    The Project Gutenberg EBook of A Butterfly Chase, by P. J. Stahl

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever.  You may copy it, give it away or re-use it under the terms of
    the Project Gutenberg License included with this eBook or online at
    www.gutenberg.org.  If you are not located in the United States, you'll have
    to check the laws of the country where you are located before using this ebook.

    Title: A Butterfly Chase

    Author: P. J. Stahl

    Illustrator: Lorenz Frölich

    Release Date: May 14, 2017 [EBook #54725]

    Language: English

    Character set encoding: UTF-8

    *** START OF THIS PROJECT GUTENBERG EBOOK A BUTTERFLY CHASE ***

    Produced by ellinora and the Online Distributed Proofreading
    Team at http://www.pgdp.net (This file was produced from
    images generously made available by The Internet Archive)

This book has been transcribed for Project Gutenberg by
Distributed Proofreaders,
in memory of our friend and colleague Emmy
* * * Mentor extraordinaire, and so much more * * *

A
Butterfly Chase
Strasburgh, printed G. Silbermann.

# A
BUTTERFLY CHASE.

TRANSLATED FROM THE FRENCH OF
P. J. STAHL.
WITH TWENTY-FOUR ILLUSTRATIONS BY
LORENZ FRÖLICH.
NEW YORK:
D. APPLETON & CO. GRAND STREET.
1869.

## I.

Yes, little Minnie and her cousin Bertie have quite made up their minds to have a splendid collection of butterflies. They have been reading all about it in a book which their uncle, who is a professor at the Museum, has sent them. In this beautiful book they have learnt all about it—how to chase the butterflies, and how to catch them, and how to arrange them in glass cases when they are caught. Everything they want is ready for them. Their uncle has sent with the book two butterfly-nets; a pretty case filled with crooked scissors, tweezers, pincers, and all sorts of sharp steel instruments; a pretty box, at the bottom of which are little round pieces of cork, glued in rows, with long large-headed pins to run through the butterflies; and another little box, with a lot of small squares of glass, which are to be put over their wings to keep them open, and prevent them from fluttering and beating about.

In the beautiful book there are pretty coloured pictures of the fine butterflies that they may meet with in their chases, with the names of each kind printed underneath, so that they will know them all when they catch them.

How very interesting butterflies are!

## II.

Minnie’s mamma, who is almost like a mamma to Bertie too, though she is only his aunt, would be very glad to see her little ones fond of natural history, but still she does not seem quite pleased with their uncle’s idea in sending them, not only the pretty book, but the nets and the sharp, dreadful-looking steel things which they are to use in making their collection. She shook her head rather sadly when she saw the pretty nets which were to stop the butterflies from flying about so happily, and the pins and tweezers which were to turn them into lifeless specimens in a glass box.

But she did not wish to vex their kind uncle, who was a very learned man, and was always thinking of collections and museums, and science and experiments; and she did not like to tell him that she would rather her little ones should learn about butterflies from the book with its beautiful pictures, and from watching them flying about, and settling on the flowers in the fields; and that she did not think it could be a nice play for children to catch and kill the pretty harmless creatures.

## III.

It is a beautiful day. Minnie and Bertie are all ready to start, with their light gauze nets in their hands. Bertie’s is green, and Minnie’s is blue. Bertie has slung the butterfly-box, with the corks and great pins, over his shoulder. He looks quite like a sportsman.

They are going to the daisy field for their first chase; it is a beautiful meadow, full of flowers, which the butterflies are very fond of.

They say good-bye to mamma. She goes with them to the bottom of the steps. The daisy field is not far off. From the drawing-room window dear mamma will be able to see the chase. They have promised not to make themselves too hot.

## IV.

Now they are off, armed with their nets. They are sure to have a splendid chase. Bertie intends to catch a dozen peacock butterflies, and Minnie a dozen emperors. That will make twenty-four butterflies. Peacocks and emperors are the finest of all—the only butterflies they mean to catch. As soon as they reach the field the two hunters hold a consultation and arrange the plan of proceeding. Bertie will take the right side of the field, and Minnie the left. They must not come in each other’s way, only if one should want help, then the other is to fly to the rescue.

## V.

They walk gently along, each on the proper side, just as they agreed; for, in the first place, the grass is very high, and that makes it difficult to run fast; and then, of course, they must not frighten the butterflies. They must go very cautiously, so as to take them by surprise.

