with us where the sign

Of Mammon hangs above the mart.

Thine is the task to reign supreme

Within the sacred sphere of home;

To make our life one happy dream,

Thine own as spotless as the foam.

To trade, to toil, to head the feast,

To seek the politician's gain,

Were hateful:—ay, as though the priest

Took usury, within the fane!

## OUR BOOKING-OFFICE.

BARON DE BOOK-WORMS owns to being easily affected by a pathetic episode. He well remembers how years ago in the course of a discussion among literary men about books and their writers, the Baron acknowledged that in spite of his having been told how the pathos of DICKENS was all a trick, and how the sentiment of that great novelist was for the most part false, he still felt a choking sensation in his throat and a natural inclination to blow his nose strenuously whenever he re-read the death of Little Paul, the death of Dora, and some passages about Tiny Tim. There was no dissentient voice as to the death of Colonel Newcome; all admitted the recurrence of that peculiar choking sensation, read they their THACKERAY never so often. Now the Baron differs from Josh Sedley in, as he thinks, many respects, but he is almost as "easily moved to tears" as was that stout hero. Wherefore this preface? Well, 'tis because the Baron owns to having "snivelled," if you will, when reading a delightful story, published by MACMILLAN in one volume ("bless all good stories in one vol., clearly printed!" says the Baron, parenthetically), entitled simply, Tim. No relation to Tiny Tim already mentioned; quite another child. The Baron strongly recommends this story, and especially to Etonians past and present, as giving a life-like picture which the latter will recognise, of the career at that great public school of a fragile little chap entirely unfitted by nature for the rough and tumble of such a life. The considerate tutor, too, is no effort of imagination; he exists; and, perhaps, such an one may have always existed since the division between Collegers and Oppidans first began. The Baron in his own time, nigh forty years ago, knew an exceptional species of this rare genus; but there are plenty of witnesses to the truth of the Etonian portion of Tim. "Tolle, lege!" quoth the Baron, and be not ashamed if in reading the latter portion of the story you have to search for your pocket-handkerchief, and, glancing furtively around, murmur to yourself, "But soft! I am observed!" Then when unobserved, "wipe the other eye!" and thank the unknown author of Tim; at the same time not forgetting your guide, philosopher, and friend,

THE BARON DE BOOK-WORMS.

[pg 190]

### DESIGN FOR THE POSTER FOR THE NEXT GERMAN EXHIBITION IN LONDON.

[pg 191]

### A FALLEN LEADER.

## CHARLES STEWART PARNELL.

#### BORN, JUNE 27TH, 1846. DIED, OCTOBER 6TH, 1891.

"The falcon-crest and plumage gone,

Can that be haughty MARMION?"

Sir Walter Scott.

Fallen! And not as leaders love to fall,

In battle's forefront, loved and mourned by all;

But fiercely fighting, as for his own hand,

With the scant remnant of a broken band;

His chieftainship, well-earned in many a fray,

Rent from him—by himself!

None did betray

This sinister strong fighter to his foes;

He fell by his own action, as he rose.

He had fought all—himself he could not fight,

Nor rise to the clear air of patient right.

Somewhere his strenuous soul unsoundly rang,

When closely tested. Let the laurels hang

About his tomb, for, with whatever fault,

He led with valour cool a fierce assault

Upon a frowning fortress, densely manned

With strong outnumbering enemies. He planned

Far-seen campaigns apparently forlorn;

He fronted headlong hate and scourging scorn,

Impassively persistent. But the task

Of coldly keeping up the Stoic mask

O'ertaxed him at the last; it fell, and lo!

Another face was bared to friend and foe.

Scarce to his foes will generous judgment lean—

Foes mean as merciless, and false as mean,

Their poisoned pens, which even softening Death,

Which hate should hush and stifle slander's breath,

May not deprive of venom, prodding still

The unresponsive corse they helped to kill,

Is an ignoble sight. Turn, turn away!

Mean hates pursue the MARMION of our day,

A nobler foe, like DOUGLAS, well may rue

His fall, and sigh, "'Tis pity of him, too!"

### Motto for the Moment.

#### (By a Militant Radical Candidate.)

Ah! I must trounce the Tory foe,

And love my Toiling neighbour.