There is a donkey in the field. He looks very much astonished at something. I think he is asking himself if the butterfly-hunters are not come to hunt him. What an absurd donkey! to think of any one hunting donkeys with a butterfly-net!

## VI.

Everything is blooming in the meadow, the air is full of soft murmurs, and the insects make a musical hum.

At the hunters’ approach the grasshoppers hop, the bees fly off, and thousands of pale-blue or white butterflies seem to come out of the flowers. But they are too small, and there are so many of them that they do not know which to catch. Peacocks are what they want, or emperors.

Minnie finds that there are holes in the ground, hidden under the grass, which make her trip, and there are disagreeable plants growing among the daisies, which sting her legs, and even some that tear little slits in her frock—but when one goes a-hunting one must not be particular; another time she will ask for a pair of gaiters, like Bertie’s, and a very thick frock. Mr. Donkey is very inquisitive.

## VII.

Hush!—Bertie stops all on a sudden, and makes signs to Minnie not to stir. He must have spied a peacock. How cleverly and quietly he steals up—nearer, nearer, without the slightest noise; he scarcely seems to breathe. Minnie would like to run across to see the beautiful peacock. Bertie holds up his net, all ready to catch the butterfly; the wind puffs the green gauze a little, and Minnie’s heart beats with impatience.

The Donkey cannot conceive what the children are doing. They seem to pay no attention to him.

## VIII.

All on a sudden Bertie brings down the net, and then throws himself on his hands and knees, to make sure of his success. He must have caught the butterfly....

No! there is no butterfly—nothing at all in the net but a bit of clover. Bertie seems rather unhappy about it; but I know who is happy enough—the beautiful butterfly that has had such a fortunate escape. How he soars away! However, Bertie calls out to his cousin that it was not a real peacock after all, which is some comfort.

The Donkey, seeing Bertie on all-fours, wonders whether he is mocking him, and making fun of him.

## IX.

Butterflies are very silly. I think the peacock cannot have noticed Minnie, for he flies very imprudently close to her. Minnie will manage much better than Bertie; yes, indeed, she is not going to let such a beautiful butterfly get away, for he is very beautiful though he may not be a peacock.

Pat! she has got him, and very tight too, so that he cannot possibly get away under the rim.

## X.

‘Have you got him?’ cries Bertie.

‘Yes, yes,’ answers Minnie. ‘Oh, come quick!’

Bertie runs up; but, oh, dear, the ill-natured butterfly has made his escape through a hole in the net, which had been torn by a hedge.

He laughs at Miss Minnie, the good-for-nothing butterfly! He flies up so high, so high, that the little hunters, gazing up at him, almost tumble over on their backs.

But the Donkey is not going to waste his time in staring up into the sky, and very wisely goes back to his browsing.

## XI.

‘Let us lie down on the grass,’ says Bertie, ‘and be on the watch to take the peacock by surprise. When he cannot see any more of us, he will come down. Butterflies are too greedy to stay up in the air very long; they want to come down to suck the honey out of the flowers.’

The two hunters hide themselves carefully, and wait for their revenge, with their nets all ready in their hands. It is a long time to wait; but if one goes a-hunting, one must have patience.

The Donkey is out of all patience, and says to himself, ‘What are they going to do?’ Really he is a most inquisitive donkey. He wants to know everything.

## XII.

The butterfly, seeing nothing more of them, comes down by degrees. First he flies to the right, then he flies to the left, then he flies round and round.

‘He can’t make up his mind about anything,’ says Bertie.

‘And he doesn’t know a bit where he is going,’ says Minnie. ‘He looks every minute as if he were going to stop. He seems as if he wanted a daisy, and then he goes right off to another flower.’

Oh!!! this is cool. The impudent butterfly has popped right down on Minnie’s nose. At first Bertie could scarcely believe his eyes.

## XIII.

Bertie never laughed so much in his life. Minnie, who certainly was not expecting anything of the kind, is so taken by surprise that she jumps up on her feet; and the butterfly, quite as much astonished at what he has done, flies off again as quickly as before. Minnie cannot leave off rubbing her nose; the butterfly’s little feet did tickle her so.

‘He is a very rude butterfly,’ said Minnie.

‘Oh! he must have mistaken your little nose for a flower,’ said Bertie. ‘He did not mean to offend you. He meant to be very polite.’

## XIV.

But there is no time for laughing; the butterfly has settled on a great tuft of meadow-sweet all in flower. The two hunters, seeing this, forget all their plans, and run both together after him with all their might. But the butterfly is not so silly as to wait for them; every time he sees his two enemies come near, off he starts again. A dozen times Minnie thought she had him, and a dozen times Bertie said he had got him; but a dozen times he got away.

‘What troublesome things to catch butterflies are!’ said the two hunters. ‘What is to be done? We have tried every possible way.’

## XV.

Minnie has been running so much that she is quite out of breath, and her hair has fallen all over her shoulders. Bertie, too, is in a most uncomfortable state, and as red as a turkey-cock. Oh! how hot it is. But they cannot lose their time in standing still. They just stop for a few seconds to take breath, and then set off again. But the butterfly has got a good start, and is a long way off already.

All this time the Donkey is lying quite coolly on the grass; but he just takes a look now and then at the hunters.

## XVI.

The Donkey, seeing them come quite close to him, is taken by surprise. He is quite sure now that they are running after him. He must be a most conceited ass to suppose that two such hunters as Minnie and Bertie have nothing better to do than to hunt donkeys. He thinks so much of himself, this Donkey, that he is perfectly silly. So Bertie thinks. As for Minnie, she does not trouble herself about him at all. She can think of nothing but her butterfly.

## XVII.

Heigh-ho! what has happened? Bertie and Minnie, who seemed only just now to be flying over the ground, have disappeared, as if by magic.

This is how it was. Bertie and Minnie, rushing along so eagerly, did not notice that they had got to the bottom of the field; and at the bottom of the field was a ditch; and into the ditch they went head over heels, rolling one over the other.

And at the bottom of the ditch there was some water left by the rain—nasty yellow water.

## XVIII.

Poor Minnie is quite frightened. Bertie has tumbled right upon her; and Bertie is so heavy. Besides, she has got very wet, and her pretty white frock is all dirtied with the mud. It is not nice at all. Bertie helps her up, but she is half inclined to cry.

‘Oh,’ says Bertie, ‘when we go a-hunting we must not mind such little things; we shall be sure to have plenty more of the same sort.’

Minnie begins to think she has had enough already.

## XIX.

‘What has become of the butterfly all this time?’ cries Bertie. Who would have thought it? he is quietly settled not two yards from the spot where his enemies fell; so quiet that one would have thought him asleep or dreaming on the tuft of beautiful blue-bells, where Bertie has just found him.

He turns his back scornfully on the hunters; just as if he had seen or heard nothing, and as if all that has happened did not concern him in the least.

Bertie hopes to have his revenge now. He pops his net down so neatly on the careless butterfly, that this time Mr. Peacock is safely caught, for there are no holes in Bertie’s net.

‘How he beats about!’ says Bertie.

‘Oh! he will spoil all his wings!’ says Minnie.

## XX.

Minnie, however, remembering the directions in her uncle’s book, has opened the box, while Bertie holds his net tightly down on the ground. The butterfly cannot escape. Minnie has given her cousin a great long pin, with a sharp point.

The Donkey, who had run off to some distance, comes back when he sees the hunters stop. He says to himself that something extraordinary must have happened, and he is not wrong this time.

## XXI.

Bertie holds the big pin close to the quivering body of the poor butterfly. He must find the exact spot in the middle of his back, so that the operation may not fail. He has told Minnie to put her hands flat down on the net, one on each side of the poor prisoner. The butterfly, thus pressed, can scarcely stir; a few convulsive struggles are the only signs of his agony and his helplessness; his head, with its large eyes, can still move a little. How dreadful his eyes look; they are full of terror.

Bertie was so proud of his victory; why does he hesitate now?

## XXII.

Why? Because just when he was going to put his poor prisoner to death, the child’s heart and hand trembled—because he looked at his cousin and saw her turn pale—because Minnie turned away her head that she might not see her cousin do this cruel deed. She felt that death was dreadful, whether it were a man’s death or a butterfly’s. This pin was just the same to the poor insect as a sword would be to a man. ‘Oh, Bertie, Bertie!’ she cried, bursting into tears; ‘no, no! don’t let us kill him! Only think, Bertie, it said in uncle’s book that butterflies live for several days with pins run through them. Oh, how dreadful it must be! I could not bear to see it, and you could not, Bertie. It is not nice play to kill things; I don’t like chasing butterflies.’