The cry with which to fight I go

Is "Labour and Belabour!"

### "WHEN A MAN DOES NOT LOOK HIS BEST."—No. 2.

WHEN THE ROAD-CAR STOPS SUDDENLY JUST AS HE IS CAUTIOUSLY DESCENDING THE STAIRCASE!

## THE G.P. AND THE G.P.O.

#### (A Dialogue strictly according to Precedent.)

General Public. I am sorry to say the condition of the Postal Service is really extremely defective. The delay in the delivery of letters is most annoying. Frequently a note which should be received in the evening is not obtained until the following morning—proof of this being given by the post-marks.

General Post Office. Your complaint shall receive consideration.

G.P. You are most kind. Next, a telegram despatched from one part of London to another part, sometimes takes eight hours, and the reason given is that the counter-clerk has a discretionary power to retain telegrams until he has what he considers a sufficient supply for the messenger to take out for delivery. This naturally causes much delay and consequent inconvenience.

G.P.O. Your complaint shall receive consideration.

G.P. You are too good. Next, the carelessness at Branch Offices is extremely irritating. For instance, it is often the case that the words of telegrams have been altered and changed during transmission. It is unnecessary to point out that such mistakes are liable to create annoyance, not to say disaster.

G.P.O. Your complaint shall receive consideration.

G.P. Very many thanks. Then, at offices where females are engaged, rudeness is very common. Would-be purchasers of postage-stamps are frequently kept waiting while the clerks chatter to one another about matters entirely unconnected with the Department. And this habit is gaining ground in those offices in which male labour is only employed, especially in the immediate neighbourhood of St. Martin's-le-Grand itself. It is useless to call attention to this practice, as a simple denial from an official implicated is accepted by the authorities as proof (almost) positive of his or her innocence.

G.P.O. Your complaint shall receive consideration.

G.P. Again, thanks for your courtesy. But about these and many other grievances, the same stereotyped answer has invariably been received.

G.P.O. Your complaint shall receive consideration.

G.P. Exactly! That is the very answer. And it is felt that no other outcome will result from agitation. It seems utterly impossible to make the officials in charge realise their responsibility to the taxpayers.

G.P.O. Your complaint shall receive consideration.

G.P. Of course; the same parrot-cry! And it may be for years, and it be for ever, before reform is introduced. The probability is, that the present unsatisfactory condition of affairs may exist at St. Martin's-le-Grand until the hour of doom.

G.P.O. Your complaint shall receive consideration.

### REFLECTION BY A GENERAL READER.

I have been reading books wherein 'tis shown

(In diction autocratic, sour, un-civil),

That nothing can be absolutely known,

Save that the Universe is wholly evil!

And even this poor result is only plain

To Genius—which, of course, is quite a rarity.

I should have thought this would have given it pain,

And moved it to both modesty and charity;

But what surprises me (—ZOILUS, to mock sure,

Will whip me with sham-epigrams would-be witty,—)

Is that Agnostics seem so awfully pure,

And Pessimists so destitute of pity.

[pg 192]

## ANNALS OF A WATERING-PLACE

### THAT HAS "SEEN ITS DAY."

The weather which, in Mr. DUNSTABLE's varied experience of five-and-twenty years, he assures me, has never been so bad, having at length afforded some indications of "breaking" I make the acquaintance, through Mrs. COBBLER, of Mr. WISTERWHISTLE, the Proprietor of the one Bath-chair available for the invalid of Torsington-on-Sea, who, like myself, stands in need of the salubrious air of that health-giving resort, but who is ordered by his medical adviser to secure it with the least possible expenditure of physical strength.

A Mess Dinner.

Both Mr. WISTERWHISTLE and his chair are peculiar in their respective ways, and each has a decided history. Mr. WISTERWHISTLE, growing confidential over his antecedents, says, "You see, Sir, I wasn't brought up to the Bath-chair business, so to speak, for I began in the Royal Navy, under His Majesty King WILLIAM THE FOURTH. Then I took to the Coast-Guard business, and having put by a matter of thirty pound odd, and hearing 'she' was in the market,"—Mr. WISTERWHISTLE always referred to his Bath-chair as "she," evidently regarding it from the nautical stand-point as of the feminine gender,—"and knowing, saving your presence, Sir, that old BLOXER, of whom I bought her, had such a good crop of cripples the last season or two, that he often touched two-and-forty shillings a-week with 'em, I dropped Her Majesty's Service, and took to this 'ere. But, Lor, Sir, the business ain't wot it wos. Things is changed woeful at Torsington since I took her up. Then from 9 o'clock, as you might say, to 6 P.M., every hour was took up; and, mind you, by real downright 'aristocracy,'—real live noble-men, with gout on 'em, as thought nothink of a two hours' stretch, and didn't 'aggle, savin' your presence, over a extra sixpence for the job either way. But, bless you, wot's it come to now? Why, she might as well lay up in a dry dock arf the week, for wot's come of the downright genuine invalid, savin' your presence, blow'd if I knows. One can see, of course, Sir, in arf a jiffy, as you is touched in the legs with the rheumatics, or summat like it; but besides you and a old gent on crutches from Portland Buildings, there ain't no real invalid public 'ere at all, and one can't expect to make a livin' out of you two; for if you mean to do the thing ever so 'ansome, it ain't reasonable to expect you and the old gent I was a referring to, to stand seven hours a day goin' up and down the Esplanade between you, and you see even that at a bob an hour ain't no great shakes when you come to pay for 'ousing her and keepin' her lookin' spic and span, with all her brass knobs a shining and her leather apron fresh polished with patent carriage blackin': and Lor, Sir, you'd not b'lieve me if I was to tell you what a deal of show some parties expects for their one bob an hour. Why, it was only the other day that Lady GLUMPLEY (a old party with a front of black curls and yaller bows in her bonnet, as I dare say you've noticed me a haulin' up and down the Parade when the band's a playin'), says to me, says she, 'It ain't so much the easy goin' of your chair, Mr. WISTERWHISTLE, as makes me patronise it, as its general genteel appearance. For there's many a chair at Brighton that can't hold a candle to it!'" But at this point he was interrupted by the appearance of a dense crowd that half filled the street, and drew up in silent expectation opposite my front door. Dear me, I had quite forgotten I had sent for him. But the boy who cleans the boots and knives has returned, and brought with him the One Policeman!

## THE BOY THE FATHER OF THE MAN.

#### (A Chapter from a Sea Story of the future.)

"Lash the lubber to the top-gallant yard and give him five hundred with the cat o' ninetails!" shouted the pirate Captain, blue with passion.

There was a murmur amongst his crew. Because their messmate had forgotten to touch his cap, it seemed hard to their poor untutored minds he should receive so heavy a punishment.

"What, mutiny!" cried the ruffian skipper, "here take this and this and this!" and he distributed the contents of his revolver amongst the sailors aft.

In the meanwhile, the poor wretch was hanging to the topgallant yard, expecting every moment to be his last.

"A sail, Sir," said the boatswain, saluting, as he mounted to the quarter-deck.

"Get ready the torpedoes, and serve out per man a hundredweight of smokeless powder cartridges. We shall have rough work." Then he added, "By the way, what is the time?"

"About half-past two, Sir," returned the other, and then, as his Captain made an unsuccessful grab, he muttered, "No you don't!"

The ship in pursuit came on apace, and soon the two vessels were yard-arm to yard-arm engaged in mortal combat. For a while the confusion was so great that it was impossible to say what would be the upshot. But a fortunate torpedo sent the pirate craft to the bottom, and of all her crew, only the skipper survived. He was brought (loaded with chains) before his conqueror.

"Well, you scoundrel," said the British Captain, "have you anything to urge in your defence before we prepare you for your execution?"

"What would be the good?" was the sulky reply. "I know my fate."

"That voice, those husky tones," exclaimed the epauletted representative of the English Admiralty; "surely I know them. They bring back painful recollections. Show your face, Sirrah!"

"Why should I?" queried the conquered Chief. "It won't do me any good!"

But at a gesture of the British Captain, his prisoner was seized, and his face forcibly washed.

"What, BILLY TOMPKINS!" murmured the Briton, "and we meet again like this!"