Bertie has lifted up his net.

Oh, the happy, beautiful butterfly! He thought himself just dead, and he has come back to life. One moment to shake his wings, and away he soars again in his joyous flight towards the blue sky.

Minnie throws her arms round Bertie’s neck, and says, ‘Oh, thank you, Bertie!’ They are very happy too—good little Bertie and dear little Minnie. They know they have done right.

They will never go chasing butterflies again, never, never.

## XXIII.

But from the balcony, where she was sitting, Minnie’s mamma had seen them fall into the ditch, and was hastening to them. The little hunters were so absorbed that they did not see her coming. But dear mamma understands it all, and she is very much pleased with her little children. When they are older she will explain to them that though it is not wrong for learned men to make painful experiments, in order to gain useful knowledge, no one else should wantonly destroy even the least of God’s creatures.

As for the Donkey, I don’t know what has become of him. I think he has given up trying to understand anything about the matter, and gone home to his stable.

Strasburgh, printed G. Silbermann.

Transcriber Notes

- Obvious typos and punctuation errors corrected.
- The Illustrator's last name of FRÖLICH has been left as in the original, similar spelling is found in other printed material from the same time period. The original spelling of the name in Danish appears to be FRØLICH.

    End of the Project Gutenberg EBook of A Butterfly Chase, by P. J. Stahl

    *** END OF THIS PROJECT GUTENBERG EBOOK A BUTTERFLY CHASE ***

    ***** This file should be named 54725-h.htm or 54725-h.zip *****
    This and all associated files of various formats will be found in:
            http://www.gutenberg.org/5/4/7/2/54725/

    Produced by ellinora and the Online Distributed Proofreading
    Team at http://www.pgdp.net (This file was produced from
    images generously made available by The Internet Archive)

    Updated editions will replace the previous one--the old editions will
    be renamed.

    Creating the works from print editions not protected by U.S. copyright
    law means that no one owns a United States copyright in these works,
    so the Foundation (and you!) can copy and distribute it in the United
    States without permission and without paying copyright
    royalties. Special rules, set forth in the General Terms of Use part
    of this license, apply to copying and distributing Project
    Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
    concept and trademark. Project Gutenberg is a registered trademark,
    and may not be used if you charge for the eBooks, unless you receive
    specific permission. If you do not charge anything for copies of this
    eBook, complying with the rules is very easy. You may use this eBook
    for nearly any purpose such as creation of derivative works, reports,
    performances and research. They may be modified and printed and given
    away--you may do practically ANYTHING in the United States with eBooks
    not protected by U.S. copyright law. Redistribution is subject to the
    trademark license, especially commercial redistribution.

    START: FULL LICENSE

    THE FULL PROJECT GUTENBERG LICENSE
    PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

    To protect the Project Gutenberg-tm mission of promoting the free
    distribution of electronic works, by using or distributing this work
    (or any other work associated in any way with the phrase "Project
    Gutenberg"), you agree to comply with all the terms of the Full
    Project Gutenberg-tm License available with this file or online at
    www.gutenberg.org/license.

    Section 1. General Terms of Use and Redistributing Project
    Gutenberg-tm electronic works

    1.A. By reading or using any part of this Project Gutenberg-tm
    electronic work, you indicate that you have read, understand, agree to
    and accept all the terms of this license and intellectual property
    (trademark/copyright) agreement. If you do not agree to abide by all
    the terms of this agreement, you must cease using and return or
    destroy all copies of Project Gutenberg-tm electronic works in your
    possession. If you paid a fee for obtaining a copy of or access to a
    Project Gutenberg-tm electronic work and you do not agree to be bound
    by the terms of this agreement, you may obtain a refund from the
    person or entity to whom you paid the fee as set forth in paragraph
    1.E.8.

    1.B. "Project Gutenberg" is a registered trademark. It may only be
    used on or associated in any way with an electronic work by people who
    agree to be bound by the terms of this agreement. There are a few
    things that you can do with most Project Gutenberg-tm electronic works
    even without complying with the full terms of this agreement. See
    paragraph 1.C below. There are a lot of things you can do with Project
    Gutenberg-tm electronic works if you follow the terms of this
    agreement and help preserve free future access to Project Gutenberg-tm
    electronic works. See paragraph 1.E below.

    1.C. The Project Gutenberg Literary Archive Foundation ("the
    Foundation" or PGLAF), owns a compilation copyright in the collection
    of Project Gutenberg-tm electronic works. Nearly all the individual
    works in the collection are in the public domain in the United
    States. If an individual work is unprotected by copyright law in the
    United States and you are located in the United States, we do not
    claim a right to prevent you from copying, distributing, performing,
    displaying or creating derivative works based on the work as long as
    all references to Project Gutenberg are removed. Of course, we hope
    that you will support the Project Gutenberg-tm mission of promoting
    free access to electronic works by freely sharing Project Gutenberg-tm
    works in compliance with the terms of this agreement for keeping the
    Project Gutenberg-tm name associated with the work. You can easily
    comply with the terms of this agreement by keeping this work in the
    same format with its attached full Project Gutenberg-tm License when
    you share it without charge with others.

    1.D. The copyright laws of the place where you are located also govern
    what you can do with this work. Copyright laws in most countries are
    in a constant state of change. If you are outside the United States,
    check the laws of your country in addition to the terms of this
    agreement before downloading, copying, displaying, performing,
    distributing or creating derivative works based on this work or any
    other Project Gutenberg-tm work. The Foundation makes no
    representations concerning the copyright status of any work in any
    country outside the United States.

    1.E. Unless you have removed all references to Project Gutenberg:

    1.E.1. The following sentence, with active links to, or other
    immediate access to, the full Project Gutenberg-tm License must appear
    prominently whenever any copy of a Project Gutenberg-tm work (any work
    on which the phrase "Project Gutenberg" appears, or with which the
    phrase "Project Gutenberg" is associated) is accessed, displayed,
    performed, viewed, copied or distributed:

      This eBook is for the use of anyone anywhere in the United States and
      most other parts of the world at no cost and with almost no
      restrictions whatsoever. You may copy it, give it away or re-use it
      under the terms of the Project Gutenberg License included with this
      eBook or online at www.gutenberg.org. If you are not located in the
      United States, you'll have to check the laws of the country where you
      are located before using this ebook.

    1.E.2. If an individual Project Gutenberg-tm electronic work is
    derived from texts not protected by U.S. copyright law (does not
    contain a notice indicating that it is posted with permission of the
    copyright holder), the work can be copied and distributed to anyone in
    the United States without paying any fees or charges. If you are
    redistributing or providing access to a work with the phrase "Project
    Gutenberg" associated with or appearing on the work, you must comply
    either with the requirements of paragraphs 1.E.1 through 1.E.7 or
    obtain permission for the use of the work and the Project Gutenberg-tm
    trademark as set forth in paragraphs 1.E.8 or 1.E.9.

    1.E.3. If an individual Project Gutenberg-tm electronic work is posted
    with the permission of the copyright holder, your use and distribution
    must comply with both paragraphs 1.E.1 through 1.E.7 and any
    additional terms imposed by the copyright holder. Additional terms
    will be linked to the Project Gutenberg-tm License for all works
    posted with the permission of the copyright holder found at the
    beginning of this work.

    1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
    License terms from this work, or any files containing a part of this
    work or any other work associated with Project Gutenberg-tm.

    1.E.5. Do not copy, display, perform, distribute or redistribute this
    electronic work, or any part of this electronic work, without
    prominently displaying the sentence set forth in paragraph 1.E.1 with
    active links or immediate access to the full terms of the Project
    Gutenberg-tm License.

    1.E.6. You may convert to and distribute this work in any binary,
    compressed, marked up, nonproprietary or proprietary form, including
    any word processing or hypertext form. However, if you provide access
    to or distribute copies of a Project Gutenberg-tm work in a format
    other than "Plain Vanilla ASCII" or other format used in the official
    version posted on the official Project Gutenberg-tm web site
    (www.gutenberg.org), you must, at no additional cost, fee or expense
    to the user, provide a copy, a means of exporting a copy, or a means
    of obtaining a copy upon request, of the work in its original "Plain
    Vanilla ASCII" or other form. Any alternate format must include the
    full Project Gutenberg-tm License as specified in paragraph 1.E.1.