"Yes," answered the other, "and it can't be helped. You have your duty to perform, and so have I. Do your worst!"

"But, BILLY, you were not always like this!"

"No, JACK, I was not. Once I used to prattle at my mother's knee. I was beloved by my brothers and sisters, and I was the pride of the nursery!"

And then the strong man broke down, and wept bitterly.

"But have you not fallen very low?" asked the British Captain, gently.

"Indeed I have! I am a thief, a liar, a scoundrel—and, in fact, a blackguard!"

"With such surroundings," returned the Officer R.N., pointing to the debris of the pirate craft, "it is difficult to dispute your contention. Indeed, you are a blackguard! But to what cause do you owe your fall?"

"To my early training."

"I do not comprehend you. Your early training! Where were you trained?"

"In the Britannia!"

And then the British Captain completely understood the situation.

### A SOLILOQUY.

(At the close of the German Exhibition.)
West Kensington Cuirassier. "NOW OI WONDER WHAT KOIND OF AN 'ERO OI'LL 'AVE TO BE NEXT YEAR?"

NOTICE.—Rejected Communications or Contributions, whether MS., Printed Matter, Drawings, or Pictures of any description, will in no case be returned, not even when accompanied by a Stamped and Addressed Envelope, Cover, or Wrapper. To this rule there will be no exception.

    End of the Project Gutenberg EBook of Punch, Or The London Charivari, Vol.
    101. October 17, 1891, by Various

    *** END OF THIS PROJECT GUTENBERG EBOOK PUNCH, VOL. 101 ***

    ***** This file should be named 14053-h.htm or 14053-h.zip *****
    This and all associated files of various formats will be found in:
            https://www.gutenberg.org/1/4/0/5/14053/

    Produced by Malcolm Farmer, William Flis, and the PG Online
    Distributed Proofreading Team

    Updated editions will replace the previous one--the old editions
    will be renamed.

    Creating the works from public domain print editions means that no
    one owns a United States copyright in these works, so the Foundation
    (and you!) can copy and distribute it in the United States without
    permission and without paying copyright royalties.  Special rules,
    set forth in the General Terms of Use part of this license, apply to
    copying and distributing Project Gutenberg-tm electronic works to
    protect the PROJECT GUTENBERG-tm concept and trademark.  Project
    Gutenberg is a registered trademark, and may not be used if you
    charge for the eBooks, unless you receive specific permission.  If you
    do not charge anything for copies of this eBook, complying with the
    rules is very easy.  You may use this eBook for nearly any purpose
    such as creation of derivative works, reports, performances and
    research.  They may be modified and printed and given away--you may do
    practically ANYTHING with public domain eBooks.  Redistribution is
    subject to the trademark license, especially commercial
    redistribution.

    *** START: FULL LICENSE ***

    THE FULL PROJECT GUTENBERG LICENSE
    PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

    To protect the Project Gutenberg-tm mission of promoting the free
    distribution of electronic works, by using or distributing this work
    (or any other work associated in any way with the phrase "Project
    Gutenberg"), you agree to comply with all the terms of the Full Project
    Gutenberg-tm License (available with this file or online at
    https://gutenberg.org/license).

    Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
    electronic works

    1.A.  By reading or using any part of this Project Gutenberg-tm
    electronic work, you indicate that you have read, understand, agree to
    and accept all the terms of this license and intellectual property
    (trademark/copyright) agreement.  If you do not agree to abide by all
    the terms of this agreement, you must cease using and return or destroy
    all copies of Project Gutenberg-tm electronic works in your possession.
    If you paid a fee for obtaining a copy of or access to a Project
    Gutenberg-tm electronic work and you do not agree to be bound by the
    terms of this agreement, you may obtain a refund from the person or
    entity to whom you paid the fee as set forth in paragraph 1.E.8.

    1.B.  "Project Gutenberg" is a registered trademark.  It may only be
    used on or associated in any way with an electronic work by people who
    agree to be bound by the terms of this agreement.  There are a few
    things that you can do with most Project Gutenberg-tm electronic works
    even without complying with the full terms of this agreement.  See
    paragraph 1.C below.  There are a lot of things you can do with Project
    Gutenberg-tm electronic works if you follow the terms of this agreement
    and help preserve free future access to Project Gutenberg-tm electronic
    works.  See paragraph 1.E below.

    1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
    or PGLAF), owns a compilation copyright in the collection of Project
    Gutenberg-tm electronic works.  Nearly all the individual works in the
    collection are in the public domain in the United States.  If an
    individual work is in the public domain in the United States and you are
    located in the United States, we do not claim a right to prevent you from
    copying, distributing, performing, displaying or creating derivative
    works based on the work as long as all references to Project Gutenberg
    are removed.  Of course, we hope that you will support the Project
    Gutenberg-tm mission of promoting free access to electronic works by
    freely sharing Project Gutenberg-tm works in compliance with the terms of
    this agreement for keeping the Project Gutenberg-tm name associated with
    the work.  You can easily comply with the terms of this agreement by
    keeping this work in the same format with its attached full Project
    Gutenberg-tm License when you share it without charge with others.

    1.D.  The copyright laws of the place where you are located also govern
    what you can do with this work.  Copyright laws in most countries are in
    a constant state of change.  If you are outside the United States, check
    the laws of your country in addition to the terms of this agreement
    before downloading, copying, displaying, performing, distributing or
    creating derivative works based on this work or any other Project
    Gutenberg-tm work.  The Foundation makes no representations concerning
    the copyright status of any work in any country outside the United
    States.

    1.E.  Unless you have removed all references to Project Gutenberg:

    1.E.1.  The following sentence, with active links to, or other immediate
    access to, the full Project Gutenberg-tm License must appear prominently
    whenever any copy of a Project Gutenberg-tm work (any work on which the
    phrase "Project Gutenberg" appears, or with which the phrase "Project
    Gutenberg" is associated) is accessed, displayed, performed, viewed,
    copied or distributed:

    This eBook is for the use of anyone anywhere at no cost and with
    almost no restrictions whatsoever.  You may copy it, give it away or
    re-use it under the terms of the Project Gutenberg License included
    with this eBook or online at www.gutenberg.org

    1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
    from the public domain (does not contain a notice indicating that it is
    posted with permission of the copyright holder), the work can be copied
    and distributed to anyone in the United States without paying any fees
    or charges.  If you are redistributing or providing access to a work
    with the phrase "Project Gutenberg" associated with or appearing on the
    work, you must comply either with the requirements of paragraphs 1.E.1
    through 1.E.7 or obtain permission for the use of the work and the
    Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
    1.E.9.

    1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
    with the permission of the copyright holder, your use and distribution
    must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
    terms imposed by the copyright holder.  Additional terms will be linked
    to the Project Gutenberg-tm License for all works posted with the
    permission of the copyright holder found at the beginning of this work.

    1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
    License terms from this work, or any files containing a part of this
    work or any other work associated with Project Gutenberg-tm.

    1.E.5.  Do not copy, display, perform, distribute or redistribute this
    electronic work, or any part of this electronic work, without
    prominently displaying the sentence set forth in paragraph 1.E.1 with
    active links or immediate access to the full terms of the Project
    Gutenberg-tm License.

    1.E.6.  You may convert to and distribute this work in any binary,
    compressed, marked up, nonproprietary or proprietary form, including any
    word processing or hypertext form.  However, if you provide access to or
    distribute copies of a Project Gutenberg-tm work in a format other than
    "Plain Vanilla ASCII" or other format used in the official version
    posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
    you must, at no additional cost, fee or expense to the user, provide a
    copy, a means of exporting a copy, or a means of obtaining a copy upon
    request, of the work in its original "Plain Vanilla ASCII" or other
    form.  Any alternate format must include the full Project Gutenberg-tm
    License as specified in paragraph 1.E.1.

    1.E.7.  Do not charge a fee for access to, viewing, displaying,
    performing, copying or distributing any Project Gutenberg-tm works
    unless you comply with paragraph 1.E.8 or 1.E.9.