    1.E.7. Do not charge a fee for access to, viewing, displaying,
    performing, copying or distributing any Project Gutenberg-tm works
    unless you comply with paragraph 1.E.8 or 1.E.9.

    1.E.8. You may charge a reasonable fee for copies of or providing
    access to or distributing Project Gutenberg-tm electronic works
    provided that

    * You pay a royalty fee of 20% of the gross profits you derive from
      the use of Project Gutenberg-tm works calculated using the method
      you already use to calculate your applicable taxes. The fee is owed
      to the owner of the Project Gutenberg-tm trademark, but he has
      agreed to donate royalties under this paragraph to the Project
      Gutenberg Literary Archive Foundation. Royalty payments must be paid
      within 60 days following each date on which you prepare (or are
      legally required to prepare) your periodic tax returns. Royalty
      payments should be clearly marked as such and sent to the Project
      Gutenberg Literary Archive Foundation at the address specified in
      Section 4, "Information about donations to the Project Gutenberg
      Literary Archive Foundation."

    * You provide a full refund of any money paid by a user who notifies
      you in writing (or by e-mail) within 30 days of receipt that s/he
      does not agree to the terms of the full Project Gutenberg-tm
      License. You must require such a user to return or destroy all
      copies of the works possessed in a physical medium and discontinue
      all use of and all access to other copies of Project Gutenberg-tm
      works.

    * You provide, in accordance with paragraph 1.F.3, a full refund of
      any money paid for a work or a replacement copy, if a defect in the
      electronic work is discovered and reported to you within 90 days of
      receipt of the work.

    * You comply with all other terms of this agreement for free
      distribution of Project Gutenberg-tm works.

    1.E.9. If you wish to charge a fee or distribute a Project
    Gutenberg-tm electronic work or group of works on different terms than
    are set forth in this agreement, you must obtain permission in writing
    from both the Project Gutenberg Literary Archive Foundation and The
    Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
    trademark. Contact the Foundation as set forth in Section 3 below.

    1.F.

    1.F.1. Project Gutenberg volunteers and employees expend considerable
    effort to identify, do copyright research on, transcribe and proofread
    works not protected by U.S. copyright law in creating the Project
    Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
    electronic works, and the medium on which they may be stored, may
    contain "Defects," such as, but not limited to, incomplete, inaccurate
    or corrupt data, transcription errors, a copyright or other
    intellectual property infringement, a defective or damaged disk or
    other medium, a computer virus, or computer codes that damage or
    cannot be read by your equipment.

    1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
    of Replacement or Refund" described in paragraph 1.F.3, the Project
    Gutenberg Literary Archive Foundation, the owner of the Project
    Gutenberg-tm trademark, and any other party distributing a Project
    Gutenberg-tm electronic work under this agreement, disclaim all
    liability to you for damages, costs and expenses, including legal
    fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
    LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
    PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
    TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
    LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
    INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
    DAMAGE.

    1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
    defect in this electronic work within 90 days of receiving it, you can
    receive a refund of the money (if any) you paid for it by sending a
    written explanation to the person you received the work from. If you
    received the work on a physical medium, you must return the medium
    with your written explanation. The person or entity that provided you
    with the defective work may elect to provide a replacement copy in
    lieu of a refund. If you received the work electronically, the person
    or entity providing it to you may choose to give you a second
    opportunity to receive the work electronically in lieu of a refund. If
    the second copy is also defective, you may demand a refund in writing
    without further opportunities to fix the problem.

    1.F.4. Except for the limited right of replacement or refund set forth
    in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
    OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
    LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

    1.F.5. Some states do not allow disclaimers of certain implied
    warranties or the exclusion or limitation of certain types of
    damages. If any disclaimer or limitation set forth in this agreement
    violates the law of the state applicable to this agreement, the
    agreement shall be interpreted to make the maximum disclaimer or
    limitation permitted by the applicable state law. The invalidity or
    unenforceability of any provision of this agreement shall not void the
    remaining provisions.

    1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
    trademark owner, any agent or employee of the Foundation, anyone
    providing copies of Project Gutenberg-tm electronic works in
    accordance with this agreement, and any volunteers associated with the
    production, promotion and distribution of Project Gutenberg-tm
    electronic works, harmless from all liability, costs and expenses,
    including legal fees, that arise directly or indirectly from any of
    the following which you do or cause to occur: (a) distribution of this
    or any Project Gutenberg-tm work, (b) alteration, modification, or
    additions or deletions to any Project Gutenberg-tm work, and (c) any
    Defect you cause.