    1.E.8.  You may charge a reasonable fee for copies of or providing
    access to or distributing Project Gutenberg-tm electronic works provided
    that

    - You pay a royalty fee of 20% of the gross profits you derive from
         the use of Project Gutenberg-tm works calculated using the method
         you already use to calculate your applicable taxes.  The fee is
         owed to the owner of the Project Gutenberg-tm trademark, but he
         has agreed to donate royalties under this paragraph to the
         Project Gutenberg Literary Archive Foundation.  Royalty payments
         must be paid within 60 days following each date on which you
         prepare (or are legally required to prepare) your periodic tax
         returns.  Royalty payments should be clearly marked as such and
         sent to the Project Gutenberg Literary Archive Foundation at the
         address specified in Section 4, "Information about donations to
         the Project Gutenberg Literary Archive Foundation."

    - You provide a full refund of any money paid by a user who notifies
         you in writing (or by e-mail) within 30 days of receipt that s/he
         does not agree to the terms of the full Project Gutenberg-tm
         License.  You must require such a user to return or
         destroy all copies of the works possessed in a physical medium
         and discontinue all use of and all access to other copies of
         Project Gutenberg-tm works.

    - You provide, in accordance with paragraph 1.F.3, a full refund of any
         money paid for a work or a replacement copy, if a defect in the
         electronic work is discovered and reported to you within 90 days
         of receipt of the work.

    - You comply with all other terms of this agreement for free
         distribution of Project Gutenberg-tm works.

    1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
    electronic work or group of works on different terms than are set
    forth in this agreement, you must obtain permission in writing from
    both the Project Gutenberg Literary Archive Foundation and Michael
    Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
    Foundation as set forth in Section 3 below.

    1.F.

    1.F.1.  Project Gutenberg volunteers and employees expend considerable
    effort to identify, do copyright research on, transcribe and proofread
    public domain works in creating the Project Gutenberg-tm
    collection.  Despite these efforts, Project Gutenberg-tm electronic
    works, and the medium on which they may be stored, may contain
    "Defects," such as, but not limited to, incomplete, inaccurate or
    corrupt data, transcription errors, a copyright or other intellectual
    property infringement, a defective or damaged disk or other medium, a
    computer virus, or computer codes that damage or cannot be read by
    your equipment.

    1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
    of Replacement or Refund" described in paragraph 1.F.3, the Project
    Gutenberg Literary Archive Foundation, the owner of the Project
    Gutenberg-tm trademark, and any other party distributing a Project
    Gutenberg-tm electronic work under this agreement, disclaim all
    liability to you for damages, costs and expenses, including legal
    fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
    LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
    PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
    TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
    LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
    INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
    DAMAGE.

    1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
    defect in this electronic work within 90 days of receiving it, you can
    receive a refund of the money (if any) you paid for it by sending a
    written explanation to the person you received the work from.  If you
    received the work on a physical medium, you must return the medium with
    your written explanation.  The person or entity that provided you with
    the defective work may elect to provide a replacement copy in lieu of a
    refund.  If you received the work electronically, the person or entity
    providing it to you may choose to give you a second opportunity to
    receive the work electronically in lieu of a refund.  If the second copy
    is also defective, you may demand a refund in writing without further
    opportunities to fix the problem.

    1.F.4.  Except for the limited right of replacement or refund set forth
    in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
    WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
    WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

    1.F.5.  Some states do not allow disclaimers of certain implied
    warranties or the exclusion or limitation of certain types of damages.
    If any disclaimer or limitation set forth in this agreement violates the
    law of the state applicable to this agreement, the agreement shall be
    interpreted to make the maximum disclaimer or limitation permitted by
    the applicable state law.  The invalidity or unenforceability of any
    provision of this agreement shall not void the remaining provisions.

    1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
    trademark owner, any agent or employee of the Foundation, anyone
    providing copies of Project Gutenberg-tm electronic works in accordance
    with this agreement, and any volunteers associated with the production,
    promotion and distribution of Project Gutenberg-tm electronic works,
    harmless from all liability, costs and expenses, including legal fees,
    that arise directly or indirectly from any of the following which you do
    or cause to occur: (a) distribution of this or any Project Gutenberg-tm
    work, (b) alteration, modification, or additions or deletions to any
    Project Gutenberg-tm work, and (c) any Defect you cause.