    Section 2. Information about the Mission of Project Gutenberg-tm

    Project Gutenberg-tm is synonymous with the free distribution of
    electronic works in formats readable by the widest variety of
    computers including obsolete, old, middle-aged and new computers. It
    exists because of the efforts of hundreds of volunteers and donations
    from people in all walks of life.

    Volunteers and financial support to provide volunteers with the
    assistance they need are critical to reaching Project Gutenberg-tm's
    goals and ensuring that the Project Gutenberg-tm collection will
    remain freely available for generations to come. In 2001, the Project
    Gutenberg Literary Archive Foundation was created to provide a secure
    and permanent future for Project Gutenberg-tm and future
    generations. To learn more about the Project Gutenberg Literary
    Archive Foundation and how your efforts and donations can help, see
    Sections 3 and 4 and the Foundation information page at
    www.gutenberg.org

    Section 3. Information about the Project Gutenberg Literary Archive Foundation

    The Project Gutenberg Literary Archive Foundation is a non profit
    501(c)(3) educational corporation organized under the laws of the
    state of Mississippi and granted tax exempt status by the Internal
    Revenue Service. The Foundation's EIN or federal tax identification
    number is 64-6221541. Contributions to the Project Gutenberg Literary
    Archive Foundation are tax deductible to the full extent permitted by
    U.S. federal laws and your state's laws.

    The Foundation's principal office is in Fairbanks, Alaska, with the
    mailing address: PO Box 750175, Fairbanks, AK 99775, but its
    volunteers and employees are scattered throughout numerous
    locations. Its business office is located at 809 North 1500 West, Salt
    Lake City, UT 84116, (801) 596-1887. Email contact links and up to
    date contact information can be found at the Foundation's web site and
    official page at www.gutenberg.org/contact

    For additional contact information:

        Dr. Gregory B. Newby
        Chief Executive and Director
        gbnewby@pglaf.org

    Section 4. Information about Donations to the Project Gutenberg
    Literary Archive Foundation

    Project Gutenberg-tm depends upon and cannot survive without wide
    spread public support and donations to carry out its mission of
    increasing the number of public domain and licensed works that can be
    freely distributed in machine readable form accessible by the widest
    array of equipment including outdated equipment. Many small donations
    ($1 to $5,000) are particularly important to maintaining tax exempt
    status with the IRS.

    The Foundation is committed to complying with the laws regulating
    charities and charitable donations in all 50 states of the United
    States. Compliance requirements are not uniform and it takes a
    considerable effort, much paperwork and many fees to meet and keep up
    with these requirements. We do not solicit donations in locations
    where we have not received written confirmation of compliance. To SEND
    DONATIONS or determine the status of compliance for any particular
    state visit www.gutenberg.org/donate

    While we cannot and do not solicit contributions from states where we
    have not met the solicitation requirements, we know of no prohibition
    against accepting unsolicited donations from donors in such states who
    approach us with offers to donate.

    International donations are gratefully accepted, but we cannot make
    any statements concerning tax treatment of donations received from
    outside the United States. U.S. laws alone swamp our small staff.

    Please check the Project Gutenberg Web pages for current donation
    methods and addresses. Donations are accepted in a number of other
    ways including checks, online payments and credit card donations. To
    donate, please visit: www.gutenberg.org/donate

    Section 5. General Information About Project Gutenberg-tm electronic works.

    Professor Michael S. Hart was the originator of the Project
    Gutenberg-tm concept of a library of electronic works that could be
    freely shared with anyone. For forty years, he produced and
    distributed Project Gutenberg-tm eBooks with only a loose network of
    volunteer support.

    Project Gutenberg-tm eBooks are often created from several printed
    editions, all of which are confirmed as not protected by copyright in
    the U.S. unless a copyright notice is included. Thus, we do not
    necessarily keep eBooks in compliance with any particular paper
    edition.

    Most people start at our Web site which has the main PG search
    facility: www.gutenberg.org

    This Web site includes information about Project Gutenberg-tm,
    including how to make donations to the Project Gutenberg Literary
    Archive Foundation, how to help produce our new eBooks, and how to
    subscribe to our email newsletter to hear about new eBooks.