    Section  2.  Information about the Mission of Project Gutenberg-tm

    Project Gutenberg-tm is synonymous with the free distribution of
    electronic works in formats readable by the widest variety of computers
    including obsolete, old, middle-aged and new computers.  It exists
    because of the efforts of hundreds of volunteers and donations from
    people in all walks of life.

    Volunteers and financial support to provide volunteers with the
    assistance they need, is critical to reaching Project Gutenberg-tm's
    goals and ensuring that the Project Gutenberg-tm collection will
    remain freely available for generations to come.  In 2001, the Project
    Gutenberg Literary Archive Foundation was created to provide a secure
    and permanent future for Project Gutenberg-tm and future generations.
    To learn more about the Project Gutenberg Literary Archive Foundation
    and how your efforts and donations can help, see Sections 3 and 4
    and the Foundation web page at https://www.pglaf.org.

    Section 3.  Information about the Project Gutenberg Literary Archive
    Foundation

    The Project Gutenberg Literary Archive Foundation is a non profit
    501(c)(3) educational corporation organized under the laws of the
    state of Mississippi and granted tax exempt status by the Internal
    Revenue Service.  The Foundation's EIN or federal tax identification
    number is 64-6221541.  Its 501(c)(3) letter is posted at
    https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
    Literary Archive Foundation are tax deductible to the full extent
    permitted by U.S. federal laws and your state's laws.

    The Foundation's principal office is located at 4557 Melan Dr. S.
    Fairbanks, AK, 99712., but its volunteers and employees are scattered
    throughout numerous locations.  Its business office is located at
    809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
    business@pglaf.org.  Email contact links and up to date contact
    information can be found at the Foundation's web site and official
    page at https://pglaf.org

    For additional contact information:
         Dr. Gregory B. Newby
         Chief Executive and Director
         gbnewby@pglaf.org

    Section 4.  Information about Donations to the Project Gutenberg
    Literary Archive Foundation

    Project Gutenberg-tm depends upon and cannot survive without wide
    spread public support and donations to carry out its mission of
    increasing the number of public domain and licensed works that can be
    freely distributed in machine readable form accessible by the widest
    array of equipment including outdated equipment.  Many small donations
    ($1 to $5,000) are particularly important to maintaining tax exempt
    status with the IRS.

    The Foundation is committed to complying with the laws regulating
    charities and charitable donations in all 50 states of the United
    States.  Compliance requirements are not uniform and it takes a
    considerable effort, much paperwork and many fees to meet and keep up
    with these requirements.  We do not solicit donations in locations
    where we have not received written confirmation of compliance.  To
    SEND DONATIONS or determine the status of compliance for any
    particular state visit https://pglaf.org

    While we cannot and do not solicit contributions from states where we
    have not met the solicitation requirements, we know of no prohibition
    against accepting unsolicited donations from donors in such states who
    approach us with offers to donate.

    International donations are gratefully accepted, but we cannot make
    any statements concerning tax treatment of donations received from
    outside the United States.  U.S. laws alone swamp our small staff.

    Please check the Project Gutenberg Web pages for current donation
    methods and addresses.  Donations are accepted in a number of other
    ways including including checks, online payments and credit card
    donations.  To donate, please visit: https://pglaf.org/donate

    Section 5.  General Information About Project Gutenberg-tm electronic
    works.

    Professor Michael S. Hart was the originator of the Project Gutenberg-tm
    concept of a library of electronic works that could be freely shared
    with anyone.  For thirty years, he produced and distributed Project
    Gutenberg-tm eBooks with only a loose network of volunteer support.

    Project Gutenberg-tm eBooks are often created from several printed
    editions, all of which are confirmed as Public Domain in the U.S.
    unless a copyright notice is included.  Thus, we do not necessarily
    keep eBooks in compliance with any particular paper edition.

    Most people start at our Web site which has the main PG search facility:

         https://www.gutenberg.org

    This Web site includes information about Project Gutenberg-tm,
    including how to make donations to the Project Gutenberg Literary
    Archive Foundation, how to help produce our new eBooks, and how to
    subscribe to our email newsletter to hear about new eBooks.